SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Deutsch"/1) | (@(roleclean,performerclean) "Deutsch")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 72 matches on Event Comments, 71 matches on Performance Comments, 3 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Performed by the Academy of Ancient Music, probably at the Crown and Anchor-Deutsch, Handel, p. 560)

Performances

Mainpiece Title: Esther

Performance Comment: (Deutsch, Handel, p. 560.) Singers not listed.
Event Comment: At the chapel of the Foundling Hospital. [Beard and Ch. Smith gave their services free. Deutsch notes that this is the first list of Messiah performers preserved at the Foundling Hospital. The treasurer of the Hospital recorded receipts from 1,219 tickets and by cash-#666 15s. and an outlay of #58 17s. 6d., for Musicians, singers, constables, &c. Net to Hospital: #607 17s. 6d.

Performances

Mainpiece Title: The Messiah

Performance Comment: [Deutsch, Handel, pp. 750-52, lists 33 musicians, 18 singers, five servants, plus a number of organ blowers, porters, and constables who put on this performance. Among the singers the following from the theatres and the opera performed: Beard, Giulia Frasi, Sga Galli, Christina Passerini, Wass, Baildon, and Baildon Jr Champness, Wilder, Dupre, Walz, Cox, and Legg.]
Event Comment: By His Majesty's Command. A New Oratorio in English. Composed by Mr Handel. And to be perform'd by a great Number of the best Voices and Instruments. The House to be fitted up and illuminated in a new and particular manner. Tickets One Guinea. Gallery Half a Guinea. [Text by Samuel Humphreys. Their Majesties, Prince, and three eldest Princesses present.] Daily Advertiser, 20 March: An Entertainment, perhaps, the most magnificent that has ever been exhibited on an English Theatre....The Composition of the Musick is by no means inferior to the most finish'd of that Gentleman's Works; but the Disposition of the Performers was in a Taste beyond what has been attempted. There was a very great Number of Instruments by the best Hands, and such as would properly accompany three Organs. The Pit and Orchestre were cover'd as at an Assembly, and the whole House Illuminated in a new and most beautiful manner. [See also Lady A. Irwin to Lord Carlisle, in Deutsch, Handel, pp. 309-10.

Performances

Mainpiece Title: Deborah

Performance Comment: Edition of 1733 does not list performers' names, but Daily Advertiser, 20 March, states: Wherein Principal Parts-Signor Senosini, Signora Strada, Signora Gismundi, Signora Bertoldi, Signor Montagnana, Miss Young, Miss Arne, Mrs Wright, Mr Swartzs[, perform'd the principal Parts. [See also Deutsch, Handel, p. 308, and Dean, Handel's Dramatic Oratorios, p. 236.], perform'd the principal Parts. [See also Deutsch, Handel, p. 308, and Dean, Handel's Dramatic Oratorios, p. 236.]
Event Comment: Today, will be reviv'd an Opera. The Musick compos'd by Mr Handel. With Dances and other Decorations entirely new. Pit and Boxes to be put together; and no Person to be admitted without Tickets, which will be deliver'd this Day at the Office in the Haymarket, at Half a Guinea each. Gallery 5s. 6 p.m. Note. The Subscribers to the Opera are desir'd to send for their Silver Tickets to the Opera-Office in the Hay-Market. [This customary notice will not be included further. According to Loewenberg, Annals of Opera, I, 102, this is the new opera Rossane, Lampugnani's first composition, at the house for which he was the new resident composer. Musicologists have not arrived at the identity of this piece, Burney and Loewenburg attributing it to Lampugnani, Schoelcher and Deutsch to Handel. See Deutsch, Handel, p. 572, where he reviews the evidence.

