SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Sir S Tuke"/1) | (@(roleclean,performerclean) "Sir S Tuke")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6040 matches on Performance Comments, 1603 matches on Author, 944 matches on Event Comments, 462 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Nothing said abour ye prolog: (Cross). The Music of the Funeral Procession compos'd by Dr Boyce. [See "William Boyce's 'Solemn Dirge' in Garrick's Romeo and Juliet Production of 1750," by Charles Haywood, Shakespeare Quarterly, Spring, 1960.] This day is Publish'd at 1s. 6d. Romeo and Juliet a Tragedy, revised and alter'd from Shakespear by Theophilus Cibber, First revised in September 1744, at the Theatre in the Haymarket; now acted at the Theatre Royal in Drury Lane. To which is added a Serio-Comic Apology for Part of the Life of Mr Theophilus Cibber, Comedian, written by himself. Interspers'd with memoirs and anecdotes relating to the Stage Managements, Theatrical Resolutions, &c. also cursory Observations on principal Players: particularly Mr Quin, Mr Ryan, Mrs Woffington, Mrs Ward, and Miss Bellamy; Mr Garrick, Mr Barry, Mrs Cibber, Mrs Clive, Mrs Pritchard, &c. Likewise Original Letters that passed between the late Sir Thomas DeVeil and Mr Theophilus Cibber relating to the Stage Act, Concluding with a copy of Verses, call'd the Contrite Comedian's Confession. Printed for C. Corbett, the Publisher, at Addison's Head, facing St Dunstan's Church, Fleet St; G. Woodfall, at the King's Arms, the corner of Craig's Court, Charing Cross. [See 11 Oct.] Receipts: #170 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Event Comment: Benefit for Leveridge. Play Written by Sir John Vanbrugh

Performances

Mainpiece Title: The City Wives Confederacy

Song: I: a Cantata call'd The Lover's Lesson-Miss Falkner; II: an Anacreontic-Leveridge; III: If Love's a Sweet Passion set by Baildon-Lowe; IV: The Truly Happy Man-Leveridge; End: Epilogue of Thanks-Leveridge

Dance: As17510117

Performances

Mainpiece Title: The Revenge

Performance Comment: Zanga-Mossop; Alonzo-Havard; Carlos-Ross; Leonora-Miss Bellamy; Don Alvarez-Burton; Don Manuel-Mozeen; Isabella-Mrs Mills.*a1751 10 10 dl The Anatomist.*c1751 10 10 dl Mainpiece: Not acted these 20 Years. Mr Mossop (Zanga ) Havard (Alonzo ) play'd well, but ye appear'd as it is wrote, Dull (Cross). The Comedy call'd Sir Courtly Nice, or It Cannot Be, is now reviving at Drury Lane, and will be played there in a few days. Receipts: #140 (Cross).
Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege
Event Comment: Mainpiece: Written by Sir John Vanbrugh

Performances

Mainpiece Title: The City Wives Confederacy

Afterpiece Title: The Necromancer

Event Comment: Mainpiece: Written by the late Sir John Vanbrugh. Not acted these 8 years

Performances

Mainpiece Title: The False Friend

Afterpiece Title: Damon and Phillida

Dance: As17520127

Event Comment: TThe Sorcerer, a Pantomime Entertainment, originally performed at the Theatre in Lincoln's Inn Fields, is preparing, with alterations, at Covent Garden (The scenes painted by Mr Lambert) and will be performed one day next week. [Another letter appeared in the General Advertiser on innocent entertainment for the lower classes (see 29 Jan. 1752), but severely criticized the existence of Prize fights, Cock-pits, and Gambling houses as the real nuisances and nurseries of theft and disorder."] It is whispered that the Townwill shortly be entertained with a phenomenon of the Monosyllable Fun,--the match between Sir Alexander Drawcansir, Kent. and their Lownesses of Grub Street, being certainly to be decided on the Stage; great bets depending on this Battle, it is thought the Knowing ones will be taken in (General Advertiser)

