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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre Royal Margate"/1) | (@(roleclean,performerclean) "Theatre Royal Margate")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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4330 results for: Keyword - Theatre Royal Margate
We found 3352 matches on Event Comments, 743 matches on Performance Title, 475 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

1776
24 August 1719 @ Bartholomew Fair

Event Comment: At Spiller and Lee Booth. Weekly Journal or Saturday's Post, 20 Aug.: On Tuesday Night about Ten [25 Aug.]...His Royal Highness came thither incognito, with only one Nobleman and a Footman attending; he was well pleased with the Performance, and was very liberal to the Actors

Performances

Mainpiece Title: King Egbert, King Of Kent And Monarch Of England; Or, The Union Of The Seven Kingdoms

1777
23 October 1719 @ Drury Lane Theatre

Event Comment: By His Royal Highness's Command

Performances

Mainpiece Title: The Double Gallant; Or, The Sick Lady's Cure

1778
26 October 1719 @ Drury Lane Theatre

Event Comment: By His Royal Highness's Command. [The Prince present.

Performances

Mainpiece Title: The Pilgrim

Dance: Shaw, Mrs Booth, Thurmond, Topham, Mrs Tenoe, Miss Smith, Miss Lindar

1779
29 October 1719 @ Drury Lane Theatre

Event Comment: By His Royal Highness's Command. An ancient Story, written by Mr Phillip Massinger, and Acted but twice since the Reign of King Charles the First; now revis'd with Alterations. [The Prince present.

Performances

Mainpiece Title: The Bondman; Or, Love And Liberty

Dance: Weaver, Shaw, Mrs Booth, Mrs Bicknell

1780
02 November 1719 @ Lincoln's Inn Fields

Event Comment: By His Royal Highness's Command. [The Prince present.

Performances

Mainpiece Title: The Quaker's Wedding

Dance: As17191022

1781
20 November 1719 @ Drury Lane Theatre

Event Comment: By His Royal Highness's Command. [The Prince present.

Performances

Mainpiece Title: Chit Chat

Dance:

1782
27 November 1719 @ King's Theatre

Event Comment: A meeting of the Court of Directors of the Royal Academy of Music initiated arrangements for a new season. For details, see Lord Chamberlain's Office, 7@3, Nicoll, p. 286, and Deutsch, p. 97

Performances

1783
30 November 1719 @ King's Theatre

Event Comment: For further deliberations of the Court of Directors of the Royal Academy of Music, see Lord Chamberlain's Office, 7@3 or Deutsch, p. 97

Performances

1784
02 December 1719 @ King's Theatre

Event Comment: For further deliberations of the Royal Academy of Music, see Lord Chamberlain's Office, 7@3 or Deutsch, Handel, p. 97

Performances

Mainpiece Title: None

1785
08 January 1720 @ Lincoln's Inn Fields

Event Comment: By His Royal Highness's Command

Performances

Mainpiece Title: The Squire Of Alsatia

Dance:

1786
18 January 1720 @ Drury Lane Theatre

Event Comment: By His Royal Highness's Command

Performances

Mainpiece Title: The Rover

Dance:

1787
22 January 1720 @ Drury Lane Theatre

Event Comment: By His Royal Highness's Command. [The Prince present.

Performances

Mainpiece Title: Don John; Or, The Libertine Destroy'd

Dance: As17191007

1788
16 February 1720 @ Drury Lane Theatre

Event Comment: By His Royal Highness's Command. Lord Chamberlain's Office, 5@157, p. 287: I do hereby Order and direct that Mr Gay s Pastorall Tragedy be imediately Acted after Mr Hugh's

Performances

Mainpiece Title: The Stratagem

Dance: As17200210

1789
07 March 1720 @ Lincoln's Inn Fields

Event Comment: Benefit Mrs Bullock. By His Royal Highness's Command. Three Rows of the Pit will be rail'd into the Boxes

