SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid Mr C Bannister"/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid Mr C Bannister")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9752 matches on Event Comments, 4880 matches on Performance Comments, 1353 matches on Performance Title, 31 matches on Author, and 0 matches on Roles/Actors.
Event Comment: full column letter to the public signed by John Beard appeared in the Public Advertiser announcing his agreement to the half-price demands of the rioters, and excusing himself for not acquiescing with more alacrity on the night of the demand. His excuse was that he was merely manager for other proprietors, and that property interest was involved in the financial sacrifice he was asked to make. He noted further reasons for not immediately giving in to demands of the rioters: Mr Beard had at that time received several anonymous threatening letters and notes concerning many other branches of what they called Reformation. He was ordered by one to add a farce to Love in a Village, or the House should be pulled about his ears. By andther he was commanded to put a stop to the farther representation of that Opera, upon the penalty of enforcing his compliance by a Riot the next night of performance, and very lately received certain information of meetings, which have already been held, and an Association forming to reduce the prices at the Theatre to what they were forty years since, tho' it is notorious the Expence of Theatrical Entertainments are more than doubled. For these reasons he looked upon the Occasion of the present disturbance only as a prelude to future violence; as the first not the last salutation of this extraordinary kind to be expected, and apprehended that too easy an acquiescence might possibly prove rather encouragement than prevention. Nevertheless in gratitude for the many favours and indulgencies received from the Publick, and from an earnest desire to promote that order and decorum so essential in all Public Assemblies, the Proprietors have now jointly authorized Mr Beard to declare that they shall think themselves equally bound with the managers of the other Theatre to an observance of those limitations which they have agreed to." This letter repeated in Public Advertiser, 3 March.

Performances

Mainpiece Title: None

Event Comment: The Serious part of the Entertainment Dull & heavy--Hopkins. Paid Supernumerary Soldiers & practices #2 6s. 6d.; Paid seven years sewer tax #13 9s. 4d.; Paid Mr Weston's note, per order Mr G. G. #12 5s. 5d.; Paid Mr Thos. French for painting 8 days to this day exclusive #3 4s.; Paid for license for Institution of the Garter #2 2s. (Treasurer's Book). Receipts: #189 4s. (Treasurer's Book)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Institution of the Garter

Event Comment: Benefit for Bannister. 4th piece: Not acted these 7 years [acted 29 Mar. 1792]. Morning Herald, 12 May: Tickets to be had of Bannister, No. 7, Suffolk-street, Charing-Cross. Receipts: #259 6s. (60.16.0; 51.17.6; 4.6.0; tickets: 142.6.6) (charge: #211 7s. 6d.)

Performances

Mainpiece Title: The Purse

Performance Comment: As17970216, but Will Steady-Bannister Jun.
Cast
Role: Will Steady Actor: Bannister Jun.

Afterpiece Title: The Country Girl

Performance Comment: As17961001, but Moody-Swendall (from the Theatre Royal, Dublin; 1st appearance on this stage); Sparkish-Russell; William-_; Servant-_.
Cast
Role: Vapour Actor: Bannister Jun.

Afterpiece Title: Sylvester Daggerwood

Cast
Role: Walter Actor: Bannister Jun.
Role: Japhis Actor: Bannister
Role: Sylvester Daggerwood Actor: Bannister Jun.

Afterpiece Title: The Minor

Performance Comment: Sir William Wealthy-Wewitzer; Mr Richard Wealthy-Packer; Sir George Wealthy-C. Kemble; Shift, Smirk-Bannister Jun.; Loader-Caulfield; Mrs Cole-Mr Bannister; Lucy-Miss Heard.
Cast
Role: Smirk Actor: Bannister Jun.
Role: Mrs Cole Actor: Mr Bannister

