SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "MMrs Love"/1) | (@(roleclean,performerclean) "MMrs Love")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2768 matches on Performance Title, 988 matches on Performance Comments, 389 matches on Event Comments, 99 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit Dunbar, Jones, Atkinson, Pritchard, Bride (General Advertiser). Benefit for Dunbarr & Boxkeepers (Cross). Tickets deliver'd for Love's Last Shift will be taken. On Friday next the Roman Father will be acted at Drury Lane, being the last time of the company's performing this season

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: Miss in Her Teens

Cast
Role: Loveit Actor: Palmer
Role: Capt Loveit Actor: Havard

Dance: II: Hornpipe-Master Shawford; IV: Black Joke, as17500420 V: Comic Dance, as17500313

Event Comment: Mainpiece: A sequel to Love's Last Shift. Prologue call'd for (Cross). Receipts: #100 (Cross)

Performances

Mainpiece Title: The Relapse; Or, Virtue In Danger

Performance Comment: Foppington-Woodward; Loveless-Havard; Worthy-Cross; Sir Tunbelly-Bridges; Miss Hoyden-Mrs Clive; Young Fashion-Mozeen; Lory-James; Sirringe-Yates; Coupler-Winstone; Nurse-Mrs Pitt; Amanda-Mrs Mills; Berinthia-Mrs Pritchard.
Cast
Role: Loveless Actor: Havard

Afterpiece Title: The Lying Valet

Event Comment: This day is publish'd a Guide to the Stage; or Select Instructions and Precedents from the best Authorities towards forming a polite Audience; with some account of the Players, &c. Printed and sold by D. Job, at the Spread Eagle in King St. [An ironical post-Addisonian quip at theatrical behavior]: I boldly enter the lists as the first champion for theatric decorum. The next thing to be consider'd is disapprobation, which I think may be sufficiently shewn, by an attention to something else, by loud discourse, profuse laughter, and the like. I cannot help thinking it a little out of character, for a polite audience to distort their features by a hiss: however for the sake of some ambitious youths, who thus love to signalize themselves, I shall leave a new play to their mercy. They then are at liberty to exercise their several talents whether they hiss or groan most successfully, or have a greater genius for the cat-call. If you desire to know when you are to shew your dislike, my answer is, when anything displeases you, or in fine when you will provided you have a strong party to second you; for the best hiss or groan in the universe may be drown'd in a general applause. [Never laugh at what passes on stage save it be an error, blunder, or accident. In tragic scenes avoid being visibly moved by humming a tune, regarding the audience, engaging in conservation, or turning your back to the stage. When a female social rival calls attention to herself and away from the stage, let fall your handkerchief into the pit, or call out to an acquaintance in the opposite box, or burst into loud and unexpected laughter. You'll know when to applaud, for the actors will tell you.] On these occasions Cato looks more than unusually big, Hamlet stares with great emphasis, Othello has a most languishing aspect, Monimia is all sighs and softness, Beatrice will bridle, and pretty Peggy Wildair leers you into a clap. Receipts: #170 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Anatomist

Event Comment: MMr Beard ill (Cross). Robin Hood Defer'd. Love's Last Shift deferr'd till Wednesday next. The Comedy of All's Well that Ends Well (written by Shakespear); and the Comedy of Every Man in his Humour (written by Ben Johnson) are now reviving at the Theatre Royal in Drury Lane (General Advertiser). Receipts: #60 (Cross)

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: The Intriguing Chambermaid

Dance: II, V: Country Amusements, as17501102; Pigmalion, as17501102; IV: Comic Dance, as17501117

Event Comment: Mainpiece: Being a sequel to Love's Last Shift. Receipts: #90 (Cross)

Performances

Mainpiece Title: The Relapse; Or, Virtue In Danger

Performance Comment: Worthy-Palmer; Tunbelly-Taswell; Sir John-Scrase; Page-Master Cross; Tailor-W. Vaughan; Lory-Shuter; Bull-Burton; Nurse-Mrs James; Young Fashion-Mozeen; Berinthia-Mrs Pritchard; Coupler-Winstone; Amanda-Mrs Mills; Lord Varole-Blakes; Shoemaker-Ray; Syringe-Yates; Miss Hoyden-Mrs Clive; Foppington-Woodward; Loveless-Havard.
Cast
Role: Loveless Actor: Havard.

