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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Count Alexander Pepoli"/1) | (@(roleclean,performerclean) "Count Alexander Pepoli")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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989 results for: Keyword - Count Alexander Pepoli
We found 553 matches on Performance Comments, 451 matches on Performance Title, 130 matches on Event Comments, 52 matches on Author, and 0 matches on Roles/Actors.

926
19 March 1790 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: As17900226, but The Prince unable-Miss Poole (Alexander's Feast); For joys so vast-_; Happy they-_.

Music: End II: As17900224; End Part I: Miserere Mei Deus, as17900317

927
26 March 1790 @ Covent Garden

Event Comment: [Account-Book records throughout oratorio season receipt from Ashley of #50 charge for each performance.

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: First Grand Concerto-; 'Twas at the Royal Feast-Harrison; Happy Pair-Harrison, Chorus; With ravish'd ears-Miss Mahon; Bacchus ever young and fair-Griffiths; Baccahus' blessings are a treasure-Chorus (Alexander's Feast); Consider fond shepherd-Miss Dall (Acis and Galatea); Disdainful of danger-Saville, Harrison, Sale; Pious Orgies-Miss Cantelo (Judas Maccabaeus); No more to Ammon's God-Chorus as17900317 The Prince unable-Miss Poole as17900319 The Horse and his Rider-Double Chorus as17900224.

Afterpiece Title: Grand Selection 3 Entirely selected from The Messiah

Music: As17900219

928
23 March 1791 @ Drury Lane Theatre

Performances

Mainpiece Title: Redemption Selected From The Great And Favourite Works Of handel That Were Performed In westminster abbey And At The pantheon on 26 And 27 May 1784 0 Messiah Grand Selection 0

Afterpiece Title: Redemption 1

Afterpiece Title: Redemption 2

Afterpiece Title: Redemption 3

Performance Comment: PART III. Where is this stupendous Stranger?-Mrs Crouch (Alcina); There beneath a lowly Shade-Dignum (Alexander Balus); He was Eyes unto the Blind-Mrs Crouch (Siroe); Hosannah to the Son of David-Chorus (Athalia); He was brought as a Lamb-Reinhold (Deidamia); He sitteth at the Right Hand of God-Chorus (Te Deum); Holy Lord God Almighty-Miss Davies (Rodelinda); Glory be to the Father-Chorus (Jubilate).

Music: End: concerto on the hautboy-W. Parke; End II: concerto violin-Master Clement

929
01 April 1791 @ Drury Lane Theatre

Performances

Mainpiece Title: Acis And Galatea 0 Grand Selection 0

Afterpiece Title: Acis and Galatea 1

Afterpiece Title: Acis and Galatea 2

Afterpiece Title: PART III

Performance Comment: A Grand Selection. Tyrants would in impious throngs-Mrs Crouch; Tyrants ye in vain conspire-Chorus (Athalia); Sin not O King-Miss Broadhurst (Saul); Thrice happy the Monarch-Bellamy [Alexander Balus]; What's sweeter than the new blown rose-Miss Hagley, Dignum (Joseph); Shake the dome and pierce the Sky-Chorus (Solomon); Mad Bess-Mrs Crouch (Purcell); I sing the produce of the vine, 'Tis mighty wine inspires us-Reinhold (Ottone); The Trumpet's loud clangor-Kelly, Chorus (Dryden's Ode); Da forte morir sapro-Miss Davies (Sarti); I'll proclaim the wondrous story-Spence, a Young Lady (1st appearance) (Esther); Worthy is the Lamb-Grand Chorus (The Messiah).

Music: As17910323

930
24 February 1792 @ King's Theatre

Performances

Mainpiece Title: Redemption 0 Selected From The Works Of handel By dr Arnold

Afterpiece Title: Redemption 1

Afterpiece Title: Redemption 2

Afterpiece Title: Redemption 3

Performance Comment: Where is this stupendous stranger?-Master Welsh (Alcina); There beneath a lowly shade-Mrs Bland (Alexander Balus); He was eyes unto the blind-Incledon (Siroe); Hosannah to the Son of David-Chorus (Athalia); He was brought as a lamb-Reinhold (Deidamia); He Sitteth at the right hand of God-Chorus (Te Deum); Holy Lord God Almighty-Mrs Crouch (Rodelinda); Glory be to the Father-Chorus (Jubilate).

