SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Kentish man"/1) | (@(roleclean,performerclean) "Kentish man")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1421 matches on Performance Title, 539 matches on Performance Comments, 474 matches on Event Comments, 4 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Post Man, 20-23 April 1700: On Saturday last two Gentlemen [according to the Post Boy, 23-25 April 1700, they were Captain Francis and Mr Squibb, of the Exchequer] quarrelled at the Play-house, and one of them was mortally wounded

Performances

Event Comment: Post Man, No. 747, 4-7 May 1700: At the desire of several Ladies of Quality, To-morrow being Wednesday, (in the great Room in York Buildings) will be performed a new Mask set to Musick, with an extraordinary entertainment of other Vocal and Instrumental Musick for the Benefit of Mr Gouge [Mr George in Flying Post] and Miss Bradshaw. Prices 2s. 6d

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: The Tempest; Or, The Enchanted Island

Event Comment: Rich's Company. Lady Morley attended this performance: Lady Morley and three in the Box at the Pilgrim. 16s. See Hotson, Commonwealth and Restoration Stage, p. 378. According to the Post Man, 15-18 June 1700, the play was published on this day

Performances

Mainpiece Title: The Pilgrim

Event Comment: Rich's Company. Post Boy, 11-13 July 1700: In consideration of the great Success of a Play, call'd, the Constant Couple, or a Trip to the Jubelee, and in Answer to a Scandalous Prologue spoken against it by the New House. At the Theatre Royal in Drury Lane this day, being the 13th of July, the said Play will be presented, for the Benefit of the Author, it being the last time of the Company's Acting this Summer. [The play, with the new Prologue, was published 20 Aug. 1700, according to the Post Man, 17-20 Aug. 1700.

Performances

Mainpiece Title: The Constant Couple

Event Comment: [By Thomas D'Urfey. Premiere.] Preface: The stopping of it from Acting by Superiour command, doing me no manner of Injury, (tho it might the Play-house) but only for two or three days disappointing my friends; the Cause is so trivial...for taking the Poetical Licence of making Mad man in my Scene Satyrically drink a Health, altering it into a modest phrase, (tho somewhat too familiar)

Performances

Mainpiece Title: The Bath; Or, The Western Lass

Performance Comment: Edition of 1701 lists: Lord Lovechace-Griffin; Sir Oliver Oldgame-Norris; Sir Carolus Codshead-Johnson; Collonel Philip-Mills; Charles-Pinkiman; Harry-Bullock; Crab-Cibber; Lydia-Mrs Knight; Sophronia-Mrs Rogers; Delia-Mrs Kent; Gillian-Mrs Verbruggen; Combrush-Mrs Moor; Dearnwell-Mrs Stephens; Sisse-Mrs Baker; Prologue-Cibber; Epilogue, being a Satyr upon May-Fair,-Pinkeman.
Event Comment: [By George Farquhar. Date of premiere unknown. Published 5 March.] Preface: As to the Success of it...the French were prepossess'd, and the charms of Gallick Heels were too hard for an English Brain....There were some Gentlemen in the Pit the first Night, that took the Hint from the Prologue to damn the Play; but they made such a noise in the execution, that the People took the outcry for a reprieve....There is a Gentleman of the first Understanding, and a very good Critick, who said of Mr Wilks, that in this Part he out-acted himself, and all Men that he ever saw

Performances

Mainpiece Title: The Inconstant; Or, The Way To Win Him

Performance Comment: Edition of 1702 lists: Old Mirabel-Penkithman; Young Mirabel-Wilks; Duretete-Bullock; Dugard-Mills; Petit-Norris; Oriana-Mrs Rogers; Bisarre-Mrs Verbruggen; Lamorce-Mrs Kent; Prologue-; Epilogue written by Nathaniel Rowe-Wilks.
Event Comment: Benefit Will. Bullock, the young Jubilee Beau, and [Norris], his Man Dicky

Performances

Mainpiece Title: The Constant Couple; Or, A Trip To The Jubilee

Song:

Dance:

Event Comment: At Pinkethman's booth and also at Finley's booth. [In Daily Courant, 28 April and 1, 2, and 3 May, an announcement stated that the two men would continue separate entertainments in separate booths during May Fair.

