SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "the Kings Mate"/1) | (@(roleclean,performerclean) "the Kings Mate")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2650 matches on Performance Comments, 2635 matches on Performance Title, 1596 matches on Event Comments, 23 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Ross; Macduff-Clarke; King-Gibson; Malcolm-Anderson; Donalbain-Bennet; Seyton-Redman; Seyward-R. Smith; Macbeth's Gent.-Holtom; Fleance-Mrs Evans; Banquo-Sparks; Lenox-Hull; Hecate-Wignel; Murderers-Bencraft, Marten; Witches-Collins, Dunstall, Costollo; Lady Macbeth-Mrs Hamilton; Lady MacDuff-Mrs Barrington; With the Original Music. Vocal Parts-Beard, Mrs Vernon, Mattocks, Legg, Baker, Roberts, Mrs Lampe, Mrs Abegg, Miss Young; The Dances-Leppie, Dumay, Gosley, Desse, Rochford and Decorations Incident to the Play.

Afterpiece Title: The Lying Valet

Dance: LLes Charboniers, as17601215

Event Comment: Benefit for Holland. [Farce is the first act of Taste (Foote) connected with a New additional act (never perform'd before) call'd Modern Tragedy written by Mr Foote, with a new character (Genest, IV, 661.] Holland's Bt. deferred till this date so that Mr Garrick may have time to be prepared in the Character of Mercutio" (Folger Bill). The new last act to Taste--great hissed--and almost d-d (Hopkins MS Notes)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Queen Mab

Dance: [Titles and dancers unspecified.]

Event Comment: Benefit for Austin and Moody. Garrick had obtained a surreptitious copy of Macklin's farce, but Macklin might possibly allow it to be performed for a benefit (Genest, IV, 612). Sir Archy Mac-Sarcasm by Mr Austin after the manner of the Original-went off well-The Author threatens to sue Mr Garrick. Mr Macklin play'd it at cg with the Refusal a few nights ago to less than charges (Hopkins MS Notes)

Performances

Mainpiece Title: Woman's A Riddle

Afterpiece Title: Love a-la-Mode

Performance Comment: Sir Archy McSarcasm-Austin (after the manner of the original); Squire Groom-King; Mordecai-Blakes; Sir Callaghan-Moody (with a song in Character); Sir Theodore-Burton; Miss Charlotte-Mrs Hippisley.
Cast
Role: Sir Theodore Actor: Burton

Entertainment: III: Mr Moody will entertain the public with Teady Wolloughan's Whimsical Roratorical Description of a Man@o' War and Sea Fight-, with Hibernian notes on the whole

Event Comment: Farce in two acts never performed before. Full prices. [See advertisement to Reed's 1761 edition where he accuses Foote of taking the character of Mrs Cole in the Minor from Mrs Snarewell.] A new farce wrote by one Reed, a ropemaker, brought out by Mr Foote--went off tolerable--hissed a little at the end (Hopkins MS Notes). [See advertisement for the Universal Register Office General Advertiser 18 Oct. 1750: This Office being much approv'd and encouraged especially by Ladies and Gentlemen in the Country, we have daily enquiries by those who are just come to town, and many letters from those in the country to procure houses and lodgings, both furnished and unfurnished, for single Gentlemen, Ladies, and Families for the winter; and also boarding houses as well in French Families as in English Families." Announces its books open to any who wish to register there. The afterpiece met with trouble from the Licenser. Larpent MS 189 and 196, indicate the exceptionable passages to be those using profanity, and those of Mrs Snarewell's capable of double entendre, principally about the comfort she received from Mr Watchlight who was called twice out of bed to pray-"so ernest in his ejaculations, &c."

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Register Office

Performances

Mainpiece Title: The Mistake

Afterpiece Title: Polly Honeycombe

Related Works
Related Work: Polly Honeycomb Author(s): George Colman, the elder

Dance: A Louvre and Minuet-Noverre, Miss Pope

Song: Mrs Vincent

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Miller of Mansfield

Event Comment: Benefit for Doorkeepers. Tickets sold at the Door will not be admitted. Benefit for Mr Dickinson, (First Gallery office keeper)

