SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "the two Marshalls"/1) | (@(roleclean,performerclean) "the two Marshalls")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1004 matches on Event Comments, 873 matches on Performance Title, 577 matches on Performance Comments, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: A New Comic Opera of Two Acts written by Mr Bate--Much hissing and Crying out no more no more!--Mr Reddish was desired to give out the Play as soon as Matilda was over--but he with his usual politeness ran up and undress'd himself as fast as he could so that the play was not given out till the End of the Farce as soon as the Blackamoor was given out for the next Night they kept a great Noise and call'd for another Farce to be given out--at length they began to be more appeas'd and went away vowing Vengeance on it the next Night (Hopkins Diary). The Overture and Music of the afterpiece entirely New. Books of the Songs &c. to be had at the Theatre. New Scenes, Dresses, &c. [This is Larpent MS 400. Sir Oliver Oddfish distrusts his servants and is about to replace them with blacks, giving his nephew the chance to introduce Frederick , his daughter Julia 's lover, in disguise as a blackamoor, and to effect an elopement. Act I criticizes Londoners and concludes with the comment, "O that I should ever live to see the day when white Englishmen must give place to foreign blacks." MacMillan's note from Kemble differs slightly.] Paid the late Mr Johnston's bill to his executors #44 18s. 6d. (Treasurer's Book). [Afterpiece reviewed in three columns in the Westminster Magazine for Feb. Reviewer thought it had been produced well in all departments, music, scenery, costume, and acting, but concluded it a theatrical trifle giving not much credit to its author.] Receipts: #166 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Matilda

Afterpiece Title: The Blackamoor Wash'd White

Event Comment: Mrs Abington continuing ill, The Maid of the Oaks oblig'd to be deferr'd. Soon after the Farce began off off--no, more, no more, was the General Cry with much hissing--Mr King went on Two or three times to know their pleasure but they would not hear him. They Call'd for Mr Garrick he attended--but they would not hear him for a long time tho' Attempted Several times to speak--at last Somebody said hear him! hear him!--Mr G. told them that he would wait their [sic] all Night with pleasUre if they requir'd it--hear him! again was bellow'd out--he told them he waited to know their pleasure--whether they would have the Blackamoor go on or if they would have any other Farce then a great Noise ensued; as soon as they were quiet Mr G. told them that his Theatrical Life would be very Short and he should be glad to end it in peace--A man in the Pit said if you have a mind to die in Peace don't let this Farce be play'd again Mr Garrick was on and off the Stage several times nothing would content them--at Length Mr King told them that the Author had taken the Copy from the Prompter and was gone away with it.--Soon after this they withdrew So ended this troublesome Affair (Hopkins Diary). [MacMillan's note from Kemble is considerably lengthened.] Paid Mr Rowland's bill for dinners #8 9s. 3d. Receipts: #284 18s. (Treasurer's Book)

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Blackamoor

Event Comment: Mainpiece: A New Comedy [by Hugh Kelly, not printed] never performed. [It was performed but once. The Biographia Dramatica suggests failure was partly due to Woodward's misconception of the main character. The Westminster Magazine for Feb. damns the play, for developing two confusing and parallel plots, for the acting, and for the language.

Performances

Mainpiece Title: The Man Of Reason

Afterpiece Title: Miss in Her Teens

Dance: End Comedy: Mirth and Jollity, as17760102

Event Comment: An Operetta of Two Acts. Music entirely New by Dr Arne. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. To begin at 7:00 p.m. Being desired by many persons of quality

Performances

Mainpiece Title: Phoebe At Court

Performance Comment: Parts-Mrs Farrel, who sang the Hunting Song in The Sot; a Gentleman, Billington, Miss Weller, Mrs Barthelemon. a Gentleman, Billington, Miss Weller, Mrs Barthelemon.