Performances

Mainpiece Title: Entertainments

Event Comment: Benefit Mrs duRuel. [In Daily Courant, 18 Feb., The Man of Mode had been announced for this day.

Performances

Mainpiece Title: The Careless Husband

Song: Leveridge, the Boy

Dance: New dances-duRuel, Mrs duRuel, Cherrier

Performances

Mainpiece Title: Tunbridge Walks; Or, The Yeoman Of Kent

Performance Comment: Yeoman-Estcourt; Squib-Pinkethman; With a new Epilogue to the Town-Leigh.
Cast
Role: Yeoman Actor: Estcourt

Afterpiece Title: A Visiting Scene of 4 Aldermen's Ladies

Song: The Mad Dialogue, other songs-Leveridge, Mrs Lindsey

Dance: duRuel, Cherrier, duBargues, Miss Santlow; particularly the Union Dance, as twas perform'd before Her Majesty at St. James's-Mrs Santlow, duBargues

Event Comment: Lady Wentworth, writing on 10 Dec., said: Yesterday I had lyke to have been ketched in a trap, your Brother Wentworth had almost parswaded me to have gon last night to hear the fyne muisick, the famous Etallion sing att the rehersall of the Operer, which he assured me it was soe dark none could see me. Indeed musick was the greatist temtation I could have, but I was afraid he deceaved me, soe Betty only went with his wife and him; and I rejoysed I did not, for thear was a vast deal of company and good light--but the Dutchis of Molbery had got the Etallian to sing and he sent an excuse, but the Dutchis of Shrosberry made him com, brought him in her coach but Mrs Taufs huft and would not sing because he had first put it ofe; though she was thear yet she would not, but went away. I wish the house would al joyne to humble her and not receav her again. This man out dus Sefashoe, they say that has hard both (Wentworth, p. 66)

Performances

Mainpiece Title: Pyrrhus And Demetrius

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music ....The orchestra was not very strong, consisting of no more than sixty persons, but it was incomparable-; Signiora Margarita del'Epine; sang, but she was by no means as pleasing as in the opera....She was the only person who sang. The instrumental music was extremely beautiful: Pepusch; who directs everything, and played the thorough-bass, excelled all the others. The violins too could scarce have been better. But most notable of all was a most charming concerto played with Pepusch by a flute and a viol di gamba. The person who plays the flute is a Frenchman called-Paisible; whose equal is not to be found....The second man, who played the viol di gamba with such uncommon excellence, is an Italian called-Signor Pietro

Performance Comment: ...The orchestra was not very strong, consisting of no more than sixty persons, but it was incomparable-; Signiora Margarita del'Epine; sang, but she was by no means as pleasing as in the opera....She was the only person who sang. The instrumental music was extremely beautiful: Pepusch; who directs everything, and played the thorough-bass, excelled all the others. The violins too could scarce have been better. But most notable of all was a most charming concerto played with Pepusch by a flute and a viol di gamba. The person who plays the flute is a Frenchman called-Paisible; whose equal is not to be found....The second man, who played the viol di gamba with such uncommon excellence, is an Italian called-Signor Pietro.
Event Comment: [By Joseph Addison.] Never Acted before. G. Berkeley to Sir John Percival, 16 April: On Tuesday last...Cato was acted the first time. I am informed the front boxes were all bespoke for nine days, a fortnight before the play was acted. I was present with Mr Addison, and two or three more friends in a side box, where we had a table and two or three flasks of burgundy and champagne, with which the author (who is a very sober man) thought it necessary to support his spirits in the concern he was then under, and indeed it was a pleasant refreshment to us all between the acts....The actors were at the expence of new habits, which were very magnificent. (Rand, p. 113. See also Victor, II, 29-31, and Cibber, I, 122-23, II, 127-33)

