SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "younger Master Ware"/1) | (@(roleclean,performerclean) "younger Master Ware")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4317 matches on Performance Comments, 1694 matches on Performance Title, 956 matches on Event Comments, 751 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Notice is hereby given, that the Annual Feast of the Shakespeare Society will be held on Wed. 2nd of March next, at the Shakespeare's Head Tavern in Covent Garden; and that tickets are left with the Master of that House to be disposed of to the Gentlemen who subscribed for Tickets for the last Feast, and who are to call for them at any time within thirty days from the date thereof. Such tickets as are not in that time called for will be delivered to the Stewards to be otherwise disposed of. The person's name to whom a Ticket is deliver'd will be endors'd thereon, and no other person can be admitted thereby. E. B. Secretary (Public Advertiser)

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: Harlequin Sorcerer

Event Comment: Written by Mr Hume. Author of Douglas. Went off wth. great Applause (Cross). A New Tragedy. The Music composed by Dr Boyce. As this is the 1st night of representation, and much depends upon keeping the scenes clear, 'tis hoped no gentleman will be offended that he cannot be admitted upon the stage or into the orchestra. [See Theatrical Review, 1757 and Beginning of 1758 for contemporary comment on source, and at act-by-act progress of play. Judicial but appreciative. Finds some rant and bombast, as well as inconsistency, in Lysander 's characterization: "If...not...known that the author of Agis is the same to whom we are indebted for Douglas, one would not have suspected those two tragedies to have sprung from the same pen...Agis inspires us with admonition; Douglas speaks forcibly to our softer feelings. In Douglas he has shown himself perfect master of nature and the human heart: in Agis of contrivance in point of plot and incidents. What a masterpiece may not we expect from such talents when united in one tragedy!"] Receipts: #200 (Cross)

Performances

Mainpiece Title: Agis

Event Comment: Benefit for Burton and Master Burton. Tickets deliver'd by Stevens and Fox will be taken

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Lying Valet

Event Comment: Benefit for Grimaldi (Ballet Master) and Aldridge

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Fortunatus

Dance: II: Hearts of Oak, as17650420

Event Comment: Benefit for Fishar (ballet master) and Sga Manesiere. [The previous day's bill made special announcement of the variety of Dancing to be offered. N.B. A previous Academy of Dancing 23 April 1762. Miles listed for the part of Landlady by Public Advertiser.

Performances

Mainpiece Title: Tom Jones

Afterpiece Title: Catharine and Petruchio

Dance: By Desire The Tartars, as17701003; End of Farce: A New Dance, The Corsican Sailor's Punch House-Fishar, Miss Twist, Hussey, Blurton, Miss Besford

Monologue: I: A Dancing Academy. The Minuet-Fishar, Sga Manesiere; The Allemande (first time)-Mas. Blurton, Miss Besford (both apprentices of Fishar); the Hornpipe-Mas. Blurton; to conclude with a New Cotillion-

Ballet: End Opera: First time this season, The Wapping Landlady. Jack-Fishar; Landlady-Mrs White; Orange Woman-Sga Manesiere; with a Double Hornpipe-Fishar, Sga Manesiere

Event Comment: Paid for 2 clarinets 6 nights (29th inst. inclusive) #9 9s.; Super. Soldiers #1 4s.; Chorus 2 nights (this incl.) #4 11s.; Master Thomson Chorus, 13 nights (30th incl.) #3 5s.; Printer's Bill #9 6s. 6d. (Treasurer's Book). Receitps: #219 5s. (Treasurer's Book)

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: The Institution of the Garter

