SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "young little Salomon"/1) | (@(roleclean,performerclean) "young little Salomon")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3324 matches on Performance Comments, 968 matches on Performance Title, 942 matches on Event Comments, 771 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece. By Particular Desire. Paid half years Land and Window tax, #3 3s. 6d. Licensing Little Gipsey, City Manners, New Epilogue to Maid of the Oaks and Sultan #7 7s. Receipts: #198 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Zara

Cast
Role: Zara Actor: Miss Younge

Afterpiece Title: The Sultan

Event Comment: The father of the runaway siren of Covent Garden [Miss Brown; see 16 Dec. 1775] apprehended the little wanton truant at her aunt's in the city, forcing her into a coach, drove off with her into the country: however, she had not been carried above five miles before her cries raised the inhabitants of a village; whom she soon worked to her purpose by declaring that the man (her father) was carrying her away by force, in order to ship her for America....The peasants released her, when she run to town across the country, and has not been re-taken since by her father (Morning Post, 5 Jan.)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Catherine and Petruchio

Dance: End Opera: Mirth and Jollity, as17760102

Event Comment: Mainpiece: By Particular Desire and advertised as Garrick's last time of performing the character of Lusignan. This Farce of Two Acts was written by Mr Colman -the first Act was receiv'd with great Applause the second Act a little heavy -and not so much Applause as the first (Hopkins Diary). Paid Mr Park 1 chorus 4 nights (Jubilee) #1 10s. (Treasurer's Book). [The Westminster Magazine for March tells the plot of the afterpiece, and concludes: "The wit and dialogue of this piece will hardly keep it long in esteem with the public. They are sometimes lively, but generally pert and affected."] Receipts: #272 18s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Zara

Cast
Role: Zara Actor: Miss Younge

Afterpiece Title: The Spleen or Islington Spa

Dance: V: The Sailors Revels, as17751220

Event Comment: By Desire. Benefit for Miss Abrams (who perform'd the Little Gipsey). Tickets deliver'd for The Maid of the Mill, and by Mr Norris and Mrs Veal will be taken. Rec'd Stopages #11 9s. 6d. Paid salary list #621 16s. 6d.; Mr Gardner (By Order) one night #5 5s. Receipts: #78 16s. Charges: #70 5s. 6d. Profits to Miss Abrahams: #8 10s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: The Waterman

Song: V: (By Desire) The Soldier Tir'd-Miss Abrams

Event Comment: House (Hopkins Diary). Last time of Garrick's performing Richard . Ladies desired to send their Servants a little after Five to keep places, to prevent Confuson. It is Vanity to endeavor to describe Mr G. Merits they beggar all Descripiton, suffice it to Say he was what he represented (Hopkins Diary). [MacMillan's note from Kemble conservatively toned down.] Paid Sg Como and Crispi in full #3 8s. 3d. Mr Hurd ditto 7s. 6d. Receipts: #284 10s. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Anatomist or The Sham Doctor

Event Comment: By Command of their Majesties. When the play began there was a very great Noise the performers were oblig'd to Stop and go off the Stage Mr Reddish went on and desir'd to Know their pleasure they said they wanted the Pit door be open'd to let out some of the people for so many had Crowded in that they could not Sit down-the door was open'd and in a little time after all was quiet and the Play was begun once more at a quarter after Seven. During this time the King Sent Two Messages to Mr G. to desire that he would not let this Noise disconcert him and his Majesty would take care that all should be quiet before the play began (Hopkins Diary). [MacMillan's note from Kemble: "I cannot say enough of Mr Garrick's Performance tonight." Kemble further notes that Garrick's fatigue led them to abandon further performances until Saturday 8 June.] Paid Mr Heard extra allowance #3; Ditto on note #5 5s.; Mr Carpenter's salary 15s.; Mr Martini a grautity #10 10s.; Wallis salary in full 13s. 4d. Receipts: #293 5s. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Bon Ton

