Event Comment: Mainpiece [1st time; CO 3, by Leonard Macnally; words to some of the songs by Edward Lysaght]: With new Music, Scenes and Dresses. The Music composed by Shield [with selections from Sacchini, Bertoni, Lord Mornington, &c. (Public Advertiser, 19 Apr.); overture by Baumgarten, being the same as that used by him in William and Nanny at CG, 12 Nov. 1779 (Town and Country Magazine, Apr. 1784, p. 171)]. Books of the Songs to be had at the Theatre. Public Advertiser, 30 Oct. 1784: This Day is published by J. Almon Robin Hood [listing cast for season of 1784-85] (1s. 6d.). [In the season of 1789-90 this was reduced to an afterpiece of 2 acts.] Receipts: #206 4s. (204/3; 2/1)

Event Comment: Mainpiece [1st time in London; T 3, by William Hayley, 1st acted at Chichester, late in May 1784. Text in his Plays . . . for a Private Theatre (T. Cadell, 1784). Prologue by George Colman, the elder (European Magazine, Aug. 1784, p. 165). Contrary to the usual custom on the 1st night of a new play, the parts on this occasion are assigned]. "Palmer had done with Lord Russel as he did with many other characters, that is, totally neglected to study the words of the part . . . Whenever he felt himself at a loss he dexterously introduced some passages from The Earl of Essex, which he contrived to fit into the cues received by Lord Russel." His brother, R. Palmer, who told this anecdote to Boaden, said that the audience suspected nothing amiss (Boaden, Kemble, I, 193)

Event Comment: Benefit for Palmer. Mainpiece [1st time; C 3, by William Hayley. Text in his Plays . . . for a Private Theatre (T. Cadell, 1784). Prologue by George Colman, the elder. Epilogue by Edward Topham (Gazetteer, 13 Sept., which also gives the names of the speakers). The parts are assigned (see 18 Aug.)]: A new Comedy, in Rhyme

Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft, based on Le Mariage de Figaro, by Pierre Augustin Caron de Beaumarchais; incidental music by William Shield. In 1789 reduced to an afterpiece of 3 acts. Prologue by the author (Europaen Magazine, Dec. 1784, p. 467)]: With new Dresses, Decorations, &c. Public Advertiser, 10 Mar. 1785: This Day is published The Follies of A Day (1s. 6d.). [For an account of Holcroft's shorthand transcription of the original, taken down during a performance in Paris, and the hasty rehearsals of it in London, see Elbridge Colby, A Bibliography of Thomas Holcroft, 1922, pp. 48-50.]

Event Comment: Afterpiece [1st time; CO 2, by William Pearce. MS: Larpent 696; not published; synopsis of plot in Universal Magazine, Apr. 1785, p. 209]: With new Scenes and Dresses. The Overture and Airs composed by Shield. Books of the Songs to be had at the Theatre. "The Nunnery [is] ... a most powerful narcotic. The Performers--in friendly sympathy--had totally forgotten their parts--and passed the evening in a conversation with the prompter" (Public Advertiser, 15 Apr.)

Event Comment: [In mainpiece the playbill retains Mrs Wells, but she "was so ill last night that she could not perform the part of Jane Shore. It was undertaken by Mrs T. Kennedy" (Public Advertiser, 21 Dec.).] Afterpiece [1st time; P 2, by John O'Keeffe]: The Pantomime, and the whole of the Scenery, Machinery, Dresses, &c. designed and invented by Loutherbourg, and executed under his superintendance and direction by Richards, Carver, Hodgins, Catton Jun., Turner, assisted by two other celebrated artists [all subsequent playbills have "a celebrated artist"; he was the Rev. Matthew William Peters (Public Advertiser, 16 Dec.)]. The Music entirely new, composed by Shield. Books containing a short account of the Pantomime, as well as the Recitatives, Airs, Duets, Trios and Chorusses, and a Description of the Procession, to be had at the Theatre. Nothing under Full Price will be taken. [This was the last theatrical piece for which De Loutherbourg designed the scenery. For a detailed account of it see "De Loutherbourg and Captain Cook", by Ralph G. Allen, Theatre Research, IV, 195-211.] Account-Book, 17 Oct.: Paid De Loutherbourg on acct. #120; 20 Dec.: Paid Goodwin for copying Music #10 14s.; 14 Feb. 1786: Paid O'Keeffe in full for Omai #40. Receipts: #309 19s. (302/7; 7/12)

Event Comment: Afterpiece: 51st [recte 50th] Time [i.e. in continuation of the reckoning for the previous season]. With a Processionv exactly representing the Dresses, Weapons, and Manners of the Inhabitants of Otaheite, New Zealand, Tanna, Marquesas, the Friendly Islands, Sandwich Islands, and Easter Islands, Tschutzki, Siberia, Kamtschatka, Nootka Sound, Onalashka, Prince William's Sound, and the other Countries visited by Captain Cook. Receipts: #263 15s. 6d. (260.5.0; 3.10.6)

