SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Miss Vincent The scenes "/1) | (@(roleclean,performerclean) "Miss Vincent The scenes ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 14647 matches on Performance Comments, 4619 matches on Performance Title, 3106 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: This comedy was wrote by Mr Moor, & except ye part of Faddle meet with Universal Applause (ye Author's first play) (Cross). New Scenes and Cloaths (General Advertiser). This C. was written by Moore--it is a good play--it was acted 11 times successively--Garrick's peculiar qualifications and happy use of them, added amazing spirit to the piece, and gave more consequence to Young Belmont than can well be imagined--Macklin, who never had in voice, figure or features much capacity for the fop cast, yet struck out some things in Faddle, that have not been since equalled, particularly in marking the obsequious knave throughout--Barry in the fourth act supported his character with emphatic dignity and in the last with melting tenderness--the part of Rosetta was undoubtedly conceived for Mrs Woffington, and she did it particular justice--the elegance, the notions of love, and the vanity of admiration, which are united in Rosetta, were natural to Mrs Woffington, so that she had the advantage of looking and speaking in her own character--the softness and pathos, which distinguished Fidelia sat with much ease on Mrs Cibber (Dramatic Censor, II, 206). [For contemporary account of plot and discussion of the play, see Gentleman's Magazine Feb. 1748, pp. 51-54; March 1748, pp. 114-17; May 1748, pp. 207-9; June 1748, pp. 257-59. See also G. Stayley, An Answer to an unjust criticism on the Foundling, listed in Register of Books, Gentleman's Magazine, May 1748, p. 240; A Criticism of the Foundling, in a letter to the author, listed in Register of Books, Gentleman's Magazine, March 1748, p. 144. The Larpent MS indicates many revisions. The substitution of Rake for Whoremaster, &c. Some Suggestive passages marked for excision. "The Disapprobation, which the Character of Faddle met with the first Night, made it necessary for me to shorten it in almost every Scene" (Dedication to 1st Edition).] Receipts: #200 (Cross); #200 5s. (Powel)

Performances

Mainpiece Title: The Foundling

Performance Comment: Garrick, Barry, Macklin, Havard, Yates, Sparks, Mrs Woffington, Mrs Cibber. Young Belmont-Garrick; Sir Charles Raymond-Barry; Faddle-Macklin; Col. Raymond-Havard; Sir Roger Belmont-Yates; Villiard-Sparks; Rosetta-Mrs Woffington; Fidelia-Mrs Cibber; Prologue [by Mr Brooke-Mrs Pritchard; Epilogue [by Garrick-Mrs Cibber [(edition of 1748, but listed in the order in which the actors' names appear in General Advertiser; General Advertiser omits notice of Prologue and Epilogue).](edition of 1748, but listed in the order in which the actors' names appear in General Advertiser; General Advertiser omits notice of Prologue and Epilogue).]
Related Works
Related Work: Patie and Peggy; or, The Fair Foundling Author(s): Theophilus Cibber
Event Comment: To be seen a Person who performs the most surprizing Things...he presents you with a common Wine bottle, which any of the Spectators may first examine; this Bottle is plac'd on a Table in the Middle of the Stage, and he (without any Equivocation) goes into it in Sight of all the Spectators, and sings in it; during his Stay in the Bottle, any Person may handle it, and see plainly that it does not exceed a common Tavern Bottle. The Performance continues about Two Hours and a Half. These Performances have been seen by most of the Crowned Heads of Asia, Africa, and Europe, and never appear'd anywhere Public but once. Stage 7s. 6d. where Masks may be worn. Boxes 5s. Pit 3s. Gallery 2s. [The famous Bottle Conjurer hoax.] Theatre was crowded...by five o'clock; at seven the house was lighted up [but not music]...a Person came before the Curtain, and, bowing, promis'd if Mr Conjurer did not arrive in half an Hour, their Money should be return'd...after near an Hour...a Gentleman in the Box snatch'd a Candle lighted, and in Violence threw it on the Stage; this was the Signal for the Onset of Battle...the Boxes, Seats, Glasses, Scenes, Chairs, Machinery, and all the Furniture of the Play House, were in less than ten Minutes carried into the Street...an excellent Bonfire was made of Mr Foote's Auction Room...it may put a [pe]riod to the Auction, till the Theatre can be refitted.--Charles Adams to John Gilbert-Cooper, Theatre Notebook, XI (1957) p. 139. [Potter was still owner of this theatre.] Those opposed to a recent late book would have been gratified had the Conjurer jumped into the bottle and proved that miracles had not yet ceased."--Daily Advertiser, 17 Jan. Last Night a numerous Audience, among whom were several Persons of Quality, was at the New Theatre in the Haymarket, in wonderful Expectation of seeing the Miraculous Man creep into a Bottle, and do several other Miracles; but the only one he perform'd was, that he render'd himself invisible (without any Equivocation) to the no small Disappointment of the gaping Multitude; who, being told from behind the Curtain that the Performer had not yet appear'd, but that if they would stay until the next Night, instead of a Quart Bottle he should creep into a Pint, immediately grew outrageous, and in a Quarter of an Hour's Time broke to Pieces all the Boxes, Benches, Scenes, and everything that was in their power to destroy, leaving only the Shell of the House remaining. Surely this will deter anyone from venturing to impose on the public in the like manner for the future.--General Advertiser, 17 Jan. [See also dl Comment 18, 19, 20, 27 Jan.

