SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Peake"/1) | (@(roleclean,performerclean) "Peake")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 7 matches on Event Comments, 2 matches on Performance Comments, 0 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: Lilliput

Performance Comment: The Lilliputians-Master Edwin, Master Harrison, Miss Morris, Miss P. Farren (see17770718, also Master Hitchcock, Master Pulley, Miss Besford, Miss Francis, Miss Hitchcock (Peake, II, 2).

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Piety in Pattens

Dance: End III: The Merry Lasses-; End IV: The Venetian Regatta- [performers not listed for either dance, but "Monsieur Giorgi's infantile pupils, as dancers, were a complete burlesque upon a corps de ballet. The audience laughed, and tolerated the poor little things, when they were pushed on between the acts to caper and lose their shoes" (Peake, II, 15-16)]

Performance Comment: The audience laughed, and tolerated the poor little things, when they were pushed on between the acts to caper and lose their shoes" (Peake, II, 15-16)].
Event Comment: Mainpiece: Never performed here. "Digges 'discharged the character' in the same costume as it is to be supposed was adopted by Booth, when the play was originally acted [in 1713], that is, in a shape, as it is technically termed [i.e. a costume] of the stiffest order, decorated with gilt leather upon a black ground, with black stockings, black gloves, and a powdered periwig" (Peake, II, 13)

Performances

Mainpiece Title: Cato

Afterpiece Title: The Citizen

Dance: End: Dance-

Event Comment: "My father [George Colman elder] told me that, on the seventh of June, on which day and night desolation had attained its climax [because of the Gordon riots], and London is said to have been seen from one spot blazing in thirty-six different parts, the receipt of his playhouse exceeded twenty pounds. This sum appears somewhat of the smallest for the night's receipt of a Theatre Royal in London; but how, instead of twenty pounds-worth of spectators, twenty persons, or one person, could have calmly paid money to witness, in the midst of this general dismay, a theatrical entertainment, is astonishing' (Peake, II, 47)

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: Douglas

Afterpiece Title: Miss in her Teens

Music: As17800602

Event Comment: Afterpiece [1st time; P I, by George Colman, the elder. His authorship has hitherto been questioned, but for its authentication see Peake, II, 54. Larpent MS 532; not published]: An Original, Whimsical, Operatical, Pantomimical, Farcical, Electrical, Naval, Military, Temporary, Local Extravaganza.The Overture and new Musick by Dr Arnold. With new Scenes [by Canter (Public Advertiser, 5 Sept.)], Dresses and Decorations. The Views of the Temple of Health and the Camp in St. James's Park designed and executed by Rooker. Books of the Songs to be had at the Theatre

Performances

Mainpiece Title: A Widow And No Widow

Afterpiece Title: The Genius of Nonsense

Dance: In afterpiece: Master and Miss Byrne.[This dance was included in all subsequent performances.

Event Comment: Benefit for Jewell, treasurer. Afterpiece [1st time; MF 2, by George Colman, the younger. It has also been ascribed to Sarah Gardner, but for Colman's authorship see Peake, 11, 99. Composer of music unknown. MS: Larpent 589; not published]: The Words of the Songs are inserted in the Public Papers of this Day. Public Advertiser, 12 Aug.: Tickets to be had of Jewell, in Suffolk Street

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: The Female Dramatist

Dance: As17820613

Event Comment: By Command of Their Majesties. To prevent Confusion Ladies and Gentlemen are requested to send their Servants to keep Places by Half past Four o'Clock. God save the King was sung "by the performers and by the audience five times: twice on the entrance of the King and Queen, once after the Play, twice after the Farce" (World, 19 Dec.). And see 23 Apr. 1790. Account-Book: In the Pit of this Night 525 Persons, this is the greatest Number ever remembered to be in at any One Time. R. P. [i.e. Richard Peake, sub-treasurer]. Receipts: #290 11s. 6d. (279.13.0; 9.18.6; 1.0.0)

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: Who's the Dupe

Dance: As17891204

Event Comment: By Command of Their Majesties. Receipts: #639 17s. (596.9; 35.17; 0.17; received by Peake at the Door: 5.13; sent up by Thompson: 1.1)

Performances

Mainpiece Title: Pizarro

Afterpiece Title: The Wedding Day

Song: As17990529

Event Comment: Account-Book: Paid Orchestra #61 13s. a week; Peake #10 a week; Soldiers #5 5s. a week. Receipts: #151 4s. (81.13; 65.18; 3.13)

Performances

Mainpiece Title: The Jew

Afterpiece Title: The Deserter