18 June 1761

Event Information
Theatre: Drury Lane Theatre
Theatrical Season: 1760-1761
Volume: 4
Comments: [This day Horace Walpole wrote as follows to George Montagu, forshadowing an event to take place on 27 July: "If you will stay with me a fortnight or three weeks, perhaps I may be able to carry you to a play of Mr Bentley's--you stare--but I am in earnest--nay, and de par le roy. In short, here is the history of it. You know the passion he always had for the Italian comedy. About two years ago he writ one, intending to get it offered to Rich--but without his name--he would have died to be supposed an author, and writing [I, 372] for gain. I kept this a most inviolable secret. Judge then of my surprise when about a fortnight or three weeks ago I found my Lord Melcomb reading this very Bentleiad in a circle at my Lady Hervey's. Cumberland had carried it to him, with a recommendatory copy of verses, containing more incense to the King and my Lord Bute, than the Magi brought in their portmanteaus to Jerusalem. The idols were propitious, and to do them justice, there is a great deal of wit in the piece, which is called The Wishes or Harlequin's Mouth Opened. A bank note of #200 was sent from the Treasury to the author, and the play ordered to be performed by the summer company. Foote was summoned to Lord Melcomb's, where Parnassus was composed of the peer himself, who, like Apollo as I am going to tell you, was dozing, the two Chief Justices and Lord Bute. Bubo read the play himself, with handkerchief and orange by his side. But the curious part is a prologue which I never saw. It represents the god of verse fast asleep by the side of Helicon. The race of modern bards try to wake him, but the more they repeat of their works, the louder he snores. At last "Ruin seize thee ruthless King" is heard, and the god starts from his trance. This is a good thought, but will offend the bards so much, that I think Dr Bentley's son will be abused at least as much as his father was. The prologue concludes with young Augustus, and how much he excels the ancient one, by the choice of his friend. Foote refused to act this prologue, and said it was too strong. 'Indeed,' said Augustus's friend, 'I think it is.' They have softened it a little, and I suppose it will be performed. You may depend upon the truth of all this; but what is much more credible, is that the comely young author appears every night in the Mall in a milkwhite coat with a blue cape, disclaims any benefit, and says he has done with the play now it is out of his own hands, and that Mrs Hannah Clio alias Bentley writ the best scenes in it. He is going to write a tragedy, and she, I suppose, is going--to court."--Horace Walpole's Correspondence with George Montagu. Ed. W. S. Lewis and Ralph S. Brown Jr (New Haven: Yale University Press, 1941), I, 372-73. [IX, 372-373.

