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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Atterbury"/1) | (@(roleclean,performerclean) "Atterbury")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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4 results for: Keyword - Atterbury
We found 2 matches on Performance Comments, 2 matches on Event Comments, 0 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

1
23 April 1773 @ Haymarket Theatre

Event Comment: A sacred Oratorio. The music entirely new composed by Atterbury. Never performed. For this night only. To begin at 6:30. Boxes 5s. Pit 4s. Gallery 3s. Upper Gallery 2s

Performances

Mainpiece Title: Goliath

Music: First Violin, a Concerto-Barthelemon

2
06 March 1793 @ Haymarket Theatre

Performances

Mainpiece Title: L'allegro Ed Il Penseroso [, Part I Only]; Grand Selection 0

Afterpiece Title: Acis and Galatea

Afterpiece Title: A New Grand Selection

Performance Comment: The undaunted Britons-Dignum (Atterbury); Fairest Isles-Miss Leak, Chorus [King Arthur, by Purcell]; Gentle Airs-Harrison; accompanied on the violoncello-Mason [Athalia]; From rosy bowers-Miss Poole (Purcell); The praise of Bacchus, Bacchus ever fair and Young-Welsh [Alexander's Feast]; Concerto on the violin-Janiewicz; Dear is my little native vale-Mrs Harrison (Sir W. Parsons); The Maid of the Rock-Master Welsh [Dignum]; Together let us range the fields-Mr and Mrs Harrison (Solomon, by Boyce); God save Great George our King (with new accompaniments by Dr Arnold)-Full Chorus.

Song: In 1st piece: Sweet bird-Mrs Ferguson (her 1st performance); accompanied on the violin-Shaw; End 2nd piece: an Italian Scena-Mrs Ferguson

3
26 December 1794 @ Covent Garden

Event Comment: [Mainpiece in place of The Earl of Essex, advertised on playbill of 23 Dec.] Afterpiece [1st time; P 1]: Composed, prepared and directed by Mark? Lonsdale. With new Music, Scenery, Machinery, Dresses and Decorations. The Dances by Byrn. The Music partly composed new by Shield [the printed score (Preston and Son [1794]) contains rest of new music, by Aylward , Atterbury, Spofforth, Howard, with overture by Gretry (from Evenements Imprevus)]; the rest selected by Goodwin from the works of Haydn, Aylward, Baumgarten, Boccherini, Pleyel, Gluck, Reeve, Dr Arne, Ware, Leffler Jun. & Spofforth. The Scenery (with very few exceptions) expressly designed and executed by Richards, Walmsley, Phillips, Lupino Jun. and Hodgins; assisted by Byrne, Holland, Thorne, Hollogan and others. The Dresses under the direction of Dick. Books of the Songs to be had at the Theatre. Receipts: #286 1s. (270.8; 15.13)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Mago and Dago; or, Harlequin the Hero

4
12 January 1795 @ Covent Garden

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Mago and Dago

Performance Comment: As17950101, but in X: Wou'd you see the World in little (composed by Dibdin)-Townsend; in place of A New Trade for a Jew-_; XVIII entitled Temple of Fortunev; in XIX (originally XXII) Death and the Doctor-the Devil and the Lawyer, in place of how to kick up a dust; added: A New Overture by Howard-; in XIV: A new Roundelay (composed by Atterbury)-Townsend, Street, Mrs Henley, Miss Kirton omitted from III: The Drift of Snow; from IV: a Storm; from XVIII: the Magic Concerto. from IV: a Storm; from XVIII: the Magic Concerto.