Performances

Mainpiece Title: The Confederacy

Performance Comment: Gripe-Suett; Moneytrap-Parsons; Dick-Barrymore; Brass-Bannister Jun.; Clip-Maddocks; Jessamin-Burton; Clarissa-Mrs Goodall; Araminta-Miss Heard; Corinna-Mrs Gibbs; F of Entertainment in Public Advertiser, 3 Oct.] Receipts: #261 11s. (245.5; 16.6). F of Entertainment in Public Advertiser, 3 Oct.] Receipts: #261 11s. (245.5; 16.6).
Cast
Role: Brass Actor: Bannister Jun.
Event Comment: Mainpiece [1st time; C 5 by Thomas Holcroft. Prologue and Epilogue by the author (London Chronicle, 21 Feb.)]. Morning Herald, 29 Feb. 1792: This day is published The Road to Ruin (1s. 6d.). Receipts: #233 5s. (231.1; 2.4)

Performances

Mainpiece Title: The Road To Ruin

Performance Comment: Principal Characters by Lewis, Quick, Holman, Wilson, Munden, Harley, Macready, Thompson, Powel, Rock, Evatt, Farley, C. Powell, Cross, Ledger, Rees, Simmons, Mrs Merry, Mrs Harlowe, Mrs Powell, Mrs Mattocks. [Cast from text (J. Debrett, 1792): Goldfinch-Lewis; Mr Silky-Quick; Harry Dornton-Holman; Mr Sulky-Wilson; Mr Dornton-Munden; Mr Milford-Harley; Hosier-Macready; Sheriff's Officer-Thompson; Mr Smith-Powel; Jacob-Rees; Waiter, Clerks, Servants, Postillions, Tradesmen, Tennis Markers [all unassigned in text]-Rock, Evatt, Farley, C. Powell, Cross, Ledger, Simmons; Sophia-Mrs Merry; Jenny-Mrs Harlowe; Mrs Ledger-Mrs Powell; Mrs Warren-Mrs Mattocks; [Text adds, unassigned: Milliner-; Manteau@maker-; Prologue-Fawcett; Epilogue-Mrs Mattocks. [These were spoken, as here assigned, at the 1st 21 performances only (see17920409).]These were spoken, as here assigned, at the 1st 21 performances only (see17920409).]

Afterpiece Title: Blue Beard

Event Comment: This Farce was written by Mr Coleman. The Novelty of the Subject, together with its being extremely well perform'd; gave the Audience such entire Satisfaction that I never heard Such Bursts of Applause; crying out Bravo! Bravo! &c. &c. (Hopkins). [Identical in Hopkins Diary.] Farce very greatly receiv'd (Cross Diary)

Performances

Mainpiece Title: Tamerlane

Performance Comment: Tamerlane-Havard; Dervise-Bransby; Hali-Fox; Prince of Tanais-Ackman; Omar-Lee; Axalla-Packer; Bajazet-Holland; Moneses-Jackson; Selima-Mrs Davies; Arpasia-Mrs Pritchard; With the Usual Prologue-; In Act IV, the original Song of O! Gentle Sleep-Miss Young.
Cast
Role: Prince of Tanais Actor: Ackman

Afterpiece Title: The Deuce Is in Him

Event Comment: Mainpiece [1st time; C 5, by Hannah Cowley, based on The Lucky Chance, by Aphra Behn. Prologue and Epilogue by James Cobb (see text)]: With Variety of new Scenes, Dresses, &c. Morning Chronicle, 28 Dec. 1786: This Day is published A School for Grey-Beards (1s. 6d.). Receipts: #220 8s. (206.14; 13.4; 0.10)

Performances

Mainpiece Title: A School For Grey beards Or The Mourning Bride

Performance Comment: Principal Characters-King, Kemble, Parsons, Benson, Wilson, Jones, Bannister Jun., Palmer, Mrs Crouch, Mrs Wrighten, Mrs Brereton, Mrs Cuyler, Mrs Heard, Miss Barnes, Mrs Wilson, Miss Farren. [Cast from text (G. G. J. and J. Robinson, 1786): Don Alexis-King; Don Henry-Kemble; Don Gasper-Parsons; Don Sebastian-Bannister Jun.; Don Octavio-Palmer; Donna Antonia-Mrs Crouch; Rachel-Mrs Wrighten; Donna Viola-Mrs Brereton; Donna Clara-Mrs Cuyler; Cartola-Mrs Wilson; Donna Seraphina-Miss Farren; unassigned-Benson, Wilson, Jones, Mrs Heard, Miss Barnes; Prologue-Bannister Jun; Epilogue-Miss Farren. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: The Englishman in Paris

Dance: In afterpiece: Minuet de la Cour-Hamoir, Miss Stageldoir

Song: III: song (in character)-Mrs Crouch. [This was sung, as here assigned, in all subsequent performances.

