SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre in Lincolns Inn Fields"/1) | (@(roleclean,performerclean) "Theatre in Lincolns Inn Fields")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2849 matches on Event Comments, 490 matches on Performance Comments, 78 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: 32nd Night [i.e. in continuation, erroneously, of the reckoning for the preceding season, when it was acted 28 times]. With new Music, Scenes, Dresses, and Decorations. The Music (with a few Exceptions) composed entirely new by Shield. And new Scenery designed and chiefly executed by Richards. Books of the Songs to be had at the Theatre. "Covent-garden is the National Theatre. I was there on 10th Dec. and saw an opera called The Woodman. It was the very day on which the life story of Madam Billington, both from the good as well as from the bad sides was announced [i.e. Memoirs of Mrs Billington, and An Answer to the Memoirs of Mrs Billington, both anonymous, both predated 1792]...She sang rather timidly this evening, but very well all the same. The first tenor [Incledon] has a good voice and quite a good style, but he uses the falsetto to excess. He sang a trill on high C and ran up to G. The 2nd tenor [Johnstone] tries to imitate him, but could not make the change from the falsetto to the natural voice, and apart from that is most unmusical...But the cast is entirely used to him. The leader is Herr Baumgartner [sic], a German who, however, has almost forgotten his mother-tongue. The Theatre is very dark and dirty, and is almost as large as the Vienna Court Theatre. The common people in the galleries of all the theatres are very impertinent; they set the fashion with all their unrestrained impetuosity, and whether something is repeated or not is determined by their yells. The parterre and all the boxes sometimes have to applaud a great deal to have something good repeated. That was just what happened this evening, with the Duet in the 3rd Act, which was very beautiful; and the pro's and contra's went on for nearly a quarter of an hour, till finally the parterre and the boxes won, and they repeated the Duet. Both the performers stood on the stage quite terrified, first retiring, then again coming forward. The orchestra is sleepy" (Haydn, 273-74). Receipts: #194 11s. (191.8; 3.3)

Performances

Mainpiece Title: The Woodman

Performance Comment: [Principal Characters-Quick, Johnstone, Darley, Blanchard, Incledon, Gray, Cross, Mrs Martyr, Mrs Webb, Miss Barnett, Mrs Billington (with additional music)Together let us range the fields (Crouch, II, 129), a duet with Incledon; Se ti perdo (see17920522); Court me not to scenes of pleasure (BUC, 1089)]; (1st appearance in this opera); Rest of the Vocal Parts-Mrs Mountain, Miss Broadhurst, Mrs Harlowe, Miss Stuart, Mrs Watts, Miss Francis, Mrs Arnold, Mrs Davenett, Mrs Bock, Mrs Cross, Mrs Powell, Mrs Gray, Mrs Masters, Mrs Platt, Mrs Ratchford, Mrs Byrne, Miss Leserve. [Cast adjusted from text (T. Cadell, 1791): Sir Walter Waring-Quick; Capt. O'Donnel-Johnstone; Fairlop-Darley; Medley-Blanchard; Wilford-Incledon; Bob-Gray; Filbert-Cross; Dolly-Mrs Martyr; Miss Di Clackit-Mrs Webb; Polly-Miss Barnett; Emily-Mrs Billington; Kitty Maple-Miss Stuart; Bridget-Mrs Cross.

Afterpiece Title: Modern Antiques

Event Comment: Pepys, Diary: Though nine o'clock at night, carried them [Mary Joyce, Anthony Joyce and Kate Joyce] into a puppet play in Lincolnes Inn Fields, where there was the story of Holofernes, and other clockwork, well done

Performances

Mainpiece Title: Puppet Plays

Event Comment: Benefit Wood. At the particular Desire of several Persons of Quality. Weekly Pocket, 14 May: There has been a great Disturbance at...Lincoln's-Inn-Fields this Week, by the Means of some Gentlemen, who were in the Interest of the other House, and made Use of Catcalls to interrupt and ridicule their Theatrical Entertainments; but the Disturbers of the Peace were soon silenc'd. Receipts: #125 16s. 6d

Performances

Mainpiece Title: Tamerlane

Song: Trumpet Song-the little boy; the Instrumental part-Mr Grenoust; Vocal Part-Mr Rawlins

Music: Violin solo-Matthew Dubourg

Dance: delaGarde, Bovil, Mrs Bullock; Harlequin and a Countryman-; Swedish Dal Karl and His Wife, as17150509