Performances

Mainpiece Title: None

Event Comment: Benefit for Winstone, King, and Palmer. Tickets and places of Hobson at the stage Door. Receipts: #130 (Cross); charges, #63 (Powel)

Performances

Mainpiece Title: She Woud And She Woud Not

Afterpiece Title: Lethe

Dance: TheSavoyards, as17480920; Hornpipe-the Child, as17490407

Event Comment: Paid to Sun Fire Office Insurance #15; Paid for a poker and shovel 5s. (Treasurer's Book). [This policy was doubltless similar to No 109085 dated 29 July 1747 issued to James Lacy and David Garrick Esq. Patentees of His Majesties Company of Comedians of the Theatre Royal Drury Lane, for #4,000: "On the Goods and Furniture, Wardrobe Apparel, Machines and Scenes, not valued as pictures, in the House, Dressing Rooms, Wardrobe, and Scene Rooms, of the said Theatre Royal, adjoining togethe r and situate in Drury Lane aforesaid and not elsewhere, not exceeding #4,000...Note: Except such Loss and Damage as may happen by any Fire occasioned by means of any representation in any Play or Farce or in any Rehearsal of the same." (From copy of original policy, by courtesy J. A. Miller, Esq. General Manager, Sun Insurance Office Ltd., sent me in ltr. dated 5 July 1951.)] Receipts: #110 (Cross). #104 5s. (Treasurer's Book)

Performances

Mainpiece Title: The Rehearsal

Related Works
Related Work: The Rehearsal; or, Bayes in Petticoats Author(s): Katherine Clive

Dance: As17491220

Song: III: Master Mattocks

Event Comment: The Dirge (from the General Advertiser).@ Ah, hapless Maid doom'd to the gaping Jaws@Of a Cold and Comfortless and Dreary Tomb.@Thy Marriage song is chang'd to mournful Dirge@Thy bridal bed to a black Fun'ral Hearse.@Hark, how with awful Pause the solemn Bell@In Death-like Sounds tolls her untimely Knell.@She was her Parents' sole delight@They had but one and only child.@Since Death has torn her from their Arms@With Grief and Sorrow they are wild.@Their Grief and Sorrow ev'ry Bosom shares@Witness our sighs and Groans and falling Tears.

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Barry his 1st time of appearing on that stage; Capulet-Sparks; Montagu-Bridgwater; Escalus-Anderson; Paris-Lacey; Benvolio-Gibson; Lady Capulet-Mrs Barrington; Friar Lawrence-Ridout; Gregory-Arthur; Sampson-Collins; Abram-Dunstall; Balthazar-Bransby; Mercutio-Macklin; Tybalt-Dyer; Nurse-Mrs Macklin; Juliet-Mrs Cibber; An Additional Scene will be introduced representing the Funeral Procession of Juliet-; which will be accompanied by a Solemn Dirge never performed before-; The Music by Mr Arne-; Occasional Prologue-Barry.
Event Comment: [For the New Epilogue] Great applause (Cross). This day is Publish'd, Price 6d. Romeo and Juliet, written by Shakespear, with alterations, and an additional Scene; as it is performing at the Theatre Royal in Drury Lane. Printed for J. and R. Tonson, and S. Draper in the Strand. Receipts: #120 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17501001, but with a new Epilogue upon the two Occasional Prologues-Mrs Clive.

