Event Comment: DDaily Advertiser, 22 June: We hear that Subscriptions are actually in great forwardness for having two different Operas next Winter, one at the King's Theatre in the Haymarket, under the Direction of Messrs Handel and Heydegger, and the other to be at one of the Playhouses, under the Management of Directors chosen from among the Subscribers

Event Comment: TThe King paid #1,000 to the Opera in the Haymarket. See Deutsch, Handel, p. 317

Event Comment: London Evening Post, 17 Nov.: Yesterday the Court of King's Bench granted a Habeas Corpus, directing the Keeper of Tothill-Fields Bridewell, to bring up the Body of John Harper, one of the Haymarket Comedians; and he is accordingly to be brought up on Monday next . . . that he may be admitted to Bail

Event Comment: Benefit Author of Chrononhotonthologos. Note, the Author gives out no Tickets (a few Boxes excepted) depending intirely upon the Courtesy of the Town. Egmont, Diary, II, 40: After dinner I went to the Haymarket playhouse, where among other representations I saw the strong man show one of his feats. Two chairs were placed on the stage at such a distance as that laying himself along, his head and a small part of his shoulders rested on one, and his feet on the other, so that his body and legs were suspended in the air. Then six grown men (two of whom I observed to be remarkably tall) go up, and stood perpendicular upon his body, two on his chest, two on his body, and two on his legs. He bore them all a quarter of a minute, and bending his body downward till it almost touched the ground between the chairs, with a surprising spring and force raised his body with all that weight upon it, not only level as he lay at first, but higher in the air. The mob of the gallery not satisfied with this, hissed, whereupon he refused to show any other of his tricks

Event Comment: At the Desire of several Persons of Quality. Mainpiece: Taken from the French of Moliere. [The first appearance of the Haymarket actors at DL.]

Event Comment: Daily Journal, 21 May: We hear that the Mad Company at the Haymarket design to keep up that Character, by performing the Beggar's Opera in Roman Dresses, and exhibiting Hurlothrumbo, in which Mrs Charke attempts the Character of Lord Flame

Event Comment: Daily Advertiser, 6 Nov.: The King, the Prince of Wales and Princess Amelia, were again to . . . Artaxerxes, in which Signor Farnelli continues to sing to a crowded Audience, with all imaginable Applause. Egmont, Diary, II, 132: Went to the opera, where I heard the finest voice that Europe affords, Faranelli, lately come over. Norwich Gazette, 9 Nov.: We hear that both Operas (occasion'd by their dividing) are at a vast expence to entertain the Nobility and Gentry for the ensuing Season; the Opera House in the Haymarket are reckon'd to stand near 12000l. and Mr Handell at near 9000l. for the Season

Event Comment: Benefit Topham, Gardiner, Miss Jones. Afterpiece: Which was originally acted at the Haymarket. With Alterations, Additions, and Amendments. Written by Mr Carey

Event Comment: Egmont, Diary, II, 250: I went to the Haymarket Playhouse to see Pasquin again, which was extremely Crowded, though the 17th day of its acting

Event Comment: The King again granted #1,000 to the Opera in the Haymarket. See Calendar of Treasury Papers, 1735-1738, p. 257

Event Comment: EEgmont, Diary, II, 390: To the Haymarket Playhouse, where a farce was acted called Eurydice First Hiss'd?, an allegory on the loss of the Excise Bill. The whole was a satire on Sir Robert Walpole, and I observed that when any strong passages fell, the Prince, who was there, clapped, especially when in favour of liberty. [The Princess of Wales was also present.

Event Comment: Benefit Poitier. [Tickets at Poitier's Lodgings, the Door before the New Bagnio in Great Suffolk Street, near the Haymarket.

Event Comment: A New Serenata. [Music by Giovanni Battista Pescetti.] Tickets half a guinea. 6 p.m. Mrs Pendarves to Lady Throckmorton, 28 Nov.: The concerts begin next Saturday at the Haymarket. Caristini sings, Peschetti composes; the house is made up into little boxes, like the playhouses abroad; Lord Middlesex is the chief undertaker, and I believe it will prove to his cost, for concerts will not do. --Delany, Autobiography, II, 66

Event Comment: Benefit a Widow Gentlewoman under Misfortunes. The Theatre near the Tennis Court in the Haymarket. Tickets at Three Shillings, Two Shillings, and One Shilling. The whole will be conducted with all possible Decency and Regularity. To begin exactly at half an Hour after Six

Event Comment: New Theatre, James Street, near the Haymarket. Benefit Mrs King. [Designation of New Theatre repeated in remaining bills.