Music: End I: concerto on the bassoon-Parkinson; End II: concerto on the violin-Master Bridgetower

931
07 March 1792 @ King's Theatre

Performances

Mainpiece Title: Acis And Galatea 0 Redemption 0

Afterpiece Title: Acis and Galatea 1

Afterpiece Title: Acis and Galatea 2

Afterpiece Title: A Grand Miscellaneous Act

Performance Comment: Awake! Awake! Aeolian lyre-Reinhold (Arnold); Ye sons of Israel-Chorus (Joshua); Let the bright Seraphim-Miss Barcly (Samson); Concerto on the violoncello-Lindley (1st performance at this theatre); Ask if yon damask rose be sweet-Mrs Bland (Susanna); The many end the skies-Chorus (Alexander's Feast); Angels ever bright and fair-Master Welsh (Theodora); Search round the world-; May no rash intruder-Chorus (Solomon); Ye sacred priests-Mrs Crouch (Jephtha); Glory be to the Father-Chorus (Jubilate).

Music: As17920229

932
14 March 1792 @ King's Theatre

Performances

Mainpiece Title: A Grand Selection 0 Composed By g

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Second Oboe Concerto-; The soldier tir'd-Miss Barclay (Arne); Shake the dome-Chorus (Solomon); Let me wander not unseen, Or let the merry bells-Master Welsh; And young and old-Chorus (L'Allegro); Serbo in petto-Mrs Bland (Attwood); I come not, Honour and arms, Canst thou for this, Go baffled coward-Incledon, Reinhold (Samson); Softly sweet-Mrs Crouch (Alexander's Feast); Hallelujah for the Lord God omnipotent reigneth-Chorus (The Messiah).

Afterpiece Title: Grand Selection 3

933
23 March 1792 @ King's Theatre

Performances

Mainpiece Title: A Grand Selection 0principally From The Works Of handel Redemption 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Concerto bassoon-Parkinson; Ye men of Gaza-Miss Barclay (Samson); And in that air behold! God is my salvation, Therefore with joy-Reinhold; And in that day, Call upon his name-Mrs Bland; Sing unto the Lord-Mrs Crouch, Reinhold; Cry out and shout-Chorus (New Anthem, Shaw); Ah chi sa-Kelly, Morelli, Mrs Crouch [Il Barbiere di Siviglia, Paisiello]; With ravish'd ear-Miss Hagley (Alexander's Feast); But bright Cecilia, As from the power-Mrs Crouch (Dryden's Ode).

Afterpiece Title: Grand Selection 3

934
28 March 1792 @ King's Theatre

Performances

Mainpiece Title: A Grand Selection 0principally From The Works Of handel Redemption 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Hautboy concerto (Handel)-; Blooming virgins-Incledon (Athalia); And in that air Behold! God is my salvation-Reinhold; Therefore with joy-Reinhold; And in that Day-Mrs Bland; Call upon his name-Mrs Bland; Sing unto the Lord-Mrs Crouch, Reinhold; Cry out and shout-Chorus (New Anthem, Shaw); Fair Rosale-Master Welsh (Linley); Let's imitate-Dignum, Miss Hagley (Alexander's Feast); What though I trace-Mrs Crouch (Solomon); Zadock the Priest-Chorus (Coronation Anthems).

Afterpiece Title: Grand Selection 3

Performance Comment: Eternal God-Reinhold (Isaac, Giordani); The Prince unable-Mrs Bland (Alexander's Feast); Non piu andrai-Morelli (Paisiello [recte Le Nozze di Figaro, Mozart]); Softly rise-Dignum, Chorus (Solomon, Boyce); Sweet bird-Mrs Crouch (L'Allegro); Every day will I give thanks-Incledon (Chandos Anthems); I know that my Redeemer liveth-Master Welsh; Hallelujah for the Lord God-Chorus (The Messiah).

935
30 March 1792 @ King's Theatre

Performances

Mainpiece Title: A Grand Selection 0principally From The Works Of handel Redemption 0

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Esther)-; Tyrants-Mrs Crouch, Chorus [Athalia]; How willing-Sedgwick (Samson); What's sweeter-Miss Hagley, Dignum (Joseph); Let me wander, Or let the merry bells-Master Welsh; And young and old-Chorus (L'Allegro); The Prince-Mrs Bland (Alexander's Feast); Deeper and-Kelly; Waft her angels-Chorus (Jephtha); Lord in thee-Incledon, Chorus (Te Deum).

