Event Comment: Mainpiece: In Act II an Ovation; or, Entry of Coriolanus into Rome. ["The grand triumphant entry would have disgraced a barn; The displeasure of the audience was loudly manifested to it" (Thespian Magazine, Apr. 1793, p. 242).] In Act V a Procession of Roman Matrons to the Volscian Camp. [Afterpiece in place of The Mayor of Garratt, advertised on playbill of 21 Feb.] Receipts: #149 19s. (145.8; 4.11)

Event Comment: [The playbill lists Mrs Clendining as singing As when the dove, but "An apology was made for the absence of Mrs Clendining...Master Pring was allowed to sing her song" (Public Advertiser, 21 Mar.).

Event Comment: 2nd ballet: With entirely new Scenery, Machinery, Dresses and Decorations. The Music entirely new, composed by Millerd, composer for the ballets at the Opera at Paris. In the course of the performance the Grand Procession of Iphiginia into Aulide. The Scenery, Machinery, &c. designed by Marinari, and executed by him and his assistants. The decorations by Johnston, the dresses by Sestini. [Scenario published by J. Hammond [1793].] The Managers beg leave particularly to request that no Gentleman will come behind the Scenes, as the number of people engaged in the ballet, and the variety of scenery and machinery, render such admission highly inconvenient. Morning Herald, 24 Apr,: The story [of the ballet] is perhaps not very intelligibly told; but the shew and the dance are admirable. It begins and concludes with magnificent processions, the last of which brings Iphiginia to the altar, where she is saved just as the holy knife is raised for the sacrifice. At this instant the chariot of the Sun, the brilliancy of which is much beyond any former representation of the sort, passes over the stage, and is, for some time, suspended over the altar, while the whole corps de ballet offer their adorations

Event Comment: Benefit for Mrs Bateman. Morning Herald, 20 May: Tickets to be had of Mrs Bateman at her house, the corner of Carlisle-street, Soho-square. Receipts: #397 1s. 6d. (161.18.6; 47.4.0; 1.3.0; tickets: 186.16.0) (charge: #157 8s. 8d.)

Event Comment: Benefit for Portal, Shade, Hicks, J. Shade. Kemble Mem.: Benefit the boxkeepers. The Last Time of the Company's performing this Season. Receipts: #51 1s. 6d. (35.8.6; 12.4.6; 3.8.6; tickets: non listed) (charge: #147 12s. 6d.)

Event Comment: 2nd piece (1st time; C 3, by John O'Keeffe. Prologue by George Colman, ynger (see text)]: With new Scenes, Dresses and Decorations. Salary list (Enthoven Collection): Paid O'Keeffe for London Hermit #108 15s. Morning Chronicle, 17 July 1793: This Day is published The London Hermit (1s. 6d.)

Event Comment: 2nd piece: Not acted these 3 years

Event Comment: [1st piece in place of A Quarter of an Hour before Dinner, advertised on playbill of 19 Sept.] 2nd piece: 19th time [i.e. in continuation of the reckoning for the 1793 hay season]. With new Scenes, Dresses, and Decorations. 3rd piece: Never acted there

Event Comment: [Afterpiece in place of The Quaker, advertised on playbill of 19 Oct.

Event Comment: Mainpicce: Not acted these 5 years [acted 19 May 1792). Afterpiece: Not acted these 3 years [acted 24 Apr. 1792). "When next [Miss Jones, who had acted previously at Birmingham, and who is identified in Thespian Magazine, Dec. 1793, p. 359) plays the part she should endeavour to hold her person erect. The crouching attitudes that she adopted in the breeches scenes, took from the captivating impression that her figure might otherwise have produced" (Public Advertiser, 19 Nov.). [Author of Occasional Address unknown.] Receipts: #291 11s. 6d. (287/11/6; 4/0/0)

Event Comment: 2nd piece [1st time; CO 3, author unknown. Music selected from Dr Arnold, Storace, et al. MS: Larpent 996; not published]: Altered from THE COQUET of [Charles] Molloy. Books of the Songs to be had at the Theatre

Event Comment: Mainpiece: Not acted these 2 years. Account-Book: Paid House & Window tax 1@2 year #56 13s. 8d. Receipts: #297 6s. 6d. (274.19.0; 18.19.6; 3.8.0)

Event Comment: [Mainpiece in place of A BOLD STROKE FOR A WIFE, advertised on playbill of 23 Dec.] Afterpiece [1st time; P 1, author unknown. MS: Larpent 1001; not published]: Partly new and partly compiled. The Music by Dr Arnold. Books of the Songs [T. Cadell, 1793) to be had at the Theatre

Event Comment: By Command of Their Majesties. In addition to other precautions which have been already taken (as stated in former Advertisements), the Publick is most respectfully informed that the Doors will be opened this afternoon at Half an Hour after Four O'Clock; an extra-number of Peace-Officers will attend, to preserve order; and all possible means be adopted to prevent a pressure of Croud, and to insure the ease and accomodation of those Persons who visit the Theatre [and see 3 and 4 Feb.]

Event Comment: Mainpiece [1st time; CO 3, by Henry Bate]: With new Music, Scenes [by Richards, Hodgins, Walmsley (Morning Herald, 24 Feb.)] and Dresses. The Music composed by Shield. The Dances by Byrn. Books of the Songs to be had at the Theatre. Morning Chronicle, 20 Mar. 1794: This Day is published THE TRAVELLERS IN SWITZERLAND (1s. 6d.) The Doors will be opened at 5: 30, and the Performances begin at 6: 30, for the remainder of the Season. Receipts: #292 2s. 6d. (288/9/6; 3/13/0)

Event Comment: [1st piece in place of THOMAS AND SALLY, advertised on playbill of 29 Mar. In 2nd piece Mrs Yates is identified in Thespian Magazine, Apr. 1794, p. 177, which also assigns the Greek Soldier, who is omitted from the playbill.)

Event Comment: Powell: Kemble being indisposed from a violent Bruise in his Arm (during the several times of his playing the Part of Macbeth) so as to render him incapable of attending the Theatre this evening, an Apology was made by Wroughton, and the Prologue was omitted. [The playbill retains Miss Menage in afterpiece, but she] being at the Italian Opera this Evening, Master Chatterley play'd her part in the Children in the Wood. Henry VIII rehearsed at 10 (for Banks and Dignum; Packer ill); The Jew at 12 (for Miss Farren and Miss Tidswell). Receipts: #322 5s. 6d. (248/0/0; 67/15/0; 6/14/6; tickets not come in: 0/6/0)