SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "J Philips"/1) | (@(roleclean,performerclean) "J Philips")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1324 matches on Performance Comments, 820 matches on Author, 519 matches on Event Comments, 172 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: Obi

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Obi

Song: III: a song-Trueman

Performances

Mainpiece Title: What A Blunder

Afterpiece Title: The Irishman in London

Performances

Mainpiece Title: What A Blunder

Afterpiece Title: The Prisoner at Large

Performances

Mainpiece Title: Blue Devils

Afterpiece Title: The Point of Honour

Afterpiece Title: The Castle of Sorrento

Song: As18000614

Performances

Mainpiece Title: What A Blunder

Afterpiece Title: Obi

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: The Poor Soldier

Song: In course evening: Sweet Echo-Mrs Mountain; accompanied on the Hautboy-Forster=; The Soldier Tir'd-Mrs Mountain

Performances

Mainpiece Title: Cambro britons

Afterpiece Title: The Agreeable Surprise

Song: End: Paddy's Description of Pizarro; or, Mr Paddy O'Doody and his Cousin Shaun Shaugnessy's Treat to the One Shilling Gallery-Johnstone

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: A Song for Every Body

Afterpiece Title: Obi

Performances

Mainpiece Title: The Jew

Afterpiece Title: The Review

Event Comment: The Duke's Company. The date of performance is uncertain. The play was entered in the Stationers' Register, 15 Feb. 1663@4, and its publication noted in The Newes, 3 March 1663@4. Katherine Philips, writing from Cardigan, Wales to Lady Temple in London, 24 Jan. 1663@4: I beleive er'e this you have seen the new Pompey either acted or written & then will repent your partiallity to ye other, but I wonder much what preparations for it could prejudice Will Davenant when I heare they acted in English habits, & yt so aprope yt Caesar was sent in with his feather & Muff, till he was hiss'd off ye Stage & for ye Scenes I see not where they could place any yt are very extra-ordinary, but if this play hath not diverted ye Cittizens wives enough Sr W: D: will make amends, for they say Harry ye 8th & some later ones are little better then Puppett-plays. I understand ye confederate-translators are now upon Heraclius, & I am contented yt Sr Tho. Clarges (who hath done that last yeare) should adorn their triumph in it, as I have done in Pompey (Harvard Theatre Collection)

Performances

Mainpiece Title: Pompey The Great

Event Comment: This play was presumably acted by the Duke's Company. In the preface to Heraclius, Emperour of the East, published in 1664, the author, Lodowick Carlell, complains that he had submitted his translation of Corneille, only to have it returned the very day that this version appeared on the stage. See also the letter by Katherine Philips, under Pompey the Great, Jan. 1663@4. Pepys, Diary: We made no long stay at dinner; for Heraclius being acted, which my wife and I have a mighty mind to see, we do resolve, though not exactly agreeing with the letter of my vowe, yet altogether with the sense, to see another this month, by coming hither instead of that at court, there having ueen none conveniently since I made my vowe for us to see there, nor like to be this Lent, and besides we did walk home on purpose to make this going as cheap as that would have been, to have seen one at Court, and my conscience knows that it is only the saving of money and the time also that I intend by my oaths....The play hath one very good passage well managed in it, about two persons pretending, and yet denying themselves, to be son to the tyrant Phocas, and yet heire of Mauricius to the crowne. The garments like Romans very well. The little girle is come to act very prettily, and spoke the epilogue most admirably. But at the beginning, at the drawing up of the curtaine, there was the finest scene of the Emperor and his people about him, standing in their fixed and different postures in their Roman habitts, above all that ever I yet saw at any of the theatres

Performances

Mainpiece Title: Heraclius

Performances

Mainpiece Title: Brenoralt Or The Discontented Colonel

Performances

Mainpiece Title: Catiline

Performances

Mainpiece Title: The Spanish Rogue

Event Comment: At the particular Desire of several Ladies of Quality. Afterpiece: [By Edward Philips.] A Comedy (of one Act), Intermix'd with Songs made to old Ballad Tunes. Benefit the Author

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Chambermaid

Event Comment: By Particular desire of persons of Quality. Afterpiece: By Desire. Lady Hertford wrote to her son Lord Beauchamp: Mrs Clive either was really suddenly taken ill, or was not in the humor to act Nell, so that the part was done by a frightful Mrs Philips, who could neither, sing, laugh, or do any other thing that was fit for a cobbler's wife; in short she spoiled the whole thing.-Hughes, Hertford, p. 233. Enlightenment as to Mrs Clive's health appears in the gossip sent by Lady Hertford to her son in a letter 23 Jan. 43: About ten days ago Mrs Woffington and Mrs Clive met in the Green room. Mrs Woffington came up to Mrs Clive and told her she had long looked for the favor of a visit from her and begged she would let her know when she designed her that pleasure, for she was often engag'd in an afternoon. Mrs Clive paused a little and then answered, Madam, I have a reputation to lose. Madam, said Mrs Woffington, so should I have too if I had your face. Whether this repartee has affected Mrs Clive's health I cannot tell, but she is extremely ill and in danger.-Hughes, Hertford, pp. 236-37

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Devil to Pay

Music: I: Concerto on German Flute-Burk Thumoth; IV: Concerto-Piantanida

Song: II: Baard

Event Comment: Benefit for the Poor by Mr Philips Company of Comedians. At the Playhouse by the Hand. Deferr'd from the 30th (Daily Advertiser)

Performances

Mainpiece Title: The Beaux Stratagem

Event Comment: At the Old Playhouse, Bowling Green, Southwark. By Particular Desire. By Mr Philips and his Company, a Concert. Boxes 2s. 6d. Pit 1s. 6d. Gallery 1s. Upper Gallery 6d. After the concert will be given, gratis,...To begin at 7 p.m. [Repeated in the bills.

Performances

Mainpiece Title: Romeo And Juliet

Event Comment: [The Young Gentlewoman possibly Miss Pond. See 19 Dec., but she was listed as for her second appearance on stage. Possibly Miss Philips. See 5 Feb. 1756.

Performances

Mainpiece Title: Zara

Afterpiece Title: The Lying Valet

Dance: As17551114

Performances

Mainpiece Title: She Woud And She Woud Not Or The Kind Impostor

Afterpiece Title: Miss in Her Teens

Song: Song in Praise of the King of Prussia-Kear

Dance: RRural Courtship, The Wooden Shoes-Master Settree, Miss Twist

Event Comment: Benefit for Bransby and Philips. No Building on Stage, &c

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Beggars Wedding

Event Comment: Benefit for the Middlesex Hospital. House Charges #84. [Profit to Hospital #10 11s. The Treasurer's Book does not break down charges as minutely as does the Covent Garden Account Book. They are lump sum affairs. Nor does Victor include ticket receipt analysis.] Paid George Garrick for use of the managers #169; B. Johnson's Head Bill #1 11s. 9d. Philips for men's cloaths #10 10s.; Costain for old point lace #1 15s. (Treasurer's Book). Receipts: #94 11s. (Treasurer's Book)

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: The Old Maid

Dance: II: The Vintage, as17661011

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Harlequin Skeleton