*p1754 01 21 cg Lo Studente a la Moda. ^As17540118^.*d1754 01 21 cg ^As17540118^.*c1754 01 21 cg This day publish'd at 3s. Printed on Five sheets of superfine paper, Five Principal Scenes in <i>Romeo and Juliet</i>, designed, drawn, and engraved by $Mr Ant. Walker=. Printed and sold by $John Tinney=, at the <i>Golden Lion</i> in <i>Fleet St.</i> The drawing and Engraving of the three following Plays of $Shakespeare= are in great forwardness, and the scenes of each play will be sold at a time: <i>1 Henry IV</i>, <i>2 Henry IV</i>, <i>Merry Wives</i>. These plates will serve for $Mr Pope='s edition of Shakespeare in quarto, $Sir Thomas Hanmer='s edn. 6 Vol. quarto, or for any of the Folio editions. And may be framed and glazed for furniture. There will be a few sets neatly coloured for Gentlemen and Ladies who chuse them so (<i>Public Advertiser</i>). [A set of these prints is available in the <i>Folger Shakespeare Library</i>. The Five Principal Scenes were: The scene in <i>Capulet's House</i>v where <i>Romeo</i>r kisses <i>Juliet</i>r 's hand; the <i>Balcony Scene</i>v ; the scene in which <i>Friar Lawrence</i>r hurries the young couple off to be married; the <i>Apothecary scene</i>v ; and the <i>death scene</i>v . If, as may be, these scenes were taken from--as they were certainly stimulated by--the $Barry=-$Nossiter= production, they may present a good likness of $Maria Isabella Nossiter=, who so captivated <i>London</i> that season. If, also, they were taken from the theatre production, they give evidence that Barry used a balcony, not only a window.]