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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "the Palmers"/1) | (@(roleclean,performerclean) "the Palmers")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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9548 results for: Keyword - the Palmers
We found 17141 matches on Roles/Actors, 3601 matches on Performance Comments, 310 matches on Event Comments, 49 matches on Performance Title, and 0 matches on Author.

1676
20 March 1777 @ Drury Lane Theatre

Event Comment: [Mainpiece in place of The Funeral, announced on playbill of 18 Mar.] Afterpiece [1st time; CO 2, by Isaac Jackman]: The Music composed by Carter. Receipts: #233 11s. (190.1.0; 40.16.6; 2.13.6)

Performances

Mainpiece Title: The Provokd Husband

Performance Comment: As17761105, but Lord Townly-Lacy (1st appearance in that character); Manly-Palmer; Mrs Motherly-Mrs Bradshaw.
Cast
Role: Mrs Motherly Actor: Mrs Bradshaw.

Afterpiece Title: The Milesian

1677
02 April 1777 @ Drury Lane Theatre

Performances

Mainpiece Title: A Trip To Scarborough

Performance Comment: As17770304but The other parts-R. Palmer, _Norris; New +Prologue-King.
Cast
Role: 770304but The other parts Actor: R. Palmer, _Norris
Role: The other parts Actor: Baker. +Prologue as17770224 .

Afterpiece Title: The Jubilee

Related Works
Related Work: London's Great Jubilee Author(s): Matthew Taubman

Dance: As17770301

1678
11 April 1777 @ Drury Lane Theatre

Performances

Mainpiece Title: Othello

Performance Comment: Othello-Lacy (1st appearance in that character); Roderigo-Dodd; Cassio-Palmer; Brabantio-Aickin; Duke-Bransby; Lodovico-Packer; Iago-Reddish; Montano-Davies; Gratiano-Wrighten; Messenger-Chaplin; AEmilia-Mrs Hopkins; Desdemona-Miss Younge.
Cast
Role: Othello Actor: Lacy

Afterpiece Title: The Milesian

Dance: As17770124

1679
17 April 1777 @ Drury Lane Theatre

Performances

Mainpiece Title: The Gamester

Performance Comment: The Gamester-Reddish; Stukely-Palmer; Jarvis-Aickin; Bates-Packer; Dawson-Norris; Lewson-Farren; Charlotte-Miss Hopkins; Lucy-Miss Platt; Mrs Beverly-Miss Younge.
Cast
Role: The Gamester Actor: Reddish

Afterpiece Title: Harlequins Invasion

Song: End: The Soldier tir'd With war's Alarms-Miss Abrams

1680
22 April 1777 @ Drury Lane Theatre

Event Comment: Benefit for Miss Sherry & Sga Crespi. Tickets delivered by Harwood will be taken. Afterpiece: Not acted these 2 years [see 31 Mar.]. Public Advertiser, 17 Apr.: Tickets to be had of Miss Sherry, at Nicholl's, Baker, Bridge's-street, Covent Garden; of Sga Crespi, Poland-street, opposite the Back Door of the Pantheon. Receipts: #257 0s. 6d. (91.14.0; 23.0.6; 0.0.0; tickets: 142.6.0) (charge: #70 17s. 6d.)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Register Office

Dance: End II: a New Pastoral Ballet, composed by Helme, The Garden of Love-Helme, Sga Crespi, Miss Armstrong, Sga Ricci; End: Chaconne-Sga Crespi

Song: original Music by Matthew Locke-Bannister, Legg, Kear, Fawcett, Follett, Chaplin, Carpenter, Mrs Scott, Miss Abrams, Mrs Greville, Mrs Davies, Miss Jarratt, Miss Collett, Mrs Love, Mrs Booth, Mrs Pitt, Mrs Smith, Gaudry

1681
06 May 1777 @ Drury Lane Theatre

Event Comment: Benefit for Fawcett, Legg & Kear. Morning Chronicle, 3 May: Tickets to be of Fawcett, Craven Buildings, Drury-Lane; of Legg, Market-street, St James's Market; of Kear, No: 2, Stephen-street, Tottenham Court Road. Tickets delivered for Wednesday the 7th Inst. will be taken. Receipts: #229 1s. (36.12; 10.12; 0.0; tickets: 181.17) (charge: #64 15s.)

