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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "George Lord Lansdowne"/1) | (@(roleclean,performerclean) "George Lord Lansdowne")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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8095 results for: Keyword - George, Lord Lansdowne
We found 5289 matches on Author, 2251 matches on Performance Comments, 1126 matches on Event Comments, 282 matches on Performance Title, and 0 matches on Roles/Actors.

7176
17 March 1709 @ Queen's Theatre

Event Comment: At the Desire of several Persons of Quality. Admission as 5 Jan., but no benches railed into boxes. [According to Ch. Dering, it was "acted expressly for Lord Marlborough." See Egmont MS, p. 246.

Performances

Mainpiece Title: Camilla

7177
07 June 1709 @ Drury Lane Theatre

Event Comment: Announced but not given. On 6 June the Lord Chamberlain silenced Drury Lane because of its failure to obey an order issued earlier which forbade the deduction of more than #40 from the receipts at a benefit

Performances

Mainpiece Title: Epsom Wells

7178
23 July 1715 @ Great Room

Event Comment: Benefit Castrucci, who came lately over from Italy with the Lord Burlington. At 7 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Masters; [In which Castrucci] will perform several Solos on the Violin-Castrucci[, intirely New

7179
06 December 1715 @ Drury Lane Theatre

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Cibber; Henry VI-Wilks; Buckingham-Mills; Queen-Mrs Porter. Edition of 1718 adds: Prince Edward-$Norris Jr; Duke of York-$Miss Lindar; Richmond-$Ryan; Norfolk-$Boman Sr; Ratcliff-$Oates; Catesby-$Diggs; Tressel-$W. Wilks; Oxford-$Boman Jr; Lieutenant-$Quin; Blunt-$Wright; Lord Mayor-$Miller; Tyrrel-$Weller; Forrest-$Wilson; Dighton-$Higginson; Lady Anne-$Mrs Horton; Duchess of York-$Mrs Baker.
Cast
Role: Lord Mayor Actor: Miller

7180
23 April 1717 @ Westminster School

Event Comment: Weekly Journal or British Gazetteer, 27 April: Last Tuesday Night Phormio, a Play out of Terence, was acted by the King's Scholars at Westminster, where were present several Lords and other Persons of Quality

Performances

Mainpiece Title: Phormio

7181
12 September 1717 @ no theater listed

Event Comment: Weekly Journal or British Gazetteer, 14 Sept.: On Thursday...Mr Bullock and Mr Leigh were taken out of their Booth in Southwark, as we hear, upon an Information against them; but being carried before the Lord Mayor, they were releas'd upon Bail

Performances

7182
09 May 1719 @ Drury Lane Theatre

Event Comment: Benefit Ray and Mrs Moore. On this day a warrant for establishing an Academy of Music was issued. See Lord Chamberlain's Office, 7@3 and 5@157, p. 228

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Song: Ray

Dance: Shaw, Mrs Santlow, Wade, Mrs Bicknell, Topham, Miss Tenoe, Miss Lindar

Music: A new Piece for the Ecchoe Flute-Paisible

7183
27 November 1719 @ King's Theatre

Event Comment: A meeting of the Court of Directors of the Royal Academy of Music initiated arrangements for a new season. For details, see Lord Chamberlain's Office, 7@3, Nicoll, p. 286, and Deutsch, p. 97

Performances

7184
30 November 1719 @ King's Theatre

Event Comment: For further deliberations of the Court of Directors of the Royal Academy of Music, see Lord Chamberlain's Office, 7@3 or Deutsch, p. 97

Performances

7185
02 December 1719 @ King's Theatre

Event Comment: For further deliberations of the Royal Academy of Music, see Lord Chamberlain's Office, 7@3 or Deutsch, Handel, p. 97

Performances

Mainpiece Title: None

7186
19 December 1719 @ Drury Lane Theatre

Performances

Mainpiece Title: The Spartan Dame

Performance Comment: See17191211 [Cibber's role was presumably read this evening, for he had been silenced by the Lord Chamberlain.]

Song: As17191003

7187
23 January 1720 @ Drury Lane Theatre

Event Comment: At the Desire of several Persons of Quality. Weekly Journal or Saturday's Post, 30 Jan.: On Saturday Night, after the Actors...had perform'd the Maid's Tragedy, a Proclamation was made upon the Stage from the Duke of Newcastle, Lord Chamberlain, signifying that it was his Majesty's Pleasure to suspend for the present any more Acting at that House

Performances

Mainpiece Title: The Maids Tragedy

Song: As17191003

7188
02 February 1720 @ Drury Lane Theatre

Event Comment: Benefit Mrs Robinson. Boxes and Pit by tickets only at half a guinea. Tickets for The Man of Mode taken. [An order of the Lord Chamberlain's Office, 5@157, p. 284, directs the managers not to allow any benefit before those for Mrs Oldfield and Mrs Porter.