Event Comment: [Extra night] Benefit for the Widow and three youngest Children of the late Dr Glover. [Dr William Frederick Glover, a surgeon, had died on 25 Feb. in straitened circumstances. A subscription--in behalf of which this Benefit was organized--had been set on foot for the relief of his family (see Gentleman's Magazine, Mar. 1787, p. 276). In the 1760's he was for some years an actor on the Dublin stage (see Tate Wilkinson, Memoirs, III, 198).] Tickets to be had at the Thatched-House Tavern, St. James's Street; at Free-Mason's Tavern, Great Queen Street; the Antigallican Coffee House, Royal Exchange; the Globe Tavern, Fleet Street; at Messrs Robinsons, booksellers, Paternoster Row; and of the Printer of the Morning Chronicle, Dorset Street, Salisbury Square. Received from Their Majesties for Box [for season] #70; from the Princess Royal for Box #35. Receipts: #127 11s. (125.5; 2.6; tickets: none listed)

Event Comment: Mainpiece: Not acted these 3 years [acted in place of Love Makes a Man, advertised on playbill of 15 Mar.]. Afterpiece: Loutherbourg's celebrated Pantomimev. Not acted these 3 years [acted 4 Dec. 1786]. With new Decorations, and the Scenery new painted. With a Processionv exactly representing the Dresses, Weapons, and Manners of the Inhabitants of Otaheite, New Zealand, Tanna, Marquesas, the Friendly Islands, Sandwich Islands and Easter Islands, Tschutzki, Siberia, Kamtschatka, Nootka Sound, Onalashka, Prince William's Sound, and the other Countries visited by Captain Cook. [This was included in all subsequent performances.] Receipts: #256 17s. 6d. (250.5.6; 6.12.0)

Event Comment: Benefit for Mrs Crouch. Public Advertiser, 30 Mar.: Tickets to be had of Mrs Crouch, No. 56, Tichfield-street, Oxford-street. Mainpiece: Not acted these 3 years.The original Music composed by William? Jackson, and several additional songs. Afterpiece: Not acted these 3 years [not acted since 14 May 1783]. Receipts: #226 9s. 6d. (76.14.0; 24.9.0; 2.11.6; tickets: 122.15:0) (charge: #109 12s. 5d.)

Event Comment: Benefit for Macklin. [This was his last appearance on the stage; his 1st was c. 1716. In the middle of his first scene his memory failed him, and Ryder, who had been asked by the manager to be prepared for this eventuality, finished the part (Public Advertiser, 9 May; William W. Appleton, Charles Macklin, 1960, 225-27).

Event Comment: Mainpiece [1st time; T 3, by William Hayley, based on The Changeling, by Thomas Middleton. And see cg, 10 Nov.]: With new Dresses and Decorations. Afterpiece: 1st time in 3 acts [see cg, 14 Dec. 1784]. Receipts: #120 10s. 6d. (84.15.0; 29.17.6; 5.18.0)

Event Comment: Mainpiece [1st time; T 5, by William Hayley. Text 1st published in his Hayley, Three Plays (Chichester: For T. Cadell and W. Davies, 1811). Prologue and Epilogue bY the author (World, 31 Jan.)]: With new Dresses and Decorations. Receipts: #205 4s. 6d. (191.17.0; 13.7.6)

Event Comment: Benefit for Quick. "Quick, in July 1777, played Richard III at Bristol" (Anthony Pasquin [pseud. for John Williams], Poems [1789], II, 244). "Most people expected from Quick a comic representation of Richard the Third--but strange to tell he was earnest in the attempt, and succeeded tolerably. The audience, however, were not disposed to be very serious, and named him 'Little Dicky'" (Public Advertiser, 8 Apr.). [Address by Robert Merry (European Magazine, Apr. 1790, p. 307.] Gazetteer, 1 Apr.: Tickets to be had of Quick, Broad-court, Bow-street. Receipts: #430 17s. 6d. (265.5.6; 4.15.0; tickets: 160.17.0)

Event Comment: Benefit for Mrs Wilson and Williames [who is named in the Account-Book, but not on the playbill]. [The monologue refers to a criminal, Rynwick Williams, popularly known as "The Monster," who with a knife had recently attacked many women on the streets of London (see An Authentic Account of the Barbarities..(S. Bladon, 1790); World, 5 May, et seq.).] Gazetteer, 1 and 6 May : Tickets to be had of Williames and Mrs Wilson, No. 19, Great Piazza, Covent-garden. Receipts: #225 5s. (40.13; 21.14; 2.16; tickets: 160.2) (charge: #108 2s. 3d.)

