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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "New Theatre in the Haymarket"/1) | (@(roleclean,performerclean) "New Theatre in the Haymarket")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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8350 results for: Keyword - New Theatre in the Haymarket
We found 4951 matches on Event Comments, 2716 matches on Performance Title, 1711 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

7026
11 December 1736 @ Covent Garden

Performances

Mainpiece Title: Porus

Performance Comment: Advertised but apparently deferred upon news of the death of the child of the Princess of Orange.

7027
08 January 1737 @ Covent Garden

Event Comment: Mainpiece: Written by the late Sir Richard Steele. Mrs Pendarves to Mrs Ann Granville, 8 Jan.: I was this morning regaled with Mr Handel's new opera called Arminius, it was rehearsed at Covent Garden.--Delany, Autobiography, I, 587

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Rape of Proserpine

Related Works
Related Work: The Rape of Proserpine: With The Birth and Adventures of Harlequin Author(s): Lewis Theobald

7028
12 January 1737 @ Covent Garden

Event Comment: A New Opera. [Text possibly by A. Salvi. Music by Handel. Prince and Princess of Wales present.

Performances

Mainpiece Title: Arminius

7029
22 January 1737 @ Lincoln's Inn Fields

Event Comment: DDaily Advertiser, 24 Jan.: We hear that the new grand Pantomime Entertainment, design'd to be perform'd in a few Days at [lif], was practis'd there on Saturday last before a great many People of Quality and Distinction, who gave particular Marks of their Approbation to every Change, and were highly pleas'd with the Musick, compos'd b Mr Jones

Performances

7030
25 January 1737 @ King's Theatre

Event Comment: Afterpiece: A new Comic Interlude. [Music by Giuseppe Maria Orlandini. Prince and Princess of Wales present.

Performances

Mainpiece Title: Merope

Afterpiece Title: Pourceaugnac and Grilletta

7031
29 January 1737 @ Drury Lane Theatre

Event Comment: Mainpiece: Written by the late J. Hughes, Esq. Afterpiece: a New Dramatick Tale. Written by the Author of the Toy Shop [R. Dodsley]

Performances

Mainpiece Title: The Siege Of Damascus

Afterpiece Title: The King and the Miller of Mansfield

Dance: I: Tambourine-Mlle Roland; III: Muilment; V: Ballet-Denoyer

7032
31 January 1737 @ York Buildings

Event Comment: DDaily Advertiser, 27 Jan.: We are inform'd there is now in Rehearsal at York Buildings (for one Night only) the Fair Penitent, to be acted the 31st instant. 'Tis said that this Play, for the Benefit of an unhappy Person, is cast, and got up by a Set of publick spirited Friends, some of whom have a pretty good Taste and Ability, though no ways inclin'd to the Stage; with a new Prologue and Epilogue adapted to the occasion

Performances

Mainpiece Title: The Fair Penitent

7033
07 February 1737 @ Covent Garden

Event Comment: In the morning Handel's new opera, Justin, was rehearsed. [See Egmont, Diary, II, 342.

Performances

Mainpiece Title: King Lear

Afterpiece Title: Apollo and Daphne

Related Works
Related Work: Apollo and Daphne; or, The Burgomaster Trick'd Author(s): Lewis Theobald
Related Work: Apollo and Daphne Author(s): Theophilus Cibber

7034
12 February 1737 @ Lincoln's Inn Fields

Event Comment: Mainpiece: A New Comedy [By Francis Lynch]

Performances

Mainpiece Title: The Independent Patriot; Or, Musical Folly

Afterpiece Title: Hymen's Triumph

7035
12 February 1737 @ King's Theatre

Event Comment: A New Opera. [Music by Giovanni Battist Pescetti.

Performances

Mainpiece Title: Demetrius

Afterpiece Title: Il Giocatore

7036
16 February 1737 @ Covent Garden

Event Comment: A New Opera. [Alteration of libretto by N. Beregani. Music by Handel.

Performances

Mainpiece Title: Justin

7037
19 February 1737 @ King's Theatre

Event Comment: Afterpiece: A new comic Interlude. [Music by Giuseppe Maria Orlandini.

Performances

Mainpiece Title: Demetrius

Afterpiece Title: Grullo and Moschetta

7038
08 March 1737 @ Lincoln's Inn Fields

Event Comment: EEgmont, Diary, II, 364: I went to the new play called 'King Charles the First,' acted with approbation at [lif]. The Characters are as the historians represent them, the language good and the sentiments fine, but the players are bad, he who represented General Fairfax and Cromwell excepted

Performances

Mainpiece Title: King Charles The First; An Historical Play [charles I]

7039
08 March 1737 @ Haymarket Theatre

Event Comment: DDaily Advertiser, 8 March: We hear that the Great Mogul has acceeded to the Treaty of the Hay-Market, which causes various Speculations. Our best Advices assure us, that the Town will be entertain'd there Tomorrow, by a Gentleman who never wrote for the Stage, with a new Performance call'd a Rehearsal of Kings: which will be immediately succeeded by a Dramatick Piece call'd The Historical Register, for the Year 1736, written by the Author of Pasquin. We hear this has given great Alarm to all the Pantomimical Houses in London, Southwark, Rag Fair, &c

Performances

7040
17 March 1737 @ Haymarket Theatre

Event Comment: Benefit the Author. Afterpiece: A New Farce of one Act. [Author not known. Apparently not published.