Event Comment: HHeidegger gets a new leave and license to perform operas at Haymarket Theatre from 8 Dec. 41 to 30 Oct. 45.-Deutsch, Handel, p. 526, from public Record Office L. C. 5@161, p. 97

Event Comment: At the French Theatre, over against the Opera House in the Haymarket, a Concert of Vocal and Instrumental Musick. Boxes 4s. Pit 1s. 6d., Gallery 1s. 6d. Between the two Halves of the Concert will be presented...gratis. 6 p.m. Benefit a Tradesman. Afterpiece: By the Author of The Toy-Shop. [Note, This customary concert formula and the notice of time and prices will not be repeated here.

Event Comment: FFawkes and Pinchbeck's Booth, end of Hosier Lane, West Smithfield. Noon to 10 p.m. Boxes 2s. Pit 1s. Gallery 6d. Mainpiece: Written by Henry Fielding, Esq. Afterpiece: The Present Tense...by Punch's Company of comical Tragedians from the Haymarket [i.e., a puppet show]

Event Comment: Ever studious for Public Amusement, I...strayed last Week, to a place near the Haymarket in Westminster, and Temple Bar in Middlesex, call'd James's St., where at the New Theatre, a Play called the Miser, with an Entertainment called the Old Man Bit, or Harlequin Skeleton, I saw rehears'd. J. W. Gray's Inn 12 Oct.-Theatrical Clippings, Folger Library. Benefit Julian Late of Goodman's Fields Theatre. At the New Theatre in James St., near Haymarket...a Concert. Boxes 2s. 6d. Pit 1s. 6d. Gallery 1s. 6 p.m. Note, Mr Julian taken this Opportunity to acquaint his Friends, that these Performances will be done with the utmost Regularity and Decoration, most of the Performers having belong'd to the Theatres. [This customary notice about the concert, time and prices will not be included unless changed.

Event Comment: Notices of performances on this date had appeared since 8 Sept., as at common prices and written by the late Sir Richard Steele, yet under the unsettled circumstances Fleetwood may not have assembled the players necessary for the production. Macklin, Garrick, Mills, Pritchard, Havard, Berry, Leigh, Blakes, Woodburn, Mrs Clive, Mrs Pritchard, and Mrs Mills had withdrawn and were attempting to form a company for acting at the New Haymarket. See Drury Lane Management in the Introduction

Event Comment: We hear that the Lord Chamberlain has refus'd granting a License to the seceding players to act in the Theatre in the Haymarket. (Daily Advertiser) To the Author of the London Daily Post, Sir: As I have engag'd myself for this winter to perform in Dublin, by an Invitation of Several Persons of Distinction in Ireland, I think it my duty before I leave London, by your paper, to return my sincere and hearty thanks to the Town for the many favours I have receiv'd during the Time of my Performing in Publick, which I hope they will Candidly accept from their most of Oblig'd, humble Servants, Thomas Lowe

Event Comment: Today, will be reviv'd an Opera. The Musick compos'd by Mr Handel. With Dances and other Decorations entirely new. Pit and Boxes to be put together; and no Person to be admitted without Tickets, which will be deliver'd this Day at the Office in the Haymarket, at Half a Guinea each. Gallery 5s. 6 p.m. Note. The Subscribers to the Opera are desir'd to send for their Silver Tickets to the Opera-Office in the Hay-Market. [This customary notice will not be included further. According to Loewenberg, Annals of Opera, I, 102, this is the new opera Rossane, Lampugnani's first composition, at the house for which he was the new resident composer. Musicologists have not arrived at the identity of this piece, Burney and Loewenburg attributing it to Lampugnani, Schoelcher and Deutsch to Handel. See Deutsch, Handel, p. 572, where he reviews the evidence.