SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Moll Davis whom I never saw act be"/1) | (@(roleclean,performerclean) "Moll Davis whom I never saw act be")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4703 matches on Event Comments, 1656 matches on Performance Comments, 1492 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: By Permission of the Lord Chamberlain. Mainpiece: A new Comedy, in 5 Acts [1st time; author unknown; not in Larpent MS; not published. Authors of Prologue and Epilogue unknown]. Afterpiece: Never acted here. A Comedy in 2 Acts, taken from Moliere and D'Ancourt. The Doors to be opened at 5:00. To begin at 6:15. Tickets delivered for Vietch, Burton and Miss Brown will be taken

Performances

Mainpiece Title: A School For Ladies; Or, The Levee Of Lovers

Performance Comment: Principal Characters-Lendrick, Davis, Burton, Whitaker, Jackson, Parker, Moorland, Robertson, Parsley, Robins, Barrett, A Young Lady (1st appearance [unidentified]), Miss Costello, Miss Brangin, Miss Jackson, Miss Williams, A Young Lady (1st appearance [unidentified]), Mrs Baker; Occasional Prologue- [Burton (Public Advertiser, 14 Apr.)]; Epilogue-.

Afterpiece Title: No Wit Like A Woman's

Performances

Mainpiece Title: Susanna, An Oratorio

Performance Comment: Parts were: Chelsias (Susana's father); Joacim (Her Husband); Daniel; 1st Elder; 2nd Elder; Judge-; [ Susannah; Attendant (Larpent MS). But Susanna-Signora Frasi; Attendant-Signora Sibilla; Daniel-the Boy; Joacim-Signora Galli; First Elder-Lowe; Second Elder-Rheinhold; Chelsias-Reinhold (Deutsch, Handel, p. 656).*c1749 2 10 cg [For Prices and times see Advertisement 2 Feb.] I think I never saw a fuller house. Rich told me that he believed he would receive near #400.--Deutsch, Handel, p. 657: Letter frmm Countess of Shaftesbury to James Harris, dated 11 Feb. 1749.For Prices and times see Advertisement 2 Feb.] I think I never saw a fuller house. Rich told me that he believed he would receive near #400.--Deutsch, Handel, p. 657: Letter frmm Countess of Shaftesbury to James Harris, dated 11 Feb. 1749.
Event Comment: At Bridges, Cross, Burton, and Vaughan's Great Theatrical Booth on the Bowling Green, Southwark, (with a company from the theatres) during the short time of the Fair will be presented an Historical Drama (lately acted in Bartholemew Fair with universal applause) the Northern Heroes with the Loves of Count Gillensternia, a Swedish General, and the fair Ellimira a Russian Princess, containing the most remarkable events of that time; and concluding with the memorable battle of Putlowav, and Charles's retreat into the Turkish dominionsv. Interspersed with a comic interlude, The Volunteers. Also the comical humours and amours of Corporal Garbage and Serjeant Slim, with Mrs Vanspriggen the Swedish Sutler's widow, the merry pranks of her foolish son Janny, and several other diverting incidents. As the Fair will be of so short continuance, we shall begin very early each day (General Advertiser). [See 24 Aug. 1748, bf]

Performances

Mainpiece Title: He Northern Heroes; Or, The Bloody Contest Between Charles The Twelfth, King Of Sweden, And Peter The Great, Czar Of Muscovy

Afterpiece Title: The Volunteers; or, The Adventures of Roderick Random and His Friend Strap

Performance Comment: Roderick-Cross; Corporal Garbage-Bridges; Slim-Storer; Strap-Paddick; Widow Vanspriggen-Mrs Bridges; Moll Trotfutter-Mrs Vaughan; Mrs Rank-Miss Ferguson; Mrs File-Mrs Shawford; Mrs Machegogan-Mrs Paddick; Madge-Miss Tyler; Janny-Vaughan.
Cast
Role: Moll Trotfutter Actor: Mrs Vaughan

Dance: Particularly a Hornpipe-

Event Comment: Benefit for Bannister. 1st piece: Not acted these 2 years. Morning Herald, 11 Mar.: Tickets to be had of Bannister, No. 7, Suffolk-street, Charing-cross. Receipts: #316 4s. 6d. (123/16/0; 10/16/0; 1/7/6; tickets: 180/5/0) (charge: #111 15s. 9d.)