Performances

Mainpiece Title: Cato

Performance Comment: Edition of 1713 lists: Cato-Booth; Lucius-Keene; Sempronius-Mills; Juba-Wilks; Syphax-Cibber; Portius-Powell; Marcus-Ryan; Decius-Bowman; Marcia-Mrs Oldfield; Lucia-Mrs Porter; Prologue by Pope-Wilks; Epilogue by Garth-Mrs Porter.
Event Comment: [By Mrs Mary Davys.] Never Acted before. Preface: The first Night, in which lay all the Danger, was attended with only two single Hisses....The one was a Boy, and not worth taking Notice of, the other a Man who came prejudic'd. Receipts: #28 10s

Performances

Mainpiece Title: The Northern Heiress; Or, The Humours Of York

Performance Comment: Edition of 1716 lists: Gamont-Leigh; Welby-Ch. Bullock; Bareface-Pack; Sir Loobily Joddrell-Bullock Sr; Sir Jeffrey Hearty-Hall; Ralph-Morgan; Countryman-H. Bullock; Tinsel-Coker; Isabella-Mrs Thurmond; Louisa-Miss Rogers; Lady Ample-Mrs Knight; Lady Greasy-Mrs Hunt; Lydia-Mrs Spiller; Dolly-Mrs Cantrell; Lady Swish-Mrs Cook; Lady Cardivant-Mrs Kent; Susan-Mrs Rubridge; Prologue-.
Cast
Role: Countryman Actor: H. Bullock
Event Comment: Benefit the Author of Afterpiece. At the particular Desire of several Ladies of Quality. On this day, Quin and Bowen fought a duel. Bowen died on 20 April of his wounds. According to the Weekly Journal or British Gazetteer, 26 April: The two falling out about which of them was the honestest man, and a Wager being laid, thereon it was given in favour of [Quin], whereupon [Bowen] went to the Pope's Head Tavern in Cornhill and sending thither for Quin, oblig'd him to fight

Performances

Mainpiece Title: The Anatomist

Afterpiece Title: The Petticoat Plotter

Dance: As17171022

Event Comment: Benefit Mrs Bicknell. By His Majesty's Command. Written by Shakespear. Pit and Front Boxes together at 5s. Tickets for The Man of Mode taken. [The King present.

Performances

Mainpiece Title: King Henry Viii

Event Comment: Benefit Burnell (boxkeeper) and Abbott (numberer). Tickets for Love Makes a Man taken, the play being changed by the indisposition of a principal performer

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Stage Coach

Song: The last new Trumpet Song-Mrs Pulmon

Dance: Moreau, Miss Schoolding, delaGarde's Two Sons

Event Comment: Chetwood, A General History of the Stage, p. 198: Yet a blind Man might have borne with Norris in the Roman Patriot , for he spoke it with all the Solemnity of a suffering Hero; while Penkethman, and the rest of the motley Tribe, made it as ridiculous by Humour and Action: And yet some of the first Rank in the Kingdom seemed highly diverted whilst others invoked the...dead Roman and Briton to rise, and avenge their own Cause. Lady Bristol in. Letter Books of John Hervey, II, 74-75: I had no patience to see [Addison's] play burlesqued as it was last night for the entertainment of their Royal Highnesses...their Audience was much too good for them, for there was a great many people of quality

Performances

Mainpiece Title: Cato Burlesqued

Performance Comment: Cato-Norris; Juba-Penkethman; other characters including women's parts-low comedians (Chetwood); Marcia-Young Wilks; Lucia-Shepherd; Porcius-Fieldhouse (Lady Bristol).
Event Comment: Benefit Mrs Robinson. Boxes and Pit by tickets only at half a guinea. Tickets for The Man of Mode taken. [An order of the Lord Chamberlain's Office, 5@157, p. 284, directs the managers not to allow any benefit before those for Mrs Oldfield and Mrs Porter.

