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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Ackman Public Advertiser This day only Paid "/1) | (@(roleclean,performerclean) "Ackman Public Advertiser This day only Paid ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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7576 results for: Keyword - Ackman</i> (<i>Public Advertiser</i>). This day only. Paid $<span class=
We found 6110 matches on Event Comments, 1324 matches on Performance Comments, 587 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

3401
12 May 1775 @ Drury Lane Theatre

Event Comment: Benefit for Waldron and Mrs Greville. Farce (in 2 Acts) Never performed before, and for that night only. This Farce was written by Mr Waldron-Some Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Paid Mr Wegg's rent half year to Lady Day last #57; Duke of Bedford ditto #164 2s. 10d.; One yrs Paving, Cleansing & Lighting to ditto #39 7s. 6d.; Mr Moody for Mr Philips #13 13s.; St Martin's Charity School, 1 year, 1774 #2 2s. (Treasurer's Book). [The Westminster Magazine for May gives the following cast for the farce: Reuben-$Waldron; Blunt-$Moody; Sharp-$Dodd; Flimsy-$LeMash; Joseph-$Burton; Mrs Reuben-$Mrs Davies; Betty-$Miss Platt. It then bluntly tells the plot and concludes: "The whole is beneath criticism."

Performances

Mainpiece Title: All For Love

Afterpiece Title: The Contrast or The Jew and Married Courtezan

3402
01 February 1776 @ Drury Lane Theatre

Event Comment: A New Comic Opera of Two Acts written by Mr Bate--Much hissing and Crying out no more no more!--Mr Reddish was desired to give out the Play as soon as Matilda was over--but he with his usual politeness ran up and undress'd himself as fast as he could so that the play was not given out till the End of the Farce as soon as the Blackamoor was given out for the next Night they kept a great Noise and call'd for another Farce to be given out--at length they began to be more appeas'd and went away vowing Vengeance on it the next Night (Hopkins Diary). The Overture and Music of the afterpiece entirely New. Books of the Songs &c. to be had at the Theatre. New Scenes, Dresses, &c. [This is Larpent MS 400. Sir Oliver Oddfish distrusts his servants and is about to replace them with blacks, giving his nephew the chance to introduce Frederick , his daughter Julia 's lover, in disguise as a blackamoor, and to effect an elopement. Act I criticizes Londoners and concludes with the comment, "O that I should ever live to see the day when white Englishmen must give place to foreign blacks." MacMillan's note from Kemble differs slightly.] Paid the late Mr Johnston's bill to his executors #44 18s. 6d. (Treasurer's Book). [Afterpiece reviewed in three columns in the Westminster Magazine for Feb. Reviewer thought it had been produced well in all departments, music, scenery, costume, and acting, but concluded it a theatrical trifle giving not much credit to its author.] Receipts: #166 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Matilda

Afterpiece Title: The Blackamoor Washd White

3403
03 February 1776 @ Drury Lane Theatre

Event Comment: Wash &c. left out of the title (Winston MS). The farce went off very well till the second act when Capt. Roper and another Gentleman came into the boxes very Drunk hiss'd and kept a great Noise 'till at last the Pit and Gallery began to hiss them he struck at Somebody in the Pit--the Gentleman that came with Capt. Roper Jump'd out of the Stage Box upon the Stage immediately Several out of the Pit and Boxes follow'd and Some blows ensued and I thought they would have pull'd the House down this lasted about half and hour and then it all grew quiet and we finished the Farce (Hopkins Diary). Paid salary list 5 days #520 5s. 5d.; Mrs Garrick for sundry stage trimmings #7 8s. 6d. Receipts: #197 2s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Zara

Afterpiece Title: The Blackamoor

3404
24 February 1776 @ Drury Lane Theatre

Event Comment: Mainpiece: By Particular Desire. [MacMillan notes from Kemble: "The Spleen, or Islington Spa was not acted tonight. The Jubilee was perform'd instead of it." The Spleen, tho' advertised was deferred on account of King's illness.] Paid 4 days salary list at #104 1s. 1d. per diem #416 4s. 4d.; Mr Short for attending Jubilee 17 nights #4 5s. Receipts: #212 14s. (Treasurer's Book)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Jubilee

3405
02 March 1776 @ Drury Lane Theatre

Event Comment: King continuing ill. The Spleen Deferr'd. Paid 4 days salary list #416 4s. 4d. Receipts: #239 2s. (Treasurer's Book)