Cast
Role: Tragedy Actor: A Young Lady
Event Comment: The Provoked Husband and Rival Candidates was given out for Tuesday. On Sunday Morning Mrs Yates sent word she was ill and could not play--sent to Miss Younge, and she sent word that she was ill in bed--King sent word he had a sore Throat, and could not play--so that we could do no Play but the Committee and Rival Candidates. On Monday the Managers met, but nothing was settled. At twelve o'clock Mrs Baddeley sent word she had a sore Throat, and could not play in the Riv[al] Can[didates] (Hopkins Diary). The Hypocrite and The Christmas Tale are obliged to be deferred. "[Smith] has a good figure, is gentlemanlike, and decent in everything he undertakes. When we allow that, we have said all; he wants both feeling to be affected, and powers to convey his feelings, if he had them. In fine, in spite of all the partiality of his friends, or the ignorant prejudices of those who never judge but at second hand, his performance of Richard was little more than a strong union of judgement and industry, unaided by nature. He should woo genteel Comedy oftener; and not that coy sister of hers, who certainly holds Smith at the point of her lance" (London Magazine, Oct. 1776, p. 511). Receipts: #186 18s. 6d

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Elopement

Cast
Role: Bella Actor: Miss Younge.
Event Comment: Alexander the Great? [announced on playbill of 4 Nov.] is obliged to be deferred. [The playbill lists Mrs Yates as Lady Townly, but see following note. Miss Younge's name appears in all subsequent playbills, except on 19 Dec.] Alexander was advertised for this Night, but Lacy being hoarse, who was to have played Alexander, it was obliged to be deferred, and this Play substituted. It was between eleven and twelve o'clock at (Night) before we got it settled. Mr. Sheridan ordered me not to send to Mrs. Yates about (it) till the Morning. About eight o'clock I sent her Notice that the Provoked Husband was to be performed at Night. A little after nine, she sent Word by her Niece that she was never so ill treated in her life, that she was never before asked to play on the fifth of November [which day was traditionally set aside for the acting of Tamerlane], that she would not play Lady Townly that Night, nor would she play any more; and if she had an Inclination to play, she had no Cloaths ready to play it in; and sent back the Part of Semiramis in a new Tragedy that was preparing [see 16 Nov., 14 Dec.]. I got Miss Younge to do Lady Townly, and an Apology was made by Packer that Mrs Yates having refused this Morning to do Lady Townly, Miss Younge at a Minutes' Notice undertook to do it. Miss Younge was much applauded and Yates had a few hisses (Hopkins Diary). Receipts: #179 11s. 6d

Performances

Mainpiece Title: The Provokd Husband

Performance Comment: Lord Townly-Smith; Sir Francis Wronghead-Yates; Manly-Packer; John Moody-Moody; Squire Richard-Burton; Count Basset-Dodd; Lady Grace-Miss Sherry; Lady Wronghead-Mrs Hopkins; Miss Jenny-Mrs Davies; Mrs Motherly-Mrs Cross; Trusty-Mrs Johnston; Myrtilla-Miss Platt; Lady Townly-Miss Younge.
Cast
Role: Lady Townly Actor: Miss Younge.

Afterpiece Title: A ChristmasTale

Event Comment: Epilogue by David Garrick. Second Ballet: with New Scenes [by deLoutherbourg] and Dresses [by Lupini]. Two new Grand Ballets, composed by Gallet, were introduced in this Piece (The Maid of the Oaks) in which Gallet and Mlle Dupre made their first Appearance upon the Eng. Stage--the first Dance, which was to be in the 2nd Act, was obliged to be deferred till the end of the 3rd Act, as Lupini, who made the Dancers Dresses, had not brought them to the House--this put us all into great Confusion, and Dodd made an Apology to the Audience, that an unforseen Accident had prevented the Dance being done in the proper Place. At the beginning of the 3rd Act most of the Dresses were brought, but not all, and some of the Dancers were obliged to put on what Dresses could be got for them--They were all very much confused--the Music also was not perfect. Gallet went on, and spoke in French to the Audience, and told the Band that he wished they had any Heads. In the first Dance Mlle Dupre fell down, and a little after Gallet fell down, but (they) did not hurt themselves, and the Dance went on--and even with all these Disadvantages was much applauded (Hopkins Diary). Receipts: #181 19s. 6d