Song: A collection of Catches and Glees-under the direction of Dr Arne

Music: Between the interludes: Concerts on the Violin-Barthelemon who will lead the orchestra

Event Comment: Mainpiece: By Particular Desire and advertised as Garrick's last time of performing the character of Lusignan. This Farce of Two Acts was written by Mr Colman -the first Act was receiv'd with great Applause the second Act a little heavy -and not so much Applause as the first (Hopkins Diary). Paid Mr Park 1 chorus 4 nights (Jubilee) #1 10s. (Treasurer's Book). [The Westminster Magazine for March tells the plot of the afterpiece, and concludes: "The wit and dialogue of this piece will hardly keep it long in esteem with the public. They are sometimes lively, but generally pert and affected."] Receipts: #272 18s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Zara

Afterpiece Title: The Spleen; or, Islington Spa

Related Works
Related Work: The Spleen; or, Islington Spa Author(s): George Colman, the elder

Dance: V: The Sailors Revels, as17751220

Event Comment: Being the last time of Garrick's appearing in character of Sir John Brute . When the Song Encor'd Mr Garrick said Come Col. give us that Song again for two very good Reasons, the first because your friends desire it-and Secondly because I believe I shall never be in such good company again. House Mr and Mrs Davies (Sold) (Hopkins Diary). Paid Mr Davies in lieu of Bt #60. Rec'd of Mr Davis on acct #30. Receipts: #281 7s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Padlock

Event Comment: Benefit for Mrs Abington. Mainpiece: By Particular Desire. Garrick's last time of performing Archer . Pit and Boxes will be laid together. Ladies and Gentlemen most earnestly requested to come early (playbill). Mrs Abington having wrote to Mr Garrick that she intended to quit the Stage at the End of the Season never to return to it again, he very kindly play'd for her Benefit (Hopkins Diary). Tickets deliver'd for Much Ado will be taken. Attempted to get into Drury Lane Theatre to see Mr Garrick in the character of Archer, but the crowd was so great that after suffering thumps, squeezes and almost suffocation for two hours, I was oblig'd to retire without effecting it (Hampden, Journal). Receipts: #129 19s. 6d. Charges: #65 7s. 6d. Profits to Mrs Abington: #64 12s. (Treasurer's Book)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Man of Quality

Dance: IV: The Irish Fair, as17751003

Event Comment: Benefit for LaMash, Griffith, Blurton, and Cubitt. Paid salary list #621 16s. 6d. (Treasurer's Book). Tickets delivered by Miss Berkley will be taken. Mainpiece: Nor acted these two years. [See 8 April 1774.] Receipts: #57 11s. 6d. Charges: #71 9s. Deficit to La Mash, Griffith, Blutton, and Cubitt: #13 17s. 6d. (Treausrer's Book)

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-King; Johnson-Lamash; Smith-Aickin; Others-Baddeley, Parsons, Moody, Whitfield, Hurst, Fawcett, Waldron, Bransby, Burton, Carpenter, Griffiths, Norris, Garland, Wrighten, Wright, Legg, Messink, Cubitt, Everard, Master Pulley, Mrs W. Palmer, Miss Platt, Mrs Davies; With an Additional Reinforcement of Bayes's New Raised Troops-.
Related Works
Related Work: The Rehearsal; or, Bayes in Petticoats Author(s): Katherine Clive

Afterpiece Title: The Election

Related Works
Related Work: The Election of Managers Author(s): George Colman, the elder

Afterpiece Title: The Irish Widow

Dance: I: The Irish Fair, as17751003; II: The Sailors Revels, as17751220

Event Comment: The People flock'd about the doors by Two o'clock. there never was a greater Overflow-Mr G. was never happier in Lear -the Applause was beyond description 3 or 4 loud Claps Succeeding one another at all his exits and many Cry'd out Garrick for Ever &c., &c. House (Hopkins Diary). [Kemble's note differs slightly.] Paid Mr Short, Chorus Singer #1 10s. (Treasurer's Book). Hannah More wrote to Mrs Gwatkin: The eagerness of the people to see Garrick is beyond anything you can have an idea of. You will see half a dozen duchesses and countesses a night in the upper boxes: for the fear of not seeing him at all, has humbled those who used to go, not for the purpose of seeing but being seen; and they now courtsy to the ground for the worst places in the house" (Hampden, Journal). [Letter to David Garrick, Esq on his appearance in Lear last night 13 May: The correspondent who signs himself Stock Fish and who claims to have been one of the survivors of the Black Hole of Calcutta, and who took a young lady from the country to see Garrick's last performance, blames him for endangering the lives of his majesties subjects for not providing proper bars, lanes, and queue lines to handle the crowds: "I went with intention to get into the Pit as the most eligible Part of the House (for your Boxes are always engag'd) and we got to the Door in Vinegaryard about five o'clock. Here the Passage to the first Door was too full for me to entertain any Hopes of getting in that Way, we therefore made for Catharine-street but the Multitudes of People waiting for the Opening of the Gallery-doors, rendered it impossible for us to get along through the Court; we therefore made a Circuit, and at length arrived opposite the Door in Catharine-street, where it was with Difficulty we could keep our Stands on a Foot Pavement....You will be absolutely inexcusable, if after this Warning you neglect to adopt some Method for the Security of the Lives of his Majesties Subjects on similar Occasions.--What think you of the following Scheme, viz. To keep the outer Doors next the Street shut, till the inner ones are opened ; and then, by a Proper bar, to prevent more than one at a Time entering, who shall there pay Entrance-money, and receive the Tickets of Admission through the inner Doors' (Public Advertiser 18 May).] Receipts: #308 1s. (Treasurer's Book)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Spleen