Performances

Mainpiece Title: The Old Batchelor

Song: Between the Acts: Singing-

7189
15 April 1721 @ King's Theatre

Event Comment: [Music by Ariosti, Bononcini, Handel. Text by P. A. Rolli.] Admission as 19 Nov. 1720. De Fabrice to Flemming, 21 April (in Deutsch, Handel, p. 126): The Princess of Wales was safely delivered of a son last Saturday. The news was taken to the King by Lord Herbert during...Mutius Scevola, where there was a particularly large audience on account of its being the first performance. The audience celebrated the event with loud applause and huzzas. Each act of this opera is by a different composer, -the first by a certain Pipo, the second by Bononcini, and the third by Hendell, who easily triumphed over the others

Performances

Mainpiece Title: Mutius Scaevola

7190
14 April 1722 @ Greenwich

Event Comment: London Journal, 21 April: The Scholars of Mr Weston...performed the Play of Tamerlane...before the Lords of the Admiralty, with great Applause

Performances

Mainpiece Title: Tamerlane

7191
25 February 1725 @ Lincoln's Inn Fields

Event Comment: RRich's Register: No Play by reason of a great Fire yesterday at my Lord Cardigans House being next door to the Theatre

Performances

7192
02 May 1729 @ Haymarket Theatre

Performances

Mainpiece Title: Tamerlane

Performance Comment: Bajazet-Hulett; Tamerlane-Smith; Moneses-Gillow; Axalla-Williams; Dervise-Machen; Omar-Giffard; Prince of Tanais-Downes; Arpasia-Mrs Purden; Selima-Mrs Seal, lately arrived from Ireland; To which will be added a Whimsical Letter from the Lord Viscount Flame to the Mufti of Terra@Australis@Incognita repeated-Mr Johnson of Chesire, Author of Hurlothrumbo.

Dance:

7193
06 November 1729 @ Drury Lane Theatre

Event Comment: By Command of His Royal Highness. Mainpiece: Written by the late Mr Congreve. [Prince of Wales, attended by Lord Ashburnham and Colonel Townshend, attended. In Daily Post, 5 Nov., The Conscious Lovers had been announced for this day.

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Harlequin Doctor Faustus

7194
27 December 1729 @ Drury Lane Theatre

Event Comment: By Command of His Royal Highness. [The Prince, attended by Lord Charles Cavendish and Colonel Townshend, and Princess Caroline, attended by the Countess of Suffolk, present.

Performances

Mainpiece Title: Cato

Afterpiece Title: The Beggars Wedding

7195
28 April 1730 @ Goodman's Fields

Event Comment: Benefit R. Williams. Mainpiece: Not Acted these Twenty Years. On this day the Lord Mayor and the Court of Aldermen of the City presented a petition to the King seeking the suppression of the theatre in Goodman's Fields. Thomas Odell, Master of the Theatre, also appeared before His Majesty and sought royal leave to continue acting.--See Grub St. Journal, 7 May, for a summary of the events, but see also Weekly Journal or British Gazetteer and London Journal, 2 May

Performances

Mainpiece Title: The Mans Bewitchd Or The Devil To Do About Her

Related Works
Related Work: Imposture Defeated; or, A Trick to Cheat the Devil Author(s): George Powell

Afterpiece Title: Harlequin Turnd Dancing Master

Dance: TThe White Joke (new)-Eaton

7196
11 December 1730 @ Drury Lane Theatre

Event Comment: Never Acted before. [by Charles Johnson.] With New Habits. [See Preface for an account of the noisy reception of the play, and Lord Hervey and his Friends, p. 61, for Hervey's amusing account of the first night.

Performances

Mainpiece Title: Medea

7197
08 December 1731 @ Drury Lane Theatre

Event Comment: By Command of His Royal Highness. [Prince of Wales, Lord Malpas, Marquis of Caernarvan present.

Performances

Mainpiece Title: The Constant Couple

Related Works
Related Work: The Constant Couple; or, A Trip to the Jubilee Author(s): George Farquhar

Afterpiece Title: The Devil to Pay

Dance:

7198
04 January 1732 @ Drury Lane Theatre

Event Comment: For an amusing account of the performance, see Lord Hervey and his Friends, p. 69. Hervey's letter is dated 4 April 1731 by the editor, but 4 January 1732 must almost certainly be the correct date

Performances

Mainpiece Title: Henry Viii

Afterpiece Title: The Lottery

7199
03 June 1732 @ King's Theatre

Event Comment: For a comment on the season's operas, see See and Seem Blind...In a Letter from Lord B-to A-H-Esq. (London, 1732), part of which is reproduced in Deutsch, Handel, pp. 300-301

Performances

Mainpiece Title: Lucius Papirius

7200
04 November 1732 @ King's Theatre

Event Comment: A New Opera. [Text by Pietro Metastasio. Done into English by Humphreys. Music presumably by Leonardo Leo.] Pit and Boxes at half a guinea. [Their Majesties, Prince, and three eldest Princesses present.] See also Lord Hervey and his Friends, pp. 145-46. Daily Advertiser, 6 Nov.: There were present a very numerous Audience; and Signora Celeste Gismondi, who lately arriv'd here, perform'd a principal Part in it with universal Applause. We hear that this Opera was not compos'd by Mr Handell, but by some very eminent Master in Italy

Performances

Mainpiece Title: Cato