Event Comment: It seems a very scandalous Interlude, or Play, has been prepar'd for Action at...Lincoln's Inn Fields notwithstanding the Discouragement that was given but a little while since to one of the same Kind; but a proper Authority has put a Stop to such Outrages against Common Decency and Manners.-Weekly Packet, 4-11 July

Performances

Event Comment: Receipts: #32 0s. 6d. Daily Journal, 18 Feb.: On Saturday Night a Disturbance happen'd at...Lincoln's Inn-Fields, occasion'd by a Body of Bailiffs and their Followers investing the House, in order to carry off a Gentleman who was upon Duty in the Play; but, we hear, their Design miscarried

Performances

Mainpiece Title: Oroonoko

Dance: As17221107

Event Comment: Receipts: #140 13s. Probable attendance: boxes and pit, 308 paid and 73 orders; stage, 1 paid; slips, 27 paid and 7 orders; first gallery, 304 paid and 1 orders; second gallery, 172 paid. Daily Journal, 25 May: We hear that this Evening the famous Captain Lemuel Gulliver is to be at...Lincoln's Inn Fields, very handsomely attended and dress'd in a rich Habit, the like of which was never seen in England before. The two Stage Boxes are kept for him and his Company....The Master of the House has promised the Captain that neither during the Play or Entertainment, any Person shall be admitted behind the Scenes, that the Captain may bot be too much press'd with the Crowd

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: The Rape of Proserpine

Event Comment: Benefit Chapman. Receipts: money #39 12s.; tickets #89 19s. Daily Post, 24 April: We hear that on Monday next the Hon. and Antient Company of Lumber Troopers will perform a fine Exercise in New-street Square, and from thence proceed in a Body...to...Lincoln's-Inn-Fields, to see...the Busy Body, with the Opera of Flora...for the Benefit of Mr Chapman, belonging to the said Troop

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Flora

Dance: II: Two Pierrots-Nivelon, Poitier; IV: Scotch Dance-Salle, Mrs Laguerre; V: Tambourin-Mlle Salle

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: The Quarter Deck; or, Half an Hour's Festivity

Afterpiece Title: Botheration; or, A Ten Years Blunder

Dance: In 2nd piece: a Hornpipe (in Character)-Blurton

Song: In course Entertainment: Old Towler-Incledon; Black Ey'd Susan-Incledon; Incidental to 3rd piece: Mr O'Blarney's Description of London (Including his Remarks on St. James's, St. Giles's, St. Paul's, Debating Clubs, Squares, Gardens, The Monument, Wigs and Crops, Boarding Schools, Inns, Fields, Soldiers, Sailors, and Volunteers) in Character-Johnstone

Performance Comment: James's, St. Giles's, St. Paul's, Debating Clubs, Squares, Gardens, The Monument, Wigs and Crops, Boarding Schools, Inns, Fields, Soldiers, Sailors, and Volunteers) in Character-Johnstone.
Event Comment: 1 At the New Theatre. Benefit Paget. 7 p.m

Performances

Mainpiece Title: 1 Henry Iv; With The Humours Of Sir John Falstaff

Performance Comment: Hotspur-Lee,from Goodman's Fields; Henry IV-Furnival; Prince-Cushing; Francis-Phillips; Hostess-Mrs Phillips; Falstaff-Paget.

Afterpiece Title: 1 The Lying Valet

Song: 1 Cunningham

Dance: 1 Phillips

Event Comment: "This may be called the Coalition Season, the Actors of both Theatres playing at either house indiscriminately" (MS annotation by J. P. Kemble on Kemble playbill). Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Places for the Boxes to be had of Fosbrook at the Stage Door. No Money to be taken at the Stage Door, nor any Money returned after the Curtain is drawn up. The Doors to be opened at 5:30. To begin at 6:30 [see 16 Oct.]. Receipts: #226 8s. 6d. (193.9.0; 32.12.0; 0.7.6)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Comus

Song: In afterpiece: Sweet Echo-Leoni, Mrs Farrell (of cg)