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Barry; Capulet-Sparks; Montague-Bridgwater; Escalus-Anderson; Benvolio-Gibson; Paris-Usher; Lady Capulet-Mrs Barrington; Friar Lawrence-Ridout; Gregory-Cushing; Sampson-Collins; Abram-Dunstall; Balthazar-Bransby; Mercutio-Macklin; Tibalt-Dyer; Nurse-Mrs Macklin; Juliet-Mrs Cibber; With a Masquerade Dance-proper to the play; And an Additional Scene representing the Funeral Procession of Juliet-; which will be accompanied by a Solemn Dirge-. The Music composed by Mr Arne.
Event Comment: Mainpiece: By Particular Desire. Afterpiece: Not acted these two years. [See 30 Nov. 1749. Inspector No 191 analyzes and discusses The Orphan (Daily Advertiser and Literary Gazette).] Receipts: #120 (Cross)

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: Benedick-Garrick; Don Pedro-Havard; Leonato-Berry; Don John-Winstone; Claudio-Palmer; Antonio-Simpson; Friar-Burton; Borachio-Blakes; Dogberry-Taswell; Balthazar (with a proper song)-Beard; Verges-Shuter; Conrade-Mozeen; Town Clerk-R. Vaughan; Sexton-Ray; Hero-Mrs Willoughby; Margaret-Mrs Havard; Ursula-Miss Minors; Beatrice-Mrs Pritchard; In Act II, a Masquerade Dance-; To Conclude with a Country Dance-the characters of the play.

Afterpiece Title: The Lottery

Performance Comment: Jack Stocks-Woodward; Mr Stocks-Blakes; Lovemore-Beard; Chloe-Mrs Clive; With a Scene representing the Drawing of the Lottery-.

Performances

Mainpiece Title: The Revenge

Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege

Afterpiece Title: Queen Mab

Cast
Role: others Actor: Matthews, Mad Janeton +Auretti.
Event Comment: A great Noise when they appear'd occasion'd, I believe, by a Paragraph in the Papers, saying, a piece of Machinery, of Fountain will soon come out at Covent Garden--so it was concluded we had stole ye design from Mr Rich--but not true, for they were design'd & made by Mr Johnson Property maker to our House--during ye Storm one Mr Bramstone, being Drunk ran cross the stage twice--fell down, & was taken off, like a dead Hero.--however the Pantomine ended quiet (Cross). Receipts: #120 (Cross). [See note to cg 13 Jan. 1753.

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Harlequin Ranger

Cast
Role: Other characters Actor: Johnson, Mrs +Simpson.

Dance: I: Le Matelot Basque, as17521005

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Garrick; Mercutio-Woodward; Escalus-Bransby; Capulet-Berry; Paris-Lacey; Benvolio-Mozeen; Montague-Burton; Tibalt-Blakes; Friar Lawrence-Havard; Lady Capulet-Mrs Bennet; Nurse-Mrs James; Juliet-Mrs Cibber; With additional scenes representing the Funeral Procession- to the monument of the Capulets; the vocal parts-Beard, Wilder, Vernon; In Act I a Masquerade Dance- proper to the play.

Afterpiece Title: The Lying Valet

Cast
Role: Kitty Pry Actor: Miss Minors.

Performances

Afterpiece Title: The Lottery

Performance Comment: With the Ceremony of the Drawing Scene in the Guild hall-; Jack Stocks-Woodward; Chloe-Mrs Clive.
Event Comment: [Performance of mainpiece highly praised in Gray's Inn Journal 3 Nov. It is no wonder that in some scenes the Emotions of the Audien ce run so extremely high, as they were acted upon by the two best Tragedians in the world." Garrick and Mossop. Also praises Foote's Fondlewife in previous performances of the Old Batchelor.] Receipts: #170 (Cross)

Performances

Mainpiece Title: Venice Preservd

Afterpiece Title: The Lottery

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Garrick; Escalus-Bransby; Capulet-Berry; Paris-Scrase; Benvolio-Mozeen; Montague-Simson; Tibalt-Blakes; Fryar@Lawrence-Havard; Mercutio-Woodward; Lady Capulet-Mrs Bennet; Nurse-Mrs James; Juliet-Mrs Cibber; With the additional scene representing the Funeral Procession- to the Monument of the Capulets; The Vocal parts-Beard, Wilder, Vernon; In Act I a Masquerade Dance proper to the play,-Matthews, Dennison.
Event Comment: Afterpiece: Not acted these 8 years. [See 1 May 1747.] With New Cloaths, Scenes, and Decorations. No after money will be taken. None admitted behind scenes. [This note accompanies all performances of this pantomime this season.