Performances

Mainpiece Title: The Double Gallant; Or, The Sick Lady's Cure

Afterpiece Title: Love a-la-Mode

Cast
Role: Sir Theodore Actor: Burton

Song: Champnes

Event Comment: TThe Jovial Crew, as advertised for this Day cannot be perform'd on account of the indisposition of Miss Brent. Positively the last time of the company's performing this season. Boxes #5 17s. 6d. Paid Younger a bill for writing parts #2 12s. Paid Ross in full to make his sallery #300 for the season: #60. The Account Book indicates a deficit this night of #1240 12s. 4d. after all salaries are paid. This deficit was reduced by #301 18s. 8d. on May 27 by deductions from the annual salaries of 23 actors and dancers for 19 nights on account of "the death of His Late Majesty King George the Second." A little more than 10 per cent was taken from the salary of each: From Miss Macklin's salary of #300, was deducted #31 16s. 10d., &c. The others who were similary taxed were: @Name Salary Deduction@Ross #300 #31 16s. 10d.@Maranesi & Mrs Maranesi[Wife #270 #28 13s. 2d.@Sparks #250 #26 10s. 8d.@Dyer & Mrs Dyer[Wife #250 #26 10s. 8d.@Beard #210 #22 5s. 9d.@Ridout #180 #19 2s. 1d.@Poitier Jr #150 #15 18s. 6d.@Miss Capdeville #150 #15 15s. 5d.@Barrington #100 #10 12s. 3d.@Bencraft #100 #10 12s. 3d.@LaLauze #100 #10 12s. 3d.@Poitier Sr #80 #8 9s. 9d.@Leppie #80 #8 9s. 9d.@Mrs Jansolien #60 #6 7s. 4d.@Mrs Viviez #60 #6 7s. 4d.@Rotchford #50 #5 6s. 1d.@Mrs Marianne #50 #5 6s. 1d.@Hussey #35 #3 14s. 3d.@Mrs Welsch #35 #3 14s. 3d.@Mrs Crawford #35 #3 14s. 3d.@ On 30 May the deficit was further reduced by receipts from 26 actors for advances, one-half value of tickets for their benefit performances, &c., plus #200 from John Rich, in the amount of #506 6s. 5d. (Account Book).] Receipts: #43 7s. 6d. (Account Book)

Performances

Afterpiece Title: The Rape of Proserpine

Related Works
Related Work: The Rape of Proserpine: With The Birth and Adventures of Harlequin Author(s): Lewis Theobald
Event Comment: [This day Horace Walpole wrote as follows to George Montagu, forshadowing an event to take place on 27 July: "If you will stay with me a fortnight or three weeks, perhaps I may be able to carry you to a play of Mr Bentley's--you stare--but I am in earnest--nay, and de par le roy. In short, here is the history of it. You know the passion he always had for the Italian comedy. About two years ago he writ one, intending to get it offered to Rich--but without his name--he would have died to be supposed an author, and writing [I, 372] for gain. I kept this a most inviolable secret. Judge then of my surprise when about a fortnight or three weeks ago I found my Lord Melcomb reading this very Bentleiad in a circle at my Lady Hervey's. Cumberland had carried it to him, with a recommendatory copy of verses, containing more incense to the King and my Lord Bute, than the Magi brought in their portmanteaus to Jerusalem. The idols were propitious, and to do them justice, there is a great deal of wit in the piece, which is called The Wishes or Harlequin's Mouth Opened. A bank note of #200 was sent from the Treasury to the author, and the play ordered to be performed by the summer company. Foote was summoned to Lord Melcomb's, where Parnassus was composed of the peer himself, who, like Apollo as I am going to tell you, was dozing, the two Chief Justices and Lord Bute. Bubo read the play himself, with handkerchief and orange by his side. But the curious part is a prologue which I never saw. It represents the god of verse fast asleep by the side of Helicon. The race of modern bards try to wake him, but the more they repeat of their works, the louder he snores. At last "Ruin seize thee ruthless King" is heard, and the god starts from his trance. This is a good thought, but will offend the bards so much, that I think Dr Bentley's son will be abused at least as much as his father was. The prologue concludes with young Augustus, and how much he excels the ancient one, by the choice of his friend. Foote refused to act this prologue, and said it was too strong. 'Indeed,' said Augustus's friend, 'I think it is.' They have softened it a little, and I suppose it will be performed. You may depend upon the truth of all this; but what is much more credible, is that the comely young author appears every night in the Mall in a milkwhite coat with a blue cape, disclaims any benefit, and says he has done with the play now it is out of his own hands, and that Mrs Hannah Clio alias Bentley writ the best scenes in it. He is going to write a tragedy, and she, I suppose, is going--to court."--Horace Walpole's Correspondence with George Montagu. Ed. W. S. Lewis and Ralph S. Brown Jr (New Haven: Yale University Press, 1941), I, 372-73. [IX, 372-373.

Performances

Mainpiece Title: All In The Wrong

Dance: As17610616

Event Comment: To begin each Day (for the short time of the Fair) at One o'clock, and end at Eleven. At Yates's Great Theatrical Concert Hall, in the Greyhound Inn, West Smithfield. Performed by a company of Comedians from both Theatres. Prices for this droll: Boxes 2s. 6d. Pit 1s. 6d. First Gallery 1s. Upper Gallery 6d. There is a commodious way to the Boxes and Pit at the upper end of Cow Lane (Public Advertiser). [This may be an advance notice. It appears again on Th., F., S., and Mon. (Sept. 3, 4, 5, 7).

