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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "theatre at Bath"/1) | (@(roleclean,performerclean) "theatre at Bath")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2931 results for: Keyword - theatre at Bath
We found 2542 matches on Event Comments, 367 matches on Performance Comments, 132 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

276
23 February 1753 @ Drury Lane Theatre

Event Comment: RRichard by Mr Brown from Bath very bad but no hissing (Cross). The Genii oblig'd to be deferred till Tomorrow (Winston MS 8). Receipts: #50 (Cross)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Double Disappointment

Dance: Mlle Auretti

277
19 March 1753 @ Covent Garden

Event Comment: Benefit for Ryan. Quin did Falstaff for Ryan (Cross). The Nobility and Gentry at Bath gave Quin 100 guineas, and desir'd him to send them down so many tickets for this benefit (Gentleman's Magazine, 1753, p. 147). Pit and Boxes together at 5s. [with an Amphitheatre on stage]

Performances

Mainpiece Title: King Henry Iv, Part I, With The Humours Of Falstaff

Dance: GGrand Scots Ballet, as17521216

278
28 April 1756 @ Drury Lane Theatre

Event Comment: Last time of performing Mainpiece this season. Benefit for Pritchard, treasurer. Tickets at his house in York St., and at Pritchard's Warehouse, Tavistock St. Mrs Cibber went sick to Bath in Passion Week, & plays no more this season (Cross). Receipts: #190 (Cross)

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: Catherine and Petruchio

279
04 November 1766 @ Drury Lane Theatre

Event Comment: Paid Mr Palmer of Bath 2 bills for spermecetti candles #91 3s.; Rec'd of Mr Blagden One Year's rent due at Xmas #3 10s. (Treasurer's Book). Receipts: #190 14s. (Treasurer's Book)

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: Queen Mab

280
09 May 1767 @ Drury Lane Theatre

Event Comment: Benefit for Mr and Mrs Baddeley. House charges #67 9s. 6d. [Profits to Baddeley family 16s. plus tickets.] Tickets deliver'd for this night will be taken. Paid Palmer of Bath for Spermecetti candles #128 4s. Paid Mr Deeble (chorus singer) omitted 3 nights 15s.; Chorus singers 1 night #2 10s. 6d.; Salary list #435 19s. (Treasurer's Book). Receipts: #68 5s. 6d. (Treasurer's Book). I find ye corner of ye orchestra is ye best place to stand in...Holland played Iago very well, and Mrs Baddeley Desdemona pretty well, being her 1st appearance in that character...End of ye play Baddeley spoke a composition of his own, called "Search after Scrubs," to hear which Garrick came into ye orchestra. He looks healthy and strong, and should oftener entertain ye Public to which he owes so much. Entertainment Daphne and Amintor. Daphne (for ye first time) Mrs Baddeley, who does not shine in the singing part, as Mrs Arne does (Neville MS Diary)

Performances

Mainpiece Title: Othello

Afterpiece Title: Daphne and Amintor

Dance: IV: The Irish Lilt, as17670430

Entertainment: End: the Particulars of a Humorous Descriptive Search After Scrubs-Mr Baddeley

281
19 December 1767 @ Covent Garden

Event Comment: The Fifth Performance of the Mainpiece. The Music by Mr Linley of Bath. Afterpiece: By Particular Desire. Paid James Abbott for Flowers etc. for the Garland Dance #5 11d. and paid Mrs Winter for flowers etc. for the same #2 13s. 4d. (Account Book). [See 14 Dec.] Receipts: #211 2s. (Account Book)

Performances

Mainpiece Title: The Royal Merchant

Afterpiece Title: The Oxonian in Town

Dance: End of Opera: The Dutch Milkmaid, as17671114

282
09 March 1769 @ Drury Lane Theatre

Event Comment: Benefit for the Author of the Mianpiece. Garrick to Bath apparently to recover from an illness (Winston MS 10). From the Public Advertiser: To Mrs Barry, upon her acting the part of Rivine in the new Tragedy [The Fatal Discovery]: Grosvenor-Square, March 8

Performances

Mainpiece Title: The Fatal Discovery

Afterpiece Title: The Padlock

283
27 February 1770 @ Drury Lane Theatre

Event Comment: Mainpiece: By Desire. [Query: Lady Townly a Miss Burton who [died] the following year at Bath? (Winston MS 10).

