Event Comment: We hear that a new piece of Machinery representing a Fountain, which has been preparing a considerable time will soon be exhibited at the Theatre Royal in Covent Garden

Event Comment: Benefit for a Widow & Children (Cross), who are fallen into great distress (Winston MS 8). Tickets to be had at Mr Gladman's, a Trunk-maker, Charing Cross; at the Amsterdam Coffee House, behind the Exchange; at the Rainbow and Janeways in Cornhill; at Anderton's and the Temple-Exchange, in Fleet St.; at George's, Temple Bar; Somerset Coffee House, Strand and at Stage Door of the Theatre. Receipts: #97 (Cross)

Event Comment: [Benefit] (Toll) for Goodfellow who play'd Hamlet (Cross). Tickets to be had at the Ship Tavern, at Ratcliff-Cross; the Swan in Ratcliff-Highway; the Black Lyon, in Russel St. Covent Garden, and at the Stage Door of the Theatre. Receipts: #140 (Cross)

Event Comment: [The afterpiece] An Arabian Night's Entertainment produc'd in two parts with New Scenes, Habits, Music & Decorations. Full Prices. Went off with great applause (Cross). It is hop'd no Gentlemen will take it ill that they cannot possibly be admitted behind the Scenes or into the Orchestra, the Entertainment depending chiefly upon the Machinery and Music. [Repeated on all Genii Bills this season.] This new entertainment...hath fully decided the controversy and fix'd the superiority of Pantomime to Drury Lane Theatre, as it had before had of almost everything else;...for beauty of scenery, elegance of dress, propriety of music, and regularity of designs, it exceeds all the boasted grandeur of Harlequin Sorcerer, or of any I have seen either separate or collective. The last scene beggars all description; the most romantic Eastern account of sumptuous palaces are but faint to this display of beauty, this glow of light, this profusion of glittering gems, which adorn the whole, and much exceeds all expectations. I rejoice and congratulate myself that I am not of that modern way of thinking (or rather seeming to think) that nothing can deserve the epithet good from their superior taste, but while I am pleased will own it, and not endeavor to gain the character of a critick, ar the expense of violation of my senses (Scourge No. 14, quoted in the Gentleman's Magazine, Dec. 1752, p. 582). Receipts: #200 (Cross)

Event Comment: Any Person of whatever Party, Perswasion, Countenance, or Country, who is able to entertain the Publick in a singular and agreeable Manner, may enter into present Pay and good Quarters, with Mrs Midnight's Band of Originals, by applying to her at the Theatre in the Haymarket, any evening at five 'oclock. [Notice repeated.] Sixteenth Day

Event Comment: Mainpiece: Not acted these 4 years. [See 10 Feb. 1750.] We have advice that the John (Capt Smith) from Leith, which was supposed to be lost, got into Gottenburgh on the first of this month. The vessel had several passengers on board, among others Mr Gibson belonqing to Covent Garden Theatre

Event Comment: Mainpiece: At the Desire of several persons of Quality. At the Theatre Royal in Drury Lane, on Monday April 2 will be performed Othello, for the benefit of Mr Mossop; Othello by Mossop, Iago to b reviv'd by Garrick. It is hoped that those Ladies and Gentlemen who have engag'd places will excuse its being deferr'd to the above day, as a new tragedy, and a multiplicity of other business render it impossible for Mr Garrick to revive the character of Iago in the due course of Time. Receipts: #170 (Cross)

Event Comment: Afterpiece: An Interlude. Pit and Boxes to be put together, and no person to be admitted without tickets, which will be deliver'd this day, at the office in Covent Garden theatre at half a guinea each. First Gallery 5s. Second Gallery 3s. 6d. Galleries to be opened at half an hour after Four O'clock. Pit and Boxes at Five. To begin at half an hour after Si(

Event Comment: We hear that Mr Handel will play a Concerto on the organ in Alexander's Feast, Wednesday next at Covent Garden Theatre

Event Comment: As a principal performer was taken ill after the play last night, the New tragedy is oblig'd to be deferred till Thursday. [Printed: The British Theatre, containing Lives of the British Dramatic poets with an account of all their plays. Also The Present state of the Stage, in Great Britain and Ireland, and the theatrical characters of the principal Performers in both kingdoms.] Receipts: #130 (Cross)

Event Comment: Towards a fund for ye Support of a publick Charity-(ye Lock Hospl.). King Lear & Duke & no Duke given out for Wed., 23 & bills put up, but not play'd on account of Mr Havard's illness, at 12 at noon, bills were dispers'd saying--the Play of King Lear, design'd for to Night is oblig'd to be defer'd on Account of Mr Havard's sudden illness. N.B--It was a very hot day (Cross). Tickets to be had at the following Coffee Houses: The St James, in St James's St.; The Mount, in Grosvenor St.; George's the upper end of the Haymarket; the Bedford and Tom's in Covent Garden; Garraway's in Cornhill; and at the Stage Door of the Theatre. Tickets deliver'd out for 16 April will be taken. [Cross lists no Receipts.

Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken at the stage door of the theatre. [Customary notice repeated for each bill this season.