Related Works
Related Work: The Spleen; or, Islington Spa Author(s): George Colman, the elder
Event Comment: Mr Garrick's last time of performing Hamlet . Benefit towards encreasing a Fund, for the relief of those who from their infirmities shall be oblig'd to retire from the stage. Pit and Boxes are laid together, and no admittance into the Pit or Boxes without Tickets. Ladies and Gentlemen urged to come early. Servants must be at the theatre by 5 o'clock to keep places. Doors will be opened at half past Five. Play to begin at half past Six. On Saturday Mr Garrick will perform a principal part in a Comedy. Pit and Boxes put together, most of the tickets were sold for a Guinea a piece, very few under half a Guinea and the whole quantity Sold in about Two hours (Hopkins Diary). [Kemble's note briefer.] Receipts: #85 8s. 6d. Charges: #23 4s. 1d. [See 10 June.] (Treasurer's Book)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Deuce Is in Him

Related Works
Related Work: The Deuce is in Him Author(s): George Colman, the elder

Dance: End: The Grand Garland Dance, as17760410

Event Comment: By Command of their Majesties. When the play began there was a very great Noise the performers were oblig'd to Stop and go off the Stage Mr Reddish went on and desir'd to Know their pleasure they said they wanted the Pit door be open'd to let out some of the people for so many had Crowded in that they could not Sit down-the door was open'd and in a little time after all was quiet and the Play was begun once more at a quarter after Seven. During this time the King Sent Two Messages to Mr G. to desire that he would not let this Noise disconcert him and his Majesty would take care that all should be quiet before the play began (Hopkins Diary). [MacMillan's note from Kemble: "I cannot say enough of Mr Garrick's Performance tonight." Kemble further notes that Garrick's fatigue led them to abandon further performances until Saturday 8 June.] Paid Mr Heard extra allowance #3; Ditto on note #5 5s.; Mr Carpenter's salary 15s.; Mr Martini a grautity #10 10s.; Wallis salary in full 13s. 4d. Receipts: #293 5s. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Bon Ton

Event Comment: By Command of their Majesties. Afterpiece: A Comedy of two Acts never performed. Dr Thomas Francklin. [According to the Biographia Dramatica, "This is a poor performance, founded on Destouches' L'Amour Use, and met with no success; being nearly condemned, nothwithstanding the King and Royal family were present. Foote told his friends, that, when he lighted the King, to his chair, his Majesty asked who the piece was written by: 'It was written (says the wicked Wit) by one of your Majesty's Chaplains; but it is dull enough to have been written by a Bishop.)'"]

Performances

Mainpiece Title: The Commissary

Afterpiece Title: The Contract

Dance: A Tambourine Dance-

Event Comment: A Musical Entertainment in Two Acts never performed. Music by Dibdin. [Weston had died.

Performances

Mainpiece Title: The Capuchin

Afterpiece Title: The Metamorphoses

Dance: The Venetian Regatta-

Event Comment: By Command of Their Majesties. Paid Kirk Housekeeper's bills to October 12 #102 19s. 4d.; Chorus Singers #6 15s. They called for the Epilogue (to the Runaway) and made a great Noise for it all through the first Scene of the Farce, but it was not spoken. Miss Younge was not down ready to begin [the mainpiece], Sheridan ordered the Curtain to be drawn up, it was two Minutes before she came to begin (Hopkins Diary). Receipts: #219 16s. 6d

Performances

Mainpiece Title: The Runaway

Dance: In: The Savage Hunters, as17761024, but _Helme, Prelot

Event Comment: Tamerlane (usually presented this Evening) is obliged to be declined, on Account of the Indisposition of two principal Performers. [Mainpiece in place of King Richard III, announced on playbill of 2 Nov.] Receipts: #192 4s. 6d. (191.6.6; 0.18.0)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Love a-la-Mode

