SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Williams"/1) | (@(roleclean,performerclean) "Williams")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 10791 matches on Author, 5263 matches on Roles/Actors, 1664 matches on Performance Comments, 434 matches on Event Comments, and 51 matches on Performance Title.
Event Comment: By Permission of the Lord Chamberlain. Positively the last night of performing. Benefit for Mrs Williams</a> and Mrs Weston

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Weston, first time in that part; Henry-Gardner; Buckingham-Aickin; Stanley-Lloyd; Tressel-Ward; Catesby-Everard; Lieutenant-Carpenter; Norfolke-Lewis; Prince Edward-Master Blanchard; Duke of York-Master Pulley; Richmond-Williams; Queen-Mrs Williams; Duchess of York-Mrs Mitteer; Lady Anne-Mrs Jewell.

Afterpiece Title: Thomasand Sally

Entertainment: End: Imitations vocal and rhetorical-Bannister

Performances

Mainpiece Title: The Duke Of Milan

Afterpiece Title: William And Nanny

Performances

Mainpiece Title: The Lord Of The Manor

Performance Comment: Principal Characters by Vernon, Dodd, Parsons, Bannister, Aickin, Baddeley, Du-Bellamy, Suett, R. Palmer, Williams, Holcroft, Chaplin, Griffiths, Phillimore, Nash, Helme, Palmer, Miss Prudom, Mrs Wrighten, Miss Farren. Cast from text (T. Evans, 1781): Trumore-Vernon; Le Nippe-Dodd; Sir John Contrast-Parsons; Rashly-Bannister; Rental-Aickin; Captain Trepan-Baddeley; Huntsman-Du-Bellamy; Serjeant Crimp-R. Palmer; Corporal Snap-Williams; Contrast-Palmer; Moll Flagon-Mr Suett; Annette-Miss Prudom; Peggy-Mrs Wrighten; Sophia-Miss Farren; unassigned-Holcroft, Chaplin, Griffiths, Phillimore, Nash, Helme.

Afterpiece Title: The Elopement

Performances

Mainpiece Title: The Injured Lovers; Or, The Ambitious Father

Performance Comment: Edition of 1688. Prologue to the Injur'd Lovers-Mr Mountfort; King of Sicily-Williams; Rheusanes-Betterton; Ghinotto-Griffin; Dorenalus-Mountfort; Old Colonel-Sanford; Soldiers-Lee, Jevon, Underhill; Princess Oryala-Mrs Barry; Antelina-Mrs Bracegirdle; Epilogue-Mr Jevon.
Event Comment: Benefit Williams</a> and Oates. Written by Shakespear

Performances

Mainpiece Title: King Henry The Fourth, Part I

Performance Comment: As17190110, but Hotspur-Booth; Douglas-Williams; Vernon-Oates.

Dance: Topham, Mrs Bicknell, Miss Tenoe, Miss Lindar

Event Comment: Benefit Williams</a>

Performances

Mainpiece Title: King Richard The Third

Performance Comment: As17320320 but Tyrrel-Norris; Oxford-Williams; Lieutenant-Collet.

Afterpiece Title: The Stage Coach Opera

Music: II: Preamble on the Kettle Drums-Joab Bakeron the Stage; Mr Handel's Water Musick-; V: Tollet's Grounds-Mr Baker on a Side Drum, accompanied with a Violin, the like having never been attempted by any Person before

Dance: III: Tambourine-Miss Wherrit

Performances

Mainpiece Title: The Widow Of Delphi

Afterpiece Title: The Deaf Lover

Event Comment: Afterpiece [1st time; MD 2, by George Colman, ynger, based on Raoul Barbe Bleue, by Michel Jean Sedaine (although, in the 1st edition of the play, this denied by Colman). Text (Cadell and Davies, 1798)]: The Scenery, Machinery, Dresses, and Decorations entirely new. The Musick composed and selected [from Paisiello] by Kelly. The Scenes designed and executed by Greenwood? Jun, Chalmers, and others. The Machinery, Decorations, and Dresses designed and under the direction of Johnston, and executed by him, Underwood, Gay, and Miss Rein. Books of the Songs to be had in the Theatre. Times, 8 Feb. 1798: This Day is published Blue Beard (1s. 6d.). "In the course of the representation, many blunders in working the scenery, which are unavoidable in a first representation of this nature, occurred, and the delays which took place were frequently very great...It was twelve o'-clock before the curtain dropped...The Expense of getting it up is said to be not less than #2,000" (London Chronicle, 18 Jan.). Proud swells the tide, with loads of capering heels, And vacant Folly shouts applause in peals; Hoards, even beyond th miser's wish, are thrown, To deck some sham farago for the town...Money for dresses, money for new scenes, New music, decorations, and machines; The cost of these, including every freak, Would pay ten decent players four pounds a week. Anthony Pasquin (pseud. for John Williams</a>), "Innovation," in The Devil [1787], II, no. 2, 46. Receipts: #319 14s. 6d. (216.17.6; 102.2.0; 0.15.0)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Blue-Beard; or, Female Curiosity