Performances

Mainpiece Title: The Lord Of The Manor

Performance Comment: Rashly-Bannister; Sir John Contrast-Parsons; Le Nippe-Dodd; Rental-Aickin; Truemore-Barry more; Captain Trapan-Baddeley; Huntsman-Williames; Crimp-R. Palmer; Snap-Phillimore; Contrast-Palmer; Moll Flaggon-Mr Suett; Annette-Miss George; Peggy-Mrs Wrighten; Sophia-Mrs Crouch .
Cast
Role: Moll Flaggon Actor: Mr Suett

Afterpiece Title: The Sons of Anacreon

Afterpiece Title: The Romp

Song: In 2nd piece several capital Catches and Glees, selected from the most eminent Masters; The celebrated Anacreontic Song by Bannister; an Imitative Song by Bannister Jun

Event Comment: Last till after the holidays. Led by Mr Holland's excellence I went to see him in Romeo, and assure you I never saw Garrick himself in that part with more pleasure. He was admirable through-out the whole play, but moreso in the last Act, where he receives the news of Juliet's death. The sudden surprise and strong passions of grief were worked up with the utmost propriety in his face--Mr Palmer and Mrs Palmer too did justice to their characters (G. F. Theatricus to the Public Advertiser, 6 Jan. 1766)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Harlequin's Invasion

Event Comment: The King's Company. Pepys, Diary: So my wife and I abroad to the King's playhouse, she giving me her time of the last month, she having not seen any then; so my vowe is not broke at all, it costing me no more money than it would have done upon her had she gone both her times that were due to her. Here we saw Flora's Figarys. I never saw it before, and by the most ingenuous performance of the young Jade Flora, it seemed as pretty a pleasant play as ever I saw in my life

Performances

Mainpiece Title: Flora's Vagaries

Event Comment: Mainpiece: Never acted there. Receipts: #241 14s. (Account Book)

Performances

Mainpiece Title: The Roman Father

Performance Comment: Father-Powell, 1st time; Publius-Smith, 1st time; Valerius-Perry; Tullus Hostillius-Clarke; Citizens-Gardner, Davis, T. Smith; Valeria-Mrs Mattocks; Horatia-Mrs Yates; In Act IV will be the Triumphal Entry of Publius-; Vocal Parts-DuBellamy, Dibdin, Baker, Mrs Thompson, Mrs Baker.

Afterpiece Title: The Dragon of Wantly

Dance: End: The Dutch Milkmaid, as17671114

Event Comment: Afterpiece: A New Farce [by a Gentleman from Dublin] never performed. [It was fitted to the stage as an afterpiece, and provided with a Prologue by Colman. Advertisement for the Edition of 1772 indicates that it was "attempted to be acted, "but was damned. Taken principally from Moliere's Marriage Force. See account of damning of Farce, in Town and Country Magazine (Theatre No. XXXIII), before last act was over by a candle being thrown on stage.] Paid one year's ground rent for theatre due Mich. last #100 minus land tax of #16 5s.: Total #83 15s.; Paid ditto for the New Building adjoining the theatre #30, minus Land Tax of #4 17s. 6d.: Total #25 2s. 6d. (Account Book). Receipts: #198 16s. 6d. (Account Book)

Performances

Mainpiece Title: Othello

Performance Comment: As17711221, but Montano-Davis; A New Occasional Prologue-_.
Cast
Role: Montano Actor: Davis