Song: In II: a Song-Leoni

Event Comment: Epilogue by David Garrick. Second Ballet: with New Scenes [by deLoutherbourg] and Dresses [by Lupini]. Two new Grand Ballets, composed by Gallet, were introduced in this Piece (The Maid of the Oaks) in which Gallet and Mlle Dupre made their first Appearance upon the Eng. Stage--the first Dance, which was to be in the 2nd Act, was obliged to be deferred till the end of the 3rd Act, as Lupini, who made the Dancers Dresses, had not brought them to the House--this put us all into great Confusion, and Dodd made an Apology to the Audience, that an unforseen Accident had prevented the Dance being done in the proper Place. At the beginning of the 3rd Act most of the Dresses were brought, but not all, and some of the Dancers were obliged to put on what Dresses could be got for them--They were all very much confused--the Music also was not perfect. Gallet went on, and spoke in French to the Audience, and told the Band that he wished they had any Heads. In the first Dance Mlle Dupre fell down, and a little after Gallet fell down, but (they) did not hurt themselves, and the Dance went on--and even with all these Disadvantages was much applauded (Hopkins Diary). Receipts: #181 19s. 6d

Performances

Mainpiece Title: The Maid Of The Oaks

Performance Comment: Dupely-Dodd; Oldworth-Aickin; Sir Harry Groveby-Brereton; Druid-Bannister; Hurry-Parsons; Painter-Moody; Architect-Fawcett; Old Groveby-Baddeley; Maria-Miss P. Hopkins; Lady Bab Lardoon-Mrs Abington; The last new Epilogue-Mrs Abington. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: Polly Honeycomb

Related Works
Related Work: Polly Honeycomb Author(s): George Colman, the elder

Dance: In II: [but postponed until end of Act III (see following note)]a new grand Ballet, Demie Caractere, composed by Gallet, The Double Festival-Gallet, Mlle Dupre (their 1st appearance upon the English stage), Helme, Slingsby, Sga Vidini, Sga Crespi, Sga Ricci; In V: [a new grand serious Ballet, composed by Gallet, The Triumph of Love-Gallet, Helme, Sga Crespi, Miss Armstrong, Mlle Dupre

Song: In: a Fete Champetre[. The vocal parts-Vernon, Davies, Miss Abrams, Mrs Scott, Mrs Wrighten. [This was included, as here assigned (except on 20 Feb. 1777), in all subsequent performances.

Performance Comment: The vocal parts-Vernon, Davies, Miss Abrams, Mrs Scott, Mrs Wrighten. [This was included, as here assigned (except on 20 Feb. 1777), in all subsequent performances.]This was included, as here assigned (except on 20 Feb. 1777), in all subsequent performances.]
Event Comment: Mainpiece: Not acted these 16 years [not acted since 27 Oct. 1758]. With Alterations [by Richard Brinsley Sheridan. Prologue by David Garrick]. The Characters new dressed. This Play is revived with Alterations (by R. B. Sheridan Esq) and a new occasional Prologue written by Mr Garrick? and spoken by Dodd, both well received. Miss Essex made her first Appearance upon this stage in Silvia, a small mean Figure and shocking Actress, so bad that she is to do the Part no more. Reddish was very imperfect in Vainlove from the Beginning, but was so very much so in the last Act, that the Audience hissed very much, and cryed out, 'Off, Reddish, Off!" He went forward, and addressed them as follows, 'Ladies and Gentlemen, I have been honoured with your Favour and Protection for these ten years past, and I am very sorry to give any cause for your Displeasure now; but having undertaken the Part at a very short Warning, in order to strengthen the Bill, and having had but two Rehearsals for it, puts it out of my Power to do Justice to the Part, or myself.' The Play then went on. So great a Lye was never delivered to an Audience by any Actor or Actress before. He had the Part at least six weeks in his Possession, and repeated Notice to be ready in it, and six Rehearsals was called for it,--indeed, he attended but three. Vernon undertook to study the Part at eleven o'clock to-night, and to perform it to-morrow (Hopkins Diary). [Miss Essex was from the hay.] Receipts: #209 6s

Performances

Mainpiece Title: The Old Batchelor

Performance Comment: Bellmour-Smith; Heartwell-Bensley; Fondlewife-Yates; Vainlove-Reddish; Captain Bluff-Moody; Sharper-Farren; Setter-Baddeley; Sir Joseph Wittol-King; Belinda-Miss Younge; Araminta-Mrs Baddeley; Silvia-Miss Essex (1st appearance upon that stage); Lucy-Miss Pope; Laetitia-Mrs Abington; New occasional Prologue (in the Character of a modern fine gentleman)-Dodd. [This was spoken, as here assigned, at the first 4 performances only (see17761207).]This was spoken, as here assigned, at the first 4 performances only (see17761207).]