Performances

Mainpiece Title: A Rehearsal Of Kings

Cast
Role: other characters are King Roguomania Actor:

Afterpiece Title: Sir Peevy Pet

7041
23 March 1737 @ Covent Garden

Event Comment: By their Royal Highnesses' Command. A new Oratorio, [Text by Morrell. Music by Handel. Prince and Princess of Wales present.

Performances

Mainpiece Title: Il Trionfo Del Tempo E Della Verita

Music: WithConcertos on the Organ-and other Instruments

7042
26 March 1737 @ King's Theatre

Event Comment: Afterpiece: A new comic Interlude. [Music by Domenico Sani.

Performances

Mainpiece Title: Demetrius

Afterpiece Title: The Impresario

Performance Comment: Edition of 1737 states the performers were Signora Anna Maria Faini (who presumably sang Dorina), Antonio Lottini (who presumably sang Nibbio).

7043
12 April 1737 @ King's Theatre

Event Comment: A New Opera. [Music by Frances Veracini.

Performances

Mainpiece Title: Titus

7044
13 April 1737 @ Covent Garden

Event Comment: A New Opera. [Text by Giovanni Alberto Ristori. Music arranged by Handel. Apparently not published.

Performances

Mainpiece Title: Dido

7045
14 April 1737 @ York Buildings

Event Comment: LLondon Daily Post and General Advertiser, 17 March: This is to inform the Publick, that the new Tragi-Comedy, intitled The Free-Thinker; or, The Fox uncas'd, which was last Summer rehearsed and was to have been play'd at [lif], but by Mr Rich's letting that House to Mr Giffard, for that Season, was prevented, will be acted on the 14th of April next [at yb], by Mr Hallam's Company of Comedians. The Play is writ much in the same Stile and Manner of George Barnwell....The Author hopes that the Generous and Judicious will encourage the Performance, tho' the Company of Players are not dropt down from the Clouds, nor does the Play libel the Government. [No further announcement of the performance has been noted before 28 April.

Performances

7046
25 April 1737 @ Haymarket Theatre

Event Comment: Benefit Hatchett. Third Piece: an additional Addition of a new entertaining Scene. In which the whole Art and Mystery of Free-Masonry is delineated, by the Admission of a Lady. At 6:30 p.m. Tickets for Mrs Haywood's benefit taken this day

Performances

Mainpiece Title: The Historical Register

Afterpiece Title: Eurydice Hiss'd

Afterpiece Title: The Female Free Mason

7047
25 April 1737 @ King's Theatre

Event Comment: DDaily Advertiser, 26 April: Signior Rolli's new Opera Call'd Sabrina, was rehears'd Yesterday Morning in Mr Heidegger's Apartments, to a numerous and very splendid Audience of Ladies and Gentlemen. The Signora Antonia Maria Marchesini, lately arriv'd from Italy, perform'd in it with universal Approbation

Performances

Mainpiece Title: Sabrina

7048
26 April 1737 @ King's Theatre

Event Comment: A new Opera. [Text by Paul Rolli.] Daily Advertiser, 26 April: The Signora Marchesini's Songs are distributed after such a judicious Manner by the ingenious Author, so as to rise gradually upon the Audience in each Act

Performances

Mainpiece Title: Sabrina

7049
28 April 1737 @ York Buildings

Event Comment: LLondon Daily Post and General Advertiser, 28 April: This is to inform the Publick, That the new Tragi-Comedy, entitled, The Free Thinker, or the Fox Uncased, which was to have been play'd on this Day, is oblig'd to be again deferr'd till Friday Se'nnight, being the 6th of May, when it will certainly be play'd [in yb], Pen. Aubin. [See also 14 April.

Performances

7050
03 May 1737 @ Haymarket Theatre

Event Comment: Benefit Mrs Charke. Mainpiece: A new Ballad Opera. Written in Honour of the Gentlemen of the Navy. [Author not known. Apparently not published.] Afterpiece: Written by the Author of Pasquin

Performances

Mainpiece Title: The Sailor's Opera; Or, An Example Of Justice To Present And Future Times

Afterpiece Title: The Historical Register

Music: With aPreamble on the Kettle@Drums-Mr Job Baker; who will accompany several Songs in the Opera-