Performance Comment: [This was sung, as here assigned, in all subsequent performances.]
Event Comment: Gift for ye Sufferers by ye fire in Cornhill (Cross). [A column and a half "Letter to the Author" appeared in the General Advertiser this day, laying historical background for Ford's Lover's Melancholy]. The history of the stage before the Restoration is like a Foreign Land, in which no Englishman had ever travelled; we know there were such things as Playhouses, and one Shakespear a great writer, but the historical traces of them are so imperfect, that the manner in which they existed is less known to us, than that of Eschylus or the theatres of Greece. For this reason, 'tis hoped that the following Gleaning of Theatrical History will readily obtain a place in your paper. 'Tis taken from a Pamphlet written in the reign of Charles I, with this quaint title, "Old Ben's Light Heart made heavy by young John's Melancholly Lover"; and as it contains some historical anecdotes and altercations concerning Ben Johnson, Ford, Shakespear, and the Lover's Melancholy it is imagined that a few extracts from it at this juncture, will not be unentertaining to the Public. [The substance of the remainder retails Jonson's critical cantankerousness and his wounded pride at the failure of the New Inn, quoting some epigrams made at Jonson's expense on his allegation that Ford was a plagiary. This second "puff" for the play, presumably also written by Macklin, formed the basis for a Steevens-Malone controversy late in the century, centering on the existence or nonexistence of the pamphlet referred to by Macklin as "Old Ben's Light Heart made Heavy, &c." A summary account of the evidence appears in the Dramatic Works of John Ford, by Henry Weber (Edinburgh, 1811) I, Intro. XVI, XXXI.] Receipts: #210 (Cross); #208 1s. (Powel)

Performances

Mainpiece Title: King Lear And His Three Daughters

Afterpiece Title: The Double Disappointment

Dance: Cooke, Anne Auretti, Matthews, Mrs Addison

Event Comment: Benefit for the General Lying-in Hospital. (Upper Gallery 3s. 6d.) 3428 helpless women have already been received and preserved, besides 800 out-patients supplied with medicine &c. and many soldiers' and seamens' wives have been taken out of the streets penniless, starving and with Labour pains upon them and admitted at several hours of the night or day without any letter or recommendation whatever. [Long advertisement in Public Advertiser for all to support this charity and at the same time have the "opportunity of seeing a very pleasing Burletta."

Performances

Mainpiece Title: Il Filosofo Di Campagna

Event Comment: Mainpiece [1st time; C 5, by Arthur Murphy, based on L'Irresolu, by Philippe Nericault, dit Destouches. Prologue by the author. Epilogue by David Garrick (see text)]: A new Scene and New Dresses. Public Advertiser, 2 May 1778: This Day is published Know Your Own Mind (1s 6d.). Receipts: #246 7s. 6d. (245.7.0; 1.0.6)

Performances

Mainpiece Title: Know Your Own Mind

Performance Comment: Principal Characters by Lewis, Wroughton, Aickin, Whitefield, Fearon, Booth, Wewitzer, Thompson, Lee Lewes, Mrs Hartley, Mrs Jackson, Miss Dayes, Miss Ambrose, Mrs Mattocks. [Cast from text (T. Becket, 1778): Millamour-Lewis; Melvil-Wroughton; Bygrove-Aickin; Sir Harry Lovewit [in all subsequent cg playbills until 1800: Sir Harry Lizard]-Whitefield; Sir John Millamour-Fearon; Captain Bygrove-Booth; Charles-Wewitzer; Dashwould-Lee Lewes; Miss Neville-Mrs Hartley; Mrs Bromley-Mrs Jackson; Lady Jane-Miss Dayes; Madam La Rouge-Miss Ambrose; Lady Bell-Mrs Mattocks; Thompson; New Prologue-Lewis; New Epilogue-Mrs Mattocks. [These were spoken, as here assigned, at the first 9 performances (see17760318 and on 30 Apr. only.]These were spoken, as here assigned, at the first 9 performances (see17760318 and on 30 Apr. only.]
Cast
Role: Lady Jane Actor: Miss Dayes