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Register Office

Dance: End: Grand Dance, as17770425

1682
09 June 1777 @ Haymarket Theatre

Event Comment: [This was Mrs Hitchcock's 1st appearance in London. Miss Farren was from the Manchester theatre. Miss Twist is identified in playbill of 14 July.] Because of Foote's acting scarcely anything but his own plays "a relaxation of discipline has been fallen into at the Haymarket... The audience last night, however, were not less surprized than pleased at the very regular manner in which the Comedy and the Burletta were exhibited. All the business of the stage perfect, all the little parts smoothly given, and the whole rather superior than inferior to a performance at either of the Winter Theatres" (Morning Chronicle, 10 June)

Performances

Mainpiece Title: She Stoops To Conquer

Performance Comment: Young Marlow-Palmer; Hastings (with a song)-DuBellamy; Sir Charles Marlow-Fearon; Diggory-Massey; Landlord-Griffiths; Tony Lumpkin-Jackson; Hardcastle-Edwin; Miss Neville-Mrs Hitchcock [from the Theatre Royal, Bath (on playbill of 6 June)]; Mrs Hardcastle-Mrs Gardner; Betty-Mrs Poussin; Miss Hardcastle-Miss Farren (1st appearance in London).

Afterpiece Title: Midas

1683
11 June 1777 @ Haymarket Theatre

Event Comment: "[Henderson] appears to have cultivated the gifts of nature, with great industry; he promises better to attain the character of a player of consummate judgment than a great player, properly so called. Edwin, in spite of his thin voice and disgusting articulation, is at least equal to half his London contemporaries; and exhibited proofs that neither his conception, nor style of playing, is limited to a particular cast of parts, or mode of acting" (London Magazine, June 1777, p. 288). [ Miss Barsanti was from the Crow Street Theatre, Dublin.

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock-Henderson (from the Theatre Royal, Bath; 1st appearance in London); Antonio-Younger; Bassanio-Davies; Salanio-Egan; Solarino-T. Davis; Lorenzo (with songs)-Du-Bellamy; Old Gobbo-Blissett; Tubal-Massey; Launcelot-Edwin; Duke-Fearon; Gratiano-Palmer; Nerissa-Mrs Hunter; Jessica (with a song)-Mrs Hitchcock; Portia-Miss Barsanti (1st appearance on this stage).

Afterpiece Title: Piety in Pattens

Dance: End III: The Merry Lasses-; End IV: The Venetian Regatta- [performers not listed for either dance, but "Monsieur Giorgi's infantile pupils, as dancers, were a complete burlesque upon a corps de ballet. The audience laughed, and tolerated the poor little things, when they were pushed on between the acts to caper and lose their shoes" (Peake, II, 15-16)]

Performance Comment: The audience laughed, and tolerated the poor little things, when they were pushed on between the acts to caper and lose their shoes" (Peake, II, 15-16)].

1684
27 June 1777 @ Haymarket Theatre

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Deuce is in Him

Performance Comment: Colonel Tamper-Palmer; Major Belford-DuBellamy; Prattle-Parsons; Bell-Mrs Hitchcock; Florival-Mrs Davies; Emily-The Gentlewoman who performed Amelia [on 15 May: Mrs Armstead].on 15 May: Mrs Armstead].
Cast
Role: Emily Actor: The Gentlewoman who performed Amelia
Related Works
Related Work: The Deuce is in Him Author(s): George Colman, the elder

1685
14 August 1777 @ Haymarket Theatre

Event Comment: Mainpiece: Never performed here. "Digges 'discharged the character' in the same costume as it is to be supposed was adopted by Booth, when the play was originally acted [in 1713], that is, in a shape, as it is technically termed [i.e. a costume] of the stiffest order, decorated with gilt leather upon a black ground, with black stockings, black gloves, and a powdered periwig" (Peake, II, 13)

Performances

Mainpiece Title: Cato

Afterpiece Title: The Citizen

Dance: End: Dance-

1686
09 September 1777 @ Haymarket Theatre

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Portrait

Related Works
Related Work: The Portrait Author(s): George Colman, the elder

1687
27 September 1777 @ Drury Lane Theatre

Performances

Mainpiece Title: The Distressd Mother

Afterpiece Title: Harlequins Invasion

1688
30 September 1777 @ Drury Lane Theatre

Event Comment: Mainpiece: With Alterations [by David Garrick]. [Henderson was from the hay.] 'The style of Henderson did not assimilate with the tone of the [dl] company. They declaimed in a higher key, and more upon the level. The frequent under-tones the former hardly struck the ear at any considerable distance' (Boaden, Siddons, I, 170). Receipts: #225 8s. (204.2; 20.14; 0.12)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: All the Worlds a Stage

1689
14 October 1777 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 2 years. [Henderson had 1st acted Shylock at Bath, 21 Dec. 1774; and 1st in London at hay, 11 June 1777.] Paid Printers Bills to the 11th Inst. #32 8s. Receipts: #234 6s. 6d. (209.7.0; 23.19.6; 1.0.0)

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock (1st time [at this theatre])-Henderson; Antonio-Bensley (1st appearance in that character); Gratiano-Dodd; Lorenzo (with songs)-Vernon; Duke-Packer; Launcelot-Parsons; Gobbo-Wrighten; Salanio-Farren; Solerino-Lamash; Tubal-Waldron; Bassanio-Palmer (1st appearance in that character); Jessica (1st time; with a song)-Miss Walpole; Nerissa-Mrs Davies; Portia-Miss Younge (1st appearance in that character).