Event Comment: Benefit for Miss Stede, Hollingsworth and Master Jones. Tickets deliver'd by Abbot, Wilkinson, Mrs Woolley, Pilford, T. Ansell, Mrs Hitchcock, Widow Trott, Sherrat, Whately, Doe, Mrs Paddick, Claridge, and Curteen will be taken. [No charges. House took half value of tickets plus ready receipts of #20 10s.] Receipts: #20 10s. (Account Book). @Tickets Box Pit Gallery Value Half Value@Miss Stede 29 47 42 #18 10s. #9 5s.@Hollingsworth 3 6 17 #3 7s. #1 13s. 6d.@Mrs Jones - - - - -@Abbott 17 71 79 #22 16s. #11 8s.@Wilkinson 27 34 1 #11 19s. #5 19s. 6d.@Mrs Woolley 12 44 56 #15 4s. #7 12s.@Pilfold 36 249 93 #55 13s. #27 16s. 6d.@Ansell 11 58 60 #17 9s. #8 14s. 6d.@Mrs Hitchcock 37 44 24 #18 5s. #9 2s. 6d.@Mrs Trott 17 3 6 #5 6s. #2 13s.@Sharratt - 21 15 #4 13s. #2 6s. 6d.@Whatley - 9 35 #4 17s. #2 8s. 6d.@Doe 2 27 41 #8 13s. #4 6s. 6d.@Mrs Paddick 5 14 18 #5 3s. #2 11s. 6d.@Claridge 7 27 29 #8 14s. #4 7s.@Curteen 30 28 60 #17 14s. #8 17s.@Total 233 682 576 #218 3s. #109 1s. 6d.

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Daphne and Amintor

Dance: End: A Hornpipe[, in the character of a Sailor (for first time)-Miss Stede. [See17650510.

Event Comment: Benefit for Reddish. Music for Mainpiece composed by an eminent Master. Authorship Henry Jones, Reddish, and Dr Hiffernan (Biographia Dramatica). Rec'd Stopages #2 12s. 6d. Paid 4 days salary list #348 14s. 8d.; Mr King's extra salary #2; Mr Garrick on Acct #50; Mr Costain on note #2 2s. (Treasurer's Book). Receipts: #247 1s. 6d. Charges: #72 10s. Profit: #174 10s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Heroine Of The Cave

Afterpiece Title: The Padlock

Music: II: A Solemn Hymn-

Dance: IV: The Sailors Revels, as17730918

Event Comment: Benefit for Palmer. Mainpiece [1st time; C 3, by George Colman, the elder, altered from The Mutual Deception, by Joseph Atkinson, which was based on Le Jeu de l'Amour et du Hasard, by Pierre Carlet de Chamblain de Marivaux, and 1st acted at the Smock Alley Theatre, Dublin, 2 Mar. 1785. Prologue by the author (.European Magazine, Sept. 1786, p. 166). Author of Epilogue unknown]. Afterpiece: Never acted at this Theatre. [Prologue and Epilogue by David Garrick.] "This play, originally French, was translated by an Officer (the plot of which may be found in The Man's the Master, as well as in many other English plays and farces) who, with some few additions, changed it into five acts, and called it The Mutual Deception (which is now in print), but was represented in Ireland with little or no success. This Comedy, however, has undergone many very masterly alterations, and received many additions by the able hand of the attentive Manager of this Theatre" (Public Advertiser, 30 Aug.). Public Advertiser, 6 May 1788: To be published May 7, Tit for Tat (1s.)

Performances

Mainpiece Title: Tit For Tat

Afterpiece Title: A Peep behind the Curtain; or, The New Rehearsal

Dance: As17860706

Event Comment: Account-Book: Tickets delivered by Trowion, Rock, Blurton, Ledger, Evatt, Jackson, Ratchford, Cross, Letteney, Williamson. Mrs Davenett, Mrs Lefevre, Mrs Lloyd, Mrs Arnold, Mrs Gray, Mrs Masters, Mrs Goodwin will be admitted. Receipts: #435 9s. (45.8; 3.2; tickets: 383.19)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Deaf Lover

Dance: As17910507

Event Comment: Benefit Master Woodward. It being particularly desired that The Constant Couple should be postpon'd, and The Orphan acted