Performances

Mainpiece Title: Roxana; Or, Alexander In India

Performance Comment: Allessandro-Monticelli; Rossane-Siga Visconti; Lisaura-Rosa Mancini; Tassile-Giulia Frasi; Clito-Signora Fratesanti (Deutsch Handel, p. 573). Lady Hertford to Lord Beauchamp: The singers are Monticelli, Visconti, Julietta, a bass from Italy whose name is Fratanzanti, and two new women; one whose name is Rosa Mancini...and the other, Caselli.-Hughes, Hertford, p. 297.
Event Comment: Pit and Boxes to be put together, and no person to be admitted without Tickets, which will be deliver'd that day at the office at cg theatre, at half a Guinea each. First Gallery 5s. Second Gallery 3s. 6d. Galleries to be opened at half an hour after Four o'clock. Pit and Boxes at Five. To begin at half an hour after Six. The Subscribers who favoured Mr Handel last season with their subscription, are desired to send to the office at cg on the day of the performance, where two tickets shall be deliver'd to each Gratis, in order to make good the Number of Performances subscrib'd to last season. [Recitative and chorus. Words taken from Milton and Spenser (Edition of 1746). Rehearsed at Handel's lodgings on 7 Feb. Burney and DeFesch in orchestra. (Deutsch, Handel, pp. 629-30.) Librettist not known, possibly Thomas Morell.

Performances

Mainpiece Title: The New Occasional Oratorio

Performance Comment: [No characters.] First soprano-Signora Francesina; Tenor-Beard; Bass-Reinhold (Deutsch, Handel, pp. 629-30.); With a newConcerto on the Organ-.

Performances

Mainpiece Title: Theseus

Performance Comment: Deutsch (p. 52) conjectures the cast: Teseo-Valeriano; Aailea-Signora del'Epine; Medea-Signora Pilotti; Egeo-Valentini; Clizia-Signora Gallia; Arcane-Mrs Barbier; Fedra-Signora Manina; Minerva-Leveridge.

Performances

Mainpiece Title: Ptolemy

Performance Comment: Deutsch, Handel, p. 254 lists: Tolomeo-Bernacchi; Seleuce-Signora Strada; Elisa-Signora Merighi; Alessandro-Signora Bertolli; Araspe-Fabri.

Performances

Mainpiece Title: Alcina

Performance Comment: Deutsch, Handel, p. 416, states that Ruggiero-Conti.

Performances

Mainpiece Title: Porus

Performance Comment: Deutsch, Handel, p. 419, lists: Poro-Annibali; Cleofide-Signora Strada; Erissena-Signora Maria Caterina Negri; Gandarte-Conti; Alessandro-Beard; Timagene-Reinhold.

Performances

Mainpiece Title: Arminius

Performance Comment: Deutsch, Handel, p. 424, lists: Arminio-Annibale; Tusnelda-Signora Strada; Sigismonde-Conti; Ramise-Signora Bertolli; Segeste-Reinhold; Varo-Beard; Tullio-Signora Maria Caterina Negri.

Performances

Mainpiece Title: Parnasso In Festa

Performance Comment: Deutsch, Handel, p. 428, believes that Clio-sung bySignora Strada; Cloride-sung bySignora Maria Caterina Negri.

Performances

Mainpiece Title: Alexander's Feast

Performance Comment: Deutsch, Handel, p. 429, speculates concerning a possible cast. With Concertos on the Organ-, and other Instruments.

Performances

Mainpiece Title: Il Trionfo Del Tempo E Della Verita

Performance Comment: Deutsch, Handel, p. 430, offers this conjectural casts: Tempo-Reinhold; Disinganno-Signora Maria Caterina Negri; Bellezza-Signora Strada; Piacere-Beard.

Music: WithConcertos on the Organ-and other Instruments

Performances

Mainpiece Title: Berenice

Performance Comment: Deutsch, Handel, p. 435, lists: Berenice-Signora Strada; Selene-Signora Bertolli; Alessandro-Conti; Demetrio-Annibali; Arsace-Signora Maria Caterina Negri; Fabio-Beard; Aristobolo-Reinhold.

Performances

Mainpiece Title: Alessandro Severo

Performance Comment: Deutsch, Handel, p. 451, lists a conjectural cast: Alessandro-Signora Merighi; Claudio-Caffarelli; Sallustia-Signora Francesina; Albina-Lucchesina; Guilia-Signora Chimenti; Marziano-Montagnana.