Performances

Mainpiece Title: The Twin Rivals

Cast
Role: Constance Actor: Mrs Vincent

Afterpiece Title: Orpheus and Eurydice Intermixd with Metamorphoses of Harlequin

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Garrick; Escalus-Bransby; Capulet-Berry; Paris-Scrase; Benvolio-Mozeen; Montague-Burton; Tybalt-Blakes; Fryar Lawrence-Havard; Mercutio-Woodward; Nurse-Mrs Macklin; Lady Capulet-Mrs Bennet; Juliet-Mrs Cibber; With the Additional Scene representing The Funeral Procession to the Monument of the Capulets-; The vocal parts-Beard, Champness, others; In Act I, a Masquerade Dance proper to the play-Mathews, Dennison, Granier, Harrison, Mrs Vernon, Mrs Preston, Mrs Dupre, Mrs Phillips.
Event Comment: By Desire. The Author publish'd at 1s. Receipts: #190 (Cross)

Performances

Mainpiece Title: The Wonder

Performance Comment: As17570106, but Don Pedro-Burton, and the Masquerade scene restored. [Since no pantomime machinery prohibited it. See note 8 Jan.]Since no pantomime machinery prohibited it. See note 8 Jan.]

Afterpiece Title: The Anatomist

Event Comment: Last time of performing these pieces this season. Receipts; #140 (Cross)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: Mercury Harlequin

Dance: I: A Comic Dance-

Event Comment: By Cibber and Company. Consisting of a Variety of Entertainments, intermixed with Singing, Dancing, &c. The Scenes, Machines, Habits, and Decorations &c., all new. Boxes 5s. Pit 3s. Gall. 2s. The Doors will be opened at Five; the Concert to begin at Six. To be continued (with Variations) on Mondays, Wednesdays, and Fridays, during the Summer season. Places for the Boxes to be had at the Theatre. The Performances depending very much on the Music, no Persons can be admitted into the Orchestra; and on account of the Variety of Scenery and Machinery, &c., that there may be no Interruptions in the Performances, 'tis hoped no Gentlemen will take it ill that they cannot possibly be admitted behind the Scenes. No money to be returned after the Curtain is drawn up; nor anything under the full Price to be taken during the Performance

Performances

Mainpiece Title: A Medley Concert Or An Impromptu Of Whim Novelty And Amusement

Performances

Mainpiece Title: Isabella Or The Fatal Marriage

Related Works
Related Work: The Fatal Marriage; or, The Innocent Adultery Author(s): Thomas Southerne

Afterpiece Title: The Lottery

Performance Comment: Jack Stocks (alias Lord Lace)-Palmer; Lovemore-Beard; Mr Stocks-Blakes; Chloe (alias Lady Lace)-Mrs Clive; With the Scene of the Drawing in Guild Hall-.

Dance: IV: Spanish Dance, as17581014

Event Comment: A Tragedy written by Mr Murphy went off with great applause (Cross). Scenes, Habits, and Decorations entirely New. No Gentlemen can possibly be admitted behind the Scenes or into the Orchestra. Full prices. Receipts: #170 (Cross); #158 3s. (Winston MS 8)

Performances

Mainpiece Title: The Orphan Of China

Event Comment: Farce hiss'd (Cross). The Confederacy is oblig'd to be deferr'd a few days (playbill). [Goldsmith in The Bee (Vol. 1759, p. 154) comments on the farce: "Too narrow a plan...The poor affecting the manners of the rich might be carried on through one character or two, at the most, with great propriety; but to have almost every personage on the scene almost of the same character, was unartful in the poet to the last degree." He laments the barrenness of incident, but admits one or two scenes are "fine satire and sufficiently humorous...Whatever defects there might be in the composition, there were none in the action; in this the performers shewed more humour than I had fancied them capable of."] Receipts: #160 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Cast
Role: Almeria Actor: Miss Macklin

Afterpiece Title: High Life Below Stairs

Event Comment: Being positively the last time for the afterpiece this season. [In June was published A Scotsman's Remarks on the Farce Love-a-la-Mode (Gentleman's Magazine, p. 339), scene by scene.

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: Love a la Mode

Dance: I: The last new Comic Dance-Sg and Sga Giorgi; II: The Cow Keepers, as17600313 but Mrs _Vernon, Mrs Preston

Song: III: By Desire, The Sailor's Song-Champnes, and a Dance in character by the Sailor

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Harlequins Invasion

Event Comment: Mainpiece: Not acted this season. Tomorrow will be Reviv'd the second part of King Henry the 4th, New Dress'd in the Habits of the Times (playbill). [In a letter 14 Nov. 1762, T. H. suggested to Garrick a scenic device for the last scene of Act II, of the Wonder, a device he had noted in the Portuguese theatres in Lisbon, to give a view of a number of gallants passing before the window of a lady": two large windows to be made in the scene, cover'd with gauze to give a transparancy and the effect of glass, the windows to be barrel likewise in imitation of a casement (Harvard, D. Garrick, Original MSS (1930) No. 6. TS 1116.256.3).

Performances

Mainpiece Title: The Wonder Or A Woman Keeps A Secret

Dance: I: The Bavarian Shoemakers, as17621009