The London Stage Database team will be retiring the Legacy Search on May 1, 2025. Please take a moment before that date to reproduce any pre-2021 searches and export any resulting datasets you may wish to preserve for future use. We are making this change in order to free up computational resources for new features and data, currently in development with support from the National Endowment for the Humanities. Watch this space for more updates and, coming soon, new ways to keep up with the latest project developments!

26 April 1785

Event Information
Theatre: Haymarket Theatre
Theatrical Season: 1784-1785
Volume: 5
Comments: By Permission of the Lord Chamberlain. Benefit for Mrs Greville. Tickets and places to be had of Mrs Greville, No. 1, Queen's-court, King-street, Covent-garden. [This was Mrs Pinto's last appearance on the stage (but see 12 May 1786).]

Performance List

Event Downloads

JSON XML CSV

  • Your web browser doesn't have a PDF plugin. Instead, click here to download the PDF file

  • Original Data

    Source: OCR from HathiTrust PDFs

    *p1785 04 26 hay The Suspicious Husband. Ranger-Mrs Greville (1st appearance in that character); Frankly-Walton; Bellamy-Cross; Jack Meggot-Benson; Tester-Follett; Buckle-Bell; Simon-Brown; Mr Strickland-L'Estrange; Mrs Strickland-Mrs Walcot (from the Theatre Royal, Edinburgh); Jacintha-Mrs Bolton; Lucetta-Mrs Waldron; Milliner-Mrs Benson; Clarinda-Mrs Hunter. Also The Irish Widow. Sir Patrick-L'Estrange; Widow Brady (with the Epilogue Song)-Mrs Greville. No other parts assigned. singing. End of mainpiece The Soldier tired of War's Alarms by Mrs Pinto. MONOLOGUE. End of Act II of mainpiece Collins's Ode on the Passions by Mrs Walcot. imitations. End of Act I of afterpiece, as 17 Sept. 1784, but An entire new dialogue in the Shades between Foote and Weston; added: Prospero (in the manner of Mossop); omitted: Prologue to Barbarossa. comment. By Permission of the Lord Chamberlain. Benefit for Mrs Greville. Tickets and places to be had of Mrs Greville, No. 1, Queen's-court, King-street, Covent-garden. [This was Mrs Pinto's last appearance on the stage (but see 12 May 1786).]

  • Cleaned Data

    *p1785 04 26 hay The Suspicious Husband. Ranger-Mrs Greville (1st appearance in that character); Frankly-Walton; Bellamy-Cross; Jack Meggot-Benson; Tester-Follett; Buckle-Bell; Simon-Brown; Mr Strickland-L'Estrange; Mrs Strickland-Mrs Walcot (from the Theatre Royal, Edinburgh); Jacintha-Mrs Bolton; Lucetta-Mrs Waldron; Milliner-Mrs Benson; Clarinda-Mrs Hunter .hathi.*a1785 04 26 hay The Irish Widow. Sir Patrick-L'Estrange; Widow Brady (with the Epilogue Song)-Mrs Greville. No other parts assigned .hathi.*s1785 04 26 hay End of mainpiece The Soldier tired of War's Alarms by Mrs Pinto .hathi.*c1785 04 26 hay By Permission of the Lord Chamberlain. Benefit for Mrs Greville. Tickets and places to be had of Mrs Greville, No. 1, Queen's-court, King-street, Covent-garden. [This was Mrs Pinto's last appearance on the stage (but see 12 May 1786).] hathi.*u1785 04 26 hay 1785 04 26 End of Act II of mainpiece Collins's Ode on the Passions by Mrs Walcot. imitations. End of Act I of afterpiece, as 17 Sept. 1784, but An entire new dialogue in the Shades between Foote and Weston; added: Prospero (in the manner of Mossop); omitted: Prologue to Barbarossa .hathi.

  • Parsed Data

    Event: 43833 | 17850426 | hay | hathi | By Permission of the Lord Chamberlain. Benefit for Mrs Greville. Tickets and places to be had of Mrs Greville, No. 1, Queen's-court, King-street, Covent-garden. [This was Mrs Pinto's last appearance on the stage (but see 12 May 1786).]
    Performance: 94589 | 43833 | p | The Suspicious Husband | Ranger-Mrs Greville (1st appearance in that character); Frankly-Walton; Bellamy-Cross; Jack Meggot-Benson; Tester-Follett; Buckle-Bell; Simon-Brown; Mr Strickland-L'Estrange; Mrs Strickland-Mrs Walcot (from the Theatre Royal, Edinburgh); Jacintha-Mrs Bolton; Lucetta-Mrs Waldron; Milliner-Mrs Benson; Clarinda-Mrs Hunter .
    Cast:
    163956 | 94589 | Ranger | Mrs Greville
    163957 | 94589 | Frankly | Walton
    163958 | 94589 | Bellamy | Cross
    163959 | 94589 | Jack Meggot | Benson
    163960 | 94589 | Tester | Follett
    163961 | 94589 | Buckle | Bell
    163962 | 94589 | Simon | Brown
    163963 | 94589 | Mr Strickland | L'Estrange
    163964 | 94589 | Mrs Strickland | Mrs Walcot
    163965 | 94589 | Jacintha | Mrs Bolton
    163966 | 94589 | Lucetta | Mrs Waldron
    163967 | 94589 | Milliner | Mrs Benson
    163968 | 94589 | Clarinda | Mrs Hunter
    Performance: 94590 | 43833 | a | The Irish Widow | Sir Patrick-L'Estrange; Widow Brady (with the Epilogue Song)-Mrs Greville. No other parts assigned .
    Cast:
    163969 | 94590 | Sir Patrick | L'Estrange
    163970 | 94590 | Widow Brady | Mrs Greville. No other parts assigned
    Performance: 94591 | 43833 | s | End of mainpiece The Soldier tired of War's Alarms by Mrs Pinto | hathi.
    Performance: 94592 | 43833 | u | 1785 04 26 End of Act II of mainpiece Collins's Ode on the Passions by Mrs Walcot | imitations. End of Act I of afterpiece, as 17 Sept. 1784, but An entire new dialogue in the Shades between Foote and Weston; added: Prospero (in the manner of Mossop); omitted: Prologue to Barbarossa .

Mainpiece

Title: The Suspicious Husband
Comments:
Ranger-Mrs Greville (1st appearance in that character); Frankly-Walton; Bellamy-Cross; Jack Meggot-Benson; Tester-Follett; Buckle-Bell; Simon-Brown; Mr Strickland-L'Estrange; Mrs Strickland-Mrs Walcot (from the Theatre Royal, Edinburgh); Jacintha-Mrs Bolton; Lucetta-Mrs Waldron; Milliner-Mrs Benson; Clarinda-Mrs Hunter .
Cast:

Related Works

Publish Date: 1747
Birth: 1706
Death: 1757

Afterpiece

Title: The Irish Widow
Comments:
Sir Patrick-L'Estrange; Widow Brady (with the Epilogue Song)-Mrs Greville. No other parts assigned .
Cast:

Related Works

Publish Date: 1772
Author: David Garrick
Birth: 1717
Death: 1779

Song

Comment: End of mainpiece The Soldier tired of War's Alarms by Mrs Pinto

Monologue

Comment: 1785 04 26 End of Act II of mainpiece Collins's Ode on the Passions by Mrs Walcot. imitations. End of Act I of afterpiece, as 17 Sept. 1784, but An entire new dialogue in the Shades between Foote and Weston; added: Prospero (in the manner of Mossop); omitted: Prologue to Barbarossa

Cite this page

Chicago:
MLA: