SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "two younger Princesses"/1) | (@(roleclean,performerclean) "two younger Princesses")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3447 matches on Performance Comments, 2160 matches on Event Comments, 1677 matches on Performance Title, 750 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: Not acted these two years. [See 13 April 1771.] Paid Mr Cropley (linnen draper) #14 16s.; Sandys & Co. (colourmen) #50 3s.; Mr Chettel (timbermerchant) #52 4s.; Mr Cole (turner) #46 3s.; Mr Barrow & Co. for Oil, #46 6s. 6d.; Mrs Vaughan (haberdasher) #22 18s.; Mr Callon for men's cloaths #30 (Treasurer's book). Receipts: #217 4s. (Treasurer's Book)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Pigmy Revels

Event Comment: Music of Afterpiece entirely new Composed by Dibdin. [An adaptation of Goldoni's Il Filosofo di Campagna.] Book of Songs to be had at Theatre (playbill). The Wedg R. a Comic Opera of Two Acts wrote & composed by Mr Dibdin. The Music very pretty--as the Author was kept a Secret The Town fancy'd that is one of Mr Bickerstaff & call'd out to know who was the Author. Mr Garrick inform'd them that he had no power to declare who the Author was but he could assure them that it was not Mr Bickerstaffs this did not Satisfy them at last Mr Dibdin went on & declard himself to be the Author & made an Affidavit of it & then the Farce went on with Applause (Hopkins Diary). [Account of The Wedding Ring in Westminster Magazine for Feb. 1773.] Paid #4 4s. for licensing The Wedding Ring and Alonzo (Treasurer's Book). [Maria Macklin, in a MS letter to her father, 3 Feb. 1773, commented fully on this night's performance: "Written as it was suppos'd by Bickerstaffe. The music by Dibdin. I went with a party into the Gallery to see the event as there was a great riot expected, & indeed never did I see an audience more inflamed. They would not suffer them to begin the piece. At last Mr King came on with a written paper in his hand, which he said he was desir'd to read in the name of the managers. After a great noise they let him read it. He said just before the play began the managers had receiv'd a letter from Mr Dibdin in which he declared that Bickerstaff was not the author of that piece, that he had made oath of it, and was ready to do the same again, but that for very particular reasons the author could not be given up. Then they stopp'd him & roar'd out that the author should be given up then. He continued as loud as he possibly could, reading on that 'but that if Mr Dibdin did not very soon given up the author he never should be suffered to appear again on that stage or any other.' Very luckily that turn'd them as I believe the House would have come down. The piece then began. Before the end of the first act one of Bannister's songs were encor'd. The other party were against it and would not let it go on. They all stood up and insisted that the author should be known then. After some time the house being nothing but confusion, Dibdin was push'd upon the stage ready to drop with fright, and declared that he was the author himself. Then they were as noisy the other way. Made them finish the piece, but how you may guess in a storm. It is like the Padlock, but the songs not so good." (Brander Matthews, Actors and Actresses, extra illustrated, Vol. I. Harvard Theatre Collection.). Westminster Magazine this month included in parallel columns flattering "Characters of Mr Garrick and Mr Colman," the Rival managers. The article especially praised Garrick's acting.] Receipts: #252 3s. 6d

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: The Wedding Ring

Event Comment: Mainpiece: Not acted in two years. [See 15 May 1771.] Paid Mr Weston per Mr G. G's note #18 7s. Receipts: #148 3s. (Treasurer's Book)

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: The Wedding Ring

Event Comment: Benefit for Mrs Barthelemon. A new Entertainment in two parts. Music by Barthelemon

Performances

Mainpiece Title: The Wedding Day

Event Comment: A New Entertainment in Two Parts set by Barthelemon. Benefit for Barthelemon

Performances

Mainpiece Title: La Zingara; Or, The Gipsey

Event Comment: Paid 1 extra trumpet 7 nights in Alfred (18th inst. incl.) #2 12s. 6d.; Two extra clarinets, 2 horns, & 1 bassoon in Ditto #18 7s. 6d.; Properties 16s. 9d.; Housekeeper's Bill #5 3s.; Chorus 2 nights #4 1s. Receipts: #156 8s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Albumazar