Performances

Mainpiece Title: Xerxes

Performance Comment: Deutsch, Handel, p. 456, lists: Serse-Caffarelli; Arsamene-Signora Lucchesina; Amastre-Signora Merighi; Romilda-Signora Francesina; Atalanta-Signora Chimenti; Ariodate-Montagnana; Elviro-Lottini.

Performances

Mainpiece Title: Saul

Performance Comment: Deutsch, Handel, p. 473, lists: Saul-Waltz; Jonathan-Beard; David-Russell; Merab-Mrs Arne Miss Cecilia Young; Michael-Signora Francesina; Doeg-Butler; Witch of Endor-Signora Lucchesina?, or Mrs Arne?-Young; Apparition of Samuel-Hussey; An Amalekite-Stoppelaer; High Priest-Kelly.

Performances

Mainpiece Title: Israel In Egypt

Performance Comment: Deutsch, Handel, pp. 478-79, lists: First Soprano-Signora Francesina; Second-Master Robinson; Alto-Savage; Tenor-Beard; First Bass-Waltz; Second Bass-Reinhold; With several Concertos on the Organ-; particularly a new one-.

Performances

Mainpiece Title: Hymen

Performance Comment: Deutsch, Handel, p. 508, lists cast from a copy in the National Library of Scotland; Imeneo-Savage; Tirinto-Andreoni; Rosmene-Signora Francescina; Clomiri-Miss Edwards; Argeno-Reinhold.

Performances

Mainpiece Title: Judas Maccabaeus

Performance Comment: Deutsch, Handel, p. 795, lists Judas Maccabaeus-Beard; Simon-Champness; Eupolemus-Baildon , and speculates as to the rest of the cast.

Performances

Mainpiece Title: Esther See deutsch, Handel, P

Performances

Mainpiece Title: The Alchemist

Song: I: Lowe; IV: Colin and Phebe-Lowe, Mrs Arne; God Save our Noble King by Arne-Mrs Cibber, Beard, Reinhold (Deutsch, Handel, p. 623)

Dance: II: Grand Serious Dance-; V: Grand Comic Dance, as17450926

Performances

Mainpiece Title: The Relapse; Or, Virtue In Danger

Afterpiece Title: The Debauchees

Dance: II: Mechel; IV: Mlle Mechel

Song: V: a Chorus song- [set by Handel, for the Gentlemen Volunteers of the City of London, Stand around, my brave boys written by John Lockman (Deutsch, Handel, p. 624)]

Performances

Mainpiece Title: Susanna, An Oratorio

Performance Comment: Parts were: Chelsias (Susana's father); Joacim (Her Husband); Daniel; 1st Elder; 2nd Elder; Judge-; [ Susannah; Attendant (Larpent MS). But Susanna-Signora Frasi; Attendant-Signora Sibilla; Daniel-the Boy; Joacim-Signora Galli; First Elder-Lowe; Second Elder-Rheinhold; Chelsias-Reinhold (Deutsch, Handel, p. 656).*c1749 2 10 cg [For Prices and times see Advertisement 2 Feb.] I think I never saw a fuller house. Rich told me that he believed he would receive near #400.--Deutsch, Handel, p. 657: Letter frmm Countess of Shaftesbury to James Harris, dated 11 Feb. 1749.For Prices and times see Advertisement 2 Feb.] I think I never saw a fuller house. Rich told me that he believed he would receive near #400.--Deutsch, Handel, p. 657: Letter frmm Countess of Shaftesbury to James Harris, dated 11 Feb. 1749.
Event Comment: t the chapel of the Foundling Hospital. Above 100 voices in performance. Tickets, 10s. 6d. [There] were present their Royal Highnesses the Prince and Princess of Wales....and a prodigious Concourse of the Nobility and Gentry (Deutsch, Handel, pp. 671, 672, from London Evening Post). 1,300 Tickets printed (Deutsch, Handel, p. 668, from Minutes of Hospital). Audience above a thousand (Deutsch, Handel, p. 670, from Gentleman's Magazine for May).

Performances

Mainpiece Title: A Grand Performance Of Vocal And Instrumental Music