Performances

Mainpiece Title: Othello

Afterpiece Title: Mock Doctor

Performances

Mainpiece Title: Grand Composition Of Fun And Music

Performance Comment: But advertised (10 Feb.) as a Decision of the Match so long depending between Sir Alexander Drawcansir, Knt. and their Lownesses of Grub Street, on which large bets are depending. It is thought the Knowing Ones will be greatly taken in. A piece of Witchcraft from Macbeth-; A Town and a Country piece between a Blood and a Blockhead-; A curious examination before Mr Justice Bobadil-; A Phenomenon of High Humbug-; A Piece from the Brazen Head-; A solo on a very uncommon instrument imported from the Antipodes-Mynheer eht soumaf dna deifiton reddalb dna grirts saila Len Roop.; An Apparition of a Ghost-; A barbarous cruel bloody and inhuman committed by the Man Mountain in Rocky Termagant, in a new Taste. To conclude with a dying Fall and the Birth, Parentage and Education of Fun. (General Advertiser). A barbarous cruel bloody and inhuman committed by the Man Mountain in Rocky Termagant, in a new Taste. To conclude with a dying Fall and the Birth, Parentage and Education of Fun. (General Advertiser).
Event Comment: Mainpiece: Written by Sir John Vanbrugh. Not acted these seven years. [See 19 Nov. 1746.

Performances

Mainpiece Title: The Mistake; Or, The Lover's Quarrel

Afterpiece Title: Harlequin Sorcerer

Event Comment: Ye Inspector had put a Letter saying Mr Woodward's words to Fitzpatrick were--I have notic'd you & shall see you another time. In Answer to wch Mr Woodward made an Affidavid & publish'd it in the Gen. Advertiser--that he said no more than I thank you, Sir,--Mr Fitzpatrick had in ye Inspector put in an advertism[en]t upon his Honour, Woodward said the other Words. Receipts: #120 (Cross)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Harlequin Ranger

Dance: II: L'Entree de Flore, as17521106, but Piettro, Miss +Rayner, Mad Auretti; III: A +Hornpipe-Mathews

Event Comment: Mainpiece: By Sir John Vanbrugh not acted these 6 years. [See 27 Feb. 1748.

Performances

Mainpiece Title: Aesop

Afterpiece Title: Harlequin Sorcerer

Event Comment: By His Majesty's Command. Play Written by Sir John Vanbrugh

Performances

Mainpiece Title: The False Friend

Dance: IIl Morlaco, as17521219; Grand Scots Ballet-Cooke, Miss Hilliard; Il Pastore-Maranesi, Signora Bugiani

Event Comment: This day publish'd at 3s. Printed on Five sheets of superfine paper, Five Principal Scenes in Romeo and Juliet, designed, drawn, and engraved by Mr Ant. Walker. Printed and sold by John Tinney, at the Golden Lion in Fleet St. The drawing and Engraving of the three following Plays of Shakespeare are in great forwardness, and the scenes of each play will be sold at a time: 1 Henry IV, 2 Henry IV, Merry Wives. These plates will serve for Mr Pope's edition of Shakespeare in quarto, Sir Thomas Hanmer's edn. 6 Vol. quarto, or for any of the Folio editions. And may be framed and glazed for furniture. There will be a few sets neatly coloured for Gentlemen and Ladies who chuse them so (Public Advertiser). [A set of these prints is available in the Folger Shakespeare Library. The Five Principal Scenes were: The scene in Capulet's Housev where Romeo kisses Juliet 's hand; the Balcony Scenev ; the scene in which Friar Lawrence hurries the young couple off to be married; the Apothecary scenev ; and the death scenev . If, as may be, these scenes were taken from--as they were certainly stimulated by--the Barry-Nossiter production, they may present a good likness of Maria Isabella Nossiter, who so captivated London that season. If, also, they were taken from the theatre production, they give evidence that Barry used a balcony, not only a window.

Performances

Mainpiece Title: Lo Studente A La Moda

Dance: As17540118

Event Comment: Benefit for Yates. The Farce of The Knights intended and advertis'd to be acted is oblig'd to be laid aside on account of Mr Phillip's dangerous indisposition, who was to have perform'd the character of Sir Gregory Gazette. Tickets of Yates at Mr Walsh's Music shop in Catherine St. in the Strand, and at the stage door (playbill, 29 March). Receipts: #260 (Cross)

Performances

Mainpiece Title: Much Ado About Nothing

Related Works
Related Work: The Law Against Lovers Author(s): Sir William Davenant