Afterpiece Title: The Intruiging Chambermaid

Song: Mattocks

Event Comment: [T+Temple of Taste met for fourth time. Question debated, Can a Man love passionately and virtuously two ladies at a time?"]

Performances

Mainpiece Title: Samson

Performances

Mainpiece Title: Concert Of Vocal And Instrumental Music

Performance Comment: Part I New Overture by Giardini-; Airs: Caro sposo (Alberti)-Sga Frasi; Through the Land so Lovely Blooming (Handel)-Beard; Honour and Arms (Handel)-Wass; Vo solcando (Vinci)-Sga Galli; Concerto-Pasqualino; Part II Concerto-Giardini; Airs: Father in Heaven (Handel)-Galli; Revenge Timotheus cries (Handel)-Wass; See Hercules how smiles yon myrtle plain (Handel)-Sga Frasi; The Trumpets loud Clangor (Handel)-Beard; Duetto-Sga Frasi, Sga Galli; Concerto-Miller; Part III Concerto-Vincent; Airs: Love in her eyes sits playing (Handel)-Beard; Pastorella (Ciampi)-Sga Galli; Se perde l'usignolo (Jomelli)-Sga Frasi; Trio, The Flocks shall leave the Mountain (Handel)-Sga Frasi, Beard, Wass; Grand Concerto of Handel's-.
Event Comment: Full Prices. Afterpiece with a New Scene of a Fountain introduc'd. [See Cross's note for dl 14 Dec. 1752.] [Harlequin Sorcerer] With the loves of Pluto and Proserpine. The scenes painted by Mr Lambert. As any obstruction in the movements of the Machinery will greatly prejudice the performance, it is hoped no persons will be displeased at their not being admitted behind the scenes (Public Advertiser). [Nonadmittance note repeated.

Performances

Mainpiece Title: The Revenge

Afterpiece Title: Harlequin Sorcerer with Alterations

Performances

Mainpiece Title: Jephtha

Performance Comment: Jephtha-; Zebul-(his Brother); Storage-(His Wife); Iphis-(His Daughter); Hamor-(In love with Iphis); Chorus of Israelites-(Larpent MS).
Event Comment: Play never acted before. [This new tragedy by MacNamara Morgan is mercilessly scourged by Paul Hiffernan in Tuner No 1, (21 Jan.), pp. 41-61]: To Tune it in Lilliputian Score : @Such sighing@Such Billing@Such Flashing@Such Heeling@And Dying@And Killing@And Dashing@And Kneeling@Such Rizing@Surprizing!@Such Falling@And Bawling@Such Attitudes@And Flattitudes@Were ne'er exhibited before.@ In the representation Mr Barry spared no pains; Miss Nossiter and Mr Smith strained hard-Mrs Bland, as far as her part exposed itself, did it with alacrity, but vanished abruptly in a storm of Lust. Mrs Vincent put as good a face on wanton barbarity as possible-and Mr Sparks who can do justice to a more spirited character, supported his Arcadian Kingship with becoming equanimity...It is a Romance crush'd together without choice, unconnected and full of Exidents not Incidents. Musidorus and Pamela , are duplicates to Pyrocles and Philoclea , which lengthen by so much the play, with repetition of the same dull nauseous tale of love, stirr'd up now and then by a bounce and a cracker-many persons come on we know not why, and disappear we know not wherefore....This new piece is an outlaw from all rules of Criticism; the Unities of Time, Place, and Action are unobserv'd; Plot, Moral, Verisimilitude, or even Probability unknown: many scenes bid defiance to possibility....Mr Rich stopp'd at no expence as to the Dresses and Decorations, and reprieving the play's duration to the utmost extent of Managerian clemency

Performances

Mainpiece Title: Philoclea

Event Comment: Benefit for Mrs Elmy. Mainpiece: By Particlar Desire. Tickets delivered out for All for Love will be taken

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Schoolboy

Cast
Role: Lady Manlove Actor: Mrs Pitt.