Afterpiece Title: Harlequin's Invasion

Event Comment: The Genii is reviv'd with Alterations & Concludes with a Bacchanalian Jubilee & was receiv'd with great Applause (Hopkins Diary). Paid Mr Smith's Music Composing Bill for Alfred #26 5s.; Mr J. Johnston's Music Bill from Xmas last to the end of the season #23 6s. 10d.; Two extra flutes this night 10s.; Mr Loutherbourg's draft #80; Chorus 2 nights (this incl.) #4 1s. (Treasurer's Book). Afterpiece: Not acted these 9 years. [See 21 Dec. 1764.] Receipts: #140 5s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Merope

Afterpiece Title: The Genii

Event Comment: This night Dr William Kenrick gave his first lecture in his series of The School of Shakespeare, at the Devil's Tavern, in Fleet Street. Topic, I Henry IV. This lecture and those of the two succeeding Wednesday evenings are reviewed in the Monthly Miscellany, Feb. 1774. Receipts: #190 1s. (Treasurer's Book)

Performances

Mainpiece Title: A Christmas Tale

Afterpiece Title: Neck or Nothing

Event Comment: Mainpiece: Sixth Night. For the author. Afterpiece: By Desire, an English Burletta not acted these two years. [See 18 March 1771.] Charges #64 5s. Profit to Author #96 16s. 6d. Receipts: #161 1s. 6d. (Account Book)

Performances

Mainpiece Title: The Man Of Business

Afterpiece Title: The Portrait

Dance: End: The Recruits-Aldridge, Harris, Miss Twist, Miss Capon. [See17721117.

Event Comment: Paid Housekeeper's Bill #6 7s. 2d. (Treasurer's Book). [The Public Advertiser carried a two-column account of Sethona, telling the story of the play act by act. It concluded: Such is the Story of this new Tragedy which was received with universal Applause by a crowded and brilliant Audience and seems to bid fair to become a Stock Play. The Parts were judiciously cast, and the Performers did great Justice to their respective Characters. Perhaps Mrs Barry never appeared in a greater or more amiable Point of View than on Saturday Night. In short her Performance beggared Description; and it is impossible to form an adequate Idea of her Merit in Sethona without seeing her. Mr Barry was also very great in the Old Hermit, and exhibited as pathetic and as chaste a piece of acting as we remember to have seen. The Dresses, Decorations and Scenery of this Play are much superior to those of any modern Tragedy; they do ample Justice to the Author, and likewise do Honour to the Taste and Spirit of the Manager, who seems to have spared no Expence to furnish a splendid and rational Entertainment. The Scene of the Temple of Osiris, and the View of the Egyptian Catacombsv were particularly admired, and are worthy of the Brush of Mr Loutherbourg. The Prologue is a very classical Performance, and was well delivered by Mr Reddish, notwithstanding the noise and the frequent Interruption usual on these occasions. The Epilogue in the character of an Egyptian Fortune Teller was admirably spoken by Mrs Barry, and had an amazing effect. It contains some excellent Strokes of Satire on the Times and a rich vein of Humour which is finely sustained throughout. From several Circumstances we should suppose this Epilogue to be the Production of our English Roscius and it seems to be one of his best."] Receipts: #226 15s. (Treasurer's Book)

Performances

Mainpiece Title: Sethona

Afterpiece Title: The Note of Hand

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Author

Dance: A Triple Hornpipe-Miss Matthews, Miller, Eves; being his first appearance. The two last, scholars to Fishar. A New Dance with Baskets of Flowers[, in which introduced, by particular desire, a Minuet and Allemande-Fishar, Sga Manesiere; [her first appearance this season. A New Grand Ballet, The Black Prince's Festival- (that night only); Prince-Fishar; Pages-Blurton, Miller; Favourites-Miss Twist, Miss Valois; [See17720424.] A New Serious Ballet-Miss Parish[, a Child of Ten Years of age, with only 4 months' instruction, Apprentice to Fishar, her first appearance

Performance Comment: The two last, scholars to Fishar. A New Dance with Baskets of Flowers[, in which introduced, by particular desire, a Minuet and Allemande-Fishar, Sga Manesiere; [her first appearance this season. A New Grand Ballet, The Black Prince's Festival- (that night only); Prince-Fishar; Pages-Blurton, Miller; Favourites-Miss Twist, Miss Valois; [See17720424.] A New Serious Ballet-Miss Parish[, a Child of Ten Years of age, with only 4 months' instruction, Apprentice to Fishar, her first appearance., a Child of Ten Years of age, with only 4 months' instruction, Apprentice to Fishar, her first appearance.