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Jubilee

284
21 August 1770 @ Mary-le-Bone Gardens

Performances

Mainpiece Title: The Noble Pedlar

Music: In the course of the concert Catches and Glees: 1st Violin and new solo concerto-Barthelemon; New Concerto on Organ-Carter (composed by Barthelemon); New French Horn and Trumpet Concerto (also Barthelemon's composition) by Mas. Rogers of Bath (Mr Leander's scholar) 12 years old; and by Mas. Green (Mr Jones's scholar) 10 years old. Several New Simphonies composed by Barthelemon. To conclude with the Canon of the favourite burletta The Magic Girdle

Performance Comment: Rogers of Bath (Mr Leander's scholar) 12 years old; and by Mas. Green (Mr Jones's scholar) 10 years old. Several New Simphonies composed by Barthelemon. To conclude with the Canon of the favourite burletta The Magic Girdle .

285
24 September 1770 @ Drury Lane Theatre

Event Comment: Garrick left Hampton for Bath (Winston MS 10)

Performances

Mainpiece Title: None

286
01 November 1770 @ Drury Lane Theatre

Event Comment: Afterpiece: By Desire. Garrick return'd last night from Bath (Dr Burney's News Clippings-Winston MS 10)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Elopement

287
13 November 1770 @ Drury Lane Theatre

Event Comment: Mr Garrick's first appearance this Season having been at Bath for his health. Play'd finely--called for Prologue, an Apology (Hopkins Diary). Benedick, Mr Garrick (Cross Diary)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Ladies' Frolick

288
22 February 1772 @ Drury Lane Theatre

Event Comment: On 21 Feb. Brereton broke his collar bone in fall from a horse at Bath (Winston MS 10). Paid five day's salary, #417 8s. 9d.; Mrs Abington's cloaths acct, #2; Mr S. French 12 days, #3 (Treasurer's Book). Receipts: #182 16s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: The Institution of the Garter

289
11 June 1772 @ King's Theatre

Event Comment: N.B. The above opera is oblig'd to be perform'd this day instead of Saturday on account of the preparations making for the entertainment given the Knights of the Bath

Performances

Mainpiece Title: Artaserse

Dance: I: Provenzale, as17720603 II: A New Pas de Trois en Berger Gallante-Slingsby, Sga Guidi, Sga Crispi; Last Act: New Ballet La Clauchette-Mlle Curtz, Sga Crispi, other principals

290
27 June 1774 @ Haymarket Theatre

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Padlock

Performance Comment: As17740530, but Leander-Brett (from Bath, first appearance this stage).

Dance: As17740613

291
02 July 1774 @ Mary-le-Bone Gardens

Performances

Mainpiece Title: Don Quixote

Performance Comment: As17740630 but Maritornea-Mrs Ward (from Bath).

292
11 April 1776 @ Drury Lane Theatre

Event Comment: House (Hopkins Diary). The new Comedy of The Runaway is unavoidably oblig'd to be deferred till Saturday. Rec'd Mr Stanley's Oratorio Account, 11 nights, #327 5s. Paid Lawrence (paper hanger) #13 7s.; Renters (for 11 Oratorio nights) #88; Cubit (tinman) #7 14s. 6d.; Gardner (shoemaker) #25; Chettle (timber merchant) #22 14s. 6d.; Mist andCo. (brazier) #10 8s.; Thomson (smith) #5 16s. 6d. Barrow andCo. (oil) #106 5s.; Tallow Chandler's 8th Bill #26 12s.; Palmer's Bill of Bath for Spermacetti Candles #162 10s. (Treasurer's Book). [MacMillan quotes from Kemble's note on the playbill, a Garrick interpolation in Drugger 's last speech (IV, vii): "Abel: Did you never see me play the Fool? Face: Yes. Abel: But the wise ones say I have played the Fool long enough; So I am going to leave it off and grow melancholy." [This note does not appear in the Hopkins Diary in the Folger Library.] Receipts: #265 17s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: The Spleen

