Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Penkethman\'s New Theatre in Greenwich"/1) | (@(roleclean,performerclean) "Mr Penkethman\'s New Theatre in Greenwich")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
12717 results for: Keyword - Mr Penkethman's New Theatre in Greenwich
We found 8127 matches on Event Comments, 3410 matches on Performance Comments, 3176 matches on Performance Title, 19 matches on Author, and 0 matches on Roles/Actors.

5826
22 January 1735 @ Drury Lane Theatre

Event Comment: Mainpiece: Written by Mr Dryden. Afterpiece: A New Tragi-Comi-Farcical Operatical Grotesque Pantomime. [By John Kelly.]

Performances

Mainpiece Title: All For Love

Afterpiece Title: The Plot

Dance: Polish Ballet, as17341221

5827
03 March 1735 @ Drury Lane Theatre

Event Comment: Mainpiece: Written by Mr Otway. Afterpiece: A New Grotesque Pantomime

Performances

Mainpiece Title: Venice Preservd

Afterpiece Title: Harlequin Orpheus or The Magical Pipe

Music: Select Pieces on the Violin by a Youth of 13 Years of Age, who never performed in public before, a Scholar of Signior Catanio

Entertainment: [Apparently not published. Author not known. For Poitier, see Daily Journal, 3 March.]

5828
01 October 1735 @ Hampstead

Event Comment: 6 P.M. At Mr Vipont's New Long Room. 2s. 6d

Performances

Mainpiece Title: Concert

Music: Vocal, Instrumental, and Martial...by several of the best Hands from both the Operas

5829
05 March 1736 @ Haymarket Theatre

Event Comment: By the Great Mogul's Company of English Comedians, Newly Imported. [By Henry Fielding.] N.B. Mr Pasquin intending to lay about him with great Impartiality, hopes the Town will all attend, and very civilly give their Neighbours what they find belong to 'em. N.B. The Cloaths are old, but the Jokes intirely new. N.B. All Ladies that intend to be present during the first Run, cannot take Places too early. To prevent any Interruption in the Movement of the Persons in the Drama (some of whom are Machines) no Person whatever can possibly be admitted behind the Scenes. Boxes 4s. Pit 2s. 6d. Gallery 1s

Performances

Mainpiece Title: Pasquin A Satire On The Times

5830
06 April 1736 @ Haymarket Theatre

Event Comment: Benefit Fustian, the Tragedy Poet. At the particular Desire of all the Friends of Common Sense. Mr Fustian desires the Audience (notwithstanding his Brother Trapwit's Unfair Advertisement to the Contrary) to take particular Notice of the Tragedy, there being several New and very deep Things to be spoke by the Ghost of Tragedy, if the Cock does not crow him away too soon. [Tickets at Fustian's, the Turk's Head in Castle-Yard, Holborn.]

Performances

Mainpiece Title: Pasquin

5831
10 April 1736 @ Covent Garden

Event Comment: Benefit the Author of the Farce. [Author not known. Apparently not published.] N.B. Mr Marforio hopes those who have paid a Visit to his Brother Pasquin, will not refuse him the same Favour. His Clothes are as old, and the Jokes somewhat more New. Receipts: money #100 14s.; tickets #68 8s

Performances

Mainpiece Title: All For Love

Afterpiece Title: Marfor1o being a Comi Tragical Farce called The Critick of Taste or A Tale of a Tub with Characters of Singlewit Drawcansir Modern Dapper Buskin Prompter the Great Mogul Dunceada Prince Prettyman Common Sense the Embryo of Common Sense Lord Haranguewell Falarini Signior Tweedledum Signior Tweedledee Prologues Senators Patriots Courtiers Fidlers Eunucks Gentleman Usher Ghosts and Chorus of Ghosts

Dance: Tambourine by Miss Rogers. Peasants by Lalauze, Mlle D'Hervigni, &c. Harlequine by Mlle De L'Isle

5832
16 April 1736 @ Lincoln's Inn Fields

Event Comment: Benefit Aston and a Gentleman under Misfortune. Afterpiece: A new Pastoral. Written by Mr Aston