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: Polly Honeycomb

Dance: In II: [but postponed until end of Act III (see following note)]a new grand Ballet, Demie Caractere, composed by Gallet, The Double Festival-Gallet, Mlle Dupre (their 1st appearance upon the English stage), Helme, Slingsby, Sga Vidini, Sga Crespi, Sga Ricci; In V: [a new grand serious Ballet, composed by Gallet, The Triumph of Love-Gallet, Helme, Sga Crespi, Miss Armstrong, Mlle Dupre

Song: In: a Fete Champetre[. The vocal parts-Vernon, Davies, Miss Abrams, Mrs Scott, Mrs Wrighten. [This was included, as here assigned (except on 20 Feb. 1777), in all subsequent performances.

Event Comment: Public Advertiser, 3 Mar.: "When [Reinhold] appeared on the Stage [in the afterpiece], after some little Time the excessive Glare of the Lamps affected him so much [because of an incomplete recovery from illness] that he dropped down in the Middle of his Part in a fainting Fit, of which he soon afterwards perfectly recovered in the Green Room. The Audience, with their wonted Indulgence and Humanity, universally insisted that the Curtain should be dropped." Receipts: #259 5s. (257.17; 1.8)

Performances

Mainpiece Title: Know Your Own Mind

Afterpiece Title: The Golden Pippin

Dance: As17770218

Event Comment: Benefit for Miss Pope. Part of the Pit will be laid into the Boxes. Public Advertiser, 8 Mar.: Tickets to be had of Miss Pope, Little Russel-street, Covent Garden. Receipts: #280 19s. (114.8; 7.9; 0.16; tickets: 158.6) (charge: #74 14s.)

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: A Favourite Scene from the end of Act II of The Register Office and see17770422

Afterpiece Title: Harlequins Invasion

Dance: As17761128

Event Comment: Benefit for Miss P. Hopkins, Miss E. Hopkins. Afterpiece [1st time; F 2, by Isaac Jackman. Prologue by David Garrick (Poetical Works, II, 334)]. Public Advertiser, 15 Mar.: Tickets to be had of the Miss Hopkins', No. 7, Little Russel-street. Receipts: #237 11s. 6d. (88.5.0; 23.15.6; 1.15.0; tickets: 123.16.0) (charge: #65 2s. 6d.)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: All the Worlds a Stage

Dance: End V: The Triumph of Love, as17761107

Event Comment: Benefit for Dunstall. Public Advertiser, 3 Apr.: Tickets to be had of Dunstall, Little Queen-street, Lincoln's Inn Fields. Receipts: #282 10s. 6d. (70.17.6 tickets: 211.13.0) (charge: #64 5s.)

Performances

Mainpiece Title: All In The Wrong

Cast
Role: Young Belmont Actor: Whitefield

Afterpiece Title: The Devil to Pay

Dance: End: As17761109

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock-Henderson (from the Theatre Royal, Bath; 1st appearance in London); Antonio-Younger; Bassanio-Davies; Salanio-Egan; Solarino-T. Davis; Lorenzo (with songs)-Du-Bellamy; Old Gobbo-Blissett; Tubal-Massey; Launcelot-Edwin; Duke-Fearon; Gratiano-Palmer; Nerissa-Mrs Hunter; Jessica (with a song)-Mrs Hitchcock; Portia-Miss Barsanti (1st appearance on this stage).
Cast
Role: Antonio Actor: Younger

Afterpiece Title: Piety in Pattens

Dance: End III: The Merry Lasses-; End IV: The Venetian Regatta- [performers not listed for either dance, but "Monsieur Giorgi's infantile pupils, as dancers, were a complete burlesque upon a corps de ballet. The audience laughed, and tolerated the poor little things, when they were pushed on between the acts to caper and lose their shoes" (Peake, II, 15-16)]