Afterpiece Title: Lethe

Dance: II: Masquerade Dance-; Devisse, Mad Auretti

Event Comment: MMiss Haughton did second Constantia-Mrs Cibber gave it up-some days ago ($Cross). [Early in the next year was published The Devil upon Crutches in England; or, Night Scenes in London. By a Gentleman of Oxford. Chapter V gives a Short View of the Theatres including sharp criticism of 'the most barefaced bawdry Farce...that ever disgraced the stage, in which the Manager, who has caused it to be reviv'd, is to perform the principal part. The Play, Sir, is call'd the Chances...and this is the tenth night of its representation to crowded houses...Your fair country women...are fond of the most fulsome obscenity on the stage."] Receipts: #150 (Cross)

Performances

Mainpiece Title: The Chances

Song: II: (By desire) The School of Anacreon-Beard

Dance: IV: The Shepherd's Holiday, as17541008

Event Comment: Continued (by adjourment). Veniam quocumque vocaris, a properer motto for the Inquisitor than that he has chosen, being in English nothing more than, coming Sir. After the Inquiry the following questions will be debated: Whether these Argumentative Societies are useful of pernicious to the public, and if the former, Whether the superintendance of them should be given to the Inquisitor, Dr R-, or Tiddy Doll, being three gentlemen who have eloquently distinguished themselves from the Tub, Chaise, and Barrow. [Macklin was advertising at his Great Room Tit for Tat, with a trial of Sam. Smatter for a dramatic cheat and imposter.

Performances

Mainpiece Title: Writ Of Inquiry

Event Comment: Receipts: #157 15s. [The Account Book lists the payment of 2s. per acting night to each shareholder: @Shareholder Mrs Martha Bedwell No. Share 1@No. Nights 36@Payment #3 12s.@Shareholder Mrs Creighton No. Shares 1@No. Nights 36@Payment #3 12s.@Shareholder Mr Francis Bedwell No. Shares 1@No. Nights 37@Payment #3 14s.@Shareholder Mr Robert Griffin No. Share 1@No. Nights 37@Payment #3 14s.@Shareholder Mr John Mitchell No. Shares 1@No. Nights 87@Payment #8 14s.@Shareholder Mrs Mary Michell No. Shares 1@No. Nights 87@Payment #8 14s.@Shareholder Mr John Walsh No. Shares 1@No. Nights 86@Payment #8 12s.@Shareholder Mr Lucuss No. Shares 1@No. Nights 54@Payment #5 8s.@Shareholder Col. Wade No. Shares 1@No. Nights 8@Payment 16s.@Shareholder Sir Arthur Croft No Shares 1@No. Nights 8@Payment 16s.@Shareholder Mr John White No. Shares 1@No. Nights 5@Payment 10s.@Shareholder Mr John Croft, Esq No. Shares 1@No. Nights 5@Payment 10s.@Shareholder Mr Rubin Adolphus No. Shares 1@No. Nights 5@Payment 10s.@Shareholder Mr Henry Woodfall No. Shares 1@No. Nights 3@Payment 6s.@Total No. Shares 14@No. Nights 494@Payment #49 8s.@ Winston MS 8 notes that on 1 Feb. dl had only 20 renters at 2s. a night.

Performances

Mainpiece Title: The Prophetess

Event Comment: Benefit for Woodward. Mainpiece: Not acted in 20 years. [See 27 Jan. 1744.] With the Humours of Sir John Falstaff. Pit and Boxes laid together, and the Stage formed into a commodious amphitheatre. Boxes, pit, and Stage 5s. Ladies send servants by 3 o'clock; otherwise, Woodward cannot be responsible for any mistake. Places with tickets to be had of Woodward at his house in the Piazza, cg. This Day Publish'd, The Dramatic Execution of Agis. Price 6d. Receipts: #300 (Cross)

Performances

Mainpiece Title: King Henry Iv, Part Ii

Related Works
Related Work: The Siege of Rhodes, Part II Author(s): Sir William Davenant