Afterpiece Title: An Hour Before Marriage

Performance Comment: Parts by Woodward, Shuter, Yates, Wroughton, Mrs Mattocks. Stanley-Yates; Sir Andrew Melville-Shuter; Tardy-Woodward; Elwood-Wroughton; Miss Melville-Mrs Mattocks; Prologue in character of Harlequin-Woodward.
Event Comment: Benefit for Quick. Afterpiece: A new Farce never performed. Altered from Sir Charles Sedley's Piece of the same title by Dr Goldsmith. Acted only this night (playbill). [The notation on the alteration is by Kemble on the playbill. The characters are: Sourby, Octavio, Wentworth, Dancing Master, Scamper, Clarissa and Jenny. See Edition by Alice I. Perry Wood (Cambridge, Mass., 1931).] Charges #66 5s. Profit to Quick #7 6d., plus #80 from tickets (Box 100; Pit 263; Gallery 156) (Account Book). [Brief review of the Grumbler in the Westminster Magazine for May 1773: "It was several years ago translated from the French, and received this night some additional touches from the pen of Dr Goldsmith. An entertainment of one act cannot be expected to contain much. The whole merit of this is centered in one character, and perhaps in one scene."] Receipts: #73 5s. 6d

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Grumbler

Performance Comment: Principal parts-Quick, Davis, Owenson, King, Saunders, Miss Pearce, Miss Helme.

Dance: After the Interlude: The Whim, as17730426

Monologue: 1773 5 8 End of Play: Interlude. An Interlude by S. Foote Esq; Lady Pentweazle-Quick; Carmine-Davis

Performance Comment: An Interlude by S. Foote Esq; Lady Pentweazle-Quick; Carmine-Davis.
Cast
Role: Carmine Actor: Davis.
Event Comment: Comedy Never Acted before. All the Characters New Dress'd. No money return'd after the Curtain is up. [By Macklin. Not printed. Plot account in Kirkman, Life of Macklin. It persisted for nine nights against continual opposition (Genest, IV, 625).] Boxes #95 17s. Macklin's fifth above house charges: #31 15s. 9d. (Account Book). [See note, 2 Feb.] Receipts: #221 19s. (Account Book)

Performances

Mainpiece Title: The Married Libertine

Performance Comment: Actors only: Macklin, Davis, R. Smith, Buck, Perry, Weller, Miss Macklin, Mrs Abegg, Mrs Green, Mrs Pitt, Mrs Ward. Prologue-Macklin; Epilogue-Miss Macklin; Lord Belville-Macklin; Townly-Davis; Serjeant-Buck; Angelica-Miss Macklin; Lady Belville-Mrs Ward; Harriet Wingfield-Mrs Abegg; Lucy-Mrs Green; Pert-Mrs Pitt (Genest, IV, 624); Parts-R. Smith, Perry, Weller.
Cast
Role: Townly Actor: Davis
Event Comment: Mainpiece: Never acted before, a New Dramatic Opera [Bickerstaffe] the Music by Handel, Boyce, Arne, Howard, Baildon, Festing, Geminiani, Galluppi, Giardini, Paradies, Agus, Abos; with a New Overture composed by Mr Abel. Full Prices. Books of the Opera sold at theatre. [See Theatrical Review; or, Annals of the Drama, 1763, pp. 22-36: Compares Bickerstaff's opera at length with Charles Johnson's Village Opera.

Performances

Mainpiece Title: Love In A Village

Performance Comment: Principal parts: Beard, Mattocks, Collins, Shuter, Dyer, Dunstall, Baker, Barrington, Holtom, Bennet, Davis, Mrs Younger, Mrs Stephens, Miss Miller, Mrs White, Mrs Walker, Miss Davies, Miss Brent, Miss Hallam. Hawthorn-Beard; Justice Woodcock-Shuter; Young Meadows-Mattocks; Eustace-Dyer; Sir William Meadows-Collins; Hodge-Dunstall; Rosetta-Miss Brent; Lucinda-Miss Hallam; Deborah Woodcock-Mrs Walker; Margery-Miss Davies; Others-Baker, Barrington, Holtom, Bennet, Davis, Mrs Younger, Mrs Stephens, Miss Miller, Mrs White (Edition of 1763); Dances Incident to the Opera-Maranesi, Miss Twist. (playbill).