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Song: End II: Mad Bess-Mrs Crouch (Purcell)

936
15 February 1793 @ King's Theatre

Performances

Mainpiece Title: A Grand Selection 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Ye sons of Israel-Chorus (Joshua); The Mansion of Peace-Harrison [Webbe]; My faith and truth-Miss Leak, Master Hummell [Samson]; Non piu andrai-Morelli [Le Nozze di Figaro, by Mozart]; Concerto on the violin-Janiewicz (1st public performance in this Kingdom); Let the bright seraphim-Mrs Harrison [Samson]; Angels ever bright and fair-Master Welsh [Theodora]; The prince unable-Miss Poole [Alexander's Feast]; When Britons first at Heaven's command-(Alternate Solos); Rule Britannia Rule the Waves-Full Chorus (Dr Arne).

937
22 February 1793 @ King's Theatre

Performances

Mainpiece Title: Redemption Grand Selection 0

Afterpiece Title: Redemption 1

Afterpiece Title: Redemption 2

Afterpiece Title: Redemption 3

Performance Comment: Where is this stupendous stranger-Miss Poole [Alcina]; There beneath a lowly shade-Miss Leak [Alexander Balus]; He was eyes unto the Blind-Harrison [Siroe]; Hosannah to the son of David-Chorus [Athalia]; He was brought as a Lamb-Bellamy [Deidamia]; He sitteth at the Right Hand of God-Chorus [Te Deum]; Holy Lord God Almighty-Mrs Harrison [Rodelinda]; Glory be to the Father-Chorus [Jubilate].Jubilate].

Song: As17930220

Music: End Part II: concerto on the Piano Forte-Dussek

938
06 March 1793 @ Haymarket Theatre

Performances

Mainpiece Title: Lallegro Ed Il Penseroso Part I Only Grand Selection 0

Afterpiece Title: Acis and Galatea

Afterpiece Title: A New Grand Selection

Performance Comment: The undaunted Britons-Dignum (Atterbury); Fairest Isles-Miss Leak, Chorus [King Arthur, by Purcell]; Gentle Airs-Harrison; accompanied on the violoncello-Mason [Athalia]; From rosy bowers-Miss Poole (Purcell); The praise of Bacchus, Bacchus ever fair and Young-Welsh [Alexander's Feast]; Concerto on the violin-Janiewicz; Dear is my little native vale-Mrs Harrison (Sir W. Parsons); The Maid of the Rock-Master Welsh [Dignum]; Together let us range the fields-Mr and Mrs Harrison (Solomon, by Boyce); God save Great George our King (with new accompaniments by Dr Arnold)-Full Chorus.

Song: In 1st piece: Sweet bird-Mrs Ferguson (her 1st performance); accompanied on the violin-Shaw; End 2nd piece: an Italian Scena-Mrs Ferguson

939
08 March 1793 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music

Afterpiece Title: Grand Selection 1

Performance Comment: O the pleasures of the plains-Chorus [Acis and Galatea]; When storms the proud-Reynolds; O Judah-Chorus [Athalia]; Here amid-Miss Sharp [Alexander Balus]; What's sweeter than the new blown rose-Mrs Crouch, Kelly [Joseph]; Your harps and cymbals sound-Chorus [Solomon]; Why doth the God of Israel sleep-Incledon [Samson]; I know that my redeemer liveth-Mme Dussek [The Messiah]; Kings shall be thy nursing fathers-Grand Chorus [Coronation Anthems].Coronation Anthems].

Afterpiece Title: Grand Selection 2

Performance Comment: Fourth Organ Concerto-J. Ashley; Softly sweet in Lydian measures-Mrs Crouch [Alexander's Feast]; The trumpet's loud clangor-Kelly, Chorus [Dryden's Ode]; Wave from wave-Bartleman; He smote all the first born-Chorus [Israel in Egypt]; Where shall I seek-Incledon [Acis and Galatea]; From the censer curling rise-Chorus [Solomon].Solomon].

Afterpiece Title: Grand Selection 3

940
20 March 1793 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Overture, March-(Scipio); Tears such as tender fathers shed-Bartleman [Deborah]; Around let acclamations ring-Incledon, Chorus [Athalia]; His mighty arm-Kelly [Jephtha]; As when the dove-Master Pring [Acis and Galatea]; The many rend the skies-Chorus [Alexander's Feast]; Gentle airs-Incledon; accompanied on the violoncello-C. Ashley [Athalia]; From mighty Kings-Mrs Crouch [Judas Maccabaeus]; Fix'd in his everlasting seat-Chorus [Samson].Samson].