Afterpiece Title: The Mock Doctor

Cast
Role: Rose Actor: Miss Dayes

Dance: As17761123

Event Comment: Mainpiece: With alterations by the author [William Mason]. The Overture and all the new Music composed by Giardini.[On playbill of 27 Feb.: With a New Scene painted by Richards.] Public Advertiser, 23 Feb. 1779: This Day at Noon is published Elfrida (price not listed). [Afterpiece: Prologue by the author (New Spouter's Companion, c. 1798, p. 59).

Performances

Mainpiece Title: Elfrida

Afterpiece Title: The Liverpool Prize

Performance Comment: As17790222, but Prologue-Lee Lewes. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]
Event Comment: Mainpiece [1st time; C 5, by Thomas Lewis O'Beirne, based on Le Dissipateur; ou, L'Honnete Friponne, by Philippe Nericault, dit Destouches. Prologue by Frederick Pilon (Crouch, 1, 90). Author of Epilogue unknown. For Pastoral Interlude see 23 Nov.]: With new Scenery and Dresses. Public Advertiser, 13 Dec. 1780: This Day at Noon is Published The Generous Impostor (1s. 6d.). Receipts: #197 3s. 6d. (183.4.0; 13.10.6; 0.9.0)

Performances

Mainpiece Title: The Generous Impostor

Afterpiece Title: The Padlock

Event Comment: Mainpiece [1st time; T 5, by Frances Brooke, based on the anonymous libretto of Sarti's opera Mitridate a Sinope. Prologue by the Rev. William? Collier (see text). Epilogue by Arthur Murphy (Murphy, Works, 1786, VII, 54)]: With New Scenes, Dresses, &c. Public Advertiser, 8 Feb. 1781: This Day at Noon will be published The Siege of Sinope. (1s. 6d.). Receipts:#231 5s. (228.10; 2.15)

Performances

Mainpiece Title: The Siege Of Sinope

Afterpiece Title: Harlequin Free Mason

Event Comment: Mainpiece [1st time; C 5, by Hannah Cowley. Authors of Prologue and Epilogue unknown.]. Public Advertiser, 27 May 1784: This Day is published More Ways than One (1s. 6d.). Receipts: #208 15s. (205/14/6; 3/0/6)

Performances

Mainpiece Title: More Ways Than One

Performance Comment: Principal Characters by Lewis, Quick, Edwin, Wilson, Wewitzer, Fearon, Stevens, Jones, Helme, Wroughton; Mrs Kemble, Mrs Wilson, Miss Platt, Miss Younge. [Cast from text (T. Evans, 1784): Bellair-Lewis; Doctor Feelove-Quick; Sir Marvel Mushroom-Edwin; Evergreen-Wilson; Le Gout-Wewitzer; David-Fearon; Doctor's Servant-Stevens; Stranger-Jones; Lawyer's Clerk-Thompson [see17831208]; Carlton-Wroughton; Arabella-Mrs Kemble; Miss Juvenile-Mrs Wilson; Lodging Mistress-Miss Piatt; Miss Archer-Miss Younge. Helme is unassigned.j Prologue spoken by Bonnor. Epilogue spoken by Miss Younge. [These were spoken, as here assigned, at the 1st 10 performances only (see17840115).] hathi.These were spoken, as here assigned, at the 1st 10 performances only (see17840115).] hathi.