Afterpiece Title: The Male Coquette

Performance Comment: See17571203, but Daffodil-Woodward; Tukely-Palmer; Dizzy-Yates; Sophia-Miss Macklin; Original Prologue-Garrick.
Cast
Role: Tukely Actor: Palmer
Event Comment: Benefit for Sparks. Receipts: #83 2s. 6d. plus Tickets #184 12s. (boxes 335; pit 551; gallery 182). Advanced Mrs Bellamy on her salary #105. Two new Renters came in at 1 share each: Sir Thomas Robinson and Robert Hassell (Account Book). Mr Smith takes this earliest opportunity to return thanks the Ladies and Gentlemen who honoured him with their presence at his Benefit on Tuesday Night, and is very sorry for any interruption that might happen in the performance. The indulgence of his friends that night far exceeded his most sanguine exceptations; otherwise he should have provided proper accomodations for them on the stage (Public Advertiser). [See Theatrical Review, 1757 and Beginning of 1758, for contemporary comment on mainpiece: "It is not paying it a very great, much less an underserved compliment to give it the preference over all the dramatic pieces that have been presented at either house these six or seven years...Tears were the first praises I gave it...no play except Lear ever make such a strong constant impression on my feelings."

Performances

Mainpiece Title: Douglas

Afterpiece Title: Lethe

Dance: SSicilian Peasants, as17571217

Event Comment: To the Printer of the Public Advertiser: Sir, On seeing the Burletta of Galligantus at the little theatre in the Haymarket, I was agreeably surprised to see a performance of the kind carried on in so genteel a manner, no way inferior to any opera; and after the nicest inspection of the whole performance, I have the pleasure to inform the Nobility, Gentry, &c., I found all the performers were English, their Dresses very completely adapted, their voices excellent, and their actions quite genteel and comic, their music charming and set without the assistance of any Foreigner, it being composed by Mr J@@D@@, a Native of Ireland, whose excellency in that art needs no encomium. I am, yours A True Briton

Performances

Event Comment: Receipts: #132 0s. 6d. Paid Kemp #9 12s.; Meares #1 10s.; Mr Day (turner) #12 1s.; Pattinson (tallow chandler) three bills to 11 Feb., #54 8s. 8d. Was at Covent Garden Gallery with Sir Harriott to see the Jovial Crew and Duke and No Duke. I met Legyt, Piggot, Bettenson there & got home by 10 (Hailey, Brietzcke Diary, Vol. 197, p. 72)

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: A Duke and no Duke

Dance: Dances incident to the Opera. Likewise, a Comic Dance-Poitier Jr, Mlle Capdeville [probably The Plowman]

Event Comment: Benefit for Mrs Clive. Mainpiece: By Particular Desire.Afterpiece: Never perform'd before. Ladies and Servants by 3 o'clock. Part of Pit laid into boxes; No Building on Stage. [See Theatrical Review; or, Annals of the Drama, 1763, 1 April, pp. 142-46, for critique of the Sketch of a Fine Lady's Return from a Rout. Rather damns the writing and the performance on all counts, Moody's part being so bad, to save his face he commenced Hibernian in his dialogue" to amuse the ears of his audience. The parts are listed in Larpent MS 220: Sir Gregory Jenkings, Mr Nettle (a Lawyer), 1st Clerk, 2nd Clerk, Porter, Footmen, Lady Jenkings, Nancy Jenkings, Fanny Jenkings, Jane (Lady's Maid).

Performances

Mainpiece Title: The School For Lovers

Afterpiece Title: Sketch of a Fine Lady's Return from a Rout

Song: End of Farce: A Mimic Comic Italian Song from the Opera of Il Filosopho di Campagna-Mrs Clive

Dance: End of Play: The Cow@Keepers, as17630315

Event Comment: Benefit for the Colleges of Philadelphia and New York. Mainpiece a Sacred Ode written by Dr Brown set to select Airs, Duets and Choruses from Mr Handel, and other Eminent Composers, with the addition of several new songs. Pit and Boxes to be put together. No Persons to be admitted without tickets, which will be deliver'd at the Office of the theatre at 1!2 a Guinea each; and also at the following Coffee House, viz: the Smyrna, Pall Mall; the Mount, Grosvenor St; George's, Temple Bar; the Rainbow, Cornhill, the New York, Sweetings's Alley; and the Pennsylvania, Birchin Lane. First Gallery 5s. Second Gallerp 3s. 6d. Galleries to be opened at half past Four, Pit and Boxes at Five. To begin at 1!2 after Six (playbill). This philanthropic enterprise, of which the theatrical benefit was but a part, seems not to have born much fruit for the respective Colleges. See Letter to the Governors of the Colleges of New York, respecting the Collection that was made in the Kingdom in 1762 and 1763, for the Colleges of Philadelphia and New York, to which are added Explanatory notes and appendix. By Sir James Jay, M. D. (London, 1771). The funds collected seem largely to have been used up in a law suit. The Governor of the College of New York, Rev. Dr Johnson, asked Jay to collect funds, which he did. Alderman Trecothick wrote Dr Johnson that the funds were not safe in Jay's hands. The Governors insulted Jay, and when they found they were wrong refused to apologize. They entered a bill against him in Chancery to gain the funds. It dragged out for four years. When the power of Attorney had been given to Trecothick, he claimed that a sum of #1437 15s. 6d. was unaccounted for by Jay, and was supposed to be in Jay's hands. Jay explained the Governors had not reckoned on reimbursement for his time and expenses for two years.