Performances

Mainpiece Title: The Distressd Mother

Afterpiece Title: The Jubilee

Dance: The Grand Garland Dance-Slingsby, Como, Sga Crespi, Sga Paccini

3406
08 April 1776 @ Drury Lane Theatre

Event Comment: Benefit for Moody. Paid Paving, Cleaning and Lighting to Lady Day last #27 6d.; 3 extra trumpets 2 nights #2 5s. Charges: #83 13s. (Treasurer's Book)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Jubilee

Song: I: Moody (By Desire) will introduce the song in Love a@la@Mode-Moody

3407
10 April 1776 @ Drury Lane Theatre

Event Comment: Benefit for Palmer. Paid 1!2 yrs. Poor's rate to Lady Day last #2 13s. 4d. Receipts: #116 2s. 6d. Charges: #67 12s. 6d. Profits to Palmer: #48 10s. (Treasurer's Book)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Man of Quality

Dance: End: The Grand Garland Dance, as17760311 but Sga Pacini

3408
03 May 1776 @ Drury Lane Theatre

Event Comment: Benefit for Sga Crespi. Tickets deliver'd by Harwood will be taken. Rec'd Stopages #14 14s. Paid half yrs. paving #19 13s. 9d.; three quarters land and Window tax (Covent Garden Parish) #12 2s. 9d.; Ditto for paving #6; Ditto for Rector's rate 13s. 4d.; Duke of Bedford's Rent half year to Lady day last #164 2s. 10d. Receipts: #25 17s. Charges: #66 18s. 6d. Deficit to Sga Crespi: #41 (Treasurer's Book)

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: A Peep behind the Curtain

Dance: V: A Grand Chaconne-Como, Sga Crespi

3409
05 October 1779 @ Drury Lane Theatre

Event Comment: Mainpiece: With accompaniments to the Airs composed by Thomas? Linley? Sen. [Miss Wright's 1st appearance, as an actress, was at this theatre on 7 May 1779.] Afterpiece: With Alterations and Additions; To conclude with a Grand View of Greenwich Hospital, designed by DeLoutherbourg. Paid Land Tax 3rd & 4th Qtrs. to Lady Day #41 16s. Receipts: #187 3s. 6d. (151.3.0; 35.15.6; 0.5.0)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Queen Mab

Dance: III: Hornpipe-Walker. [This was danced, as here assigned, in all subsequent performances.

Performance Comment: [This was danced, as here assigned, in all subsequent performances.]

3410
07 June 1780 @ Haymarket Theatre

Event Comment: "My father [George Colman elder] told me that, on the seventh of June, on which day and night desolation had attained its climax [because of the Gordon riots], and London is said to have been seen from one spot blazing in thirty-six different parts, the receipt of his playhouse exceeded twenty pounds. This sum appears somewhat of the smallest for the night's receipt of a Theatre Royal in London; but how, instead of twenty pounds-worth of spectators, twenty persons, or one person, could have calmly paid money to witness, in the midst of this general dismay, a theatrical entertainment, is astonishing' (Peake, II, 47)

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: Douglas

Afterpiece Title: Miss in her Teens

Music: As17800602

3411
20 May 1783 @ King's Theatre

Event Comment: Creditors of Mr Taylor are requested to meet the Trustees this Day, at One o'clock, at the Bedford Arms, Covent Garden. The Proprietor having, upon a certain Ground, granted the use of the House for the Benefit of the Performers, during the Remainder of the Season, there will be an Opera on Thursday next. [It was cancelled.] Several Persons of Fashion having generously raised a new Subscription for the Relief of the Performers, they take this opportunity of returning them their most cordial thanks. The Price of the new Subscription is Five Guineas each Subscriber, for 12 Benefit Nights, the Money to be paid into the hands of Mr Drummond, Banker, at Charing-Cross. [On 27 May a concert was held at the Pantheon for the benefit of the singers and dancers who had lately belonged to the King's Theatre, in which they all participated.]