Dance: II: The Jealous Woodcutter, as17621023

Event Comment: Benefit for Davis. Mainpiece: (for This Night only) not acted these 15 years

Performances

Mainpiece Title: Woman's A Riddle

Performance Comment: Parts-Shuter, Hurst, Palmer, Davis, M'George, Quick, Weston, Wild, Wedon, Mrs Burden, Mrs Worley, Mrs M'George, Mrs Weston, a young Gentlewoman (who never appeared on any stage); Prologue-Weston(, in the character of Abel Drugger).

Afterpiece Title: The Citizen

Performance Comment: Citizen-a Gentleman(, first appearance on that Stage); Old Philpot-Shuter; Y. Wilding-Davis; Sir Jasper Wilding-Murden; Beaufort-Quick; Servant-Wild; Quildrive-Castle; Dapper-M'George; Maria-Mrs M'George.
Cast
Role: Wilding Actor: Davis

Dance: I: New Comic Dance-; V: A new Dance-

Song: some well known Ssome well known Songs in Imitation of some Favorite Italian Performers-a Comic Genius

Event Comment: At Cushing's Booth, facing the King's Head, Smithfield. The tragedy contains the barbarous contrivances of King John against his nephew Prince Arthur; his method of persuading Hubert to undertake the cruel murder of that youth; the sufferings of Arthur in his confinement, where Hubert attempts to put out eyes with a red-hot iron, til moved to compassion by the tender entreating of the young prince, he quits his horrid purpose. The manner of Arthur's leaping from the battlements of the tower where he was imprisoned, when by attempting to escape his severe treatment he loses his life. The terrors that attended the villainous Uncle King John, and at length his dreadful death, who is poisoned in the midst of all his glory, and in terrible anguish and distraction, pays his nephew's blood with the price of his own. The comic contains the exquisite drolleries of Sir Lubberly and his man, their whimsical journey from Cumberland, and no less whimsical exploits in London; the odd reception they met with from their three faithful friends, Tom Rash the Porter, Jeffrey Holdfast the Constable, and Moll Tatter the Beggar Woman, the one getting a wife, the other a bastard

Performances

Mainpiece Title: The Life And Death Of King John

Afterpiece Title: The Adventures of Sir Lubberly Lackbrains and His Man Blunderbuss

Performance Comment: Sir Thomas Rash-Malone; Ramble-Singleton; Merry-Jenkins; Tom Rash-Beckham; Jeffery Holdfast-Middleton; Moll-Mrs Beckham; Blunderbuss-Costollo; Sir Luberrly-Cushing (from the Theatre Royal in Covent Garden); Christina-Mrs Peters; Pert-Mrs Simon.
Cast
Role: Moll Actor: Mrs Beckham
Event Comment: Evelyn, Diary: I saw acted the Indian Queene a Tragedie well written, but so beautified with rich Scenes as the like had never ben seene here as happly (except rarely anywhere else) on a mercenarie Theater

