SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Londoners"/1) | (@(roleclean,performerclean) "Londoners")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 32 matches on Roles/Actors, 3 matches on Performance Comments, 3 matches on Event Comments, 0 matches on Performance Title, and 0 matches on Author.

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Britannia; or, The Royal Lovers

Performance Comment: Britannia-Mrs Chambers; Germanicus-Miss Jones; Cupid-Miss Roberts, the first time of her appearing on this stage. In it: Harlequin in the City; or, A Wonder: Colombine Turn'd Elephant. Colombine-Mrs Roberts; Harlequin-Lun Jr; Colombine's Husband-Rosco; Clown-Penkethman; Yeoman-Wetherilt; Londoners-Hind, Topham; Yeoman's Wife-Mrs Hamilton; Londoners' Wives-Mrs Woodward, Miss Sandham; Master of the Elephant-Hulett; Gentlemen-Harbin, Jenkins, Morris; Herb Woman-Norris; Egg Woman-Monlass; Guinea Droppers-Ray, Dove; Porters-Pearce, Ayres; Basket Woman-Excell. And a New Prologue address'd to the Town, upon Harlequin's Introduction into the City. With New Musick compos'd by Mr Seedo .

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: Harlequin in the City

Performance Comment: Colombine-Mrs Hamilton; Harlequin-Lun Jr; Colombine's Husband-Rosco; Clown-Penkethman; Yeoman-Wetherilt; Londoners-Hind, Topham; Yeoman's Wife-Miss Gerrard; Londoners' Wives-Mrs Woodward, Miss Sandham; Herb Woman-Norris; Egg Woman-Monlass; Porters-Pearce, Ayres; Basket Woman-Excell. Music by Seedo. See also Britannia, 25 Sept .

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Britannia

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Britannia

Performances

Mainpiece Title: The Unhappy Favourite; Or, The Earl Of Essex

Afterpiece Title: Britannia

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Britannia

Performances

Mainpiece Title: Cato

Afterpiece Title: Britannia

Performances

Mainpiece Title: The Tender Husband; Or, The Accomplish'd Fools

Afterpiece Title: Britannia

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: Britannia

Performances

Mainpiece Title: The Wonder

Afterpiece Title: Britannia

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Britannia

Dance: By Haughton, who never appeared on this stage before

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Britannia

Dance: By Haughton

Performances

Mainpiece Title: Lady Jane Gray

Afterpiece Title: Britannia

Performances

Mainpiece Title: The Committee

Afterpiece Title: Harlequin in the City

Performances

Mainpiece Title: The Orphan

Afterpiece Title: Harlequin 1n the City

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: Harlequin in the City

Performances

Mainpiece Title: Entertainment

Event Comment: Mainpiece: Never Acted before, By the Author of...Hurlothrumbo [Samuel Johnson]. The Musick and Epilogue compos'd by Lord Flame [Johnson]. John Byrom, 1 Feb.: They [two Londoners] said the first night Johnson was for fighting with somebody in the pit.-Byrom, Private Journals and Literary Remains, XI, 88

Performances

Mainpiece Title: All Alive And Merry; Or, Men In Pursuit Of Money

Afterpiece Title: The Beggar's Pantomime

Event Comment: A New Comic Opera of Two Acts written by Mr Bate--Much hissing and Crying out no more no more!--Mr Reddish was desired to give out the Play as soon as Matilda was over--but he with his usual politeness ran up and undress'd himself as fast as he could so that the play was not given out till the End of the Farce as soon as the Blackamoor was given out for the next Night they kept a great Noise and call'd for another Farce to be given out--at length they began to be more appeas'd and went away vowing Vengeance on it the next Night (Hopkins Diary). The Overture and Music of the afterpiece entirely New. Books of the Songs &c. to be had at the Theatre. New Scenes, Dresses, &c. [This is Larpent MS 400. Sir Oliver Oddfish distrusts his servants and is about to replace them with blacks, giving his nephew the chance to introduce Frederick , his daughter Julia 's lover, in disguise as a blackamoor, and to effect an elopement. Act I criticizes Londoners and concludes with the comment, "O that I should ever live to see the day when white Englishmen must give place to foreign blacks." MacMillan's note from Kemble differs slightly.] Paid the late Mr Johnston's bill to his executors #44 18s. 6d. (Treasurer's Book). [Afterpiece reviewed in three columns in the Westminster Magazine for Feb. Reviewer thought it had been produced well in all departments, music, scenery, costume, and acting, but concluded it a theatrical trifle giving not much credit to its author.] Receipts: #166 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Matilda

Afterpiece Title: The Blackamoor Wash'd White

Event Comment: "The Italian singers, male and female, whom I saw on this stage, distinguished themselves by good action, which is uncommon among the Italians. But the Italian opera would instantly be abandoned, notwithstanding the talents of the singers and the beauty of the music, if dancing were not the powerful magnet which attracts the Londoners. All Italian operas are, therefore, abridged, divertisements introduced between the acts, and the ballets considerably lengthened, in order to gratify the public taste" (Goede, p. 263)

Performances

Mainpiece Title: The 1st Act Of Le Gelosie Villane

Afterpiece Title: The 1st Act of Merope

Dance: As17970715