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: THE SURRENDER OF CALAIS

Afterpiece Title: THE PURSE; or, Benevolent Tar

Song: In 2nd piece, as17940717

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: The Purse; or, Benevolent Tar

Afterpiece Title: The Agreeable Surprise

Performances

Mainpiece Title: The Purse; Or, Benevolent Tar

Afterpiece Title: Peeping Tom

Afterpiece Title: Bannian Day

Performances

Mainpiece Title: The Purse; Or, Benevolent Tar

Afterpiece Title: The Spanish Barber

Afterpiece Title: The Irish Legacy

Performances

Mainpiece Title: The Purse; Or, Benevolent Tar

Afterpiece Title: The London Hermit; or, Rambles in Dorsetshire

Afterpiece Title: Peeping Tom

Performances

Mainpiece Title: The Tempest; Or, The Enchanted Island

Performance Comment: Prospero-Furnival; Sycorax-Hallam Sen; Ferdinand-Goodfellow; Alonzo-Wignell; Antonio-Dove; Gonsalo-Lee; Hippolito-Mrs Hallam; Stephano-Hallam; Mustacho-Shuter; Trinclo-L. Hallam; Ventoso-Cushing; Miranda-Mrs Wignell; Dorinda-Miss Budgell; Ariel-Miss Moreau; Caliban-Paget; Dances-Williams, Baker, Janno, Scott; Setebos-Miles; Pluto-Brett; Demons-Williams, Janno, Baker, Tool, Fulwell; Neptune-Brett; Amphytrite-Mrs Cushing.
Event Comment: Benefit for Marshall, Miss Williams</a> & Mrs Warrell. Oracle, 3 June: Tickets to be had of Marshall, No. 11, York-street, York-buildings; of Miss Williams, No. 14, Martlett-court, Bow-street, Covent-Garden; of Mrs Warrell, No. 48, Carey-street, Lincoln's-inn-fields. Receipts: #147 9s. 6d. (14.16.6; 4.1.0; tickets: 128.12.0)

Performances

Mainpiece Title: Fontainbleau

Performance Comment: As17901102, but Nannette (1st time)-Miss Williams; Rosa with an additional Song-Mrs Warrell.

Afterpiece Title: The Poor Soldier

Performance Comment: As17901217, but Parrick (1st time)-Miss Williams; Norah (1st time)-Mrs Warrell.

Song: End I: Had I a Heart for Falsehood framed-Marshall in imitation of Leoni; After Monologue: a New Song-Incledon

Entertainment: Monologue. End: A Dissertation on Hobby@Horses, as17910524 but Mr Brandon's Hobby in place of Mrs Mountain's Hobby; The Lawyer's Hobby-Marshall (in the character of a Jockey)

Performances

Mainpiece Title: The Double Deceit

Performances

Mainpiece Title: The Humours Of Oxford

Afterpiece Title: A Mirror for the Ladies

Afterpiece Title: The Wrangling Lovers

Performance Comment: Don Carlos-Holmes; Don Lorenzo-Curtis; Lopes-Swords; Sancho-Kennedy; Leonora-Mrs Williams; Jacinta-Mrs Lefevre; Prologue-Brown.

Song: End III: Hunting Song-Miss Harris

Monologue: Vaudeville.Between Acts 3rd piece: a few Pantomimical Scenes. Harlequin-Best; Columbine-Miss Dudley

Performances

Mainpiece Title: The Honey Moon

Afterpiece Title: Robinson Crusoe

Performances

Mainpiece Title: The History And Fall Of Caius Marius

Performance Comment: Edition of 1680: Prologue-Mr Betterton; Caius Marius-Betterton; Sylla-Williams; Marius Junior-Smith; Granius-Percivale; Metellus-Gillow; Quintus Pompeius-Williams; Cinna-Jevon; Sulpitius-Underhill; Lavinia-Mrs Barry; Nurse-Noakes; Epilogue-Mrs Barry; Lavinia-Mrs Barry.

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: Moor-Booth; Iago-Cibber; Cassio-Williams; Roderigo-Miller; Montano-Watson; Brabantio-Boman; Lodovico-William Mills; Desdemona-Mrs Thurmond; Emilia-Mrs Butler.

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: William And Nanny

Song: End II: As17790927; End II: Song in The Milesian, being a description of a Sea Fight [Stand to your guns, my hearts of oak]-Bannister

Performances

Mainpiece Title: The Sons Of Anacreon

Afterpiece Title: William and Susan; or, The Sailor's Sheet-Anchor

Afterpiece Title: The Devil upon Two Sticks

Afterpiece Title: Gretna Green

Song: In 1st piece, as17850819; End of 3rd piece, as17850719

Performances

Mainpiece Title: The Fugitive

Afterpiece Title: All the World's a Stage

Performances

Mainpiece Title: The Maid In The Mill