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  • Original Data

    Source: London Stage Information Bank

    *p??dl All in the Wrong. As 15 June, but Parts-Mr Miller [, 3rd appearance%. *d??dl As 16 June. *c??dl [TThis day $Horace Walpole= wrote as follows to $George Montagu=, forshadowing an event to take place on 27 July: "If you will stay with me a fortnight or three weeks, perhaps I may be able to carry you to a play of $Mr Bentley='s--you stare--but I am in earnest--nay, and de par le roy. In short, here is the history of it. You know the passion he always had for the <i>Italian comedy</i>. About two years ago he writ one, intending to get it offered to $Rich=--but without his name--he would have died to be supposed an author, and writing [I, 372] for gain. I kept this a most inviolable secret. Judge then of my surprise when about a fortnight or three weeks ago I found my $Lord Melcomb= reading this very Bentleiad in a circle at my $Lady Hervey's=. $Cumberland= had carried it to him, with a recommendatory copy of verses, containing more incense to the $King= and my $Lord Bute=, than the <i>Magi</i> brought in their portmanteaus to <i>Jerusalem</i>. The idols were propitious, and to do them justice, there is a great deal of wit in the piece, which is called <i>The Wishes or Harlequin's Mouth Opened</i>. A bank note of #200 was sent from the Treasury to the author, and the play ordered to be performed by the summer company. $Foote= was summoned to Lord Melcomb's, where Parnassus was composed of the peer himself, who, like <i>Apollo</i> as I am going to tell you, was dozing, the two <i>Chief Justices</i> and Lord Bute. $Bubo= read the play himself, with handkerchief and orange by his side. But the curious part is a prologue which I never saw. It represents the god of verse fast asleep by the side of <i>Helicon</i>r. The race of modern bards try to wake him, but the more they repeat of their works, the louder he snores. At last "Ruin seize thee ruthless King" is heard, and the god starts from his trance. This is a good thought, but will offend the bards so much, that I think $Dr Bentley='s son will be abused at least as much as his father was. The prologue concludes with young <i>Augustus</i>r, and how much he excels the ancient one, by the choice of his friend. Foote refused to act this prologue, and said it was too strong. 'Indeed,' said Augustus's friend, 'I think it is.' They have softened it a little, and I suppose it will be performed. You may depend upon the truth of all this; but what is much more credible, is that the comely young author appears every night in the <i>Mall</i> in a milkwhite coat with a blue cape, disclaims any benefit, and says he has done with the play now it is out of his own hands, and that $Mrs Hannah Clio= alias Bentley writ the best scenes in it. He is going to write a tragedy, and she, I suppose, is going--to court."--<i>Horace Walpole's Correspondence with George Montagu</i>. Ed. $W. S. Lewis= and $Ralph S. Brown Jr= (<i>New Haven: Yale University Press</i>, 1941), I, 372-73. [IX, 372-373.]
  • Cleaned Data

    *p1761 06 18 dl All in the Wrong. ^As17610615^ but Parts-Mr Miller , 3rd appearance.*d1761 06 18 dl ^As17610616^.*c1761 06 18 dl [This day $Horace Walpole= wrote as follows to $George Montagu=, forshadowing an event to take place on 27 July: "If you will stay with me a fortnight or three weeks, perhaps I may be able to carry you to a play of $Mr Bentley='s--you stare--but I am in earnest--nay, and de par le roy. In short, here is the history of it. You know the passion he always had for the <i>Italian comedy</i>. About two years ago he writ one, intending to get it offered to $Rich=--but without his name--he would have died to be supposed an author, and writing [I, 372] for gain. I kept this a most inviolable secret. Judge then of my surprise when about a fortnight or three weeks ago I found my $Lord Melcomb= reading this very Bentleiad in a circle at my $Lady Hervey's=. $Cumberland= had carried it to him, with a recommendatory copy of verses, containing more incense to the $King= and my $Lord Bute=, than the <i>Magi</i> brought in their portmanteaus to <i>Jerusalem</i>. The idols were propitious, and to do them justice, there is a great deal of wit in the piece, which is called <i>The Wishes or Harlequin's Mouth Opened</i>. A bank note of #200 was sent from the Treasury to the author, and the play ordered to be performed by the summer company. $Foote= was summoned to Lord Melcomb's, where Parnassus was composed of the peer himself, who, like <i>Apollo</i> as I am going to tell you, was dozing, the two <i>Chief Justices</i> and Lord Bute. $Bubo= read the play himself, with handkerchief and orange by his side. But the curious part is a prologue which I never saw. It represents the god of verse fast asleep by the side of <i>Helicon</i>r. The race of modern bards try to wake him, but the more they repeat of their works, the louder he snores. At last "Ruin seize thee ruthless King" is heard, and the god starts from his trance. This is a good thought, but will offend the bards so much, that I think $Dr Bentley='s son will be abused at least as much as his father was. The prologue concludes with young <i>Augustus</i>r, and how much he excels the ancient one, by the choice of his friend. Foote refused to act this prologue, and said it was too strong. 'Indeed,' said Augustus's friend, 'I think it is.' They have softened it a little, and I suppose it will be performed. You may depend upon the truth of all this; but what is much more credible, is that the comely young author appears every night in the <i>Mall</i> in a milkwhite coat with a blue cape, disclaims any benefit, and says he has done with the play now it is out of his own hands, and that $Mrs Hannah Clio= alias Bentley writ the best scenes in it. He is going to write a tragedy, and she, I suppose, is going--to court."--<i>Horace Walpole's Correspondence with George Montagu</i>. Ed. $W. S. Lewis= and $Ralph S. Brown Jr= (<i>New Haven: Yale University Press</i>, 1941), I, 372-73. [IX, 372-373.]
  • Parsed Data