Performances

Mainpiece Title: The Orphan

Performance Comment: Castalio-Smith; Polydor-Bardin; Acasto-W. Williams; Chamont-W. Giffard; Chaplain-R. Williams; Page-Master Woodward; Monimia-Mrs Haughton; Serina-Mrs Thomas.
Cast
Role: Page Actor: Master Woodward

Afterpiece Title: The Tragedy of Tragedies

Performance Comment: Tom Thumb-Master Woodward; With a New Prologue by Master Woodward-Master Woodward.
Event Comment: Benefit for Master Russell. Tickets to be had of Master Russell at the Swan, Elephant stairs. Afterpiece: Written by Henry Fielding, Esq. In Act I the Triumphal Entry of Tom Thumbv, attended with Giants, Giantess's, Dwarfs, Pigmies, Drums, Trumpets, &c

Performances

Mainpiece Title: The Minor

Performance Comment: The Minor-Raymond; Sir William Wealthy-Lloyd; Mr Richard Wealthy-Lewis; Loader-Comerford; Dick-Master Russell; Transfer-Marson; Smirk, Shift, Mrs Cole-Russell; Lucy-Miss Taylor.
Cast
Role: Dick Actor: Master Russell

Afterpiece Title: The Life and Death of Tom Thumb the Great

Performance Comment: Tom Thumb-Master Russell; King Arthur-Comerford; Lord Grizzle-Massey; Noodle-Russell; Doodle-Johnson; Bailiff-Dancer; Follower-Thomas; Glumdalca (Queen of the Giants)-Mr Smith; Queen Dollalolla-Mrs Ross; Princess Huncamunca-Mrs Wilks; Mustacha (a Maid of Honour)-Miss Taylor; Cleora-Mrs West.
Cast
Role: Tom Thumb Actor: Master Russell

Entertainment: Monologues.Preceding: Prologue to Barbarossa in the character of a Country Boy, containing an account of his Journey to London, his different Services there, first in the City, next with a Lord, then with a Lady, and last of all with a starved Poet-Master Russell; End I: a Scene from Lethe: Fine Gentleman-Master Russell; End II: an Harangue in a Tubafter the manner of the celebrated George Alexander Stevens-Master Russell; End: The Drunken Buck-Raymond

Performance Comment: Preceding: Prologue to Barbarossa in the character of a Country Boy, containing an account of his Journey to London, his different Services there, first in the City, next with a Lord, then with a Lady, and last of all with a starved Poet-Master Russell; End I: a Scene from Lethe: Fine Gentleman-Master Russell; End II: an Harangue in a Tubafter the manner of the celebrated George Alexander Stevens-Master Russell; End: The Drunken Buck-Raymond.
Event Comment: On account of the Indisposition of the lady who was to have appeared in the character of Lady Emily, The Heiress [advertised on playbill of 5 Oct.] is deferred till Saturday next. Afterpiece [1st time; MF 2, by Walsh Porter. Larpent MS 1180; not published]: With new Scenes, Dresses, and Decorations. The Songs, Duetts, &c. composed by Kelly. The Overture by Shaw. Books of the Songs to be had in the Theatre. [Master Elliot had previously appeared in the oratorios at cg.] Receipts: #368 14s. 6d. (239.10.0; 127.16.6; 1.8.0)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Chimney Corner

Performance Comment: [Characters by Suett, Miss DeCamp, Bannister Jun, Wewitzer, Master Elliot (1st appearance on this stage), Master Chatterley, Miss Leak, Mrs Bland. Cast from Songs (C. Lowndes [1797]): Governor-Suett; Darcy-Miss DeCamp; Hilario-Bannister Jun.; Gregory-Wewitzer; Henry-Master Elliot; Charles-Master Chatterley; Louisa-Miss Leak; Annette-Mrs Bland.
Cast
Role: Henry Actor: Master Elliot
Role: Charles Actor: Master Chatterley