Afterpiece Title: Grand Selection 3

Music: End Part II: a trio for violin viola and violoncello-G. and R. and C. Ashley

941
26 March 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: A Grand Selection

Performance Comment: Principal Vocal Performers as17940321eader as17940312verture (OCCASIONAL ORATORIO). He smote all the first born by Chorus (ISRAEL IN EGYPT). Beold, the Lord's arm is not shortened and Lo! he is our God by Miss Leak (RESURRECTION, by Dr Arnold). Tyrants would in impious throngs by Sga Storace and Chorus (ATHALIA). Loud as the thunder by Master Welsh (SAMSON). I feel the Deity within and Arm, arm ye brave by Meredith; We come in bright array by Chorus (JUDAS MACCABAEUS). The prince unable by Sga Storace; The many rend the skies by Chorus (ALEXANDER'S FEAST). Concerto on the flute by Ashe .

Afterpiece Title: ACIS AND GALATEA

Music: End of Part I of oratorio concerto on violin by Giornovichi

942
09 April 1794 @ Drury Lane Theatre

Event Comment: Advance broadside of 7 Apr.: The performance of Plays, in this Theatre, is unavoidably postponed on account of the extent of the Preparations for compleating the Scenery and Machinery in a Style suitable to the Theatre. But at the Request of Numbers of Ladies and Gentlemen, who have hitherto been disappointed of Places, there will be this Week Four Performances of Grand Selections of Music and Oratorios . . . After Saturday the Theatre will close till Compleat for Dramatic Representations. Receipts: #525 12s. 6d. (515/12/6; tickets: 2/2/0; 7/18/0)

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers as17940319but added: Miss Mason (1st appearance in public). Leader as17940312ART I. Overture (ATALANTA). Shall I in Mamre's? by Meredith; For all these Mercies by Chorus (JOSHUA). Come ever smiling liberty by Miss Leak (JUDAS MACCABAEUS). Together let us range by Harrison and Sga Storace (Boyce). How vain is man by Dignum (JUDAS MACCABAEUS). O Baal by Chorus (DEBORAH). Let the bright Seraphim by Sga Storace; Let their celestial Concerts all unite by Chorus (SAMSON). PART II. From L'ALLEGRO IL PENSEROSO. Hence! loathed melancholy by Harrison. Hence! vain deluding joys by Mrs Crouch. Come thou, goddess fair by Harrison. Come rather goddess, sage by Mrs Crouch. Haste thee nymph by Kelly and Chorus. Come and trip it by Mrs Bland and Chorus. Come pensive nun and Come, but keep thy wonted state by Mrs Bland. Join with thee calm peace and quiet by Chorus. Hence loathed melancholy and Mirth admit me of thy crew by Miss Leak. First and Chief and Sweet Bird, accompanied on the flute by Ashe, by Mrs Crouch. If I give thee honour due and Mirth admit me of thy crew by Meredith. Oft on a plat by Harrison. If I give thee honour and Let me wander by Master Welsh. And young and old by Chorus. PART III. The depths have covered them by Chorus (ISRAEL IN EGYPT). Ye men of Gaza by Mrs Crouch (SAMSON). 'Twas at the Royal Feast by Kelly; Happy, happy pair by Kelly and Chorus (ALEXANDER'S FEAST). Hope told a flattering tale by Miss Mason, accompanied on the harp by Meyer Jun. [Paisiello]. Pour forth by Meredith (JEPHTHA). When warlike Ensigns by Master Welsh (OCCASIONAL ORATORIO). From the Censer by Chorus (SOLOMON) .