Afterpiece Title: The Country Mad Cap

Event Comment: Mainpiece [1st time; C 5, by Frederick Pilon. Prologue and Epilogue by the author (see text). In 1794 reduced to an afterpiece of 3 acts]. Public Advertiser, 30 Nov. 1786: This Day is published He Wou'd be a Soldier (1s. 6d.). Receipts: #246 6s. (243.5; 3.1)

Performances

Mainpiece Title: He Woud Be A Soldier

Performance Comment: Principal Characters-Lewis, Quick, Edwin, Aickin, Farren, Wewitzer, Fearon, Brown, Thompson, Mrs Wells, Mrs Brown, Mrs Webb, Mrs Pope. [Cast from text (G. G. J. and J. Robinson, 1786): Captain Crevelt-Lewis; Sir Oliver Oldstock-Quick; Caleb-Edwin; Colonel Talbot-Aickin; Mandeville-Farren; Count Pierpoint-Wewitzer; Wilkins-Fearon; Johnson-Brown; Amber-Thompson; Servant-Helme; Harriet-Mrs Wells; Betty-Miss Stuart; Nancy-Miss Rowson; unassigned-Mrs Brown, Mrs Webb; Prologue-Farren; Epilogue-Mrs Pope. [These were spoken, as here assigned, at the 1st 13 performances only (see17870109).]These were spoken, as here assigned, at the 1st 13 performances only (see17870109).]

Afterpiece Title: Richard Coeur de Lion

Event Comment: Mainpiece [1st time; T 5, by Robert Jephson. Prologue by Edmond Malone. Epilogue by John Courtenay (see text)]: With new Dresses, Decorations, &c. Public Advertiser, 18 Dec. 1787: This Day is published Julia (1s. 6d.). Receipts: #217 2s. 6d. (201.5.0; 15.11.0; 0.6.6)

Performances

Mainpiece Title: Julia Or The Italian Lover

Afterpiece Title: The First Floor

Cast
Role: Tim Tartlett Actor: Bannister Jun.
Event Comment: Artaxerxes [announced on playbill of 21 May] is obliged to be deferred on account of the Indisposition of a principal Performer. Afterpiece [1st time; C 3, by Elizabeth Inchbald. Prologue by Henry Sampson Woodfall, Jun. (see text)]: Taken from the celebrated piece called Guerre Ouverte; ou, Ruse Contre Ruse [by Antoine Jean Bourlin, dit Dumaniant]. Public Advertiser, 1 Dec. 1787: This Day is published The Midnight Hour (1s. 6d.). Receipts: #74 5s. (70.2; 4.3)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Midnight Hour

Performance Comment: Principal Characters by Lewis, Ryder, Edwin, Quick, Fearon, Thompson, Mrs Brown, Mrs Webb, Mrs Wells. [Cast from text (G. G. J. and J. Robinson, 1787): The Marquis-Lewis; Sebastian-Ryder; Nicolas-Edwin; The General-Quick; Mathias-Fearon; Ambrose-Thompson; Flora-Mrs Brown; Cecily-Mrs Webb; Julia-Mrs Wells; Prologue-Pope. [This was spoken, as here assigned, at the 1st 9 performances only (see17870615.]This was spoken, as here assigned, at the 1st 9 performances only (see17870615.]
Event Comment: Mainpiece [1st time; C 5]: Altered from Beaumont and Fletcher, by Dryden [by Thomas King. The original alteration, 1700, was by Sir John Vanbrugh, not by Dryden. The present alteration has been attributed to John Philip Kemble, but in his copy of the play, now in the Huntington Library (K-D 95), he has written "by Thomas King"]. Public Advertiser, 22 Nov. 1787: This Day is published, as now revived with material Additions, The Pilgrim (1s.). Receipts: #85 9s. 6d. (72.5.0; 13.4.6; 0.0.0)

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: All the Worlds a Stage

Dance: End I: a New Dance-Hamoir, Ferrere, the Miss Stageldoirs; End III: The Capricious Lovers, as17870920; End IV: another New Dance-Hamoir, Ferrere, the Miss Stageldoirs