Performances

Mainpiece Title: The Old Batchelor

Song: Between the Acts: Singing-

Performances

Mainpiece Title: Medley

Performance Comment: Sawney, Petruchio, Peg in The Taming of the Shrew, Belmour, Fondlewife, Laetitia in The Old Batchelor, Woodcock, Hillaria, Squib in The Yeoman of Kent, Roger, Aesop, Sir Toby, the Philosophers in Love's Contrivance, Hob in The Country Wake, The Drunken Man-Tony Aston.
Cast
Role: The Drunken Man Actor: Tony Aston.

Performances

Mainpiece Title: Medley

Performance Comment: Gomez, Lorenzo, Elvira in The Spanish Fryar, Sauney, Petruchio in The Taming of the Shrew, Belmour, Fondlewife, Laetitia in The Old Batchelor, Woodcock, Hillaria, Squib in The Yeoman of Kent, Roger, Aesop, Sir Toby, Philosophers in Love's Contrivance, The Drunken Man-Tony Aston.
Cast
Role: The Drunken Man Actor: Tony Aston.

Song:

Event Comment: [Benefit Signora Diana. By $His Majesty's Command

Performances

Mainpiece Title: [la Donna Piu Constante Dell' Humo: Viz

Performance Comment: Woman More Constant than Man; or, Diana and Harlequin Metamorphos'd into Armenians, Pilgrims, Bolognese, Spaniards, Neapolitans, Germans, Florentines, English, French, Gypsies, and Indians.

Song: [

Dance: [

Event Comment: [By Sir John Vanbrugh and Colley Cibber.] All the Characters new drest. Mist's 13 Jan.: On Wednesday last a most horrid, barbarous, and cruel Murder was committed...upon a posthumous Child of the late Sir John Vanbroog, by one who, for some Time past, has gone by the Name of Keyber. It was a fine Child born, and would certainly have lived long, had it not fallen into such cruel Hands. Davies (Dramatic Miscellanies, III, 260-61): In all the tumults and isturbances of the theatre on the first night of a new play, which was formerly a time of more dangerous service, to the actors, than it has been of late, Mrs Oldfield was entirely mistress of herself; she thought it her duty, amidst the most violent opposition and uproar, to exert the utmost of her abilities to serve the author. In the comedy of uproar, to exert the utmost of her abilities to serve the author. In the comedy of the Provoked Husband, Cibber's enemies tried all their power to get the play condemned. The reconciliation scene wrought so effectually upon the sensible and generous part of the audience, that the conclusion was greatly and generously approved. Amidst a thousand applauses, Mrs Oldfield came forward to speak the epilogue; but when she had pronounced the first line,-Methinks I hear some powder'd critic say-a man, of no distinguished appearance, from the seat next to tne orchestra, saluted her with a hiss. She fixed her eye upon him immediately, made a very short pause, and spoke the words poor creature! loud enough to be heard by the audience, with such a look of mingled scorn, pit, and contempt, that the most uncommon applause justified her conduct in this particular, and the poor reptile sunk down with fear and trembling. See also Cibber, Apology, I, 310-11; Victor, History of the Theatres, II, 105

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Performance Comment: Edition of 1728 lists: Lord Townly-Wilks; Lady Townly-Mrs Oldfield; Lady Grace-Mrs Porter; Manly-Mills; Sir Francis Wronghead-Cibber; Lady Wronghead-Mrs Thurmond; Squire Richard-Young Wetherilt; Jenny-Mrs Cibber; John Moody-Miller; Count Basset-Bridgwater; Mrs Motherly-Mrs Moore; Myrtilla-Mrs Grace; Mrs Trusty-Mrs Mills; Prologue-Wilks; Epilogue-Mrs Oldfield.
Cast
Role: Manly Actor: Mills
Event Comment: Benefit Miss Man

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Humours of Harlequin