Event Comment: Mainpiece: With alterations [by David Garrick]. "The managers, to our astonishment, continue to play with Garrick's alterations. [The original play] is materially injured by those which Garrick adopted in compliance to the French criticks" (Morning Chronicle, 20 Sept.). [For a summary of these alterations see my Shakespeare in the Theatre, II, 188-89.] Boxes 5s. Pit 3s. Ist Gallery 2s. Upper Gallery 1s. Places for the Boxes to be had of Fosbrook, at the Stage-door. No Money to be taken at the Stage-Door, nor any Money returned after the Curtain is drawn up. The Doors to be opened at 5:30. To begin at 6:30 [see 30 Oct.]. Receipts: #174 6s. 6d. (135.1.0; 38.17.6; 0.8.0)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Comus

Event Comment: Mainpiece: Not acted these 4 years. [In mainpiece the playbill does not list the Child; for the assignment see Morning Post, 10 Oct., and edition of 1787 (Rachael Randall).] "[Mrs Siddons's] merit in the character was infinite, and the applause she received unbounded. In various of her scenes the plaudits were repeated . . . During the fourth and fifth acts there was almost an incessant clapping, and when Isabella expired her death was rendered glorious by the theatre's resounding with thundering applause for more than a minute" (Morning Chronicle, 11 Oct.). "L'actrice la plus noble dans ses manieres, madame Siddons, ne perd rien de sa dignite quand elle se prosterne contre terre . . . Enfin, il arriva ce moment terrible ou Isabelle, s'etant echappee des mains des femmes qui veulent l'empechcr de se tuer, rit, en se donnant un coup de poignard, de l'inutilite de leurs efforts. Ce rire du desespoir est l'effet le plus difficile et le plus remarquable que le jeu dramatique puisse produire; il emeut bien plus que les larmes: cette amere ironie du malheur est son expression la plus dechirante. Qu'elle est terrible la souffrance du coeur, quand elle inspire une si barbare joie, quand elle donne, a l'aspect de son propre sang, le contentement feroce d'un sauvage ennemi qui se serait venge!" (Mme de Stael: Corinne, livre XVII, chapitre iv). Receipts: #181 11s. (147/0; 34/6; 0/5)

Performances

Mainpiece Title: Isabella; Or, The Fatal Marriage

Performance Comment: Biron-Smith; Count Baldwin-Packer; Carlos-Farren; Belford-R. Palmer; Child-Master Siddons; Sampson-Wrighten; Villeroy-Palmer; Nurse-Mrs Love; Isabella-Mrs Siddons (from the Theatre Royal, Bath) .

Afterpiece Title: A Trip to Scotland

Dance: Afterpiece: With a Postilion Dance incident to the Piece. [This was danced in all subsequent performances.]

Song: In Act III of mainpiece an Epithalamium, with singing by Miss Collett and Miss Wright. [This was sung, as here assigned, at all subsequent performances, except on 6 Nov. 1782, 15 Mar., 6 May, 5 June 1783.]

Event Comment: By Command of Their Majesties. [Kemble's 1st appearance as King John was at the Smock Alley Theatre, Dublin, 18 Apr. 1782; Mrs Siddons's 1st appearance as Constance was at Bath on, by coincidence, the same day.] Receipts: #300 9s. (289/8/0; 10/3/6; 0/5/0; tickets not come in: 0/12/6)

Performances

Mainpiece Title: King John

Afterpiece Title: The Deaf Lover

Event Comment: Afterpiece [1st time; MF 2, by Mark Londsale. Prologue by the author {London Chronicle, 10 Nov.)]: The Overture, new Airs and Accompaniments composed by [Thomas] Linley [Sen.]. Books of the Songs to be had at the Theatre. Public Advertiser, 18 Nov. 1784: This Day is published The Spanish Rivals (1s.). Receipts: #160 2s. 6d. (104/12/0; 54/18/0; 0/12/6)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Spanish Rivals

Song: In Act II of mainpiece a song by Miss Stageldoir

Event Comment: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Fosbrook at the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [see 16 Nov.] . Orders and Free #24 11s. Receipts : #280 16s. 6d. (257/11/0 ; 23/0/6 ; 0/5/0)

Performances

Mainpiece Title: Othello-kemble ; Roderigo-dodd ; Cassio-bannister Jun

Afterpiece Title: The Quaker

Event Comment: By Authority of the Lord Chamberlain. Benefit for Mitchell and Sinclair. The Doors to be opened at 5:15. To begin at 6:00 precisely. Tickets to be had of Mitchell at the Old Castle Tavern, near Gray's Inn Gate, Holborn; of Sinclair, Church-Lane, near St. Martin's Church, Strand

Performances

Mainpiece Title: Douglas

Performance Comment: Douglas-Holmes; Glenalvon-Cooke; Lord Randolph-Sparks; Officers-Garden, Swords; Old Norval-Mitchell; Anna-Miss Randall; Lady Randolph-Mrs Jones (from the Theatre-Royal in Dublin).
Cast
Role: Theatre Actor: Royal in Dublin.