Performances

Mainpiece Title: The Double Dealer

Song: As17200213

Dance: Topham Jr

1790
22 March 1720 @ King's Theatre

Event Comment: By His Royal Highness's Command

Performances

Mainpiece Title: The Amorous Follies

Afterpiece Title: Harlequin a Man of Good Fortune

Dance:

1791
24 March 1720 @ King's Theatre

Event Comment: For The Entertainment of their Royal Highnesses the Young Princesses. [The Princesses present.] For comment on the current theatrical scene, see The Letters of the Late Thomas Rundle, pp. 18-22

Performances

Mainpiece Title: Harlequin A Sham Astrologer, A Parrot, A Child, A Statue, And A Chimney Sweeper

Dance: Danjeville

1792
02 April 1720 @ King's Theatre

Event Comment: [By Paolo Antonio Rolli. The Scenes by Roberto Clerici, Engineer to the Royal Academy.] A New Opera. Pit and Boxes by tickets only at half a guinea

Performances

Mainpiece Title: Numitor

1793
04 May 1720 @ Lincoln's Inn Fields

Event Comment: Mainpiece: [Author unknown. Apparently not published.] A new Farce of three Acts. Benefit Ryan. By His Royal Highness's Command

Performances

Mainpiece Title: Mississippi

Afterpiece Title: The Country Wake

Afterpiece Title: The Walking Statue

1794
31 May 1720 @ King's Theatre

Event Comment: Benefit Francisque. By Their Royal Highness's Command. The Diary of Mary Countess Cowper, p. 172: In the Afternoon the Prince and Princess went to the French Play. A most dismal Performance. No Wonder People are Slaves who can entertain themselves with such Stuff

Performances

Mainpiece Title: Les Deux Arlequins

Afterpiece Title: La Baron de la Crasse

Dance: Dangeville

Entertainment: Tumbling=-Francisque

1795
09 June 1720 @ King's Theatre

Event Comment: Benefit Roger, who acted the Part of Piero. By their Royal Highness's Command. [The Prince present.

Performances

Mainpiece Title: Arlequin Docteur Chinois

Afterpiece Title: Letourdy

Afterpiece Title: The Reasonable Animals

Dance: As17200531

1796
24 October 1720 @ Lincoln's Inn Fields

Event Comment: By His Royal Highness's Command. Written by Shakespear. Receipts: #92. Weekly Journal or Saturday's Post, 29 Oct.: Where was acted...The Merry Wives of Windsor, with universal Applause; that Company having improved themselves so much, during the long Vacation, they now equal, if not exceed their Brethren of Drury-Lane in their Theatrical Performances

Performances

Mainpiece Title: The Merry Wives Of Windsor

1797
02 November 1720 @ Drury Lane Theatre

Event Comment: By His Royal Highness's Command. Written by Shakespear. [The Prince and Princess present.

Performances

Mainpiece Title: Macbeth

1798
19 November 1720 @ King's Theatre

Event Comment: [Text by P. A. Rolli. Music by G. Bononcini.] A New Opera. Four Hundred Tickets (for Pit and Boxes) will be deliver'd out, and after they are disposed of, no Person whatsoever will be admitted for Money. Neither Director nor Subscribers will be admitted on the Stage. A proper Officer will attend at each Door, to deliver Every Subscriber his Ticket, without which he will not be admitted. Pit and Boxes at a half guinea. Gallery 5s. The Doors to be open'd at Five a Clock. To Begin exactly at Six. [The Royal Family present.

Performances

Mainpiece Title: Astartus

1799
23 November 1720 @ King's Theatre

Event Comment: Admission as 19 Nov. Whereas Offence was taken last Saturday at the Opera, to the Misbehaviour of the Upper Gallery: This is to advertise, that unless they behave themselves more quietly and decently for the future, the Director of the Royal Academy of Musick will order that Gallery to be taken away

Performances

Mainpiece Title: Astartus

1800
10 December 1720 @ Drury Lane Theatre

Event Comment: By Her Royal Highness's Command

Performances

Mainpiece Title: The Fatal Marriage; Or, The Innocent Adultery