    Event: 30708 | 17610618 | dl | [This day $Horace Walpole= wrote as follows to $George Montagu=, forshadowing an event to take place on 27 July: "If you will stay with me a fortnight or three weeks, perhaps I may be able to carry you to a play of $Mr Bentley='s--you stare--but I am in earnest--nay, and de par le roy. In short, here is the history of it. You know the passion he always had for the <i>Italian comedy</i>. About two years ago he writ one, intending to get it offered to $Rich=--but without his name--he would have died to be supposed an author, and writing [I, 372] for gain. I kept this a most inviolable secret. Judge then of my surprise when about a fortnight or three weeks ago I found my $Lord Melcomb= reading this very Bentleiad in a circle at my $Lady Hervey's=. $Cumberland= had carried it to him, with a recommendatory copy of verses, containing more incense to the $King= and my $Lord Bute=, than the <i>Magi</i> brought in their portmanteaus to <i>Jerusalem</i>. The idols were propitious, and to do them justice, there is a great deal of wit in the piece, which is called <i>The Wishes or Harlequin's Mouth Opened</i>. A bank note of #200 was sent from the Treasury to the author, and the play ordered to be performed by the summer company. $Foote= was summoned to Lord Melcomb's, where Parnassus was composed of the peer himself, who, like <i>Apollo</i> as I am going to tell you, was dozing, the two <i>Chief Justices</i> and Lord Bute. $Bubo= read the play himself, with handkerchief and orange by his side. But the curious part is a prologue which I never saw. It represents the god of verse fast asleep by the side of <i>Helicon</i>. The race of modern bards try to wake him, but the more they repeat of their works, the louder he snores. At last "Ruin seize thee ruthless King" is heard, and the god starts from his trance. This is a good thought, but will offend the bards so much, that I think $Dr Bentley='s son will be abused at least as much as his father was. The prologue concludes with young <i>Augustus</i>, and how much he excels the ancient one, by the choice of his friend. Foote refused to act this prologue, and said it was too strong. 'Indeed,' said Augustus's friend, 'I think it is.' They have softened it a little, and I suppose it will be performed. You may depend upon the truth of all this; but what is much more credible, is that the comely young author appears every night in the <i>Mall</i> in a milkwhite coat with a blue cape, disclaims any benefit, and says he has done with the play now it is out of his own hands, and that $Mrs Hannah Clio= alias Bentley writ the best scenes in it. He is going to write a tragedy, and she, I suppose, is going--to court."--<i>Horace Walpole's Correspondence with George Montagu</i>. Ed. $W. S. Lewis= and $Ralph S. Brown Jr= (<i>New Haven: Yale University Press</i>, 1941), I, 372-73. [IX, 372-373.
    Performance: 62257 | 30708 | p | All In The Wrong | As17610615 but Parts-Mr Miller , 3rd appearance.
    AsSeeDate: 62257 | dl | p | As | 17610615
    Cast:
    103236 | 62257 | Parts | Mr Miller , 3rd appearance.
    420588 | 62257 | Sir John Restless | Yates
    420589 | 62257 | Beverly | O'Brien
    420590 | 62257 | Brush | Weston
    420591 | 62257 | Belinda | Mrs Yates
    420592 | 62257 | Lady Restless | Miss Haughton
    Performance: 62258 | 30708 | d | As17610616
    AsSeeDate: 62258 | dl | d | As | 17610616

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Comments:
As17610615 but Parts-Mr Miller , 3rd appearance.
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Comment: As17610616

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