Event Comment: SShuter play'd the Miser for his 1st appearance at this theatre. Great Applause (Cross)

Event Comment: At Phillips's Great Theatrical Booth, facing the Great Til'd Booth, Bowling Green, To begin at Twelve noon during the time of the Fair. Boxes 2s. 6d. Pit 1s. 6d. Upper seats 6d. [For security Phillips has erected no Gallery. Presumably the Patent Theatres were demanding more rigid enforcement of the Licensing Act as indicated in the notice from the Daily Advertiser 18 Sept.: Whereas the Fair called Lady Fair...in the Borough of Southwark...any person or persons..who person..(who ) shall act and exhibit any Droll or Shew (after 20 Sept.) shall be prosecuted and punished according to Law.'

Event Comment: MMacklin has built two magnificent Rooms, ground floor [one] for Coffee, the other a [meeting] Room (Winston MS 8). [The Tuner pub. at 1s. by Dr Hiffernan. Fifty-three pages touching on theatre in general but particularly on Boadicia. There is no plot in the play...Boadicia is a monster well deserving what she suffers; therefore is neither an object of Terror or Compassion: but of Detestation. Sh deserts us in the third act...Tender-hearted Venusia is introduc'd to be whined to death...There is scarce any sentiment throughout; no moral to be deduced...the Diction...favors more of the level, languid, and underepic, than of the vigorous marrowy, tragic style...Never was Author more oblig'd to Performers, they acted to the full amount of his meaning; the Matter often fail'd Mr Garrick's continued and vigorous exertion."] Receipts: #180 (Cross)

Event Comment: This day publish'd at 3s. Printed on Five sheets of superfine paper, Five Principal Scenes in Romeo and Juliet, designed, drawn, and engraved by Mr Ant. Walker. Printed and sold by John Tinney, at the Golden Lion in Fleet St. The drawing and Engraving of the three following Plays of Shakespeare are in great forwardness, and the scenes of each play will be sold at a time: 1 Henry IV, 2 Henry IV, Merry Wives. These plates will serve for Mr Pope's edition of Shakespeare in quarto, Sir Thomas Hanmer's edn. 6 Vol. quarto, or for any of the Folio editions. And may be framed and glazed for furniture. There will be a few sets neatly coloured for Gentlemen and Ladies who chuse them so (Public Advertiser). [A set of these prints is available in the Folger Shakespeare Library. The Five Principal Scenes were: The scene in Capulet's Housev where Romeo kisses Juliet 's hand; the Balcony Scenev ; the scene in which Friar Lawrence hurries the young couple off to be married; the Apothecary scenev ; and the death scenev . If, as may be, these scenes were taken from--as they were certainly stimulated by--the Barry-Nossiter production, they may present a good likness of Maria Isabella Nossiter, who so captivated London that season. If, also, they were taken from the theatre production, they give evidence that Barry used a balcony, not only a window.

Event Comment: Words as wrote by Congreve; musick-Philidor. Pit and Boxes 5s. Gallery 3s. The Theatre will be kept warm until the Company comes. To begin at 6:00 p.m

Event Comment: Benefit for Cibber. Mainpiece: Reviv'd. Tickets at the Stage Door of the Theatre

Event Comment: Box and Pit 10s. 6d. 1st Gallery 5s. Upper Gallery 3s. 6d. Pit and Boxes will be put together and no persons to be admitted without tickets, which will be delivered this day at the Office in the Theatre. Galleries opened at half an hour after Four. Pit and Boxes at Five. To begin at Half past Six

Event Comment: For one night only, being desired by several Persons of Quality. Benefit for Mr Arne. Done in the manner of an Oratorio. To begin at 6.30 p.m. Boxes half a guinea. Pit 5s. Gallery 3s. Upper Gallery 2s. Tickets to be had of Mr Arne near the Roe Buck in Bow St., Covent Garden, and of Mr Varney at the Stage Door where Places may be taken for the Boxes only. Published for 1s. this day Alfred the Great, a Drama for Music, as it is to be performed this evening at the Theatre Royal in Drury Lane. Printed for A. Miller in the Strand

Event Comment: Benefit Decay'd and Antient Masons. The Brothers are desir'd to meet at the Day of Performance at the Five Bells Tavern in the Strand, at 4 p.m. Tickets to be had of Mr Lauder at the Theatre

Event Comment: Benefit for Sga Passerini. [From charges and countercharges published in great length in the Public Advertiser, it appears that Sga Frasi had earlier arranged to produce Samson at the King's on this night for her benefit. Learning that the subscribers to the opera season could enter on their own tickets on this night she decided to change nights to avoid any losses, only to find that her singers were engaged at one theatre or another on other nights. Meanwhile, Signor Passerini got permission to have this night scheduled at King's for his wife's benefit, and Sga Frasi lost out all around. Passerini asserted that the charge for renting the Great Room, Dean St. Soho was 5 guineas for a night.

Event Comment: Benefit for White, Treasurer. No building on stage. Particular care will be taken to prevent any tickets sold at the doors of the theatre being admitted

Event Comment: At the chapel of the Foundling Hospital. [Beard and Ch. Smith gave their services free. Deutsch notes that this is the first list of Messiah performers preserved at the Foundling Hospital. The treasurer of the Hospital recorded receipts from 1,219 tickets and by cash-#666 15s. and an outlay of #58 17s. 6d., for Musicians, singers, constables, &c. Net to Hospital: #607 17s. 6d.