Performances

Mainpiece Title: The Fair Bride; Or, The Unexpected Event

Afterpiece Title: The British Tar's Triumph over M Soup-Maigre

Performance Comment: Cast:The performance will be highly enlivened with several entertaining Scenes between England, France, Ireland, and Scotland, in the diverting personges of Ben Bowling, an Dnglish Sailor; M Soup-Maigre, a French Captain; O'Flannaghan, an Irish officer; M'Pherson, a Scotch officer. Through which the manners of each nation will be characteristically and humourously depicted. In which will be introduced as singular and curious a procession as was ever exhibited in this nation. The Objects that compose the Pageantry are both Exotic and British. The Principal figure is the glory and delight of Old England, and the envy of our enemies. The Whole to conclude with a Loyal song on the approaching marriage of our great and glorious Sovereign, King George, and Princess Charlotte of Mecklenberg. An extraordinary band of music is provided: drums, hautboys, violins, French horns, violincellos, bassoons, clarinets. O'Flannaghan, an Irish officer; M'Pherson, a Scotch officer. Through which the manners of each nation will be characteristically and humourously depicted. In which will be introduced as singular and curious a procession as was ever exhibited in this nation. The Objects that compose the Pageantry are both Exotic and British. The Principal figure is the glory and delight of Old England, and the envy of our enemies. The Whole to conclude with a Loyal song on the approaching marriage of our great and glorious Sovereign, King George, and Princess Charlotte of Mecklenberg. An extraordinary band of music is provided: drums, hautboys, violins, French horns, violincellos, bassoons, clarinets.

Entertainment: of singing and dancing.of singing and dancing

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Holland; Mercutio-Palmer; Tibalt-Blakes; Capulet-Burton; Fryar Lawrence-Havard; Lady Capulet-Mrs Bennet; Nurse-Mrs Cross; Juliet-Mrs Cibber; With the Funeral Procession. The vocal parts-Lowe, Champnes, Mrs Vincent, Miss Young; In Act I a Masquerade Dance, proper to the play,-Sg Giorgi, Sga Giorgi.

Afterpiece Title: High Life below Stairs

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Harlequin's Invasion

Performance Comment: Harlequin-King; Other characters-Yates, Bransby, Moody, Blakes, Burton, Clough, Packer, Vaughan, Mrs Bennet, Miss Pope; The Vocal Parts-Champnes, Fawcett, Miss Young; The Dances-Grimaldi, Sg Giorgi, Sga Giorgi, Miss Baker; a New Hornpipe-Miss Dawson.

Performances

Mainpiece Title: The Mourning Bride

Event Comment: Income from Boxes #19. Paid salary list as usual #245 12s. with the additions of 3 Oct. LaLauze re-entered at 12s. Per day. Miss Miller and Miss Twist added at 5s. and 3s. 4d. respectively. Paid Lupino for making dance dresses #12 14s. 11d. Bought a crimson water'd Tabby gown and coat trimmed with silver at #30. Receipts: #72 15s. (Winston Theatrical Record)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Chaplet

Dance: TThe Pedlar Trick'd, as17611001

Event Comment: Benefit for a Citizen who has suffer'd greatly by Fire. Tickets (Box 24; Pit 178; Gallery 175) brought #50 4s. Money #72 16s. Total income #123. Charges #85; Expenses #33 5s. 6d. On account to Rich #10. Receipts: #85 5s. (Winston Theatrical Record)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Contrivances

Dance: TThe Pedlar Trick'd, as17611001

Performances

Mainpiece Title: The Jealous Wife

Related Works
Related Work: The Jealous Wife Author(s): George Colman, the elder

Afterpiece Title: The Chaplet

Performances

Mainpiece Title: The Double Gallant; Or, The Sick Lady's Cure

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Coronation

Song: II: Fawcett

Performances

Mainpiece Title: The Minor

Afterpiece Title: The Coronation

Event Comment: [The young gentlewoman was Mrs Hopkins (Genest, IV, 634) and had acted at Edinburgh.

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Old Maid

Dance: II: The Camp Alarm'd, as17610926

Performances

Mainpiece Title: Hecuba

Afterpiece Title: Edgar and Emmeline

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: The Old Maid

Dance: By Particular Desire aHornpipe-Miss Dawson, others

Event Comment: Mainpiece: Not acted these 3 years. [See 12 May 1760.

Performances

Mainpiece Title: Love For Love

Event Comment: Mainpiece: Not acted these 5 years. [See 26 April 1758.] Afterpiece: Not acted these 2 years. [See 6 May 1760.

Performances

Mainpiece Title: Florizel And Perdita; Or, The Winter's Tale

Performance Comment: Leontes-Garrick; Polixines-Havard; Camillo-Davies; Old Shepherd-Burton; Clown-King; Autolicus-Yates; Gentleman-Blakes; Cleomines-Castle; Florizel-Holland; Hermione-Mrs Pritchard; Paulina-Mrs Bennet; Perdita (with a Sheepshearing Song in character)-Mrs Cibber; The Vocal Parts-Lowe, Mrs Vincent, Miss Young; The Dances-Grimaldi, Lochery, Miss Wilkinson; The Original Prologue-Garrick.

Afterpiece Title: Catharine and Petruchio

Song: HHearts of Oak, as17620115