SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Abate Conte Zaccaria de Seriman"/1) | (@(roleclean,performerclean) "Abate Conte Zaccaria de Seriman")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 997 matches on Performance Title, 463 matches on Performance Comments, 169 matches on Event Comments, 166 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Funeral

Dance: Tambourine by Miss Rogers. Polonese by Mlle De L'Isle. Peasant by Tench and Miss Rogers

Performances

Mainpiece Title: The Relapse

Afterpiece Title: Flora

Music: End Afterpiece: Handel's Water Musick, with Preamble on Kettle Drum by Benj. Baker

Dance: II: Peasant Dance by Tench and Miss Rogers. IV: Harlequin, Punch, and Colombine by Nivelon, Lalauze, and Mlle De L'Isle. End Afterpiece: Glover's Sailors Dance

Song: I: Mock Italian Song by Roberts. III: Dialogue by Leveridge and Mrs Wright. V: Praise of old English Beer by Leveridge, &c

Performances

Mainpiece Title: Pasquin

Performances

Mainpiece Title: Love Makes A Man

Dance: As17420125

Performances

Mainpiece Title: The Alchemist

Dance: II: Sicilian Peasant, as17430310 IV: A Comic Dance call'd La Florana-Checo, Chiaretta

Song: III: Was ever Nymph like Rosamond-Beard

Performances

Mainpiece Title: Romeo And Juliet

Performances

Mainpiece Title: Cymbeline

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: Orpheus and Eurydice

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: Pyramus and Thisbe

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Lying Valet

Song: Barlow

Dance: As17451028

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Miller of Mansfield

Dance: II: New Scotch Dance, as17490118

Performances

Mainpiece Title: L'homme A Bonne Fortune

Afterpiece Title: La Chercheuse D'esprit

Performances

Mainpiece Title: The Relapse

Afterpiece Title: The Anatomist

Dance: II: Wooden Shoe-Master Malter, two Miss Foulcades; III: Dutch Sailor-Mas. Maltere; IV: Les Fantasies de la Dance, as17500428 but-Miss Foulcade; V: Louvre & Minuet-Maltere, Miss Foulcade

Performances

Mainpiece Title: Zara

Dance: As17500926

Performances

Mainpiece Title: Mrs Midnight's New Carnival Concert; Or, The Old Woman's Oratory

Afterpiece Title: La Pantomime du Charpentier

Dance: An Extraordinary Original who will not touch the Ground either with his hands or feet-

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Mercury Harlequin

Performances

Mainpiece Title: All In The Wrong

Dance: As17610616

Performances

Mainpiece Title: He Jovial Crew

Afterpiece Title: The Merry Counterfeit; or, Viscount a-la-Mode

Dance: TThe French Country Gentleman, as17611210

Entertainment: Between play and Farce:(For this night only) A Dish of All Sorts-Shuter. As17590322

Performances

Mainpiece Title: Elvira

Afterpiece Title: The Male Coquette

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: Polly Honeycombe

Dance: II: A New Comic Dance call'd The Vintage-Sga Giorgi, Sg Guidetti (his first appearance in England); End: A New Entertainment of Dancing call'd The Italian Bakers-Guidetti, Mrs King

Event Comment: Receipts: #200 7s. 6d. (Account Book). Mainpiece: With New Dresses and Decorations. [The first of a series of five performances (the last, Merchant of Venice, 18 Nov.) which got Macklin dismissed from the theatre until 1775, when his lawsuit against six persons whom he claimed formed a conspiracy to hiss him from the stage and ruin his livlihood was concluded favorably for him. His performance of Macbeth was favorably treated but with certain misgivings in the Morning Chronicle (25 Oct.), but he was mercilessly criticized in the London Evening Post and St James Chronicle: "In Act II, Sc. i, Shakespeare has made Macbeth murder Duncan; Now Mr Macklin, being determined to copy from no man, reversed this incident, and in the very first act, scene the second, murdered Macbeth." The favorable review (Morning Chronicle) thought he did well in first and last acts, but gave way to stage rant and "vehemence of energetic expression" wanting any variation in tone in between. It also pointed out a certain faulty memory of his lines. His novel stage effects came in for a paragraph of comment: The alterations in the jeux de theatre respecting the representation of this tragedy do Mr Macklin great credit. His change of the scenery is peculiarly characteristical. The Quadrangle of Macbeth's castle, and the door which is supposed to lead to Duncan's apartment (both of which are entirely new) are additions of consequence to the exhibition of the play. The door also through which Macbeth comes to the Weird Sisters, in the 4th act, is a better and more probable entrance than through the common stage portal. The dresses are new, elegant, and of a sort hitherto unknown to a London audience, but exceedingly proper. The Banquet was superbly set out, and it must be confessed that the managers seem to have spared neither cost nor assiduity to ornament and add to the effect of the representation." A favorable letter from a correspondent to the London Evening Post adds: "I must observe, Mr Printer, that from the graceful and characteristic manner in which Macbeth was introduced by the martial music and military procession, from the manner of M. Macklin's acting, from his judicious alteration of the dresses, the disposition of the scene where the King is killed, the cave of the witches in the 4th act, from the improvement of Mrs Hartley's thinking in Lady Macbeth and from her manner of speaking, which seemed plainly to be the effects of some intelligence she had received from Mr Macklin...I thought Mr Macklin deserv'd great praise." See the newspaper comments all gathered and reprinted in an Apology for the Conduct of Charles Macklin, (London, 1773). See also note to 30 Oct. See also London Chronicle, Oct. 23-26 (cf. Odell, I, 453). The Westminster Magazine suggests the performance was pitiable. "Macklin knew what he ought to do, but could not do it." The Scenemen's pay this week was about double the normal cost. (Account Book).] Verse Squibs from St James Chronicle (Oct. 1773) against Macklin: @Macbeth@"Eight Kings appear and pass over in order, and Banquo the last"@Old Quin, ere Fate suppressed his lab'ring breath@In studied accents grumbled out Macbeth:--@Next Garrick came, whose utt'rance truth impressed,@While ev'ry look the tyrant's guilt confess'd:--@Then the cold Sheridan half froze the part,@Yet what he lost by nature sav'd by art.@Tall Barry now advanc'd toward Birnam Woodv@Nor ill performed the scenes--he understood--@Grave Mossop next to Foris shaped his march@His words were minute guns, his action starch.@Rough Holland too--but pass his errors o'er@Nor blame the actor when the man's no more.@Then heavy Ross, assay'd the tragic frown,@But beef and pudding kept all meaning down:--@Next careless Smith, try'd on the Murd'rer's mask,@While o'er his tongue light tripp'd the hurried task:--@Hard Macklin, late, guilt's feelings strove to speak,@While sweats infernal drench'd his iron cheek;@Like Fielding's Kings [in Tom Thumb] his fancy'd triumphs past,@And all be boasts is, that he falls the last.@ Also from St James Chronicle:@The Witches, while living deluded Macbeth@And the Devil laid hold of his soul after death;@But to punish the Tyrant this would not content him,@So Macklin he sent on the stage to present him.

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Thomasand Sally

Performances

Mainpiece Title: Braganza

Afterpiece Title: The Anatomist

Performances

Mainpiece Title: The Orators

Afterpiece Title: The Mayor of Garratt

Dance: Tambourine Dance-