Event Comment: Benefit for Miles and Stede. Charges #65 10s. [Profit to each beneficiary: #5 17s. 9d. plus income from tickets: Stede #42 11s. (Box 34; Pit 131; Gallery 144); Miles #106 16s. (Box 176; Pit 328; Gallery 136).] Paid Wilford for 29 nights renter's money #290 to 1 May inclusive (Account Book). Receipts: #77 5s. 6d. (Account Book)

Event Comment: Benefit for Miles, Mrs Green, and Miss Miller. No Building on Stage

Event Comment: Benefit for Miles, Mrs Green and Mrs Dyer

Event Comment: Benefit for Miles, Mrs Green and Mrs Baker. None admitted behind Scenes

Event Comment: Mainpiece [1st time; CO 3, by Miles Peter Andrews and William Augustus Miles; Larpent MS 485; not published; Synopsis of plot in London Magazine, July 1779, pp. 306-7]: The Airs partly selected from Dibdin, Giordani, Dr Arne, &c. The Overture and New Music composed by Dr Arnold. With New Dresses and Decorations. The Scenes painted by Rooker. Songs of the Opera to be had at the Theatre

Event Comment: Mainpiece [1st time; C 5, by Miles Peter Andrews and Frederick Reynolds; based on Le Dissipateur; ou, L'Honnete Friponne, by Philippe Nericault, dit Destouches. Prologue by the Duke of Leeds; Epilogue by Miles Peter Andrews (see text)]: With new Scenes, Dresses and Decorations. The Scenery designed and executed by Greenwood. Gazetteer, 18 Nov.: At the rehearsal of the new comedy on Tuesday the Duke of Leeds, Major Scott, Mr Angerstein [the banker] and Mr Boswell were in the boxes. Mr Boswell said an epigrammatic thought had struck him...and he brought the following Impromptu into life: Andrews, your play is safe enough; For noble Leeds endures it; Boswell and Scott are pledged to puff, And Angerstein ensures it. World, 13 Dec. 1790: To-morrow will be published Better Late than Never (1s. 6d.). Receipts: #240 14s. (206.7; 32.6; 2.1)

Event Comment: Mainpiece [1st time; MD 3, by Miles Peter Andrews and Frederick Reynolds. Prologue by Edward Topham; Epilogue by Miles Peter Andrews (Crouch, II, 229)]: With new Scenes, Dresses and Decorations. The new Music composed, and the rest selected by Shield. Morning Chronicle, 25 Feb. 1795: This Day is published The Mysteries of the Castle (2s.). [Mrs Cornelys was from the Crow Street Theatre Dublin.] Receipts: #243 12s. (241.19; 1.13)

Event Comment: [Bingham is identified by MS annotation on Kemble playbill.] Afterpiece [1st time; CO 2, by Miles Peter Andrews, based on Le Bucheron; ou, Les Trois Souhaits, by Jean Francois Guichard. Music by Francois Hippolyte Barthelemon]: With New Scenes, Dresses and Decorations. Books of the Songs, Chorusses, &c. to be had at the Theatre. Public Advertiser, 17 Mar, 1778: This Day is published the Songs in Belphegor (6d.). [Text 1st published in Dublin: For the Booksellers, 1788.] Receipts: #196 0s. 6d. (156.5.0; 38.13.6; 1.2.0)

Event Comment: Afterpiece [1st time; CO 2, by Miles Peter Andrews]: The Overture from the celebrated Fire and Water Music of Handel. The new Airs and Chorusses by Dr Arnold. With new scenes by Rooker. Books of the Songs may be had at the Theatre. Public Advertiser, 8 July 1780: This Day is published the Songs in Fire And Water! (6d.). Ibid, 22 July 1780: This Day is published Fire And Water! (price not listed)

Event Comment: Mainpiece [1st time; C 5, by Miles Peter Andrews. Prologue by Edward Topham. Epilogue by the author (see text)]: With New Scenes, Dresses and Decorations. The Words of the Roundelay [composed by Thomas Linley Sen.] introduced in the Comedy will be given gratis at the Theatre. Public Advertiser, 9 Apr. 1781: This Day is published Dissipation (1s. 6d.). Receipts: #243 4s. 6d. (234.6.0; 8.4.0; 0.14.6)