Event Comment: Mainpiece [1st time; C 5, by John O'Keeffe. In 1796 altered by the author as The Lie of the Day. Prologue and Epilogue by the author (Public Advertiser, 4 Feb., which also gives the names of the speakers)]: With new Dresses and Scenery. Receipts: #204 11s. 6d. (202.10.0; 2.1.6)

Performances

Mainpiece Title: The Toy

Afterpiece Title: Aladin

Event Comment: Benefit for Mrs Wells, mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by Robert Merry. Epilogue by Miles Peter Andrews (World, 16 May)]. Morning Herald, 30 Mar. 1793: This Day is published The Dramatist (1s. 6d.). Public Advertiser, 29 Apr: Tickets to be had of Mrs Wells, No 15, Beaufort Buildings, Strand. Receipts: #291 8s. 6d. (173.19.0; 9.9.6; tickets: 108.0.0)

Performances

Mainpiece Title: The Dramatist Or Stop Him Who Can

Afterpiece Title: The Highland Reel

Entertainment: Imitations. In: Vocal Imitations-Mrs Wells [of Mrs Martyr, Sga Sestini, Kelly, Mrs Crouch (Diary, 16 May)]; End: a Scene from the two Great Tragic Actresses of the Country [Mrs Crawford as Alicia and Mrs Siddons as Jane Shore (Diary)]-Mrs Wells; [with one speech [afterwards pourtraying the different manners of both ["For ever! Oh, for ever!" i.e. the concluding speech of Act IV of Jane Shore (Diary)]-Mrs Wells

Event Comment: Mainpiece: Not acted these 3 years. Afterpiece [1st time; MF 2, by William Pearce]: With new Music, Dresses, &c. The Music composed by Haydn, Sacchini, and Shield. The Scenery by Richards. Books of the Songs [W. Woodfall, 1792] to be had at the The Theatre. Public Advertiser, 20 Apr. 1793: This Day is published Hartford Bridge (1s.). Receipts: #294 17s. 6d

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Hartford Bridge or The Skirts of the Camp

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by William Thomas Fitzgerald. Epilogue by Miles Peter Andrews (see text)]: With new Scenes and Dresses. [In mainpiece the playbill lists Mrs Esten, but "Previous to the play an apology was made in behalf of Mrs Davis, who had undertaken Mrs Esten's character in consequence of the indisposition of the latter lady. [After considerable objection] Mrs Davis was well received in the part" (Thespian Magazine, June 1793, p. 4).] Public Advertiser, 3 May 1793: This Day is published How to Grow Rich (1s. 6d.). Receipts: #257 17s. 6d

Performances

Mainpiece Title: How To Grow Rich

Afterpiece Title: The Poor Soldier

Dance: End: The Bouquet, as17930415

Event Comment: This day publish'd at 3s. Printed on Five sheets of superfine paper, Five Principal Scenes in Romeo and Juliet, designed, drawn, and engraved by Mr Ant. Walker. Printed and sold by John Tinney, at the Golden Lion in Fleet St. The drawing and Engraving of the three following Plays of Shakespeare are in great forwardness, and the scenes of each play will be sold at a time: 1 Henry IV, 2 Henry IV, Merry Wives. These plates will serve for Mr Pope's edition of Shakespeare in quarto, Sir Thomas Hanmer's edn. 6 Vol. quarto, or for any of the Folio editions. And may be framed and glazed for furniture. There will be a few sets neatly coloured for Gentlemen and Ladies who chuse them so (Public Advertiser). [A set of these prints is available in the Folger Shakespeare Library. The Five Principal Scenes were: The scene in Capulet's Housev where Romeo kisses Juliet 's hand; the Balcony Scenev ; the scene in which Friar Lawrence hurries the young couple off to be married; the Apothecary scenev ; and the death scenev . If, as may be, these scenes were taken from--as they were certainly stimulated by--the Barry-Nossiter production, they may present a good likness of Maria Isabella Nossiter, who so captivated London that season. If, also, they were taken from the theatre production, they give evidence that Barry used a balcony, not only a window.