Song: In V: song-Mrs Bland

Performances

Mainpiece Title: The Careless Husband

Music: Second Musick: First Concerto of the 1st Opera of Geminiani. Third Music: Overture compos'd by Handel for Alexander. I: A Concerto call'd The Cuckoo composed by Vivaldi. III: Duo for Two French Horns by Charle and Giay

Dance: V: La Follette s'cest ravizee by Nivelon and Miss Mann

Song: II: Quanto Dolce by Miss Arne. IV: Per le forte del tormento by Miss Arne and Young Master Arne

Performance Comment: IV: Per le forte del tormento by Miss Arne and Young Master Arne .
Event Comment: Benefit Mr Charles, Master of the French Horn. 51. 6 P.M

Performances

Mainpiece Title: Concert

Music: A Solo and several Pieces on the French Horn by Mr Charles. And several Songs and Duets by the two Miss Youngs. The German Flute by Mr Pelicour [Balicourt in Daily Advertiser], lately arrived from abroad; Being the first Time of his Performing in England

Event Comment: At the Little Theatre in James Street near the Haymarket. Doors to be opened at 5:00. To begin exactly at 6:00. Boxes 4s. Pit 2s. 6d. Gallery 1s. 6d. to the public. After several of our Lords and Masters, the Men, have with various success made wry faces for the amusement of the town; permit a woman to attempt the arduous task of laughing the men out of their follies; declaring, however, that while she attempts the ridicule of vices peculiar to the other sex, she will by no means spare the slightest foible of her own (Public Advertiser). The Theatre is fitted up in an elegant manner, and constant fires are kept to make the house agreeably warm (Gazetteer & New Daily Advertiser). [This Lecture continued to 6 March.

Performances

Mainpiece Title: Lecture On Heads

Event Comment: Tickets delivered by Nash, Edwards, Helme, Master Pulley, Master Benson, Dale, Leslie, Kaygill, Mrs Byrne will be taken. Receipts: #180 4s. 6d. (31.7.0; 17.0.6; 0.5.0; tickets: 131.12.0)

Performances

Mainpiece Title: King Richard The Third

Cast
Role: Prince Edward Actor: Master Pulley

Afterpiece Title: The Deserter

Dance: End: The Butterfly, as17800921

Entertainment: Monologue. After Dancing: Bucks have at ye All-Master Pulley; End afterpiece: an Epilogue-Master Benson

Performance Comment: After Dancing: Bucks have at ye All-Master Pulley; End afterpiece: an Epilogue-Master Benson.
Event Comment: Benefit Master and Miss Norsa. 6:30 P.M. Boxes 3s. Pit 2s

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-Master Norsa; Polly-Miss Norsa; Lucy-Miss Burges. With a New Prologue and Epilogue. hathi.
Cast
Role: Macheath Actor: Master Norsa

Afterpiece Title: The Lottery

Performance Comment: Jack Stocks-Master Norsa; Lovemore-Miss Norsa; Stocks-Master Littlegood; Lady Lace-Miss Burges .
Cast
Role: Jack Stocks Actor: Master Norsa
Role: Stocks Actor: Master Littlegood

Performances

Mainpiece Title: The Relapse

Afterpiece Title: The Mock Doctor

Dance: Master Oates, Phillips from dl, Miss Oates, Master Ferg

Event Comment: Benefit Master Arne. To begin at 6:30 p.m. Pit and Boxes will be laid together at Half a Guinea. Gallery 5s

Performances

Mainpiece Title: A Pasticcio

Performance Comment: Vocal Parts-Signora Frasi, Signora Galli, Lowe, Mrs Arne, Master Arne; To be divided into three Interludes. After the first a new Concerto on the Organ by Arne-Master Arne; The second Interlude to conclude with a new Pastoral Scene-; the Words selected from Shakespear and composed by Mr Arne. After the third Interlude a Serenata- written by Congreve and set to music by Arne.