Performances

Mainpiece Title: The Indian Queen

Event Comment: [This day Horace Walpole wrote as follows to George Montagu, forshadowing an event to take place on 27 July: "If you will stay with me a fortnight or three weeks, perhaps I may be able to carry you to a play of Mr Bentley's--you stare--but I am in earnest--nay, and de par le roy. In short, here is the history of it. You know the passion he always had for the Italian comedy. About two years ago he writ one, intending to get it offered to Rich--but without his name--he would have died to be supposed an author, and writing [I, 372] for gain. I kept this a most inviolable secret. Judge then of my surprise when about a fortnight or three weeks ago I found my Lord Melcomb reading this very Bentleiad in a circle at my Lady Hervey's. Cumberland had carried it to him, with a recommendatory copy of verses, containing more incense to the King and my Lord Bute, than the Magi brought in their portmanteaus to Jerusalem. The idols were propitious, and to do them justice, there is a great deal of wit in the piece, which is called The Wishes or Harlequin's Mouth Opened. A bank note of #200 was sent from the Treasury to the author, and the play ordered to be performed by the summer company. Foote was summoned to Lord Melcomb's, where Parnassus was composed of the peer himself, who, like Apollo as I am going to tell you, was dozing, the two Chief Justices and Lord Bute. Bubo read the play himself, with handkerchief and orange by his side. But the curious part is a prologue which I never saw. It represents the god of verse fast asleep by the side of Helicon. The race of modern bards try to wake him, but the more they repeat of their works, the louder he snores. At last "Ruin seize thee ruthless King" is heard, and the god starts from his trance. This is a good thought, but will offend the bards so much, that I think Dr Bentley's son will be abused at least as much as his father was. The prologue concludes with young Augustus, and how much he excels the ancient one, by the choice of his friend. Foote refused to act this prologue, and said it was too strong. 'Indeed,' said Augustus's friend, 'I think it is.' They have softened it a little, and I suppose it will be performed. You may depend upon the truth of all this; but what is much more credible, is that the comely young author appears every night in the Mall in a milkwhite coat with a blue cape, disclaims any benefit, and says he has done with the play now it is out of his own hands, and that Mrs Hannah Clio alias Bentley writ the best scenes in it. He is going to write a tragedy, and she, I suppose, is going--to court."--Horace Walpole's Correspondence with George Montagu. Ed. W. S. Lewis and Ralph S. Brown Jr (New Haven: Yale University Press, 1941), I, 372-73. [IX, 372-373.

Performances

Mainpiece Title: All In The Wrong

Dance: As17610616

Event Comment: Mainpiece [1st time in London; DR. POEM 5, by William Mason, 1st acted at Crow Street Theatre, Dublin, 30 Mar. 1764]: Written on the Model of the ancient Greek Tragedy. The Overture and all the Music composed New by Dr Arne. With a New Scene designed and executed by Dahl [recte Dall]. The Dresses, Decorations, &c. all entirely New. Books of the Lyrical Part of the Drama to be had at the Theatre. 'But I had rather talk of Caractacus; I agree that he will not suffer by not being sputtered by Barry, who has lost all his teeth. Covent Garden is rather above Drury Lane in actors, but both sets are exceedingly bad, so bad-that I almost wish Caractacus was not to appear. Very seldom do I go to the play, for there is no bearing such strollers" (Walpole [to the author, 8 Oct. 1776], IX, 419-20). "I attended Caractacus last winter, and was greatly interested, both from my friendship for Mr Mason and from the excellence of the poetry. I was out of all patience; for though a young Lewis played a subordinate part very well, and Mrs Hartley looked her part charmingly, the Druids were so massacred, and Caractacus so much worse, that I never saw a more barbarous exhibition" (Walpole [13 July 1777], X, 81-82). Public Advertiser, 7 Dec. 1776: This Day is published the Lyrical Part of Caractacus (6d.). [The publisher, J. Wilkie, states that he also has the "whole Drama, as altered by the Author, 18d." Ibid., 9 Dec., contains an advertisement from Mason stating that this version is unauthorized.] Ibid., 12 Dec.: This Day is published [by A. Ward of York] a new Edition of Caractacus, now altered for Representation at the Theatre-Royal in Covent Garden (1s. 6d.). Receipts: #163 10s. (163.6; 0.4)