Dance: Granier and Mrs Granier

Performances

Mainpiece Title: Jeptha

Performance Comment: Parts were Jeptha-; Zebul (his Brother)-; Storage (his Wife)-; Iphis (his Daughter)-; Hamor (in love with Iphis)-; Chorus of Israelites-. (Larpent MS).
Event Comment: Afterpiece: A new farce by Doctor Heffinal [sic] for his benefit. O Sad! (Cross). Tickets at Forrest Coffee House, The Bedford, and Randall's, and author's lodgings at Mew's Coffee House. To the Printer of the Public Advertiser, 24 April: Sir, Let this suffice for a general answer to all unfriendly whispers or paragraphs against the new farce to be performed tonight at Drury Lane -its author never previously Caballed, never published his sentiments of any stage performance till after the run -then neither the writer nor manager could be injured -its principal characters are Lady Protea, a coquet alarmed at the apprehension of dying amid; Lord Epigram Strainwit, a pert coxcomical witling; Dr Matho, a Virtuoso, Antiquarian, and in love; Dreadnought Broadside, a sea-officer and strenuous Antigallican. I am &c. Receipts: #90 (Cross)

Performances

Mainpiece Title: The Drummer

Afterpiece Title: The Maiden Whim; or, The Critical Minute

Event Comment: Benefit for Jefferson and Champnes. Mainpiece: By Desire. Tickets delivered for Love Makes a Man will be taken. Yesterday Five Guineas were paid into the Hands of Justice Fielding by Miss Macklin, for the use of the Marine Society, towards clothing men and boys for the sea, to go on board His Majesty's ships (Public Advertiser). Receipts: #130 (Cross)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Cast
Role: Anne Lovely Actor: Miss Macklin, 1st time
Role: Modelove Actor: Blakes
Role: Tradelove Actor: Burton

Afterpiece Title: The Lying Valet

Song: I: Sing all ye Muses, compos'd by the late Mr H. Purcel,-Beard, Champnes

Dance: II: A Hornpipe-Walker; IV: The last new Comic Dances-

Performances

Mainpiece Title: Dramatic Turtle

Performance Comment: Yates, from the Theatre Royal in Drury Lane, will dress his Dramatic Turtle for the entertainment of the town. This most excellent dish will comprise the essence of every Theatrical Rarity. IN THE CALIPASH will be found the most extraordinary Adventures of Timur Koran; or, The Favourite of the Sun. The Love and Distress of the Princess Karansa; her confinement in the Brazen Tower; the Cruelty of the Emperor Albufazar her Father; Karanza's Trial and Condemnation; the Banishment of Timor Koran; the wicked Machinations of the Vizier, Prime Minister to Albufazar, the Procession of the Princess and Timur Koran to the Funeral Pile; their strange delivery from Death by the spirit Seraphel. IN THE CALIPEE will be the Eighth Wonder of the World; or, The Heroic Taylors, with the Humours of General Trinculo and his pleasant companion Humpkinn Buzz, the merry exploits and miraculous Adventures of Barnaby Bodkin, Tom Thimble, Ben Buckram, Nich. Canvas, all Gentlemen of the Light Horse. THE BLUE FAT AND FINNS will contain the various entertainments of Singing, with the Machinery and Decorations. The whole to be seasoned by the way of Chian Butter, with a most extraordinary band of music.
Event Comment: TThe Merchant of Venice, with Love-a-la-Mode, advertis'd to be perform'd this night is deferr'd till further notice, on account of the Indisposition of Macklin and Miss Macklin. Boxes #21 12s. (Account Book). Receipts: #114 4s. 6d. (Account Book)

Performances

Mainpiece Title: Othello

Afterpiece Title: Thomasand Sally

Performances

Mainpiece Title: George For England; Or, The Triumphs Of Roast Beef

Performance Comment: In which will be exhibited the Reception of George for England at the Court of Solymanv, the Egyptian Emperor, the love of the fair Sabrina; and the Rivalship of Mamamouchi, the Persian General, interspersed with the Humours of Don Duello Flanconado, and the extra-ordinary incidents that befell Esquire Solomon Gundy, alias Gluttonglug de Gull, and his Culinarian Armour. With the remarkable Caterwauling Combat; or Pussy Catty's Victory. or Pussy Catty's Victory.

Afterpiece Title: Triumphs of Hymen; and the Landing of the Queen

Event Comment: MMr Vernon-Macheath, 1st time; Mr Parsons-Filch, Mrs Parsons-Mrs Peachum (Cross Diary). Mr William Parsons came with Mr James Love from Edinburg, and Made his first appearance on the stage in London this evening; He died of an asthma on Tues. 3 February in the severe winter of 1795, and was buried in the churchyard of Lea-Church near Blackheath in Kent; he was in his 60th year (Macmillan [Hopkins MS Notes]). Afterpiece: Not acted these 2 years. [See 19 Oct. 1759.