Ballet: The Favorite Comic Ballet, first time this season, The Wapping Landlady. Jack-Fishar; Landlady-Banks; Orange Woman-Miss Twist [see17730424]; [with Sixfold Hornpipe- [see17730424]

Event Comment: Paid 3 day's salary list at #76 14s. 1s. per diem, #230 2d. 3d.; Mrs Greville on note #21; Tallow chandler's 1st bill #24 8s. 5d.; Lampmen #2; Bill stickers #3 12s.; Handbills 8s.; Carpenter's Bill #13 3s. 10d.; Taylor's Bill #6 13s. 6d.; Mantua maker's Bill #4 6s. 2d.; J. Stevens 18s.; Mr King's extra salary #1 10s.; Mrs Abington's Cloaths #1; Painters salaries #14 2s.; Mr J. French on Acct #15 5s.; Hire of Violin &c. 7s.; candlemen #1 13s. (Treasurer's Book). [The following items of those listed among the above Saturday expenditures were constant. The averages and total payments for them will be given in the following table, and no further itemization of them will be made]: @Item: Weekly Average Total Season Payment@Lampmen #4 8s. #162 16s.@Billstickersers #2 14s. #99 18s.@Handbills 12s. #22 4s.@Carpenters #9 10s. #351 10s.@Taylors #9 5s. #342 10s.@Mantua Makers #3 #111@J. Stevens 18s. #33 6s.@Mr King (extra as a deputy Manager?) #3 #111@Mrs Abingtons Clothes #1 12s. 4d. #60@Painter's Bills #10 10s. #388 10s.@Candlemen & extras #8 14s. #313 4s.@ Neither Carver or Royee is listed this season, but the amount customarily paid them for the two preceding seasons is made this season as a constant outlay, but "To Painters." DeLoutherbourg receives his first payment 14 Oct.

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Meeting of the Company

Afterpiece Title: The Padlock

Event Comment: Mainpiece: By Desire. Lent Mr Como per order #6 6s.; Paid two extra flutes 2 nights #1. Receipts: #132 6s. (Treasurer's Book)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Genii

Dance: III: The Sailors Revels, as17740920

Event Comment: Mainpiece: By Desire. Afterpiece: A reviv'd Farce of two acts. [See 9 Jan. 1764.] [Hereafter Lewes' name appears as Lee Lewes in the bills, apparently so he would not be confused with Lewis. Earlier (1769) his name appears in the Account Books as Le-Lewes seemingly to avoid confusion with another Lewis in the company at the time.

Performances

Mainpiece Title: Philaster

Afterpiece Title: No One's Enemy but His Own

Dance: II: The Provencale, as17740928; III: The Merry Sailors-Aldridge [See17731007]; End: The Vintage Festival, as17741007

Event Comment: Gentleman's Magazine, XLX, p. 147: The cause of Macklin against Clarke, Aldys, Lee, James, and Miles came on to be tried in the Court of the King's Bench. The Indictment consisted of two counts; the first specifying that on the 18th of November 1773 the defendents had been guilty of a riot; the other that they had been guilty of conspiracy....The jury withdrew and in a few minutes brought Clark in guilty of the riot and the others of conspiracy. Judgment was deferred till next term

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Druids

Event Comment: Mr Reddish being a little out of his Senses he could not play Morcar in Matilda therefore notwithstanding the Bills were up for it we were oblig'd to change it to the West Indian & about Two o'clock we put up fresh Bills for West Indian and as Mrs Abington was not in humour to play at so Short Notice we were oblig'd to borrow Miss Barsanti to play Miss Rusport (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Rec'd Mrs Johnson's rent one year to Lady Day 1774 #6 (Treasurer's Book). Tragedy of Braganza is oblig'd to be deferr'd till Thursday on account of Mrs Yates's indisposition. Receipts: #161 17s. (Treasurer's Book)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Harlequin's Jacket