Event Comment: Afterpiece [1st time; MD 2, by Jeremiah Meyer and William Hayley, "from the German." Larpent MS 941; not published; synopsis of plot in Morning Herald, 18 Apr.]: With new Scenery, Machinery, Dresses and Decorations. The Music selected from Ditteus [i.e. Dittersdorf], Rauzzini and Salieri; the Overture and new Music by Reeve. Book of the Songs to be had at the Theatre. [Mme Carnevale had 1st appeared at king's in 1783.] Receipts: #252 3s. 6d. (242.19.6; 9.4.0)

Event Comment: Benefit for Johnstone. Afterpiece [1st time; F 2, by William Macready, based partly on the anonymous The Intriguing Footman]. Morning Herald, 30 Mar. 1793: This day is published The Irishman in London (1s.). Ibid, 29 Mar. 1792: Tickets to be had of Johnstone, No. 19, Piazza, Covent Garden. Receipts: #389 14s. (155.15; 5.5; tickets: 228.14) (charge: #105)

Event Comment: Mainpiece: Not acted these 3 years. Afterpiece [1st time; MF 2, by William Pearce]: With new Music, Dresses, &c. The Music composed by Haydn, Sacchini, and Shield. The Scenery by Richards. Books of the Songs [W. Woodfall, 1792] to be had at the The Theatre. Public Advertiser, 20 Apr. 1793: This Day is published Hartford Bridge (1s.). Receipts: #294 17s. 6d

Event Comment: Afterpiece [1st time; CO 2, by William Pearce]: With new Music, Scenes and Dresses. The Music composed and selected [From Paisiello and Gretry (BUC, 946)] by Shield. The Scenes designed and executed by Richards. Books of the Songs to be at the Theatre. ["Mr Pearce #100 for Midnight Wanderers" (MS annotation on BM playbill (cg, Vol. VIII), 2 Mar. 1793).] Morning Herald, 21 May 1793: This day is published The Midnight Wanderers (1s.). Receipts: #332 17s. 6d

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by William Thomas Fitzgerald. Epilogue by Miles Peter Andrews (see text)]: With new Scenes and Dresses. [In mainpiece the playbill lists Mrs Esten, but "Previous to the play an apology was made in behalf of Mrs Davis, who had undertaken Mrs Esten's character in consequence of the indisposition of the latter lady. [After considerable objection] Mrs Davis was well received in the part" (Thespian Magazine, June 1793, p. 4).] Public Advertiser, 3 May 1793: This Day is published How to Grow Rich (1s. 6d.). Receipts: #257 17s. 6d

Event Comment: Afterpiece [1st time; MF 2, by William Pearce. Text (T. N. Longman, 1794) has cast for season of 1794-95]: With new Music [by Shield), Scenes [by Richards (Theatre Notebook, Summer, 1965, XIX, 143)] and Dresses. The Music composed by [i.e. compiled from] Baumgarten, Paisiello, Dr Arne, W. Parke, Howard, and Shield. Books of the Songs to be had at the Theatre. Morning Chronicle, 26 Nov. 1794: This Day is published NETLEY ABBEY (1s.). Receipts: #399 5s. 6d. (378/1 1/6; 20/14/0)

Event Comment: Benefit for the Relief of the Widows and Orphans of the brave Men who fell in the late Glorious Actions [on 1 June 1794], under Earl Howe. The Whole Receipt of the Night to be applied to the above Fund. Under the Patronage of His Royal Highness the Prince of Wales, and His Royal Highness the Duke of Clarence. The Tickets for the Boxes at Half-a-Guinea each, are issued under the Direction of a Committee consisting of the following Noblemen and Gentlemen, who have obligingly undertaken to attend to the arrangements of the Evening: The Duke of Leeds, The Duke of Bedford, The Earl of Lauderdale, Lord Mulgrave, Lord William Russel, The Right Honourable the Lord Mayor [Paul Le Mesurier], Mr Alderman Coombe, Hon. Thos. Erskine, J. Nesbit Esq., I. B. Church Esq., W. Devaynes Esq., J. Taylor Vaughan Esq., J. J. Angerstein Esq., R. B. Sheridan Esq. Tickets and Places for the Boxes, not disposed of by the Committee, to be had of Fosbrook, at the Box-Office, Little Russel-Street. Tickets also to be had at the Bar of Lloyd's Coffee House. Afterpiece [1st time; ENT 2, by Richard Brinsley Sheridan and James Cobb; with songs written by the Duke of Leeds, the Earl of Mulgrave, Mary Robinson, Joseph Richardson, &c. In 1797 altered as CAPE ST. VINCENT. Prologue by Joseph Richardson (London Chronicle, 4 July). Epilogue by Richard Brinsley Sheridan]: The Music composed and selected by Storace [with one song each by Reeve. Linley Sen., Michael Kelly]. The Dresses, Scenery and Machinery entirely New. "This piece is a sort of continuation of No Song No Supper...hastily put together for the occasion" (European Magazine, July 1794, p. 60). "The Theatre this Evening was crowded in every Part, the receipt amounting to something better than 1300 Guineas" (Powell). Powell, 1 July: Country Girl rehearsed at 10; Glorious First at 12 and at night. 2 July: Glorious First rehearsed at 10. Receipts: #1,526 11s. (450/6/0; 41/13/0; 0/12/6; tickets in boxes: 954/0/0; tickets in pit: 80/0/0) (charge: free)