Event Comment: Mainpiece [1st time; CO 3, by Miles Peter Andrews. Prologue by Frederick Pilon. Epilogue by Edward Topham (see text)]: With Music High and Low Dutch [ascribed to Dr Arnold]. New Dresses and Decorations. The new Scenes painted by Rooker. Books of the Songs to be had at the Theatre. Public Advertiser, 30 July 1781: This Day is published The Baron....(price not listed)

Event Comment: [Mainpiece: Epilogue by Miles Peter Andrews.] Receipts: #193 1s. 6d. (149/17/0; 40/15/0; 2/9/6)

Event Comment: Afterpiece [1st time; f 2, by Miles Peter Andrews, with incidental music by James Hook. MS: Larpent 607; not published; synopsis of plot in Public Advertiser, 12 Dec. Prologue by Edward Topham {London Chronicle, 20 Dec.)]. Receipts: #129 13s. 6d. (76/6/0; 53/0/0; 0/7/6)

Event Comment: Mainpiece [1st time; C 5, by Miles Peter Andrews. Prologue and Epilogue by Edward Topham (see text)]: With new Scenery and Dresses. Public Advertiser, 26 Feb. 1784: This Day at Noon will be published The Reparation (1s. 6d.). Receipts: #161 1s. (148/16/0; 11/19/6; 0/5/6)

Event Comment: Afterpiece [1st time; P 2, by Miles Peter Andrews. Larpent MS 752, as The Castle of Wonders; not published; synopsis of action in Morning Post, 27 Dec.]: With new Music, Scenes, Machinery, Dresses, and Decorations. A few of the Airs compiled from Purcell, Travers, Sacchini, &c. The Rest of the Music composed by Shield. The Scenery and Machinery designed by Richards and Carver, and executed by them, Hodgins, and many Assistants. To conclude with a Representation of the Inside of a Nabob's Palacev. Books of the Songs [which assign only Colombine ] to be had at the Theatre. Nothing under Full Price will be taken. Account-Book, 6 Mar. 1787: Paid Shield in full for Compositions #100. Receipts: #242 4s. (239.8; 2.16)

Event Comment: Mainpiece [1st time; D 5, by Elizabeth Inchbald. Prologue by Thomas Vaughan. Epilogue by Miles Peter Andrews (see text). Public Advertiser, 14 Feb: Part of Andrews's Epilogue to Eloisa [see 20 Dec. 1786]...was blended with Epilogue spoken on first representation of Such Things Are]: With new Scenes, Dresses, &c. Public Advertiser, 1 Dec. 1787: This Day is published Such Things Are (1s. 6d.). Receipts: #214 10s. (212.10; 2.0)

Event Comment: Benefit for Aldridge and Miles. The Clandestine Marriage cannot be perform'd on account of Indisposition of Woodward. Charges #64 15s. 6d. Balance to Aldridge and Miles #12 12s. 6d. Paid Aldridge #6 6s. 3d. who also had from Tickets #39 13s. (Box 55; Pit 138; Gallery 52). Paid Miles #6 6s. 3d. who also had from Tickets #92 15s. (Box 140; Pit 253; Gallery 173) (Account Book). [Miles was much senior to Aldridge in serivce at cg. See note on Mrs Bulkley, 17 Nov. 1767, who had been ready in this part five months before.] Receipts: #77 8s. (Account Book)

Event Comment: Benefit for Miles, Mrs Baker, Miss Young. Receipts: #47 0s. 6d. Charges: #63. Deficiency of #5 6s. 6d. apiece covered by income from tickets: Miles #51 3s. (boxes 79; pit 161; gallery 71); Mrs Baker, #36 16s. (boxes 60; pit 99; gallery 62); Miss Younger, #28 19s. (boxes 17; pit 112; gallery 79). Rec'd #16 8s. 3d. being overcharge for Taxes, &c. (Account Book)

Event Comment: Benefit for Miles, Mrs Baker, Miss Young. Tickets delivered out by Miss Ferguson will be taken. Receipts: #7 15s. 4d. covered by income from tickets. @Tickets Miles Box 15@Pit 178@Gallery 62@Value #36 13s.@Tickets Mrs Baker Box 86@Pit 124@Gallery 67@Value #46 16s.@Tickets Miss Young Box 18@Pit 75@Gallery 80@Value #23 15s.@Tickets Miss Ferguson Box 9@Pit 57@Gallery 39@Value #14 14s.@Total Box 128@Pit 434@Gallery 248@Value #121 12s.@ Paid Rich on account #21. Paid Meares 3s. [The house is now running a deficit of #371.