Afterpiece Title: Wit's Last Stake

Afterpiece Title: The Brave Irishman

Performance Comment: Captain O'Blunder-A Gentleman (from the Theatre-Royal in Dublin; 1st appearance on the English stage [unidentified]). 1st appearance on the English stage [unidentified]).
Cast
Role: Theatre Actor: Royal in Dublin

Dance: End Monologue: Hornpipe-Lapper

Song: End III: He's aye kissing me-Miss Harris; End: Hunting Song-Miss Harris

Music: Between the Acts: The original Scotch Music-

Entertainment: Monologue.End 2nd piece: Hippisley's Drunken Man-Lewis (1st appearance on that stage these 3 years)

Performances

Mainpiece Title: The Relapse

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Lying Valet

Song: Brett, the surprising voice of the famous African who sings several songs, with Mock Voices, particularly in Imitation of a young Child.; Juggling-Yates

Performances

Mainpiece Title: Strephon And Delia

Afterpiece Title: As You Like It; or, Harlequin's Whim

Music: HHercules and Omphale-

Event Comment: By Authority. At 6 P.M. Boxes 3s. Pit 2s. Gallery 1s. [The opening night of the new theatre in Goodman's Fields. The Prologue and Epilogue were printed in Weekly Journal or British Gazetteer, 8 Nov.

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Plume-Giffard; from the Theatre Royal in Dublin: Balance-W. Giffard; Worthy-Smith; Brazen-Collet; Kite-W. Williams; Bullock-R. Williams; Melinda-Mrs Purden; Sylvia-Mrs Thomas; Rose-Mrs Mountfort; Lucy-Mrs Haughton; With a New Prologue-; Epilogue address'd to the Town-.

Dance:

Event Comment: L. C. 5@140, p. 263: It is his Mates pleasure that there shall not bee acted any playes at the Theatre in Lincolnes Inn ffeilds after Midsummer day next ensuring untill further order (see Nicoll, Restoration Drama, p. 322). The cause of this order is not known

Performances

Event Comment: At the Greyhound Inn, West Smithfield. N.B. The Gentry and others are desired to take notice, that there is a most commodious Way to the Boxes and Pit next the sheep pens, where they may pass without the least Crowd, and Coaches may draw up close to the Door

Performances

Mainpiece Title: Dramatic Turtle

Performance Comment: Yates, from the Theatre Royal in Drury Lane, will dress his Dramatic Turtle for the entertainment of the town. This most excellent dish will comprise the essence of every Theatrical Rarity. IN THE CALIPASH will be found the most extraordinary Adventures of Timur Koran; or, The Favourite of the Sun. The Love and Distress of the Princess Karansa; her confinement in the Brazen Tower; the Cruelty of the Emperor Albufazar her Father; Karanza's Trial and Condemnation; the Banishment of Timor Koran; the wicked Machinations of the Vizier, Prime Minister to Albufazar, the Procession of the Princess and Timur Koran to the Funeral Pile; their strange delivery from Death by the spirit Seraphel. IN THE CALIPEE will be the Eighth Wonder of the World; or, The Heroic Taylors, with the Humours of General Trinculo and his pleasant companion Humpkinn Buzz, the merry exploits and miraculous Adventures of Barnaby Bodkin, Tom Thimble, Ben Buckram, Nich. Canvas, all Gentlemen of the Light Horse. THE BLUE FAT AND FINNS will contain the various entertainments of Singing, with the Machinery and Decorations. The whole to be seasoned by the way of Chian Butter, with a most extraordinary band of music.

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: The Camp

Performances

Mainpiece Title: Cymon

Afterpiece Title: Who's the Dupe

Dance: End I afterpiece: The Irish Fair, as17800930

Entertainment: Monologue. End: Bucks have at ye all; or, The Picture of a Playhouse-R. Palmer

Performances

Mainpiece Title: The Wonder

Afterpiece Title: Rosina

Song: End of mainpiece Awake, AEolean Lyre, a glee composed by Danby (which gained a Prize Medal), by Bannister, Suett, Staunton, Barrymore, Chapman, Williames, Dignum