Performances

Mainpiece Title: Hamlet Prince Of Denmark

Afterpiece Title: Cleora or The Amorous Old Shepherdess

Dance: Hornpipe by Ferguson. Tambourine by Miss Rogers

Song: Cuckoo Solo by Master Oates. Mock Italian Song by E. Roberts

5833
29 April 1736 @ Covent Garden

Event Comment: Benefit Miss Norsa. Tickets at her Lodgings, Nassau Street, near Gerrard Street. Receipts: money #12 14s. 6d.; tickets #101 9s. London Daily Post and General Advertiser, 29 April: We hear Mr Handel has compos'd a new Opera, on the Occasion of his Royal Highness's Marriage to the Prince[S] of Saxe Gotha, and as the Wedding was solemnized sooner than was expected, great Numbers of Artificers, as Carpenters, Painters, Engineers, &c. are employed to forward the same

Performances

Mainpiece Title: The Relapse

Afterpiece Title: Flora

Dance: Two Pierrots by Lalauze and Nivelon. The Peasants by Lalauze, Mlle D'Hervigni, &c. Sailors (from orestes) by Glover, Tench, Desse, Delagarde, Livier, Richardson

5834
22 November 1736 @ Drury Lane Theatre

Event Comment: Not Acted [there] these Twenty-Five Years. Written by Mr Lee. All the Principal Characters New Dress'd. And proper Musick, Scenes, and Decorations. Admission: 5s., 3s., 2s., 1s. [For a discussion of theatrical affairs, see Daily Journal, 22 Nov.

Performances

Mainpiece Title: The Rival Queens

Dance: Denoyer, Mlle Roland

5835
08 January 1737 @ Covent Garden

Event Comment: Mainpiece: Written by the late Sir Richard Steele. Mrs Pendarves to Mrs Ann Granville, 8 Jan.: I was this morning regaled with Mr Handel's new opera called Arminius, it was rehearsed at Covent Garden.--Delany, Autobiography, I, 587

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Rape of Proserpine

5836
22 January 1737 @ Lincoln's Inn Fields

Event Comment: DDaily Advertiser, 24 Jan.: We hear that the new grand Pantomime Entertainment, design'd to be perform'd in a few Days at [lif], was practis'd there on Saturday last before a great many People of Quality and Distinction, who gave particular Marks of their Approbation to every Change, and were highly pleas'd with the Musick, compos'd b Mr Jones

Performances

5837
25 April 1737 @ King's Theatre

Event Comment: DDaily Advertiser, 26 April: Signior Rolli's new Opera Call'd Sabrina, was rehears'd Yesterday Morning in Mr Heidegger's Apartments, to a numerous and very splendid Audience of Ladies and Gentlemen. The Signora Antonia Maria Marchesini, lately arriv'd from Italy, perform'd in it with universal Approbation

Performances

Mainpiece Title: Sabrina

5838
30 August 1737 @ Drury Lane Theatre

Event Comment: Mainpiece: Written by the late Mr Congreve. Egerton 2320: Berry, Oats & Shepard discharg'd much noise in ye Pit for ye restoring of Oats. Griffin at Rotterdam, Jack Ray did his part. Milward's [?] a good one--the first night of Beard's playing--his success great. Receipts: #115. [For performances at the Fairs, see season of 1736-1737.] Daily Advertiser, 22 Aug.: The House [dl] is neatly decorated, and a very large Lobby prepar'd for the Servants that keep Places, with two Fire Places, Seats, near the Boxes, where a Person is to attend to call them, whe wanted by their Masters or Ladies. There is also a new Passage to the Pit, which will make it much more convenient for the Audience

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Devil to Pay

5839
23 February 1738 @ Drury Lane Theatre

Event Comment: At the particular Desire of several Ladies of Quality. Mainpiece: Written by the late Mr Otway. Afterpiece: A new Dramatick Piece of One Act: Being the Sequel to the King and the Miller of Mansfield. [By Robert Dodsley.

Performances

Mainpiece Title: Venice Preservd

Afterpiece Title: Sir John Cockle at Court

Dance: V: Ballet-Denoyer, Haughton, Miss Thompson

5840
14 April 1739 @ King's Theatre

Event Comment: A New Serenata. The whole set to Musick by Mr Galliard. 7 p.m

Performances

Mainpiece Title: Love And Folly

5841
12 November 1739 @ Drury Lane Theatre

Event Comment: A new Tragedy. [By Anthony Brown.] A Compleat List (1747), pp. 182-83: With no Success, which the Friends of the Author imputed in a great Measure to Mr Quin's refusing to act a Part in it; whereupon, to shew their Resentment, he did not appear on the Stage for some Nights without being hissed or houted at

Performances

Mainpiece Title: The Fatal Retirement

5842
04 January 1740 @ Hickford's Room

Event Comment: A new Musical Drama. [By John Lockman. Set to Music by Mr John Christopher Smith.] 5s. To continue for twenty consecutive Fridays

Performances

Mainpiece Title: Rosalinda

5843
12 February 1740 @ Covent Garden

Event Comment: By His Majesty's Command. Afterpiece: a New Dramatick Entertainment of Musick and Grotesque Dancing. Edition of 1740: Set to Musick by Mr John-Frederick Lampe. [For further letters concerning John Hill and Rich, see London Daily Post and General Advertiser, 11 and 12 Feb.