Performance Comment: The audience laughed, and tolerated the poor little things, when they were pushed on between the acts to caper and lose their shoes" (Peake, II, 15-16)].
Event Comment: By Permission [of the Lord Chamberlain]. Benefit for Follet, Smith & T. Smith, late of the Bear, Westminster-bridge. Tickets to be had of Follet, No. 20, Little Wild-street, Lincoln's-inn-fields; of T. Smith at the Golden Cross, Charing Cross. T. Smith hopes to be honoured with the company of his brother Free Masons, Bucks, &c., Gentlemen of the Welsh Society, Hereford Society and West-moreland Society

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Mayor of Garratt

Song: Between Acts: Singing, particularly Black Ey'd Susanthe new Hunting Song-T. Smith

Entertainment: Monologue.End: The Farmer's Blunder-Follet

Event Comment: Benefit for Miss Pope. Part of the Pit will be laid into the Boxes. Mainpiece: Not acted these 8 years. Public Advertiser, 21 Mar.: Tickets to be had of Miss Pope, at Pope's, Little Russel-street, Covent Garden. Receipts: #265 5s. (94.8; 17.7; 0.8; tickets: 153.2) (charge: #69 1s. 6d.)

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: Selima and Azor

Dance: End II: Slingsby's grand ballet The Savage Hunters, as17780324but Fitzgerald

Event Comment: Benefit for Hopkins, prompter, and Mrs Hopkins. Mainpiece: Not acted these 2 years. Afterpiece: A Dramatic Entertainment (in two parts) of Singing, Dancing and Dialogue in Honour of Shakespeare. In which a Pageant. The Music by Dibdin. Public Advertiser, 10 Apr.: Tickets to be had of Hopkins, No. 7, Little Russel-street, Covent Garden. Receipts: #280 7s. (169.5; 21.0; 1.2; tickets: 89.0) (charge: #64 4s.)

Performances

Mainpiece Title: The Provokd Wife

Performance Comment: Sir John Brute (for that night only)-King; Constant-Brereton; Col. Bully (with a song)-Vernon; Lord Rake-Davies; Razor-Baddeley; Justice-Chaplin; Watchmen-Wright, Burton; Constable-Wrighten; Heartfree-Bensley; Lady Fanciful-Miss Pope; Belinda-Miss Hopkins; Mademoiselle-Miss P. Hopkins (their 1st appearance in those characters); Lady Brute-Miss Younge.
Cast
Role: Lady Brute Actor: Miss Younge.

Afterpiece Title: The Jubilee

Event Comment: Benefit for Dunstall. Morning Chronicle, 4 Apr.: Tickets to be had of Dunstall, Little Queen-street, Lincoln's-Inn-Fields. Receipts: #237 3s. 6d. (79.15.6; tickets: 157.8.0) [charge: #64 5s.)

Performances

Mainpiece Title: Lionel And Clarissa

Afterpiece Title: The Englishman in Paris

Dance: End: The Poney Races, as17780421; In afterpiece: Minuet, as17771121

Event Comment: Tickets delivered by Messink and Miss Reynolds for The Orphan will be admitted this Evening. [Afterpiece in place of The Little French Lawyer, announced on playbill of 29 Apr.] Receipts: #139 2s. (121.0; 3.0; tickets: 15.2)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Norwood Gypsies

Dance: As17771229

Event Comment: Benefit for the Miss Hopkins'. Afterpiece [1st time; CO 2 (?), by Thomas Holcroft. Not in Larpent MS; not published]: The Music [by William Shield (European Magazine, Jan. 1782, p.59)] entirely new. Public Advertiser, 15 Apr. Tickets to be had of the Miss Hopkins', No. 7, Little Russel-street, Covent Garden. Receipts: #129 8s. 6d. (61.15.0; 24.5.6; 0.1.0; tickets: 43.7.0) (charge: #66 11s. 6d.)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Crisis or Love and Fear

Dance: As17780109

Event Comment: Benefit for Waldron and Miss Abrams. Public Advertiser, 8 May: Tickets to be had of Waldron, No. 16, Glanville-street, Rathbone Place; of Miss Abrams, Little Bridges-street, Drury-lane. Receipts: #182 0s. 6d. [63.6.0; 23.15.0; 0.2.6; tickets: 94.17.0) (charge: #74 3s. 6d.)