Performances

Mainpiece Title: Lo Studente A La Moda

Dance: As17540118

Event Comment: Mainpiece [1st time; T 5, by Richard Brinsley Sheridan, adapted from Die Spanier in Peru, by August Friedrich Ferdinand von Kotzebue. Prologue by Richard Brinsley Sheridan (consisting of the 1st 30 lines and the concluding couplet of his Prologue to The Miniature Picture); Epilogue by the Hon. William Lamb (see text). For publication see 1 July]: The Scenery, Dresses, and Decorations entirely new. The Musick, Airs and Chorusses incidental to the Piece composed and selected [from Gluck, Sacchini, &c. (Morning Chronicle, 25 May)] by Kelly. The Symphony preceding the Play, and those between the Acts, composed for the occasion by Dussek. The Scenery designed and executed by Marinari, Greenwood? Jun, Demaria, Banks, Blackmore, &c. [See Theatre Notebook, XX, 30-32, for suggestion that one scene was designed by DeLoutherbourg.] The Machinery, Decorations, and Dresses under the direction of Johnston, and executed by him, Underwood, and Gay. The Female Dresses designed and executed by Miss Rein. Account-Book, 14 May: Paid Miss Anne? Plumtree [i.e. Plumptree] for Spaniards in Peru #25. [It was this translation of Kotzebue's play that Sheridan adapted for the stage as Pizarro. For an account of the relationship between the translation and its adaptation see Marcella Gosch, "'Translators' of Kotzebue in England," Monatshefte fur deutschen Unterricht, XXXI, 178-83.] Paid Johnston [on this and other days] for sundries for Pizarro #135 14s. "It requires certainly more than English patience and spirits to sustain any Play of five hours in length. It is not one of the worst features of Pizarro that it contains a great deal which may be spared, without injury to the piece [see 25, 27 May]" (Morning Chronicle, 25 May). Receipts: #540 3s. 6d. (406.0.6; 17.5.0; 0.4.0; tickets sold by Fosbrook's Office: 116.14.0)

Performances

Mainpiece Title: Pizarro

Afterpiece Title: My Grandmother

Song: Vocal Parts-Kelly, Sedgwick, Dignum, Trueman, Danby, Brown, Cook, Tett, Caulfield Jun., Sawyer, Danby Jun., Aylmer, Willoughby, Bardoleau, Clark, Mead, Elliot, Ms Crouch, Ms DeCamp, Ms Stephens, Ms Leak, Ms Dufour, Ms Arne, Ms Menage, Ms Roffey, Ms Menage Jun., Ms Jackson, Ms Wentworth, Ms Chippendale, Ms Jacobs, Ms Butler, Ms Bowyer, Ms Williams, Ms Saunders, Ms Gaudry, Ms Benson, Mrs Illingworth, Mrs Coates

Event Comment: Mainpiece: Not acted these 2 years. [Prologue by Nicholas Rowe.] Afterpiece [1st time; co 2, by John O'Keeffe, altered from his The Shamrock (see CG, 7 Apr. 1783); published (1st authorized) as noted above]: The selected Music by the Author of the Piece. The Overture, new Airs and Accompaniments by Shield. With New Dresses, Scenery, &c. The Words of the Songs to be had at the Theatre. Account-Book, 30 June 1784: Paid O'Keeffe for Copyright, &c. of The Poor Soldier #315. Receipts: #218 14s. (215/7; 3/7)

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Poor Soldier

Performance Comment: Principal Characters by Mrs Kennedy, Bannister, Johnstone, Edwin, Wilson, Wewitzer; Mrs Martyr, Mrs Bannister. [Cast from London Chronicle, 5 Nov.: Patrick-Mrs Kennedy; Fitzroy-Bannister; Dermot-Johnstone; Darby-Edwin; Father Luke-Wilson; Bagatelle-Wewitzer; Kathlane-Mrs Martyr; Norah-Mrs Bannister. O'Keeffe's Dramatic Works, Vol. 1 (T. Woodfall, 1798) adds: Boy-Master Simmons.] hathi. hathi.

Song: In mainpiece To thee, O, gentle sleep by Brett