Performances

Mainpiece Title:

3412
09 June 1788 @ Covent Garden

Event Comment: The last Night of the Company's performing this Season. [As 2nd and 3rd pieces the playbill announces, respectively, The Maid of the Oaks and The Farmer, but they were not acted. Their substitutes are listed in the Account-Book, and both are reviewed in Morning Chronicle, 10 June.] Account-Book, 13 June: Received [stage] Forfeits #42; 20 June: Received from Their Majesties for the Box #60, from the Princess Royal for the Box #30; 10 July: Paid Lewis for Management from Lady Day 1785 to Midsummer 1788 #650. Receipts: #147 19s. 6d. (141.18.6; 6.1.0)

Performances

Mainpiece Title: Marian

Afterpiece Title: The Midnight Hour

Afterpiece Title: Animal Magnetism

3413
21 December 1789 @ Covent Garden

Event Comment: Afterpiece [1st time; P 2 (?), by James Wild. Text (no publisher, 1790)]: Being a Collection of favorite Scenes from the Following celebrated Pantomimes: Harlequin Sorcerer, Mother Shipton, Choice of Harlequin, Lord Mayor's Day, Druids, Fryar Bacon, Harlequin Freemason, Norwood Gipsies, Omai, Magic Cavern, and Harlequin Rambler. With new Dresses and Decorations. The Original Scenery, Machinery, &c. painted by Lambert, Dall [both deceased], Carver, Hodgins and Richards-and now all repaired and repainted. The Music selected by Shaw from Pepuch [sic], Dr Arne, Dr Arnold, Dr Fisher, ?M.? Arne, Vincent, Dibdin and Shield. Books of the Songs to be had at the Theatre. Account-Book, 31 Dec.: Paid Wild for his Attention to the Pantomime #30; Boyce for Ditto #15; Shaw for Ditto #10. Receipts: #233 5s. 6d. (204.8.6; 28.17.0)

Performances

Mainpiece Title: Werter

Afterpiece Title: Harlequins Chaplet

Dance: In afterpiece: Byrne, the two Miss Simonets

Song: In III: Epithalamium. Vocal Parts-Darley, Cubitt, Mrs Mountain, Mrs Martyr

3414
11 November 1790 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, usually ascribed to Thomas Holcroft, but probably by James Marshall; adapted from Trau, Schau, Wem! (later entitled Der Gasthof), by Johann Christian Brandes. Authors of Prelude and Epilogue unknown]. Account-Book, 23 Nov.: Paid Marshall, author, in full, #99 8s. [not the actor, engaged at cg this season, whose Christian name was Thomas]. Diary, 23 Nov. 1790: This Day is published The German Hotel (1s. 6d.). Receipts: #179 14s. (166.4; 13.10)

Performances

Mainpiece Title: The German Hotel

Afterpiece Title: Love in a Camp or Patrick in Prussia

3415
29 June 1793 @ Haymarket Theatre

Event Comment: 2nd piece (1st time; C 3, by John O'Keeffe. Prologue by George Colman, ynger (see text)]: With new Scenes, Dresses and Decorations. Salary list (Enthoven Collection): Paid O'Keeffe for London Hermit #108 15s. Morning Chronicle, 17 July 1793: This Day is published The London Hermit (1s. 6d.)

Performances

Mainpiece Title: All In Good Humour

Afterpiece Title: The London Hermit or Rambles in Dorsetshire

Performance Comment: The Characters by Bannister Jun., Suett, Aickin, Evatt, Usher, Parsons, Alfred, Johnstone, Ledger, Abbott, Lyons, Wewitzer, Bland, Barrett, Cooke, Palmer Jun., Benson, Miss Heard, Mrs Webb, Mrs Cuyler, Mrs Hale, Mrs Kemble. [Cast from text (J. Debrett, 1793); O'Keeffe's Dramatic Works, Vol. III (T. Woodfall, 1798); London Chronicle; 1 July: Young Pranks-Bannister Jun.; Whimmey-Suett; Old Pranks-Aickin; Peregrine-Evatt; Barleycorn-Usher; Toby Thatch-Parsons; John Grum-Alfred; Tully-Johnstone; Coachman-Ledger; Skip-Abbott; John-Lyons; Barebones-Wewitzer; Apathy-Bland; Poz-Barrett; Bite-Cooke; Natty Maggs-Palmer Jun.; Carter-Benson [in text: Burton (see17930701]; Post Boy-Comerford (see17930706; Countryman-Waldron Jun. (see17930706; Dian-Miss Heard; Mrs Maggs-Mrs Webb; Mrs Dainty-Mrs Cuyler; Mrs Anymorn-Mrs Hale; Kitty Barleycorn-Mrs Kemble; Fishwoman-Mrs Powell (see17930701; Prologue-Barrymore. [This was spoken, as here assigned, at the 1st 9 performances only (see17930713.]This was spoken, as here assigned, at the 1st 9 performances only (see17930713.]

