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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "Seeing is Believing A Dramatic Proverb"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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105 results for: Title - Seeing is Believing: A Dramatic Proverb

76
03 September 1760 @ Bartholomew Fair

Performances

Mainpiece Title: Dramatic Turtle

77
27 May 1776 @ Mary-le-Bone Gardens

Performances

Mainpiece Title: Fragmentary ]dramatic Entertainments

78
28 May 1776 @ Mary-le-Bone Gardens

Performances

Mainpiece Title: [fragmentary] Dramatic Entertainments

79
26 January 1778 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Friar

Afterpiece Title: The Irish Widow

Entertainment: Monologues End I: Bucks have at Ye All-Master Russell; End I afterpiece: an Address to the Ladies on the subject of Jealousy-Master Russell; Imitations End: of several Dramatic Characters-Master Russell

80
22 August 1781 @ Haymarket Theatre

Performances

Mainpiece Title: the Feast Of Thalia; Or, A Dramatic Olio

Afterpiece Title: First Course, a substantial Dish from: Henry IV

Afterpiece Title: Second Courae, a Comic Dish, never serv'd up before: Kensington Gardens; or, The Walking Jockey

Afterpiece Title: Third Course, an Operatic Dish: The Son-in-Law

Afterpiece Title: Also by way of Entremet: Ripe Fruit; or, The Marriage Act

Afterpiece Title: Desert: Tom Thumb

Song: In Second Course: Auld Robin Gray-Miss Harper

81
09 February 1782 @ Covent Garden

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: The Dramatic Puffers

Afterpiece Title: The Golden Pippin

82
11 February 1782 @ Covent Garden

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: The Dramatic Puffers

Afterpiece Title: Tom Thumb

Dance: After the Epilogue, as17811213

83
12 February 1782 @ Covent Garden

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: The Dramatic Puffers

Afterpiece Title: The Jovial Crew

84
14 February 1782 @ Covent Garden

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: The Dramatic Puffers

Afterpiece Title: The Devil to Pay

Dance: As17820211

85
16 February 1782 @ Covent Garden

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: The Dramatic Puffers

Afterpiece Title: Tom Thumb

86
18 February 1782 @ Covent Garden

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: The Dramatic Puffers

Afterpiece Title: Midas

87
19 February 1782 @ Covent Garden

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: The Dramatic Puffers

Afterpiece Title: Midas

88
21 February 1782 @ Covent Garden

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: The Dramatic Puffers

Afterpiece Title: Vertumnus and Pomona

Dance: End of Epilogue a new Pastoral Dance, Palemon and Lavinia, by Aldridge, Langrish, Mrs Davenett, Miss Francis, Miss Rowson, Miss Besford

89
23 February 1782 @

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: The Dramatic Puffers

Afterpiece Title: Comus

Dance: As17820221

90
25 February 1782 @ Covent Garden

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: The Dramatic Puffers

Afterpiece Title: The Jovial Crew

91
28 February 1782 @ Covent Garden

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: The Dramatic Puffers

Afterpiece Title: The Choice of Harlequin

92
17 September 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Who's the Dupe

Dance: End of Act I of afterpiece The Minuet de la Cour by the Miss Stageldoirs

Monologue: 1782 09 17 End of Act I of mainpiece a Dramatic Oglio by King

93
08 May 1784 @ Covent Garden

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: The Rival Knights

Afterpiece Title: Rose and Colin

Dance: End of Act II of mainpiece a Dramatic Romance, Adelaide de Brabant; or, The Triumph of Virtue. Principal Characters by Bithmere, Le Boeuf, Mme Bithmere. ["An infant son of Grimaldi (i.e. Joseph, aged 6) performs in an astonishing manner" (Gazetteer, 12 May).] End of Act IV an Allemande and Dance, called Malbrough (composed by Vestris Jun.) by Le Boeuf and Mme Bithmere

94
16 August 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Feast Of Thalia; Or, A Dramatic Olio

Afterpiece Title: First Course, an Operatic Dish: The Dead Alive

Afterpiece Title: Second Course, a Comic Dish: More Frighten'd than Hurt

Afterpiece Title: a Desert: The Honest Yorkshireman

Monologue: 1785 08 16 End of Second Course, by way of Entremet, Joe Haynes's Epilogue, riding on an Ass, by Wilson

95
25 April 1788 @ Covent Garden

Performances

Mainpiece Title: Rosina

Afterpiece Title: Barnaby Brittle

Afterpiece Title: The Irish Widow

Entertainment: End I, end 1st piece: those Dramatic Imitations-Mrs Wells [of which the Public have deigned to think so flatteringly; In the First Part: Traits of Tragic Comic and Vocal Characters-; The Second will conclude: a Scene from Two great Tragic Actresses of this Country-. [The First Part consisted of imitations of Mrs Siddons in the "ring" scene in IV.ii of Isabella; Mrs Wrighten singing Tally ho; Sga Sestini as Jessamy in Lionel and Clarissa; Mrs Abington in The Way to Keep Him; Mrs Martyr in Robin Hood. The Second concluded with Mrs Siddons and Mrs Crawford as Jane Shore and Alicia in Jane Shore (World, 26 Apr.). Public Advertiser, 26 Apr., states that she also imitated Mrs Crouch, Mrs Cargill and Mrs Pope. The imitations were preceded by an Introduction written by Miles Peter Andrews (World, 28 Apr.).

96
13 August 1790 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: Taste and Feeling: A Dramatic Caricature

Afterpiece Title: The Liar

Entertainment: Monologue. End I 3rd piece: Liberty; or, Two Sides of the Water-Bannister Jun

97
28 April 1792 @ Covent Garden

Performances

Mainpiece Title: Notoriety

Afterpiece Title: Robin Hood

Entertainment: Monologues Preceding: [a New Address, She Couldn't Help It-[by Harley]; End: Collins's Ode on the Passions-Mrs Esten; [Imitations End II: Dramatic Imitations [Comic, Vocal and Tragic,-Mrs Wells

98
31 May 1794 @ King's Theatre

Performances

Mainpiece Title: Il Burbero Di Bu0n Cuore

Dance: End of Act I New Divertisement, as17940311End of Act II a new Ballet Dramatic Pantomime, composed by D'Egville, Le Bon Prince; ou, Les Infortunes Vertueux, by Favre Guiardele, Gentili, Aumer, Master Menage, D'Egville, Mlle Hilligsberg, Mlle Guiardele, Mme Del Caro

99
26 March 1795 @ King's Theatre

Performances

Mainpiece Title: Semiramide

Dance: End I: New Divertisement, in which the Pas Russe-Mme Hilligsberg, Mme Hilligsberg's sister in men's clothes; End II: a new Grand Dramatic Pantomime Ballet, in 3 parts, composed by Onorati, Paul et Virginie-Gentili, Aumer, Lahante, Simpson, Mme DelCaro, Miss J. Hilligsberg, Mme Rossi, Mme Hilligsberg who will perform in men's clothes and dance a Scotch Reel in that character

100
25 May 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: Mahmoud

Afterpiece Title: A Dramatic Cento

Afterpiece Title: The Sultan

Dance: End I: (by permission of the Proprietor of the king's Theatre) the new favorite Ballet, in the Scots' Stile, Little Peggy's Love- The Pantomime, Principal Steps by Didelot; the Principal Characters the Dancers of the Opera House: Didelot, Gentili, Ms Vidi, Ms Bossi, Ms Barre, Ms Parisot, Ms Hilligsberg, Ms Rose

Song: End 3rd piece: the Finale to The Iron Chest, Harmony Harmony- being the last Composition of Storace