Performances

Mainpiece Title: Caractacus

Performance Comment: Characters by Clarke, Lewis, Wroughton, Ward, Whitefield, Mrs Hartley. Druids and Bards-Aickin, Hull, L'Estrange, Fearon, others; Principal Vocal Parts-Leoni, Reinhold, Mrs Farrell; [Cast from text (York: A. Ward, 1777 [i.e. 1776]): Caractacus-Clarke; Arviragus-Lewis; Elidurus-Wroughton; Vellinus-Ward; Aulus Didius-Whitefield; Evelina-Mrs Hartley; Modred-Aickin; Mador-Hull.
Cast
Role: Caractacus Actor: Clarke

Afterpiece Title: Polly Honeycombe

Event Comment: Mainpiece [1st time; T 5, by Robert Jephson. Prologue by the author (Gentleman's Magazine, Jan, 1782, p. 36). Another Prologue, by the Right Hon. Luke Gardiner, "not arriving in London time enough for the first exhibition of the Count of Narbonne, was not spoken" (ibid.). Epilogue by Richard Josceline Goodenough, but beginning with 20 Nov. it was superseded by a new Epilogue written by Edmond Malone (see text)]: With new Scenery and Dresses. Public Advertiser, 1 Nov.: The Management of The Count of Narbonne is . . . under very good Care: Mr Horace Walpole, with a Fondness nothing less than fatherly, directs that part of the Affair which respects the Scenes and Dresses, while Henderson takes Charge of the Rehearsals and the casting of inferior Parts... [Henderson] is to wear a Dress which is lent him from among the Antiquities at Strawberry Hill. "I have been at the theatre, and compromised the affair of the epilogues: one is to be spoken to-morrow, the friend's on the author's night. I have been tumbling into trap-doors, seeing dresses tried on in the green-room, and directing armour in the painting-room" (Walpole [16 Nov. 1781], XII, 95). "I never saw a more unprejudiced audience, nor more attention. There was not the slightest symptom of disapprobation to any part ... It is impossible to say how much justice Miss Younge did to your writing. She has shown herself a great mistress of her profession, mistress of dignity, passion, and of all the sentiments you have put into her hands. The applause given to her description of Raymond's death lasted some minutes, and recommenced; and her scene in the fourth act, after the Count's ill-usage, was played in the highest perfection. Mr Henderson was far better than I excepted from his weakness, and from his rehearsal yesterday, with which he was much discontented himself. Mr Wroughton was very animated, and played the part of the Count much better than any man now on the stage would have done. I wish I could say Mr Lewis satisfied me; and that poor child Miss Satchell was very inferior to what she appeared at the rehearsals, where the total silence and our nearness deceived us. Her voice has no strength, nor is she yet at all mistress of the stage. I have begged Miss Younge to try what she can do with her by Monday. However, there is no danger to your play: it is fully established" (Walpole [to the author, 18 Nov. 1781], XII, 95-96). Public Advertiser, 28 Nov. 1781: This Day is published The Count of Narbonne (price not listed). Receipts: #164 10s. 6d. (163/0/6; 1/10/0)

Performances

Mainpiece Title: The Count Of Narbonne

Performance Comment: The Characters by Henderson, Wroughton, Lewis, Thompson, Fearon, J. Bates; Miss Satchell, Mrs Morton, Miss Younge. [Cast from text (T. Cadell, 1781), and London Chronicle, 19 Nov.: Austin-Henderson; Raymond-Wroughton; Theodore-Lewis; Fabian-Thompson; Officers of the Count-Fearon, J. Bates, Painter, &c.; Adelaide-Miss Satchell; Jacqueline-Mrs Morton; Hortensia-Miss Younge.] With a new Prologue [spoken by Wroughtton] and Epilogue [spoken by Miss Younge (see text). These were spoken, as here assigned, at the first 13 performances only (see17811215)] . With a new Prologue [spoken by Wroughtton] and Epilogue [spoken by Miss Younge (see text). These were spoken, as here assigned, at the first 13 performances only (see17811215)] .