Music: End of Part II concerto on the violin by Giornovichi

943
20 May 1794 @ Covent Garden

Event Comment: Benefit for Miss Chapman. [In 1st piece the Young Lady is identified in Morning Herald, 20 May, only as "Niece to the late Alexander Fordyce, Esq., and a pupil of the veteran Macklin."] Morning Herald, 10 May: Tickets to be had of Miss Chapman, No. 33, Norfolk-street, Strand. Receipts: #199 8s. 6d. (62/4/0; 10/12/6; tickets: 126/12/0)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: THE SAILORS FESTIVAL

Cast
Role: Count Conolly Villars Actor: Holman
Role: Philidel Actor: Mrs Mountain. IV. A View of a Country Inn: The Bull and Dog

Afterpiece Title: MODERN ANTIQUES

Song: End of Act IV of 1st piece Mad Bess, as17940425; In the course of the Evening Black-Eyed Susan, as17940502

944
26 May 1794 @ Covent Garden

Performances

Mainpiece Title: Don Sebastian

Afterpiece Title: THE NEW DIVERTISEMENT

Performance Comment: Cast not listed. [Larpent MS lists the parts: Palate, Fieldtree, Ensign Hardy//Patty, Jenny.] Written to introduce the following favorite Songs: Mary's Dream, The moon had climbed the highest hill (composed by Ralph [recte Relfe]), by Miss Poole; The Vestry Dinner, Churchwarden I have been (written by Cross, composed by Reeve), by Rees; The High Mettled Racer, See the course throng'd with gazers (composed by Dibdin), by Incledon (1st time); The Gipsey Ballad, A wand'ring Gipsey, Sir, am I (words and melody by Peter Pindar, Esq. [pseud. for John Wolcot], accompaniments by Shield), by Mrs Clendining; Kitty Grogan, Tho' I'm no Dancing Master (written by Collins, composed by Reeve), by Johnstone; The Storm, Cease, rude Boreas (written by George Alexander Stevens), by Incledon; [Auld] Robin Gray, Young Jamie lov'd me well, by Mrs Clendining; From morn till night I take my glass, by Incledon and Johnstone; Vo sol cando (composed by Vinci), by Miss Poole; The Triumph of Wine, What tho' from Venus Cupid sprung (composed by Dibdin), by Johnstone; Father, Mother and Suke (composed by Dibdin), by Fawcett. To conclude with the following Selection of Catches and Glees from Harrison and Knyvett's Vocal Concert: as17940523, but God preserve his Majesty in place of Water parted from the sea .

Afterpiece Title: THE SHIPWRECK or French Ingratitude

Music: End of Act II of 1st piece a Solo on the Union Pipes by Courtney; In the course of the Evening a Duetto on the Union Pipes and Harp by Courtney and Weippert

945
19 November 1794 @ Drury Lane Theatre

Event Comment: [The playbill retains Baddeley as Moses , and Mrs Heard as the Maid , but "Mr Baddeley being suddenly taken ill at the Theatre this Evening Banks play'd the part of Moses, and Evans doubled Surface's Servant with his own, Mrs Heard Ill, Mrs Jones the Maid" (Powell). Baddeley was stricken with apoplexy while still in his dressing room before the play began; he died the following day.] Powell: New Ballet [Alexander the Great] rehearsed at 10; Chorus of 1st Act of Cherokee at 12. Receipts: #174 13s. (136.4.6; 36.5.0; 2.3.6)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: No Song No Supper

Song: As17941112

946
11 February 1795 @ Drury Lane Theatre

Event Comment: On account of the indispensable necessity of having an Evening's Rehearsal of [Alexander the Great], Ladies and Gentlemen will please to take notice there can be No Play at this Theatre To-morrow Evening (notice on playbill of 10 Feb.)

Performances

Mainpiece Title: None

947
14 February 1795 @ Drury Lane Theatre

Event Comment: On account of the Engagements of some of the principal Performers at the Opera House it is absolutely impossible to give Alexander the Great this Evening; the third night will be on Monday next, and every Accomodations is making for an Arrangement that will prevent any future interruption of this Representation. Powell: New Comedy [The Wheel of Fortune] read at 12. Receipts: #143 19s. 6d. (87.5.6; 48.16.6; 7.17.6)

Performances

Mainpiece Title: The Jew

Afterpiece Title: The Prize

948
04 March 1795 @ Haymarket Theatre

Event Comment: Under the license of the Lord Chamberlain. Leader of the band-Mountain. Grand Piano Forte-Reeve. Among the other Instrumental Performers are W. Ware, Haigh, Leffler Sen., Leffler Jun., Nicks, Alexander, Price, Francis, Cornish, English, Eley, Forster, &c. The Doors to be opened at 6:30. To begin at 7:30. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. [For names of speakers and singers see Morning Post, 5 Mar.; Oracle, 12 Mar.

