Event Comment: Afterpiece: A New Dramatic Masque. Admission 5s., 3s., 2s., 1s. No Money under the full Price will be taken; and the Advance Money will he returned to those who chuse to go out before the Overture to the Entertainment begins. Edition of 1736: Invented by Mr Pritchard. Musick composed by Mr Arne. Scenes painted by Mr Hayman

Event Comment: Benefit Pritchard. At the Desire of several Persons of Distinction. Afterpiece: A New Ballad Opera. [By Henry Ward.] Plays are like Mirrours, made for Men to see, How bad they are, how good they ought to be

Event Comment: Benefit for Miss Pritchard. Part of Pit laid into boxes. Tickets of Miss Pritchard in Great Queen St., Lincoln's Inn Fields and at Pritchard's Warehouse in Tavistock St. Receipts: #340 (Cross)

Event Comment: Mainpiece: Written by Shakespear. Miss Pritchard did Juliet for the First time of her Acting & Met with uncommon Applause, tho' so frightened the first Act, we Scarce cou'd hear her (Cross). Miss Pritchard's was a most remarkable first appearance--the Particularity of the public for her mother--Garrick's patronage and tuition, her own beautiful face, which was fascinating to a degree, had all great attraction. Mrs Pritchard, as Lady Capulet, leading in her daughter as Juliet, the distress of the young lady, the good wishes and tenderness of the town, all combined made an affecting scene--but that partiality dwindled away in the early part of the season (Genest, IV, 474, from Tate Wilkinson). Receipts: #226 (Cross)

Event Comment: MMiss Pritchard did the Lady-Oh! for Mrs Pritchard's Benefit. She advertised Jane Shore, but Mrs Cibber being ill it was changed (Cross). Benefit for Mrs Pritchard. Part of the Pit will be laid into the Boxes. Tickets delivered for Jane Shore will be taken. Mainpiece: From Shakespear. Afterpiece: Never acted there. Receipts: #280 (Cross)

Event Comment: Benefit Pritchard, Composer of the Entertainment, Mrs Pritchard. Tickets at Pritchard's, No. 8 Craven Buildings

Event Comment: Benefit for Mrs Pritchard. Mainpiece: Not acted these 7 years [see 2 May 1744]. Tickets and places of Mrs Pritchard, at her house next the chapel in Great Queen St., Lincoln's Inn Fields, and of Hobson at the Stage Door. Five rows of Pit will be rail'd into the Boxes. [Stage as of 10 March.] Paid Blandford (Tallow Chandler) #18 17s. 3d.; Paid Blakes for 2 wiggs #3 3s.; Paid Mrs Pritchard for a ticket as per agreement #10 10s.; Norton 1 chorus 5s. (Treasurer's Book). Receipts: #220 (Cross); charges, #60 (Treasurer's Book)

Event Comment: fterpiece] A farce of 3 Acts taken from Shaks Taming ye Shrew (by Garrick) call'd new Catharine & Petruchio (Cross). Mrs Pritchard's Benefit. Tickets of Mrs Pritchard at her lodgings at Pritchard's Warehouse, in Tavistock St. Part of pit laid into boxes. Amphitheatre on stage. Receipts: #298 (Cross)

Event Comment: Benefit for Mrs Pritchard. Part of Pit laid into Boxes. Tickets and places to be had of Mrs Pritchard at her house in Great Queen St., Lincoln's Inn Fields; and at Pritchard's Warehouse in Tavistock St. Receipts: "230 (Cross)

Event Comment: Afterpiece alter'd from Beaumont & Fletcher (Cross) being a sequel to Catherine and Petruchio; or, The Taming of the Shrew (Public Advertiser). Benefit for Pritchard. Tickets of Pritchard in Great Queen St.; Lincoln's Inn Fields; and at Pritchard's Warehouse in Tavistock St. [The Larpent MS 133 lists the characters: Sophocles, Tranio, Maria, Bianca, Jaques, Petruchio, Petronius, Pedro, Citizens, Countrymen, Doctor, Apothecary, 1st Watch, 2nd Watch.] Receipts: #140 (Cross)

Event Comment: [G$Goldsmith's comment in The Bee (1759, p. 14) the following season seems to have glanced at Mrs Pritchard's performance of Jane Shore, since Mrs Pritchard was growing quite stout at this time: In his remarks of "casting" he is distressed at "an actress that might act the Wapping Landlady without a bolster, pining in the character of Jane Shore, and while unwieldy with fat endeavoring to convince the audience that she is dying from hunger." The part at Drury Lane for the next eight years went to Mrs Yates, Mrs Pritchard playing it only once again "for that night only" at her daughter's benefit, 7 April 1766.] Receipts: #140 (Cross); #138 18s. (Winston MS 8)

Event Comment: Benefit for Mrs Pritchard. Part of pit laid into boxes. House charges #61 4s. [Profit to Mrs Pritchard #68 8s.] Lent to Mr Johnston, Prompter, by order #2 2s.; Paid to James Aickin on his note #40; Paid Poor's rate (1!2 year for St Martin's) #20 4s.; Salary list #294 2s. 8d. (Treasurer's Book). Receipts: #129 12s. (Treasurer's Book). Went to see Macbeth for Mrs Pritchard's Benefit. Got a good seat in the Pit, which was not full for half an hour after I went, tho part of it was laid into the boxes. Read the Public Advertiser of Today' and part of London Chronicle before the play began...Dance of the Furies in the 4th Act, and end of the Play (Neville MS Diary)

Event Comment: Benefit Mrs Pritchard. Tickets at Mrs Pritchard's, Craven Buildings, dl

Event Comment: Benefit Mrs Pritchard. [Tickets for Mrs Miller taken. Tickets at Mrs Pritchard's, No. 8, Craven Buildings.