Dance: V: The Irish Fair, as17751003

293
20 January 1777 @ Drury Lane Theatre

Event Comment: Benefit for the Author [of mainpiece]. Paid Palmer of Bath, Spermacetti Candles #259 16s.; Stacy, Colourman #106. Receipts: #175 3s. 6d. (159.10.0; 15.13.6; 0.0.0; tickets: none listed) (charge: #005)

Performances

Mainpiece Title: Semiramis

Afterpiece Title: Harlequin's Invasion

294
26 June 1777 @ Haymarket Theatre

Event Comment: [Henderson's 1st appearance on the stage was as Hamlet, at Bath, 6 Oct. 1772. In I.iv "after the short ejaculation of 'Angels and ministers of grace, defend us!' he endeavoured to conquer that fear and terror into which he was naturally thrown by the first sight of the vision, and uttered the remainder of the address calmly, but respectfully, and with a firm tone of voice, as from one who had subdued his timidity and apprehension" (Davies, III, 30). "Palmer's Ghost would have been more in character had he given less into the rant of declamation and the bustle of stage action, which accord not with our ideas of a supernatural being; his crying, likewise, at the recital of his murder, was childish, and destroyed the solemnity of the scene' (Morning Post, 27 June).

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Polly Honeycombe

295
15 July 1777 @ Haymarket Theatre

Event Comment: Mainpiece: The Characters dressed in Spanish Habits. [Henderson's 1st recorded appearance as Leon was at Bath, 4 Feb. 1777.

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Waterman

Dance: As17770707

296
24 July 1777 @ Haymarket Theatre

Event Comment: [Henderson's 1st recorded appearance as Falstaff was at Bath, 6 Mar. 1777. "In the frolicksome, gay, and humourous situations of Falstaff Henderson is superior to every man...His soliloquy in describing his ragamuffin regiment, and his enjoying the misuse of the king's press-money are so truly excellent that they are not inferior to any comic representation of the stage" (Davies, I, 252-53).] Afterpiece: Never performed here. The Musick composed by Dr Arnold

Performances

Mainpiece Title: The First Part Of King Henry Iv; With The Humours Of Sir John Falstaff

Afterpiece Title: The Portrait

297
19 August 1777 @ Haymarket Theatre

Event Comment: Benefit for Palmer. Mainpiece: Never performed here [so stated on playbill of 18 Aug.]. Public Advertiser, 13 Aug.: Tickets to be had of Palmer at his house in Bow-street, Bloomsbury. [Henderson's 1st appearance as Don John was at Bath, 23 Oct. 1773.

Performances

Mainpiece Title: The Chances

Afterpiece Title: The Lyar

Dance: End Monologue: a Dance-

Entertainment: MonologueEnd: The Picture of a Playhouse or Bucks have at Ye All-Palmer

298
25 August 1777 @ Haymarket Theatre

Event Comment: Benefit for Henderson. Public Advertiser, 19 Aug.: Tickets to be had of Henderson, No. 21, Maiden-lane, Covent Garden. [Henderson's 1st appearance as Bayes was at Bath, 28 Nov. 1772.

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Fairy Tale

299
02 January 1778 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 2 years. Afterpiece: To conclude with a grand View of Greenwich Hospital designed by DeLoutherbourg. [This was included in all subsequent performances; notice of the two New Scenes (see 1 Jan.) is omitted. Henderson, under his stage name of Courtney, had 1st acted Capt. Bobadil at Bath, 21 Nov. 1772.] Receipts: #230 1s. 6d. (204.9.0; 25.0.6; 0.12.0)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Queen Mab

300
10 February 1778 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 2 years. [Henderson, under his stage name of Courtney, had 1st acted Benedick at Bath, 5 Nov. 1772.] Receipts: #243 8s. 6d. (220.10.0; 22.16.0; 0.2.6)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Selima and Azor

Dance: II: a Masquerade, Dance, proper to the play-; To conclude with: [a Country Dance-. [These were included in all subsequent performances.