Afterpiece Title: The Deaf Lover

3416
03 August 1793 @ Haymarket Theatre

Event Comment: 2nd piece [1st time; MD 3, by George Colman, ynger]: The Overture, Choruses, and new Musick by Dr Arnold. The Scenery by Rooker. The Dresses entirely new. Books of the Songs to be had at the Theatre. Salary List (Enthoven Collection): Paid Colman for Mountaineers #290 10s. Morning Chronicle, 26 Feb. 1795: This Day is published The Mountaineers (2s.)

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: The Mountaineers

Song: 2nd piece: Vocal Parts-Kenrick, Walker, Linton, Dorion Jun., Little, Brown, Hobler, Horsfall, Saunders, Dibble, Lyons, Miss Fontenelle, Miss DeCamp, Miss Dall, Miss Menage, Mrs Powell, Mrs Hatton, Mrs Masters, Mrs Bramwell, Mrs Edwin, Mrs Gaudry

3417
12 August 1793 @ Haymarket Theatre

Event Comment: 3rd piece [1st time; MD 2, by John Rose; music by Thomas Attwood]: Books of the Songs to be had at the Theatre. Salary List (Enthoven Collection): Paid Rose for Caernarvon Castle #18 6s. Morning Herald, 16 Sept. 1793: This Day is published Caernarvon Castle (1s.). [This piece had reference to the birthday of the Prince of Wales, which was 12 Aug.

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: The London Hermit

Afterpiece Title: Caernarvon Castle or The Birth of the Prince of Wales

3418
11 November 1793 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, usually ascribed to Thomas Holcroft, but probably by James Marshall; adapted from Trau, Schau, Wem! (later entitled Der Gasthof), by Johann Christian Brandes. Authors of Prelude and Epilogue unknown]. Account-Book, 23 Nov.: Paid Marshall, author, in full, #99 8s. [not the actor, engaged at cg this season, whose Christian name was Thomas]. Diary, 23 Nov. 1790: This Day is published The German Hotel (1s. 6d.). Receipts: #179 14s. (166.4; 13.10)

Performances

Mainpiece Title: The German Hotel

Afterpiece Title: Love in a Camp or Patrick in Prussia

3419
08 May 1794 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland. Authors of Prologue and Epilogue unknown] . Account-Book, 25 Sept. 1794: Paid Cumberland for The Jew #300. Morning Chronicle, 4 Oct. 1794: This Day is published THE JEW (1s. 6d.). Powell: The Quaker rehearsed at 10; The Jew at 11. Receipts: #401 17s. (344/3; 45/19; 11/15)

Performances

Mainpiece Title: The Jew

Performance Comment: Characters by Aickin, Wroughton, Palmer, Bannister Jun., Maddocks, Suett, Banks//Mrs Hopkins, Miss Farren, Mrs Booth, Miss Tidswell. [Cast from text (C. Dilly, 1794): Sir Stephen Bertram-Aickin; Ratcliffe-Wroughton; Frederic-Palmer; Sheva-Bannister Jun.; Saunders-Maddocks; Jabal-Suett//Mrs Ratcliffe-Mrs Hopkins; Louisa Ratcliffe-Miss Farren; Mrs Goodison-Mrs Booth; Dorcas-Miss Tidswell. Banks is unassigned.] Prologue spoken by Palmer. Epilogue spoken by Miss Farren. [These were spoken, as here assigned, at the 1st 10 performances only (see17940603.] hathi. Prologue spoken by Palmer. Epilogue spoken by Miss Farren. [These were spoken, as here assigned, at the 1st 10 performances only (see17940603.] hathi.

