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SELECT * FROM london_stages WHERE MATCH('(@(perftitleclean,performancetitle) "Drydens Ode"/1)') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=150, performancetitle=100), ranker=wordcount

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101 results for: Title - Dryden's Ode

76
20 March 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: A Lyric Ode; Alexander's Feast, And The Coronation Anthems

Music: After the Ode: A Miscellaneous Act-; New Overture-; Song-a Gentleman (his first appearance in Public); Concerto on Oboe-Fischer; Song-Miss M. Linley (composed by Bach); Concerto on violin-Linley Jr; Song-Miss Linley (composed by Sacchini); Duetto-the Two Miss Linley's (composed by Piccini); Chorus

77
18 March 1778 @ Drury Lane Theatre

Performances

Mainpiece Title: Alexander's Feast; Acis And Galatea

Afterpiece Title: The Song of Moses; Acis and Galatea

Song: As there are very few songs in Alexander's Feast that can be adaptedBetween two Parts of Ode: song-Mrs Farrell

Music: As17780311

78
17 March 1779 @ Haymarket Theatre

Performances

Mainpiece Title: A Miscellaneous Act

Afterpiece Title: Victory, an Ode Inscribed to Admiral Keppel; Messiah

79
14 March 1780 @ Covent Garden

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: An Ode by Garrick

Dance: As17790922

80
11 April 1780 @ Covent Garden

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Spaniards Dismayed

Afterpiece Title: The Jovial Crew

Song: In 2nd piece an ode: The Wooden Walls of England (the words by Henry? Green, the music by Dr Arne)-Reinhold, J. Wilson, Miss Morris

81
05 March 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Acis And Galatea

Afterpiece Title: Dryden's de

Music: End of Part I of oratorio concerto on the violoncello by Crosdill

82
26 April 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Irish Widow

Song: End of mainpiece The Soldier tired of War's Alarms by Mrs Pinto

Monologue: 1785 04 26 End of Act II of mainpiece Collins's Ode on the Passions by Mrs Walcot. imitations. End of Act I of afterpiece, as 17 Sept. 1784, but An entire new dialogue in the Shades between Foote and Weston; added: Prospero (in the manner of Mossop); omitted: Prologue to Barbarossa

83
09 March 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: The Captives

Afterpiece Title: The Humourist

Song: In Act II of mainpiece an Ode (composed by Dr Cooke). Vocal Parts by Dignum, Danby, Wilson, Phillimore, Alfred, Newbold; Mrs Love, Mrs Booth, Miss Burnett, Miss J. Stageldoir, Mrs Forster

84
19 March 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: Alexander's Feast; Or, The Power Of Music; Messiah

Afterpiece Title: Acis and Galatea; Messiah

Music: End Ode: As17900219

85
15 February 1791 @ Covent Garden

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: The Farmer

Entertainment: Monologue End: (for that night only) Collins's Ode on the Passions-Mrs Esten

86
28 April 1792 @ Covent Garden

Performances

Mainpiece Title: Notoriety

Afterpiece Title: Robin Hood

Entertainment: Monologues Preceding: [a New Address, She Couldn't Help It-[by Harley]; End: Collins's Ode on the Passions-Mrs Esten; [Imitations End II: Dramatic Imitations [Comic, Vocal and Tragic,-Mrs Wells

87
17 April 1793 @ Covent Garden

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: True Blue

Afterpiece Title: The Sultan

Dance: In 3rd piece: As17921003; In 2nd piece: Hornpipe, as17930411

Entertainment: Monologue End 2nd piece: Collins's Ode on the Passions-Mrs Esten

88
30 August 1794 @ Haymarket Theatre

Performances

Mainpiece Title: Britain's Glory

Afterpiece Title: THE SURRENDER OF CALAIS

Afterpiece Title: THE CHILDREN IN THE WOOD

Monologue: 1794 08 30 End of Act I of 3rd piece Collins's Ode on the Passions by Palmer

89
30 May 1795 @ Drury Lane Theatre

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Quaker

Entertainment: MonologueEnd I afterpiece: Collins's Ode on the Passions-Palmer

90
12 February 1796 @ Covent Garden

Performances

Mainpiece Title: Alexander's Feast Or, the Power Of Music; Grand Selection 0

Afterpiece Title: Alexander's Feast 3

Music: End Part I: concerto on the harp-Mme Delaval; Beginning Part II: concerto for two violins and violoncello obligato-, as originally composed for this Ode, by Handel and performed in the year 1736; End Part II: concerto on the Grand Piano Forte-Dussek

91
19 May 1796 @ Covent Garden

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Harlequin's Treasure 0

Afterpiece Title: Harlequin's Treasure 1

Afterpiece Title: Harlequin's Treasure 2

Song: End: An Ode, selected from Ben Jonson, as17960516

92
16 September 1796 @ Haymarket Theatre

Performances

Mainpiece Title: The Mountaineers

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Mock Doctor

Dance: End 2nd piece: Pas Russe, as17960907

Entertainment: MonologueEnd: Collins's Ode on the Passions-Palmer

93
15 March 1797 @ Covent Garden

Performances

Mainpiece Title: Alexander's Feast 0; Or, the Power Of Music Messiah 0

Afterpiece Title: Alexander's Feast 3

Music: Preceding II: concerto for two violins and violoncello obligato- , as originally composed for this Ode by Handel, and performed under his Direction in the year 1736; End II: concerto on the Grand Piano Forte-Dussek

94
15 June 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Devil to Pay

Entertainment: MonologueEnd: Collins's Ode on the Passions-Palmer

95
24 January 1799 @ Haymarket Theatre

Performances

Mainpiece Title: The Messiah

Music: Previous to The Messiah: An Ode, written by W. T. Fitzgerald, Esq., the Music entirely new by Dr Arnold-; Concerto on the violin-Barthelemon

96
22 February 1799 @ Covent Garden

Performances

Mainpiece Title: Acis And Galatea; Grand Selection 0

Music: End I: Ode on St. Cecilia's Day-[(never before performed text by the Rev. Samuel Wesley]), set to music by Samuel Wesley; Introductory to the Ode: [Handel's 3rd organ concerto-Samuel Wesley

97
16 May 1799 @ Drury Lane Theatre

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: The Deserter

Entertainment: Monologues End: Collins's Ode on the Passions (1st time)-Miss Heard; Epilogue in the Character of Cupid-Master Chatterley

98
15 April 1800 @ King's Theatre

Performances

Mainpiece Title: Alessandro E Timoteo (alexander's Feast, From dryden)

Dance: End I: A New Bacchanalian Divertisement Ballet, connected with and incidental to the Opera (introduced by a prelude of Chorus), the Music by Sarti, the Action and Dance by D'Egville, and performed-Didelot, Deshayes, Mlle Parisot, Mme Laborie, Mme Hilligsberg; End Opera: La Fille Mal Gardee-Mlle Parisot (will perform part originally represented by Mme Rose Didelot)

99
19 April 1800 @ Covent Garden

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: Saturday Night at Sea

Afterpiece Title: Lock and Key

Entertainment: Monologue End: Collins's Ode on the Passions-Mrs Pope

100
25 August 1772 @ Mary-le-Bone Gardens

Performances

Mainpiece Title: La Serva Padrona

Song: Several songs-Mrs Forbes; Musical Imitations-Bannister; An Odecomposed by Arnold will be sung in the manner of an Oratorio-Reinhold, Bannister, Mrs Forbes, Mrs Cartwright, Mrs Thompson, with a number of the best Chorus Singers