Event Comment: Benefit Mrs Pritchard. Tickets and Places to be had of Page at the stage door and of Mrs Pritchard at the Blue Door in Great Queen St., Lincoln's Inn Fields

Event Comment: Benefit for Mrs Pritchard. Servants will be admitted to keep Places on the stage, which for the better accommodation of the Ladies will be form'd into side boxes. Tickets and places to be had at Mrs Pritchard's, at the Blue Door in Great Queen St., Lincoln's Inn Fields, or of Hobson at the stage door. Numbers of Counterfeit tickets on Benefit nights, having lately been sold in the passages leading to the Theatre, 'tis desired no Persons will buy any there, Care being taken to prevent all tickets so bought from being admitted

Event Comment: Benefit Mrs Pritchard. Mainpiece: Written by Shakespear. Servants admitted to keep places on the stage, which will be fram'd into Front and side boxes, and entirely enclosed after the manner of an Oratorio. Ladies are desired to send servants to keep places to prevent mistakes. Tickets and places to be had at Mrs Pritchard's in Duke's late Earl's Court, Bow St.; At Mr Vaughan's, the Royal Exchange, Cornhill, and at the stage door

Event Comment: Benefit for Mrs Pritchard. Part of Pit laid into Boxes, and stage form'd into Front and Side Boxes. Tickets and Places to be had at Mrs Pritchard's in Duke's late Earl's Court, (Bow Street), at Mr Vaughan's at the Golden Fan, next the Royal Exchange, Cornhill; and of Hobson at the stage door. Receipts: #220 (Cross); house charges, #60 (Powel); cash, #63 10s. 6d.; tickets, #118 17s. (Clay MS). By her agreement she has ten Guineas return'd her out of this charge, and therefore I shall subtract that out of the rest (Powel)

Event Comment: Benefit for Pritchard. Afterpiece: By Particular Desire, and the last time of performing it. Tickets and places to be had of Pritchard at his House in Duke's, late Earl's Court, Bow Street, Covent Garden, and of Hobson at the stage Door. Ladies are Desired to send their Servants by three o'clock. Receipts: #200 (Cross); charges, #63 (Powel)

Event Comment: Benefit for Mrs Pritchard. By desire of Several Ladies of Quality. Part of the Pit and Boxes will be laid together, and servants will be admitted to keep Places on the Stage. N.B. The building on the stage is rais'd on a new plan, much more convenient than any ever yet erected, the Area of the being kept entirely clear, and the Building enclos'd so as to form distinct Boxes, like those in the Front of the House. Tickets and Places to be had of Mrs Pritchard, next the Chapel in Great Queen St., Lincoln's Inn Fields, and of Mr Hobson at the stage Door. Receipts: #250 (Cross)

Event Comment: Benefit for Mrs Pritchard. By Particular Desire. Part of Pit laid into Boxes. Servants admitted to keep places on the Stage. Ladies are desired to send servants by 3 o'clock. Play to begin at 6. Tickets and places to be had of Mrs Pritchard in Great Queen Street, and at the stage door of the theatre. Receipts: #200 (Cross)

Event Comment: Benefit for Mrs Pritchard. Tickets of Mrs Pritchard in Great Queen St. Lincoln's Inn-Fields, and at Stage Door. Part of the Pit will be taken into the Boxes, and servants will be admitted to keep places on the stage. [A Complaint of the Tragic Poets, addressed to Dr Young appeared in the Public Advertiser, praising him on the Brothers: "And your last efforts prove your strength divine."] Receipts: #250 (Cross)

Event Comment: Benefit for Pritchard (treasurer). Farce went well Jane Shore was to have been Play, but chang'd on Sunday--Bellamy ill (Cross). Tickets of Pritchard, in Great Queen St. Lincoln's Inn-Fields, and at the Stage Door. Tickets deliver'd for Jane Shore will be taken. Afterpiece: Alter'd from Otway, with several additions never perform'd before. Receipts: #130 (Cross)

Event Comment: Benefit for Mrs Pritchard (Cross). Mainpiece: Not acted these 30 years. This day publish'd. Price 1s. Reflections upon Theatrical Expression in Tragedy. [By Roger Pickering. This is a defense of the theatrical profession, "which in all countries is considered low and contemptible." Author's thesis: "A master of theatrical expression in all its extensive significancy must be possess'd of such accomplishments, as to set the profession above all contempt." Garrick is mentioned as best example. True tragic expression "requires Genius, Education, Reading, Experience...and a solidity of thought which never accompanies abject morals" (p. 11). Includes an interesting treatise on acting-sections on figure, voice, ear, memory, management of feet and legs. Comments on costume: "Taste in dress demands that an actor be conversant in the mode of dress ancient and modern, in other countries as well as in our own...Alexander and Cato were not masters of the snuff box, nor Greek women of French heels." The appendix asks why all our plays are not dressed in character in point of time and place, and why they do not contain at least one "scene" proper to the country. The author (p. 61) sees need for variety in acting same role, especially when a play has a continuous run of several nights. He calls (p. 77) for creation of appropriate mood for the play by selection of proper music between the acts. Wants a softening of the prompter's bell. Concludes by damning contemporary audience manners, especially those of the stage loungers (pp. 79-81).] Receipts: #314 (Cross)

Event Comment: Last time of performing Mainpiece this season. Benefit for Pritchard, treasurer. Tickets at his house in York St., and at Pritchard's Warehouse, Tavistock St. Mrs Cibber went sick to Bath in Passion Week, & plays no more this season (Cross). Receipts: #190 (Cross)