Performances

Mainpiece Title: The Thespian Panorama Or Three Hours Hearts Ease

Performance Comment: [Composed of a variety of Matter, Musical, Rhetorical and Imitative; the greatest part of which has never yet been offered to the Public. The new Music by Shield, Carter and Reeve; The Selection from Martini i.e. Martin y Soler], Giordani, Storace, Jackson, Stevens, Pleyel. The Recitals will principally be new, and mostly spoken by Palmer; The Interlocutory Parts that connect the whole will likewise be delivered by him, and the other Parts of the Entertainment will be given by Johnstone, Wathen, Williames, Caulfield, Bannister, Mrs Mountain. Part 1. Exordium [written by Arthur Murphy, spoken by-Palmer; Overture [composed by Stamitz-; [New Glee The shipwreck'd Sailors (see dl, 19 May) [composed by an amateur-; Thespian Advice [spoken by-Palmer; Gipsey Jenny-; The Sailor's Joke [sung by-Wathen; A Milesian Pasticcio [spoken by-Johnstone; An attempt to cleanse the Augean Stable-; Love of our Country-; [Glee, Britain's best Bulwarks are her Wooden Walls-; [Part II. An Overture [by Clementi-; Neptune's Exhortation-; [the Death of Faulknor-; [The Country Clergyman [spoken by-Wathen; Anna's Lullaby [sung by-Johnstone; The Cambrian Quack [or Killing no Murder, spoken by-Williames; A further Attempt at the Stable-; Exhortation to Unanimity-; The Royal Nuptials-; Happiness and the House of Brunswick-; [Part III. The Overture [by Haydn-; The Comforts of Dust [or the Citizen's Cake-House-; Nothing but a Place [sung by-Wathen; Noli me tangere [or No jesting with Edged Tools-; Fancy's Festival [sung by-Johnstone; The Profit of Prosody-; [Irish Explanation, Tho' born in a Stable a Man's not a Horse [sung by-Mrs Mountain; Finale of Gratitude-; other Parts-Caulfield, Bannister.
Cast
Role: Love of our Country Actor:

949
24 April 1795 @ Covent Garden

Performances

Mainpiece Title: Bonduca Queen Of The Britons

Afterpiece Title: He Woud be a Soldier

Entertainment: Monologues and Singing. III: [in the Temple of the Druids Britons Strike Home- [by Purcell for this Play; Vocal Parts-Incledon, Bowden, Linton, Street, Williamson, Sawyer, Tett, Kenrick, Little, Miss Stuart, Mrs Watts, Miss Leserve, Mrs Lloyd, Mrs Bayzand; End: [Recitation and Music, selected from the Performances at Free-Masons Hall. Sally in our Alley-Incledon; [Dryden's Ode of Alexander's Feast [monologue]-Holman; My mother had a maid called Barbara (words from Shakespeare [Othello, IV, iii], composed by Shield)-Incledon, Townsend, Linton, Mrs Clendining; The Equivalent (composed by Reeve)-Fawcett; Black@ey'd Susan-Incledon; [Collins's Ode on the Passions [monologue]-Pope; The Waiter (composed by Reeve)-Fawcett; Old Towler-Incledon

Performance Comment: III: [in the Temple of the Druids Britons Strike Home- [by Purcell for this Play; Vocal Parts-Incledon, Bowden, Linton, Street, Williamson, Sawyer, Tett, Kenrick, Little, Miss Stuart, Mrs Watts, Miss Leserve, Mrs Lloyd, Mrs Bayzand; End: [Recitation and Music, selected from the Performances at Free-Masons Hall. Sally in our Alley-Incledon; [Dryden's Ode of Alexander's Feast [monologue]-Holman; My mother had a maid called Barbara (words from Shakespeare [Othello, IV, iii], composed by Shield)-Incledon, Townsend, Linton, Mrs Clendining; The Equivalent (composed by Reeve)-Fawcett; Black@ey'd Susan-Incledon; [Collins's Ode on the Passions [monologue]-Pope; The Waiter (composed by Reeve)-Fawcett; Old Towler-Incledon.

950
01 January 1796 @ Drury Lane Theatre

Event Comment: [Mainpiece in place of Alexander the Great, advertised on playbill of 31 Dec. 1795.] Mainpiece: Banquet, Court, Procession as 6 Nov. 1795. Receipts: #211 8s. 6d. (151.13.6; 54.18.6; 4.15.6)

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: The Son in Law