SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "the three Princesses"/1) | (@(roleclean,performerclean) "the three Princesses")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1257 matches on Event Comments, 483 matches on Performance Title, 166 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Edward Gower to Sir R. Leveson, 26 Feb. 1660@1: No more plays at court after this night, and but three days this week at the playhouse (HMC, 5th Report, 1876, p. 202). Boswell (Restoration Court Stage, p. 279) accepts this as evidence that a play was acted at Court on this night. As this was Shrove Tuesday, Gower's statement may well reflect the restrictions upon plays during Lent

Performances

Event Comment: These pamphlets were printed in 1661. For further details of the affairs of the day, see Rugg's Diurnal, ed. Sachse, p. 175. See also Pepys

Performances

Mainpiece Title: The Cities Loyalty Display'd; Or The Four Famous And Renowned Fabricks

Performance Comment: in the City of London Exactly described in their several Representations, what they are, with their private meanings and perfect Actions at the day of publick View, which is not yet discovered. Together with a true Relation of that high and stately Cedar erected in the Strand bearing five Crowns, a Royal Streamer, three Lanthorns, and a rich Garland.
Event Comment: Pepys, Diary: My wife and I to the Opera, and there saw again Love and Honour, a play so good that it has been acted but three times and I have seen them all, and all in this week; which is too much, and more than I will do again a good while

Performances

Mainpiece Title: Love And Honour

Event Comment: The Duke's Company. Pepys, Diary: My wife and I by water to the Opera, and there saw The Bondman most excellently acted; and though we had seen it so often, yet I never liked it better than to-day, Ianthe [Mrs Saunderson] acting Cleora's part very well now Roxalana [Mrs Hester Davenport] is gone. We are resolved to see no more plays till Whitsuntide, we having been three days together. Met Mr Sanchy, Smithes, Gale, and Edlin at the play, but having no great mind to spend money, I left them there

Performances

Mainpiece Title: The Bondman

Event Comment: The King's Company. Apparently this was the premiere. Prologue: First Astrol. reads. A Figure of the heavenly Bodies in their several Apartments, Feb. the 5th half an hour after three after Noon, from whence you are to judge the success of a new Play call'd the Wild Gallant. Evelyn, Diary: I saw the Wild Gallant, a Comedy

Performances

Mainpiece Title: The Wild Gallant

Event Comment: In the Prologue to The Cheats (mid-March 1663) are allusions to three plays which apparently were popular on the stage at this time: Jonson's The Silent Woman ("Sir Poll"); Jonson's The Devil is an Ass ("No little Pugge, nor Devil"); and Davenant's The Siege of Rhodes ("No tedious Sieges in the Musick-room")

Performances

Event Comment: Pepys, Diary This noon going to the Exchange, I met a fine fellow with trumpets before him in Leadenhall-street, and upon enquiry I find that he is the clerk of the City Market; and three or four men carried each of them an arrow of a pound weight in their hands. It seems this Lord Mayor begins again an old custome, that upon the first days of Bartholomew Fayre, the first, there is a match of wrestling, which was done, and the Lord Mayor there and Aldermen in Moorefields yesterday: to-day, shooting: and to-morrow, hunting.And this officer of course is to perform this ceremony of riding through the city, I think to proclaim and challenge any to shoot. It seems that the people of the fayre cry out upon it as a great hindrance to them

Performances

Event Comment: Pepys, Diary: And so carried her [Mrs Pepys] to the fayre [bf], and showed her the monkeys dancing on the ropes, which was strange, but such dirty sport that I was not pleased with it. There was also a horse with hoofs like rams hornes, a goose with four feet, and a cock with three. Thence to another place, and saw some German Clocke works, the Salutation of the Virgin Maryv, and several Scriptural stories; but above all there was at last represented the sea, with Neptune, Venus, mermaids, and Ayrid on a dolphin, the sea rocking, so well done, that had it been in a gaudy manner and place, and at a little distance, it had been admirable

Performances

Mainpiece Title: Entertainments

Event Comment: The play was licensed 4 May 1664, entered in the Stationers' Register 21 May 1664, and announced in The Intelligencer 23 May 1664. It appeared in Three Plays, 1665

Performances

Mainpiece Title: Pandora

Event Comment: Evelyn, Diary: Saw a fine Mask at court perform'd by 6 Gent: & 6 Ladys surprizing his Majestie, it being Candlemas day. Pepys, Diary, 3 Feb.: Then Mrs Pickering...did, at my Lady's command, tell me the manner of a masquerade before the King and Court the other day. Where six women (my Lady Castlemayne and Duchesse of Monmouth being two of them) and six men (the Duke of Monmouth and Lord Arran and Monsieur Blanfort, being three of them) in vizards, but most rich and antique dresses, did dance admirably and most gloriously. God give us cause to continue the mirthe!