Performances

Mainpiece Title: The Fair Quaker Of Deal

Afterpiece Title: Orpheus and Eurydice With The Metamorphoses of Harlequin

5844
22 August 1741 @ Bartholomew Fair

Event Comment: At Hippisley's and Chapman's Great Theatrical Booth in the George-Inn Yard. Afterpiece: A new Comic Interlude. While the Booth is filling the Company will be entertained by the surprising little Posture-Boy, a Scholar of Mr Ferguson's, lately arrived from Paris. Books of the Droll will be sold in the Booth

Performances

Mainpiece Title: The Devil Of A Duke Or The Conjurors Bastard With The Comical Humours Of Captain Tipple

Afterpiece Title: The Matrimonial Squabble or A Cure for Jealousy

Ballet: TThe Infernals (Grand Ballet). 1st Fury-Bencraft; Attendants-Clough, Richards, Gray, Wright, Bembridge, Spackman

5845
05 January 1745 @ King's Theatre

Event Comment: A new Musical Drama, compos'd by Mr Handel. Libretto by Thomas Broughton. [Mrs Cibber was scheduled to sing the part of Lichas, but was indisposed.

Performances

Mainpiece Title: Hercules

5846
17 January 1745 @ Drury Lane Theatre

Event Comment: Mainpiece: By Particular Desire. The Musick for the Afterpiece compos'd by Mr Arne. With a New Overture founded on some favourite Irish tunes. Nothing Under Full Prices will be taken during the Performance.--General Advertiser. [See Poem by S. G. To Mrs Sybilla, on her Acting the Goddess of Dullness and persuading her to attempt Melantha in Dryden's Marriage Alamode in Gentlemen's Magazine, Feb. 1745, p. 98. Authorship of afterpiece unknown; possible a revision of Theobald's The Happy Captive. See 16 April 1741 hay.

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Temple of Dulness With Humours of Sg Capochio and Sga Dorinna

5847
14 February 1745 @ Goodman's Fields

Event Comment: As alter'd by Mr Dryden and Sir William Davenant, from Shakespear. Last night the Play of the Tempest, with all the Musick and Decorations belonging to it, was perform'd at the New Wells in Goodman's Fields.--Daily Advertiser, 15 Feb

Performances

Mainpiece Title: The Tempest

5848
20 March 1745 @ Covent Garden

Event Comment: Set to music by Mr DeFesch. Both words and Music entirely new. Galleries open'd at four. Pit and boxes at five. [See Deutsch, Handel, p. 609.

Performances

Mainpiece Title: Joseph

5849
03 April 1745 @ Covent Garden

Event Comment: Whereas it was first intended to lay the pit and boxes together, for the better accommodation of the ladies, who are desirous of having their places kept, the boxes will be enclosed as usual. -General Advertiser. The songs added to the farcical opera call'd the What D'Ye Call It to be performed tomorrow night at cg, were wrote some years ago by a Gentleman since deceased, whose pieces of the Lyric kind have been often admir'd by people of Taste; there is a pleasing variety in them, and they are thought to be well adapted to the several characters in which they are introduced. The Music, which is entirely new, and compos'd by Mr Lampe, is allow'd by all who have heard it, to be an agreeable mixture of humour, spirit, and harmony. -Daily Advertiser. General Advertiser, 4 April: Yesterday was a rehearsal of The What D'Ye Call It

Performances

Mainpiece Title: Joseph

5850
15 April 1745 @ Goodman's Fields

Event Comment: Will be perform'd several new exercises of Rope Dancing and Tumbling, by M. Duge, Vangable and others, divided into two Parts. Boxes [as 26 Dec. 1744]. Between the two Parts of the Exercises will be given gratis the Tempest as alter'd by Mr Dryden and Sir William Davenant from Shakespear. 7 p.m

Performances

Mainpiece Title: The Tempest