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Lying Valet

Dance: End Opera: A Dutch Dance-Vincent, Sga Giorgi

Event Comment: full column letter to the public signed by John Beard appeared in the Public Advertiser announcing his agreement to the half-price demands of the rioters, and excusing himself for not acquiescing with more alacrity on the night of the demand. His excuse was that he was merely manager for other proprietors, and that property interest was involved in the financial sacrifice he was asked to make. He noted further reasons for not immediately giving in to demands of the rioters: Mr Beard had at that time received several anonymous threatening letters and notes concerning many other branches of what they called Reformation. He was ordered by one to add a farce to Love in a Village, or the House should be pulled about his ears. By andther he was commanded to put a stop to the farther representation of that Opera, upon the penalty of enforcing his compliance by a Riot the next night of performance, and very lately received certain information of meetings, which have already been held, and an Association forming to reduce the prices at the Theatre to what they were forty years since, tho' it is notorious the Expence of Theatrical Entertainments are more than doubled. For these reasons he looked upon the Occasion of the present disturbance only as a prelude to future violence; as the first not the last salutation of this extraordinary kind to be expected, and apprehended that too easy an acquiescence might possibly prove rather encouragement than prevention. Nevertheless in gratitude for the many favours and indulgencies received from the Publick, and from an earnest desire to promote that order and decorum so essential in all Public Assemblies, the Proprietors have now jointly authorized Mr Beard to declare that they shall think themselves equally bound with the managers of the other Theatre to an observance of those limitations which they have agreed to." This letter repeated in Public Advertiser, 3 March.

Performances

Mainpiece Title: None

Performances

Mainpiece Title: Jephtha

Performance Comment: Parts were: Jephtha-; Zebul (his brother)-; Storge (his wife)-; Iphis (his daughter)-; Hamor (in love with Iphis)-; Chorus of Israelites-.

Music: As17630218

Performances

Mainpiece Title: The Alchymist

Cast
Role: Sir Epicure Actor: Love, 1st time
Role: Lovewit Actor: Packer

Afterpiece Title: Thomasand Sally

Performance Comment: Squire-Vernon; Thomas-Champness; Sally-Miss Young; Dorcas-Gentlewoman, 1st appearance on this stage; [Mrs Love?] [To conclude with a Rural Dance, Hornpipe-Aldridge.

Song: II: By desire, The Tempest of War-Vernon

Dance: TThe Camp Alarm'd, as17630326

Performances

Mainpiece Title: [no Performance

Performance Comment: ChristmasEve (Cross Diary). This day was dedicated for rehearsing the New Pantomime called the Rites of Hecate. In our practices we found such a total want of Business and Incidents to carry on the story from one scene to another were obliged to call the good natured Mr Colman to our aid, as we could get no assistance from the Author, Mr Love, who seems not to have the least genius in contriving any thing of that Kind.-The whole day spent till eleven o'clock that night in [a word illegible] and everbody threw in their mite, and made it as well as the short time would allow (Hopkins Diary-MacMillan) .

Performances

Mainpiece Title: The Careless Husband

Cast
Role: Morelove Actor: White

Afterpiece Title: The Upholsterer

Dance: II: By Particular Desire a Minuet-Gallini, Sga Manesiere; III: A Dance The Judgment of Paris-Gallini, Miss Wilford, Miss Pitt, Miss Valois, Mas. Rogers; End: A Dance Love Triumphant-Gallini, Sga Manesiere, Mas. Rogers

Performance Comment: Rogers; End: A Dance Love Triumphant-Gallini, Sga Manesiere, Mas. Rogers.
Event Comment: Last time of performing till the Holidays. Love in a Village oblig'd to be deferred on account of indisposition of a principal performer

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Perseus and Andromeda

Performances

Mainpiece Title: A Bold Stroke For A Wife

Cast
Role: Sir Philip Modelove Actor: Baddeley
Role: Tradelove Actor: Burton
Role: Mrs Lovely Actor: Miss Plym.

Afterpiece Title: The Rites of Hecate; or, Harlequin from the Moon

Performance Comment: Harlequin-Rooker; Others-Vernon, Champnes, Parsons, Clough; Grimaldi, Ackman, Vaughan, Moody, Fox, Keen, Mrs Bradshaw, Mrs Love; Colombine-Miss Baker; the Dances-Berardi, Sg Giorgi, Sga Giorgi.
Related Works
Related Work: The Rites of Hectate; or, Harlequin from the Moon Author(s): James Love