Performances

Mainpiece Title: A Masque

Performance Comment: Persons of the Court.
Related Works
Related Work: The Harlot's Progress; or, The Ridotto Al' Fresco: With a Grand Masque call'd, The Judgment of Paris; or, The Triumph of Beauty Author(s): Theophilus Cibber
Event Comment: Pepys, Diary: By and by with Lord Bruncker by coach to his house, there to hear some Italian musique: and here we met Tom Killigrew, Sir Robert Murray, and the Italian Signor Baptista, who hath composed a play in Italian for the Opera, which T. Killigrew do intend to have up; and here he did sing one one of the acts. He himself is the poet as well as the musician.... This done, T. Killigrew and I to talk: and he tells me how the audience at his house [Bridges St.] is not above half so much as it used to be before the late fire. That Knipp is like to make the best actor that ever come upon the stage, she understanding so well: that they are going to give her #30 a-year more. That the stage is now by his pains a thousand times better and more glorious than ever heretofore. Now, wax candles, and many of them; then, not above 3 l6s. of tallow: now, all things civil, no rudeness anywhere; then, as in a bear-garden: then, two to three fiddlers; now, nine or ten of the best: then, nothing but rushes upon the ground, and every thing else mean; and now, all otherwise: then, the Queen seldom and the King never would come; now, not the King only for state, but all civil people do think they may come as well as any....That he hath gathered our Italians from several Courts in Christendome, to come to make a concert for the King, which he do give #200 a-year a-piece to: but badly paid, and do come in room of keeping four ridiculous gundilows, he having got the King to put them away, and lay out money this way; and indeed I do commend him for it, for I think it is a very noble undertaking. He do intend to have some times of the year these operas to be performed at the two present theatres, since he is defeated in what he intended in Moorefields on purpose for it; and he tells me plainly that the City audience was as good as the Court, but now they are most gone

Performances

Event Comment: The King's Company. Pepys, Diary: We three [Mrs Pepys, Mercer, and Pepys] to the King's house, and saw the latter end of the Surprisall, wherein was no great matter,I thought, by what I saw there

Performances

Mainpiece Title: The Surprisal

Event Comment: Pepys, Diary: [After the play] away to Polichinello, and there had three times more sport than at the play

Performances

Mainpiece Title: Puppetry

Event Comment: The Duke's Company. Pepys, Diary: With my Lord Bruncker to the Duke's playhouse (telling my wife so at the 'Change, where I left her), and there saw Sir Martin Marr-all again, which I have now seen three times, and it hath been acted but four times, and still find it a very ingenious play, and full of variety

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Event Comment: The King's Company. Pepys, Diary: My wife and Mercer and I away to the King's play-house, to see the Scornfull Lady; but it being now three o'clock there was not one soul in the pit; whereupon, for shame, we would not go in....[After attending lif] to the King's house, upon a wager of mine with my wife, that there would be no acting there to-day, there being no company: so I went in and found a pretty good company there, and saw their dance at the end of the play

Performances

Mainpiece Title: The Scornful Lady

Event Comment: Downes (Roscius Anglicanus, p. 31) states that it was given three days; a certain performance on 8 Oct. suggests that the second performance occurred on this day, 7 Oct

Performances

Mainpiece Title: Tarugo's Wiles; Or, The Coffee House

Event Comment: Pepys, Diary: Mrs Pierce tells me the two Marshalls at the King's house are Stephen Marshall's, the great Presbyterian's daughters [an erroneous rumor]; and that Nelly Gwin? and Beck Marshall, falling out the other day, the latter called the other my Lord Buckhurst's whore, Nell answered them, "I was but one man's whore, though I was brought up in a bawdy-house to fill strong waters to the guests; and you are a whore to three or four, though a Presbyter's praying daughter!" which was very pretty

Performances

Event Comment: Pepys, Diary: I took them [Mrs Pepys and Deb.] to the Nursery, where none of us ever were before; where the house is better and the musique better than we looked for, and the acting not much worse, because I expected as bad as could be: and I was not much mistaken, for it was so. However, I was pleased well to see it once, it being worth a man's seeing to discover the different ability and understanding of people, and the different growth of people's abilities by practise. Their play was a bad one, called Jeronimo is Mad Again, a tragedy. Here was some good company by us, who did make mighty sport at the folly of their acting, which I could not neither refrain from sometimes, though I was sorry for it.... I was pretthly served this day at the playhouse-door, where, giving six shillings into the fellow's hand for us three, the fellow by legerdemain did convey one away, and with so much grace faced me down that I did give him but five, that, though I knew the contrary, yet I was overpowered by his so grave and serious demanding the other shilling, that I could not deny him, but was forced by myself to give it him