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Irish Widow

Dance: End I afterpiece: The Irish Fair, as17780508

Event Comment: Benefit for Wright, Carpenter & Butler. Public Advertiser, 5 May: Tickets to be had of Carpenter at Sutton's, No. 11, Little Russel-street, Covent Garden; of Butler, next Door to the Theatre. Receipts: #283 15s. 6d. (42.2.0; 7.2.6; 0.2.0; tickets: 234.9.0) (charge: #74 14s.)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Queen Mab

Dance: End II: Minuet de la Cour, as17780508

Event Comment: Benefit for Mrs Bradshaw, Mrs Love & Mrs Johnston. Tickets delivered for The Plain Dealer will be taken. Public Advertiser, 13 May: Tickets to be had of Mrs Bradshaw at Mrs Norolk's, Glazier, Little Russel-street, Covent Garden; of Mrs Love, Gerrard-street, Soho; of Mrs Johnston, No. 97, Drury-lane. Receipts: #132 16s. (32.3; 20.13; 1.4; tickets: 78.16) (charge: #65 15s.)

Performances

Mainpiece Title: As You Like It

Cast
Role: Rosalind Actor: Miss Younge.

Afterpiece Title: The Irish Widow

Dance: As17780512

Song: End I: He's Aye Kissing Me, as17780428; End II: the much-admir'd song in The Milesian being a description of a Naval Engagement Stand to your guns my hearts of oak-Bannister; In V: song, as17771203

Event Comment: 1st piece [1st time; CO I, by Charles Dibdin, based on Rose et Colas, by Michel Jean Sedaine]. 3rd piece [1st time; CO I, by Charles Dibdin, based on Les Femmes Vengees, by Michel Jean Sedaine]: With new Scenery [Public Advertiser, 19 Sept.: by Richards] and Decorations. Both the Musical Pieces, with new Overtures, composed by Dibdin. Books of the new Musical Pieces to be had at the Theatre. Places for the Boxes to be taken of Brandon (only) at the Stage Door. No Money to be taken at the Stage Door, nor any Money to be returned after the Curtain is drawn up. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:15. To begin at 6:15 [see 21 Sept.]. Public Advertiser, 18 Sept.: This Afternoon at Three will be published Rose and Colin and The Wives Revenged (each 6d.). "At this season of the year the little company upon the Ton, who are in town, seldom rise from the table till after the beginning of the play; in order, therefore, to obviate the disturbance that the fracas in the boxes usually makes towards the close of the first act, or the beginning of the second, this comic opera [Rose and Colin] was prefaced. It at the same time affords these late comers an opportunity of seeing the play [i.e. the mainpiece] complete" (Town and Country Magazine, Sept. 1778, p.453)

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: She Woud and She Woud Not

Afterpiece Title: The Wives Revenged

Event Comment: Benefit for Miss Pope. Afterpiece [1st time; F 2, by James Cobb, based on La Fausse Suivante; ou, Le Fourbe Puni, by Pierre Carlet de Chamblain de Marivaux. Prologue by the author (Knapp, 117). Larpent MS 476; not published. In 1780 this was acted at the hay as The Female Captain]. Part of the Pit will be laid into the Boxes. Public Advertiser, 15 Mar.: Tickets to be had of Miss Pope, Little Russel-street, Covent Garden. Receipts: #202 10s. (54.14; 17.6; 1.12; tickets: 128.18) (charge: #65 17s. 2d.)

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Contract or The Female Captain