Afterpiece Title: THE QUAKER

3420
10 January 1797 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Thomas Morton. Prologue by William Thomas Fitzgerald; Epilogue by Miles Peter Andrews (see text)]: With new Scenes and Dresses. True Briton, 19 Jan.: Morton was paid #400, and #150 "for the Copy-right, which Harris has purchased." Ibid., 27 Mar.: This Day was published A Cure for the Heart Ache (2s.). Receipts: #237 15s. (236.0; 1.15)

Performances

Mainpiece Title: A Cure For The Heart Ache

Performance Comment: Principal Characters by Lewis, Quick, Pope, Munden, Fawcett, Murray, Hull, Farley, Waddy, Thompson, Simmons, Wilde, Street, Blurton, Abbot, Miss Wallis, Mrs Mattocks, Mrs Pope. [Cast from text (T. N. Longman, 1797): Young Rapid-Lewis; Vortex-Quick; Charles Stanley-Pope; Old Rapid-Munden; Frank Oatland-Fawcett; Sir Hubert Stanley-Murray; Heartley-Hull; Bronze-Farley; Farmer Oatland-Waddy; Landlord-Thompson; Waiters-Simmons, Street; Hair@dresser-Wilde; Sir Hubert's Servant-Blurton; Vortex's Servant-Abbot; Jessy Oatland-Miss Wallis; Miss Vortex-Mrs Mattocks; Ellen-Mrs Pope; Prologue-Macready; Epilogue-Mrs Mattocks. [These were spoken, as here assigned, at the 1st 14 performances only (see17970202 see17970225).]These were spoken, as here assigned, at the 1st 14 performances only (see17970202 see17970225).]

Afterpiece Title: Comus

3421
06 December 1797 @ Covent Garden

Event Comment: By Command of Their Majesties. This Evening the Doors to be opened at 5:30. To begin at 6:30. Account-Book: Paid the Duke of Bedford one years rent for the Theatre, the back of the Theatre, the houses in Bow Street, Hart Street, the Piazza, and Playhouse Passage, as expressed in the Receipt, due Lady Day 1796, #456 4s. Receipts: #459 9s. 6d. (452.5.6; 7.4.0)

Performances

Mainpiece Title: False Impressions

Afterpiece Title: The Round Tower

3422
14 November 1799 @ Covent Garden

Event Comment: Afterpiece [1st time; CO 2, by Thomas Knight]: With new Music, new Scenes and Dresses. The Music composed by Mazzinghi and Reeve. The Scenes painted by Richards and Phillips. Books of the Songs to be had in the Theatre. Account-Book, 5 Feb. 1800: Paid Knight for Turnpike Gate #125; Reeve and Mazzinghi for music in same #50. Morning Chronicle, 29 Nov. 1799: This day is published The Turnpike Gate (1s. 6d.). Receipts: #288 17s. (281.2.6; 7.14.6)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Turnpike Gate

3423
04 April 1800 @ Covent Garden

Event Comment: Account-Book, 5 Apr.: Received from John Ashley charge for oratorios #380; Paid One Years Insurance on #10,000 of the Theatre at the Phoenix Fire Office to Lady Day next #115

Performances

Mainpiece Title: The Creation Grand Selection 0

Music: End I: concerto on the Grand Piano Forte-Master Neate; End II: cobcerto on the violin-G. Ashley

3424
28 April 1738 @ Drury Lane Theatre

Event Comment: Towards raising a Fund for Erecting a Monument to the Memory of Shakespear. Mainpiece: Written by Shakespear. The Pit and Boxes to be put together. London Daily Post and General Advertiser, 5 June: The Season [at dl] being finish'd, and the Accounts of it settled, it is thought proper to acquaint the Publick, that the Master of that Theatre has receiv'd One Hundred and Seventy-odd Pounds, (besides some Accounts of Tickets, the Produce of which has not as yet been paid in, which is suppos'd will make near the Sum of Two Hundred Pounds,) towards erecting a Monument to Shakespear

Performances

Mainpiece Title: Julius Caesar

3425
23 May 1738 @ King's Theatre

Event Comment: LLondon Daily Post and General Advertiser, 24 May: May 23, 1738. All Persons that have subscrib'd or are willing to subscribe twenty Guineas for Italian Opera to be perform'd next Season at the King's Theatre...under my Direction, are desired to send ten Guineas to Mr Drummond the Banker....and Whereas I declared I would undertake the Operas provided I can agree with the Performers, and that 200 Subscriptions are procured, and as the greatest Part ob the Subscribers have already paid the 10 Guineas; it is desired that the remaining Subscribers will be pleased to send the Money to Mr Drummond, on or before the 5th of June next....J. J. Heidegger

Performances

Mainpiece Title: La Conquista Del Vello Doro