Afterpiece Title: The Quaker

Dance: End III: Rural Grace, as17771002

1690
18 October 1777 @ Drury Lane Theatre

Performances

Mainpiece Title: Twelfth Night

Performance Comment: Sir Andrew Ague@cheek-Dodd; Sir Toby Belch-Palmer; Orsino-Brereton; Sebastian-Davies; Fabian-Lamash; Antonio-Wrighten; Captain-Wright; Officer-Carpenter; Priest-Griffiths; Valentine-Norris; Clown (with the original Epilogue song)-Vernon; Malvolio-Yates; Olivia (with a song)-Mrs Baddeley; Maria-Miss P. Hopkins; Viola-Miss Younge.

Afterpiece Title: The Quaker

Dance: In: Rural Grace, as17771002

1691
22 October 1777 @ Drury Lane Theatre

Event Comment: Mainpiece: The 21st night [i.e. in continuation of the reckoning for the previous season]. Account-Book, 21 Nov.: Paid Sheridan Net Rect. of Scl. for Scandal 22d Oct. last #280 11s. Receipts: #280 11s. (274.10.0; 5.8.6; 0.12.6)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Quaker

Song: In III: song-Vernon. [This was sung, as here assigned, in all subsequent performances, except on 20 May 1778.

1692
04 November 1777 @ Drury Lane Theatre

Performances

Mainpiece Title: Tamerlane

Performance Comment: Tamerlane-Palmer; Moneses-Brereton (1st appearance in that character); Axalla (1st time)-Farren; Dervise-Packer; Omar-Hurst; Stratocles-Lamash; Prince of Tanais-Wrighten; Zama-Wright; Mirvan-Norris; Haly-Chaplin; Bajazet-Smith; Selima-Miss Hopkins; Arpasia-Miss Younge; The usual Prologue-Brereton.
Cast
Role: The usual Prologue Actor: Brereton.

Afterpiece Title: Harlequins Invasion

Song: IV: the original song To thee oh gentle sleep-Miss Abrams

1693
13 November 1777 @ Drury Lane Theatre

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: The Elopement

1694
14 November 1777 @ Drury Lane Theatre

Event Comment: Afterpiece: Not acted these 3 years [acted 18 Mar. 1776]. Receipts: #116 13s. 6d. (91.18.0; 22.15.0; 2.0.6)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: High Life below Stairs

Dance: IV: Rural Grace, as17771002 II afterpiece: a Mock Minuet-Palmer, Miss Pope. [This was danced, as here assigned, in both subsequent performances.

1695
29 November 1777 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 6 years [acted 11 Feb. 1774]. Afterpiece: Not acted these 2 years. Paid Lampmen #4 10s.; Billstickers #2 14s.; Tailor #4 19s. 3d. Receipts: #144 12s. 6d. (126.3.0; 16.19.0; 1.10.6)

Performances

Mainpiece Title: King John

Afterpiece Title: The Deuce is in Him

Related Works
Related Work: The Deuce is in Him Author(s): George Colman, the elder

1696
08 December 1777 @ Drury Lane Theatre

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: A ChristmasTale

1697
10 January 1778 @ Drury Lane Theatre

Performances

Mainpiece Title: The Runaway

Afterpiece Title: Queen Mab

1698
12 March 1778 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rivals

Related Works
Related Work: The Rival Modes Author(s): James Moore Smythe

Afterpiece Title: Queen Mab

1699
09 April 1778 @ Drury Lane Theatre

Event Comment: Benefit for Miss Pope. Part of the Pit will be laid into the Boxes. Mainpiece: Not acted these 8 years. Public Advertiser, 21 Mar.: Tickets to be had of Miss Pope, at Pope's, Little Russel-street, Covent Garden. Receipts: #265 5s. (94.8; 17.7; 0.8; tickets: 153.2) (charge: #69 1s. 6d.)

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: Selima and Azor

Dance: End II: Slingsby's grand ballet The Savage Hunters, as17780324but Fitzgerald

1700
05 May 1778 @ Drury Lane Theatre

Event Comment: Benefit for Hurst and Burton. Afterpiece: Not acted these 2 years. Public Advertiser, 25 Apr.: Tickets to be had of Hurst at his house, No. 374, Strand; of Burton, Duke's-court, Bow-street, Covent Garden. Receipts: #209 15s. (42.11.0: 11.16.6; 0.2.6; tickets: 155.5.0) (charge: #65 3s.)

Performances

Mainpiece Title: A School For Fathers

Afterpiece Title: The Lyar

Dance: As17780504