Afterpiece Title: The Judgement of Paris

Performance Comment: Paris-Master Arne; Mercury-Lowe; Venus-Signora Frasi; Pallas-Sga Galli; Juno-Mrs Arne.
Cast
Role: Paris Actor: Master Arne
Event Comment: Mainpiece: Not acted here these 6 years. Afterpiece: Taken from [the same, by Henry? Fielding, and prepared for the stage by the Author of Midas, &c. [Kane O'Hara; 1st time; BURL 2. Text 1st published by J. Barker [1805]]. With a new Overture, Dresses, and Decorations. The Overture, Songs, Duets and Chorusses composed and compiled by J. Markordt. Books of the Burletta to be had at the Theatre (on playbill of 10 Nov.). Account-Book, 1 Feb. 1781: Paid Mackordt [sic] for music of Tom Thumb #20. [Mrs Inchbald was from the York theatre. Master Edwin had spoken a Prologue at cg on 22 Apr. 1780.] Receipts: #152 1s. 6d. (149.2.0; 2.19.6)

Performances

Mainpiece Title: Philaster

Afterpiece Title: Tom Thumb

Performance Comment: [Principal Characters by Master Edwin (1st appearance on this stage i.e. in a play]), Edwin, Reinhold, Robson, Davies, Quick, Mrs Kennedy, Mrs Webb, Miss Catley. [Cast from playbill of 30 Oct. 1781: Tom Thumb-Master Edwin; Lord Grizzle-Edwin; Ghost-Reinhold; Noodle-Robson; Doodle-Davies; King-Quick; Huncamunca-Mrs Kennedy; Glumdalca-Mrs Webb; Queen Dollalolla-Miss Catley.
Cast
Role: Tom Thumb Actor: Master Edwin

Dance: End II: The Shepherd's Wedding-Harris, Miss Matthews; End III: The Humours of Leixlip, as17800927

Event Comment: Mainpiece: In 5 Acts, altered from the Dramatic Romance by David Garrick, Esq. With a new Overture and new additional Musick by Storace [on 2 Jan. 1792 and thereafter, added: Shaw] and other Eminent Masters. Entirely new Scenery by Greenwood, and new Dresses, Decorations and Machinery. To conclude with a Grand Procession of the Hundred Knights of Chivalry, and the Representation of an Ancient Tournament. [These were included in all subsequent performances.] Books of the Songs to be had at the Theatre. Morning Post, 3 Jan. 1792, prints a full description of the Procession of over 100 persons: 1st, Anglo-Saxon Knights and banners; then ancient British knights, Norman knights, Indians, Turks, Scythians, Romans, a dwarf, a giant; at end, "soldiers drawing a superb picture of St. George, knights in chain mail, a cupid leading a knight covered with a silver net, Hymen, piping fauns, bands of cupids drawing an altar--flame burning, cupids hovering over it, and others feeding doves below, a troop of Arcadian shepherds drawing the car of Cymon and Sylvia, characters of the drama, and chorus." "At the conclusion of the procession, a tournament took place of both horse and foot, between several combatants in armour, who fought with lances, swords and battle-axes: three of Hughes' horses [from the Royal Circus] were introduced, and managed with much dexterity; the Prince of Wales' Highlander made one of the procession, and entered the lists as a champion, fighting with an enormous club; against him a small female warrior was opposed, by whom he was subdued. It was by far the grandest spectacle ever seen upon the stage. Many of the characters were taken from Sir Philip Sydney's Arcadia, in which the scene of the piece was laid; and the dresses of the knights, armour, &c. from the drawings and descriptions of the best antiquarians" (Oulton, 1796, II, 215). [This was Edmund Kean's 1st appearance on the stage; he was about four years old. He personated a cupid lying in Cymon and Sylvia's car (Kelly, Reminiscences, II, 21-22).] Account-Book, 13 Jan. 1792: Paid Hughes for his Horses #16 19s. 10d.; 23 Jan.: Paid Gough for his Greyhounds in Cymon #5 19s. 6d. Receipts: #420 6s. (385.0; 35.5; 0.1)