Dance: As17761115

Event Comment: [In mainpiece the playbill retains Miss Leeson, but she "being suddenly indisposed, Mrs Whitefield yesterday, at very short notice, undertook the part of Cleora" (Morning Chronicle, 7 Feb.).] Paid Woodfall on acct. of his Two [Benefit] Nights #150 [and see 20 Feb.]. Receipts: #233 17s. (230.14; 3.3)

Performances

Mainpiece Title: Sir Thomas Overbury

Afterpiece Title: Comus

Cast
Role: Brothers Actor: Whitefield, Robson
Role: The Lady Actor: Mrs Jackson
Related Works
Related Work: Comus Author(s): George Colman, the elder

Dance: As17761123

Song: As17770107

Event Comment: [Public Advertiser, 11 Feb. prints the text of the first of Tenducci's two songs, Lo! a stranger now before you.] Receipts: #217 16s. (200.19.0; 15.17.6; 0.19.6)

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: Bon Ton

Dance: In II: The Double Festival-Gallet, Helme, Giorgi, Blurton, Sga Crespi, Sga Vidini, Mrs Sutton, Sga Ricci, Mlle Dupre; In IV: The Triumph of Love, as17761107

Song: In: songs-Tenducci (1st appearance in this kingdom these 12 years)

Event Comment: The Last Time [i.e. Season] of its ever being exhibited in London. The Doors to be opened at 6:00. To begin at 7:00. Boxes 5s. Pit 3s. Gallery 2s

Performances

Mainpiece Title: A Lecture On Heads

Performance Comment: George Alexander Stevens. In five parts; concluding with an Experiment upon the Human Face, with two Wigs.
Event Comment: The Devil upon Two Sticks [announced in Public Advertiser, 5 Aug.] is obliged to be deferred on account of the Indisposition of Foote

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Portrait

Related Works
Related Work: The Portrait Author(s): George Colman, the elder

Dance: As17770707

Event Comment: [Afterpiece in place of The Two Misers, announced on playbill of 13 Nov.]Receipts: #101 13s. (100.12; 1.1)

Performances

Mainpiece Title: Othello

Cast
Role: Othello Actor: Ross

Afterpiece Title: Three Weeks after Marriage

Dance: As17771111

Event Comment: The New Tragedy of Percy [announced on playbill of 8 Dec.] is obliged to be deferred till to-morrow, on Account of the Indisposition of two principal Performers. Receipts: #99 19s. (97.19; 2.0)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Norwood Gypsies

Dance: As17771125

Event Comment: Afterpiece: With Alterations and Additions, particularly two Grand New Scenes designed by DeLoutherbourg [see 2 Jan.]. Receipts: #163 13s. 6d. (122.15.0; 40.11.0; 0.7.6)

Performances

Mainpiece Title: King John

Afterpiece Title: Queen Mab

Event Comment: Mainpiece: Not acted these 2 years. Afterpiece: To conclude with a grand View of Greenwich Hospital designed by DeLoutherbourg. [This was included in all subsequent performances; notice of the two New Scenes (see 1 Jan.) is omitted. Henderson, under his stage name of Courtney, had 1st acted Capt. Bobadil at Bath, 21 Nov. 1772.] Receipts: #230 1s. 6d. (204.9.0; 25.0.6; 0.12.0)

Performances

Mainpiece Title: Every Man In His Humour

Performance Comment: Kitely-Smith; Old Knowell-Aickin; Young Knowell-Brereton; Wellbred-Farren; Master Stephen-Dodd; Brainworm-Baddeley; Justice Clement-Parsons; Downright-Hurst; Cob-Moody; Master Mathew-Burton; Cash-R. Palmer; Capt. Bobadil-Henderson (1st appearance in that character [in London]); Bridget-Miss P. Hopkins; Tib-Mrs Bradshaw; Mrs Kitely-Mrs Baddeley.
Cast
Role: Master Mathew Actor: Burton

Afterpiece Title: Queen Mab