Performances

Mainpiece Title: Jeronimo Is Mad Again

Event Comment: In L. C. 5@139, p. 373, is a list of plays allowed to the Duke's Company: The Poetaster [by Ben Jonson]. Cupids Reuenge [by Francis Beaumont and John Fletcher. See 17 Aug. 1668]. Timon of Athens [by William Shakespeare]. Troyolus and Grisseida [by William Shakespeare]. Three parts of H. ye 6 [by William Shakespeare]. The honest mans fortune [by John Fletcher and others]. Woemen pleas'd [by John Fletcher]. Witt at Seuerall Weapons [by Francis Beaumont and John Fletcher]. The Woemen Hater or The hungry Courtier [by Francis Beaumont]. All fooles [by George Chapman]. Birons Conspiracy [by George Chapman]. Broken heart [by John Ford]. Bird in a Cage [by James Shirley]. Chabot Admirall of ffranse [by James Shirley, with George Chapman]. ffaithful Shepherd [possibly Guarini's Il Pastor Fido]. Herod and Antipater [by Gervase Markham with William Sampson]. Humor out of breath [by John Day]. Jealous Louers [by Thomas Randolph]. Loues Melancholy [Lover's Melancholy, by John Ford]. Muliasses the Turke [by John Mason]. Queene of Arragon [by William Habington]. Revenge of Bussy D'Ambois [by George Chapman]. Revenge for Honor [or The Parricide, by Henry Glapthorne]

Performances

Event Comment: The Duke's Company. Pepys, Diary: We three and my wife to the Duke of York's playhouse, and there saw The Witts, a medley of things, but some smiles mighty good, though ill mixed

Performances

Mainpiece Title: The Wits

Event Comment: Pepys, Diary: To the King's playhouse, thinking to have seen The Heyress, first acted on Saturday [Friday (?)] last; but when we come thither, we find no play there; Kinaston, that did act a part therein, in abuse to Sir Charles Sedley, being last night exceedingly beaten with sticks, by two or three that assaulted him, so as he is mightily bruised, and forced to keep his bed

Performances

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, where The Heyress, notwithstanding Kinaston's being beaten, is acted: and they say the King is very angry with Sir Charles Sedley for his being beaten, but he do deny it. But his part is done by Beeston, who is fain to read it out of a book all the while, and thereby spoils the part, and almost the play, it being one of the best parts in it; and though the design is, in the first conception of it, pretty good, yet it is but an indifferent play, wrote, they say, by my Lord Newcastle, But it was pleasant to see Beeston come in with others, supposing it to be dark, and yet he is forced to read his part by the light of the candles. and this I observing to a gentleman that sat by me, he was mightily pleased therewith, and spread it up and down. But that, that pleased me most in the play is, the first song that Knepp sings, she singing three or four; and, indeed, it was very finely sung, so as to make the whole house clap her.... My wife being in mighty ill humour all night, and in the morning I found it to be from her observing Knepp to wink and smile on me, and she says I smiled on her; and, poor wretch! I did perceive that she did, and do on all such occasions, mind my eyes. I did, with much difficulty, pacify her, and were friends, she desiring that hereafter, at that house, we might always sit either above in a box, or, if there be [no] room, close up to the lower boxes

Performances

Mainpiece Title: The Heiress

Event Comment: The Duke's Company. Pepys, Diary: And my wife being gone abroad with W. Hewer, to see the new play to-day, at the Duke of York's house, Guzman, I dined alone.... I thence presently to the Duke of York's playhouse, and there, in the 18d. seat, did get room to see almost three acts of the play; but it seemed to me but very ordinary. After the play done, I into the pit, and there find my wife and W. Hewer...[and] here I did meet with Shadwell, the poet, who, to my great wonder, do tell me that my Lord of Orrery? did write this play, trying what he could do in comedy, since his heroique plays could do no more wonders. This do trouble me; for it is as mean a thing, and so he says, as hath been upon the stage a great while; and Harris, who hath no part in it, did come to me, and told me in discourse that he was glad of it, it being a play that will not take

Performances

Mainpiece Title: Guzman

Event Comment: The King's Company. Pepys, Diary: Hearing that The Alchymist was acted, we did go, and took [Pierce] with us to the King's house; and it is still a good play, having not been acted for two or three years before; but I do miss Clun, for the Doctor. But more my eyes will not let me enjoy the pleasure I used to have in a play

Performances

Mainpiece Title: The Alchymist

Event Comment: Lady Mary Bertie to Katherine Noel, 16 Feb. 1670@1: Here is no newes but that the grand Ballett is not to be danced till Shrove-Munday (HMC, 12th Report, Part V, Vol. II, p. 22). The Bulstrode Papers, 20 Feb. 1670@1: This evening was danced over the grand ballet at Whitehall, wherein the Court appeared in their greatest gallantry imaginable, and the time spent in songs, the chiefest dances and musicke the town could afford (I, 173). Lady Mary Bertie, 23 Feb. 1670@1: I was on Munday atcourt to see the grane ballett danced. It was so hard to get room that wee were forced to goe by four a clocke, though it did not begin till nine or ten. The [they (?)] were very richly [dressed] and danced very finely, and shifted their clothes three times. There was also fine musickes and excelent sing some new song made purpose for it (HMC, 12th Appendix, Part V, Vol. II, p. 22)

Performances