Performances

Mainpiece Title: Cymon

Performance Comment: Merlin-Bannister; Cymon (1st time)-Kelly; Dorus-Parsons; Linco (1st time)-Bannister Jun.; Damon-Dignum; Dorilas-Cooke; Cupid-Master Gregson; Daemon of Revenge-Sedgwick; Urganda (1st time)-Mrs Crouch; Sylvia (1st time)-Miss Hagley; Fatima (1st time)-Mrs Jordan; Phebe-Miss DeCamp; Daphne-Mrs Bland; Dorcas (1st time)-Mr Suett; Spirits-Master D'Egville, Miss D'Egville, Miss Gawdry, Miss Edwin; In Tournament: Knights-Duranci (1st appearance), Fairbrother, Bourk, Giani; Queen of the Amazons-Miss Blanchet.

Afterpiece Title: All the World's a Stage

Event Comment: Afterpiece: The Musick composed by Storace. Powell: Englishman in Paris rehearsed at 10; Children in the Wood at 11 (Master Welsh absent; rehearsal dismissed); Love a-la-Mode at 12 (Suett and Miss Heard, one scene). Receipts: #416 3s. (343/7/6; 61/19/0; 10/7/6; tickets not come in: 0/9/0)

Performances

Mainpiece Title: The Jew

Afterpiece Title: THE PRIZE; or, 2

Performance Comment: 5.3.8. Lenitive-Bannister Jun.; Mr Caddy-Benson; Heartwell-Whitfield; Label-Suett; Juba-Master Welsh; Servant-Webb; Boy-Master Gregson//Mrs Caddy-Mrs Booth; Caroline-Sga Storace .
Event Comment: Benefit Havard and Boucher, Prompter. Daily Advertiser, 2 June: We hear Mr Odel, Master.., Goodman's-Fields, intends to decline to concern himself any longer with the Management of that Theatre

Performances

Mainpiece Title: The Tempest

Performance Comment: Duke-Smith; Ferdinand-Bardin; Prospero-Havard; Antonio-Worsley; Gonzalo-Machen; Hippolito-Mrs Thomas; Stephano-Rosco; Mustacho-R. Williams; Ventoso-Collet; Trincalo-Morgan; Ariel-Master Woodward; Miranda-Mrs Palmer; Dorinda-Mrs Morgan; Caliban-W. Giffard; Sycorax-Collet; Waterman's Dance-Sandham, Rosco, R. Williams, Pearce, Bowcher; Neptune-a Gentleman; Amphitrite-Mrs Palmer.
Cast
Role: Ariel Actor: Master Woodward

Afterpiece Title: The Biter Bit; or, The Humours of Harlequin and Scaramouch

Afterpiece Title: The Throwsters Opera

Event Comment: Benefit Master A. Ryan and Pether. Mainpiece: Written by Beaumont and Fletcher. Receipts: money #28 5s. 6d.; tickets #80 10s

Performances

Mainpiece Title: Wit Without Money

Afterpiece Title: The School Boy

Performance Comment: School Boy-Master Ryan; but see17360501 . but see17360501 .
Cast
Role: School Boy Actor: Master Ryan

Dance: II: French Peasants by Lalauze, Mlle D'Hervigni, &c. IV: Glover's Sailors Dance. End of Afterpiece: By particular Desire, Flora's Holiday by leveridge, Laguerre, Roberts, Stoppelaer, Mrs Wright, Miss Hillyard

Related Works
Related Work: The Test of Love Author(s): John Edwin, the younger

Song: I: Mock Italian Song by E. Roberts. III: Tippling Philosophers by Leveridge. V: By Beard