Afterpiece Title: The Deaf Lover

Event Comment: Benefit for Ross. By Particular desire. Tickets for Venice Preserv'd will be taken. Ladies send servants by 3 o'clock. Afterpiece: Never acted before. Tickets sold at the Door will not be admitted

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The She Gallant; or, Recruits for the King of Prussia

Performance Comment: Parts-Dunstall, Anderson, Costollo, Davis, Wignel, Redman, Mrs Baker, Mrs Green, Miss White.

Dance: The usual Country Dance, as17581009; Hornpipe, as17581009

Ballet: TThe Feast of Bacchus. As17581116

Event Comment: Mainpiece: Not Acted these 9 years. [See 29 Oct. 1754.] Afterpiece: Never perform'd there

Performances

Mainpiece Title: Love's Last Shift; Or, The Fool In Fashion

Afterpiece Title: The Apprentice

Performance Comment: Apprentice-Woodward; Wingate-Dunstall; Gargle-Anderson; Simon-Cushing; Scotchman-Bennet; Irishman-Barrington; Catchpole-Buck; President-Perry; Members-Tindal R. Smith, Young, Davis; Charlotte-Miss Davies.
Cast
Role: Members Actor: Tindal R. Smith, Young, Davis

Dance: III: The Dutch Skippers, as17630101

Event Comment: Afterpiece: A New Comedy in 2 Acts [by George Colman] never perform'd before. [Reviewed, not too favorably in Monitor No IV, (14 Nov. 1767).] Receipts: #192 7s. Account Book)

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Smith; King Henry-Gibson; Catesby-Davis; Ratcliff-Bennet; Stanley-Gardner; Norfolk-Perry; Richmond-Clarke; Buckingham-Hull; Prince Edward-Miss Valois; Duke of York-Miss Besford; Tressel-Dyer; Lord Mayor-Wignel; Lieut-R. Smith; Lady Anne-Mrs Lessingham, 1st time; Duchess of York-Mrs Vincent; Queen-Mrs Ward.
Cast
Role: Catesby Actor: Davis

Afterpiece Title: The Oxonian in Town

Performance Comment: Parts-Woodward, Bensley, Barrington, DuBellamy, Cushing, Mahoon, Quick, Wignell, Miss Ogilvie, Mrs Stephens, Miss Pierce, Miss Mills, Mrs Mattocks; Prologue-; Epilogue-. Careless-Woodward; Knowell-Bensley; Rook-DuBellamy; Shark-Mahoon; MacShuffle-Barrington; Postboy-Quick; Lucy-Mrs Mattocks; Waiter-Cushing; Slap-Wignell; Ladies of Pleasure-Miss Ogilvie, Miss Mills, Miss Pearce, Mrs Stephens (Genest, V, 186, and 1770 ed.); Prologue-Woodward (in character of a Gentleman-Commoner); Epilogue-Mrs Mattocks (Edition of 1770).

Dance: End: A New Comic Dance, as17671021

Event Comment: Mainpiece: Never acted there. Mr Colman's Night. Paid for Licensing the True Born Irishman #2 2s. (Account Book). [See The Irish Fine Lady 28 Nov.]. Receipts: #230 6s. 6d. (Account Book)

Performances

Mainpiece Title: Philaster

Performance Comment: Philaster-Powell; King-Clarke; Cleremont-Davis; Thrassaline-R. Smith; Dion-Gibson; Pharamond-Perry; Countryman-Morris; Captain-Dunstall; Woodman-Quick; Arethusa-Mrs Mattocks; Megra-Mrs Stephens; Bellario-Mrs Yates; Galatea-Miss Mills; Lady-Mrs Green.
Cast
Role: Cleremont Actor: Davis

Afterpiece Title: The Oxonian in Town

Dance: II: A Serious Dance, as17670916; III: The Sicilian Peasants-Sga Manesiere, Mrs Bulkley. [See17641001.