Performances

Mainpiece Title: The Cure Of Saul

Music: The Orchestra to be led by-Sg Giardini; Between acts: a Concerto on the Violin, Concerto on the violincello by Cervetto-Sg Giardini

Event Comment: Benefit for Rooker, and Saunderson (machinist). No Building on Stage. [The Theatrical Review; or, Annals of the Drama (Volunteer Manager section for 1 May 1763, p. 212) comments upon a stage tradition of having the Mouse Trap" Play presented on stage with the players' backs to Claudius and Gertrude. The author wishes Garrick and Beard to revise this absurdity and bring the whole in more accord with reality. The same paper criticises Mrs Cibber as Ophelia. "I hope you will not let so flagrant an outrage to the decorum of the stage as the following pass unnoticed. As [Mrs Cibber] sat upon the stage, with Hamlet at her feet, in the third act, she rose up three several times, and made as many courtiess, and those very low ones, to some ladies in the boxes. Pray good Sir, ask her in what part of the play it is said that the Danish Ophelia is acquainted with so many British Ladies?" See similar comment on her Belvidera, 17 March 1760.

Performances

Mainpiece Title: Hamlet

Related Works
Related Work: Hamlet Author(s): Sir William Davenant

Afterpiece Title: Fortunatus

Event Comment: Mainpiece: By Beaumont and Fletcher, reviv'd. Afterpiece: Not acted these three years. [See 8 Aug. 1761.] Mr Powell made his first appearance this Night in Philaster. His Reception was very great, he play'd the part amazingly well, & Seems to have Requisites to make a very Capital Performer. N.B. Covent Garden Theater begun to play every Night (Hopkins). Philaster by Mr Powell. Prodigious applause (Cross Diary). This play [Philaster] was wrote by Beaumont and Fletcher, and is now altered by Mr Colman. Mr Powell, a young gentleman clerk to Sir Robert Ladbrook, made his first appearance in the character of Philaster.--A greater reception was never shown to anybody,--he was so very much frightened, he could not speak for some time, and, when he did, the tears ran fast down his cheeks,--but he soon recovered himself, and went through the part with a great deal of nature and feeling,--Continued claps and huzza of bravo! &c. &c. Upon the whole I think him possessed of every requisite necessary to make him an ornament to the stage.--N.B. Mr D. Garrick instructed him in this part--when I see him in another shall be able to judge better of his capabilities.--Miss Pope appeared this Night in the character of Maria in the Citizen,--by endeavoring to be very fine she overdid it,--and it was plain to see she wanted her master. N.B.--Covent Garden began to play of our nights--the first time they ever begin first since Mr Garrick was manager (Hopkins Diary--MacMillan). Receipts: #258 11s. 6d. (MacMillan)

Performances

Mainpiece Title: Philaster

Afterpiece Title: The Citizen

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Stage Coach

Performance Comment: Nicodemus Somebody-Weston; Macahone-Moody; Jolt-Love; Fetch-Baddeley; Micher-Parsons; Basil-Packer; Landlord-Watkins; Ostler-Clough; Dolly-Mrs Smith; Isabella-Mrs Hippisley; To conclude with Sir Callaghan O'Brallaghan's favorite song in Love a@la@Mode-Moody; who also introduces into his character of Macahone his whimsical Description of a Man@o@War-Moody.

Dance: IV: A Dutch Dance-Aldridge; End: Hippisley's Drunken Man-Weston