SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Gough"/1) | (@(roleclean,performerclean) "Gough")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5 matches on Roles/Actors, 3 matches on Performance Comments, 3 matches on Event Comments, 0 matches on Performance Title, and 0 matches on Author.
Event Comment: [Miss Gough was from the Crow Street Theatre, Dublin.] Receipts: #188 10s. 6d. (184.8.6; 4.2.0)

Performances

Mainpiece Title: Jane Shore

Performance Comment: Hastings-Holman; Gloster-Harley; Belmour-Macready; Ratcliffe-Haymes; Catesby-Claremont; Derby-Thompson; Porter-Davenport; Servant-Ledger; Shore-Pope; Alicia-Miss Gough (1st appearance in this Kingdom); Jane Shore-Mrs Pope.
Cast
Role: Alicia Actor: Miss Gough

Afterpiece Title: The Highland Reel

Event Comment: Benefit for Miss Gough. Receipts: #246 18s. 6d. (129.19.6; 6.11.0; tickets: 110.8.0)

Performances

Mainpiece Title: The Distrest Mother

Performance Comment: Orestes-Holman; Pylades-Toms; Phoenix-Macready; Pyrrhus-Pope; Hermione-Miss Gough; Cephisa-Mrs Platt; Cleone-Mrs Townsend; Andromache-Mrs Pope.
Cast
Role: Hermione Actor: Miss Gough

Afterpiece Title: Three Weeks after Marriage

Dance: As17951125

Performances

Mainpiece Title: The Fair Penitent

Performance Comment: Sciolto-Pope; Lothario-Cooper (Their 1st appearance in those characters); Altamont-Middleton; Rossano-Claremont; Servants-Thompson, Abbot, Blurton; Horatio-Holman (1st appearance in that character); Lavinia-Miss Chapman; Lucilla-Mrs Townsend; Calista-Miss Gough (1st appearance in that character).
Cast
Role: Calista Actor: Miss Gough

Afterpiece Title: Marian

Performances

Mainpiece Title: Jane Shore

Cast
Role: Alicia Actor: Miss Gough

Afterpiece Title: The Death of Captain Cook

Performances

Mainpiece Title: The Death Of Captain Cook

Cast
Role: Alicia Actor: Miss Gough

Afterpiece Title: Artaxerxes

Afterpiece Title: St

Event Comment: Mainpiece: In 5 Acts, altered from the Dramatic Romance by David Garrick, Esq. With a new Overture and new additional Musick by Storace [on 2 Jan. 1792 and thereafter, added: Shaw] and other Eminent Masters. Entirely new Scenery by Greenwood, and new Dresses, Decorations and Machinery. To conclude with a Grand Procession of the Hundred Knights of Chivalry, and the Representation of an Ancient Tournament. [These were included in all subsequent performances.] Books of the Songs to be had at the Theatre. Morning Post, 3 Jan. 1792, prints a full description of the Procession of over 100 persons: 1st, Anglo-Saxon Knights and banners; then ancient British knights, Norman knights, Indians, Turks, Scythians, Romans, a dwarf, a giant; at end, "soldiers drawing a superb picture of St. George, knights in chain mail, a cupid leading a knight covered with a silver net, Hymen, piping fauns, bands of cupids drawing an altar--flame burning, cupids hovering over it, and others feeding doves below, a troop of Arcadian shepherds drawing the car of Cymon and Sylvia, characters of the drama, and chorus." "At the conclusion of the procession, a tournament took place of both horse and foot, between several combatants in armour, who fought with lances, swords and battle-axes: three of Hughes' horses [from the Royal Circus] were introduced, and managed with much dexterity; the Prince of Wales' Highlander made one of the procession, and entered the lists as a champion, fighting with an enormous club; against him a small female warrior was opposed, by whom he was subdued. It was by far the grandest spectacle ever seen upon the stage. Many of the characters were taken from Sir Philip Sydney's Arcadia, in which the scene of the piece was laid; and the dresses of the knights, armour, &c. from the drawings and descriptions of the best antiquarians" (Oulton, 1796, II, 215). [This was Edmund Kean's 1st appearance on the stage; he was about four years old. He personated a cupid lying in Cymon and Sylvia's car (Kelly, Reminiscences, II, 21-22).] Account-Book, 13 Jan. 1792: Paid Hughes for his Horses #16 19s. 10d.; 23 Jan.: Paid Gough for his Greyhounds in Cymon #5 19s. 6d. Receipts: #420 6s. (385.0; 35.5; 0.1)

Performances

Mainpiece Title: Cymon

Afterpiece Title: All the World's a Stage