Event Comment: Mainpiece: Never Acted There. Receipts: #126 14s. 6d. (Account Book)

Performances

Mainpiece Title: Mahomet

Performance Comment: Alcanor-Powell; Mahomet-Bensley; Pharon-Hull; Zaphna-Smith, 1st time; Mirvan-Perry; Ali-Davis; Palmira-Mrs Yates, 1st time.
Cast
Role: Ali Actor: Davis

Afterpiece Title: The Musical Lady

Dance: End: A New Comic Dance, as17671021

Event Comment: Benefit for Mrs Lessingham. Mainpiece: A Tragedy altered from Dryden [Aureng-Zebe] by Mr W. Addington, never performed before. Afterpiece: Not acted these 4 years. [See 16 May 1770.] Charges #71 2s. Profit to Mrs Lessingham #38 7s. 6d., plus #92 12s. from tickets (Box 186; Pit 146; Gallery 242). Paid Cooper (printer) #36 2s.; Paid Mrs Witaker for a woman's white & silver flower'd suit #10 10s.; Paid John Doe for sticking black bills #6 6s. Receipts: #109 9s. 6d. (Account Book)

Performances

Mainpiece Title: The Prince Of Agra

Performance Comment: Principal Characters-Bensley, Lewis, Wroughton, Gardner, Owenson, Thompson, Fox, Davis, R. Smith, Mrs Mattocks, Miss Dayes, Miss Pearce, Mrs Lessingham; with a Prologue-; Epilogue-. [Larpent MS 370 lists parts: Emperor; Aureng-Zebe; Morat; Arimant; Asaph Chan; Mirza; Abos; Ambassador; Fazel Chan; Solyman; Diamet; Soldier; Indamora; Nourmahal; Melisinda; Zaida.] Morat; Arimant; Asaph Chan; Mirza; Abos; Ambassador; Fazel Chan; Solyman; Diamet; Soldier; Indamora; Nourmahal; Melisinda; Zaida.]

Afterpiece Title: The Dragon of Wantly

Dance: End: The Irish Lilt, as17731005

Event Comment: Mainpiece: Not acted this season [see 15 Oct.]. Afterpiece: Never perform'd there. Receipts: #150 17s. 6d. (149.2.6; 1.15.0)

Performances

Mainpiece Title: Douglas

Performance Comment: Douglas-Lewis; Randolph-Wroughton; Officers-Thompson, Davis; Glenalvon-Aickin; Old Norval-Clarke; Anna-Miss Dayes; Lady Randolph-Mrs Barry.
Cast
Role: Officers Actor: Thompson, Davis

Afterpiece Title: The Bankrupt

Performance Comment: Principal Characters-Wilson, Wroughton, Dunstall, Fearon, L'Estrange, Whitefield, Robson, Quick, Miss Dayes, Miss Ambrose, Mrs Whitefield, Mrs Jackson. [Partial cast suggested by Genest, V 561: Sir Robert Riscounter-Wilson; Sir James Biddulph-Wroughton; Pillage-Dunstall; Margin-Quick; Lady Riscounter-Mrs Jackson.]

Dance: End: The Enchantress-Aldridge, Harris, Miss Valois

Event Comment: Mainpiece: Never performed here. "Digges 'discharged the character' in the same costume as it is to be supposed was adopted by Booth, when the play was originally acted [in 1713], that is, in a shape, as it is technically termed [i.e. a costume] of the stiffest order, decorated with gilt leather upon a black ground, with black stockings, black gloves, and a powdered periwig" (Peake, II, 13)

Performances

Mainpiece Title: Cato

Performance Comment: Cato-Digges (1st appearance in London); Portius-Aickin; Marcus-Davies; Sempronius-Fearon; Syphax-Blissett; Mutineers-T. Davis, Stevens, Kenny; Decius-Egan; Lucius-Massey; Juba-Palmer; Lucia-Mrs Colles; Marcia-Mrs Massey.
Cast
Role: Mutineers Actor: T. Davis, Stevens, Kenny

Afterpiece Title: The Citizen

Cast
Role: Dapper Actor: T. Davis

Dance: End: Dance-