Dance: II: Grand Provencalle Dance, as17750202

Event Comment: The Two Misers oblig'd to be deferr'd

Performances

Mainpiece Title: Cleonice

Afterpiece Title: The Padlock

Event Comment: In the Ode will be introduced two songs from Handel's Oratorios

Performances

Mainpiece Title: Acis And Galatea; With Dryden's Ode

Music: End Part I: Concerto on Organ-Stanley; Part II: Violin concerto-Barthelemon

Event Comment: Benefit for King. The Play was very Imperfect. Bon Ton is a Comedy in Two Acts. Written 15 or 16 years ago Mr G. out of Friendship for Mr King gave it him to get up for his Benefit-It was verY well perform'd & receiv'd with the highest Applause (Hopkins Diary). Mainpiece: Not acted these 16 years. [See 29 Jan. 1759.] Part of Pit laid into boxes. Paid 4 days salary, list #377 4s.; J. French on acct #5 5s.; Mr Carter in full for Music for Rival Candidates #42 (Treasurer's Book). [Rather unfavorable review of Bon Ton in Westminster Magazine for March. Ascribes it to Burgoyne, with touches form Garrick.] Receipts: #291 2s. 6d. Charges: #66 7s. 6d. Profits to King: #224 15s. (Treasurer's Book)

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: Bon Ton; or, High Life Above Stairs

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: Bon Ton

Performance Comment: As17750318 but with Alterations;[Reduced to two acts.] Riffle-_; Whisp-_.
Event Comment: Benefit for Lee. Last Performance but two before the Holidays. Afterpiece: Never acted there. In the comic scenes will be introduced (as they were sung in Masqued and other Characters) the favorite songs, Ye Warwickshire Lads and Lasses, Sweet Willy O, The Mulberry Tree, and the Roundelay of Sisters of the Tuneful Strain. In the second act, a Statue of Shakespeare will be erected, and the ode on Dedicating a Temple to that great poet recited, with proper Airs and Chorusses-Particularly Sweetest Bard that Ever Sung, Tho' Crimes from Death and Torture Fly, the Characteristic Song on Falstaff, More Gentle than the Southern Gale, and Thou Soft-Flowing Avon. Part of Pit laid into boxes

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: The Jubilee at Stratford upon avon

Dance: End I Afterpiece: The Vintage Festival, as17741007

Event Comment: Mainpiece: Not acted in two years. [See 13 May 1772.] Benefit for Miss Pope. Last time of performing till Easter. Part of p1t laid into boxes. Last play till Holidays. Paid 4 days salary list #378 10s. 8d.; J. French on acct #5 5s.; Tallow chandler's 8th bill #27 11s. 4d. Receipts: #287 3s. Charges: #66 3s. 6d. Profits to Miss Pope: #220 19s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Funeral

Afterpiece Title: Bon Ton

Event Comment: Mrs Baddeley who play'd the Lady in Comus got out of the Enchanted Seat before her time & made a great Laugh the Farce was much hiss'd at the End (Hopkins Diary). [The Masque (never performed there) is the version reduced to two Acts by George Colman.] Benefit for Cautherly. Paid Mr J. Aickin in part of #60 in lieu of Benefit (remiting #10 to his credit) #50. Receipts: #197 11s. 6d. Charges: #68 17s. Profits to Cautherly: #128 15s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Comus

Dance: I: The Grand Provencalle Dance, as17750202

Event Comment: Benefit for Vallouis and Mme Vallouis, with two new Dances composed by Mr Vallouis

Performances

Mainpiece Title: La Marchesa Giardiniera

Dance: I: Chaconne-Mlle Baccelli; (by Particular Desire) a Minuet-M and Mme Vallouis; II: Ballet Pastorale et Pantomime-M and Mme Vallouis

Ballet: End Opera: Grand Ballet Tragique called Oreste et Electre. Oreste-Vallouis; Electre-Mme Vallouis; Clytemnestre-Mlle Baccelli

Event Comment: A new Musical Entertainment of Two Acts never performed before by Thomas Brydges?. Music by Hook

Performances

Mainpiece Title: The Maid Of Bath

Afterpiece Title: The Dutchman

Dance: The Merry Lasses-