SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "little theatre in the Haymarket"/1) | (@(roleclean,performerclean) "little theatre in the Haymarket")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2898 matches on Event Comments, 582 matches on Performance Comments, 295 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Barrymore. A new Edition of [The Country Girl] to be had at the Theatre. Morning Chronicle, 27 Apr.: Tickets to be had of Barrymore, No. 11, Bedford-street, Bedford-row. Receipts: #305 0s. 6d. (84.4.0; 25.13.6; 5.0.0; tickets: 190.3.0) (charge: #115 6s. 6d.)

Performances

Mainpiece Title: The Country Girl

Cast
Role: Alithea Actor: Mrs Ward

Afterpiece Title: The Pannel

Event Comment: Benefit for R. Palmer. The Public is respecfully inform'd that the Prelude of The Hop formerly advertised for Mr Palmer's Benefit is on a very particular account withdrawn from the Theatre. Oracle, 7 May: Tickets to be had of R. Palmer, No. 14, East Place, Lambeth. Receipts: #292 5s. 6d. (77.13.0; 30.15.6; 2.6.0; tickets: 181.11.0) (charge: #117 0s. 7d.)

Performances

Mainpiece Title: The Heiress

Afterpiece Title: No Song No Supper

Cast
Role: Grandmother Actor: Mrs Booth.

Entertainment: Monologue. End: The Picture of a Play@House, or, Bucks have at ye all-R. Palmer

Performance Comment: End: The Picture of a Play@House, or, Bucks have at ye all-R. Palmer.
Event Comment: Benefit for a Fund for the Relief of those whose Infirmities oblige them to retire from the Stage. The whole Pit will be laid into the Boxes. Those Ladies and Gentlemen who have seats in the Pit are earnestly requested to be early at the Theatre, and Servants are desired to attend at half past Four o'Clock to keep Places. "The fine tragic powers of [Mrs Siddons] and Kemble were but wasted on the turgid trumpery of the play...But Kemble in this scene [end of Act III] was so impassioned and transcendent that it killed all the rest of the piece. The scorn of Mrs Siddons at his dissimulation--her haughty bearing and marking emphasis, with the piercing powers of her eye, are all treasured where they should be" (Oracle, 16 May). Receipts: #117 14s. (107.11.0; 9.12.6; 0.10.6; tickets: none listed, but Oracle, 17 May, reports that tickets were purchased for as much as one guinea and a half) (charge: free)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: All the World's a Stage

Event Comment: Benefit for Mrs Mountain. 3rd piece: Not acted these 2 years [not acted since 24 Apr. 1788]. Oracle, 14 May: Tickets to be had of Mrs Mountain, No. 9, Bow-street, Covent-Garden. Receipts: #171 1s. (71.6; 7.0; tickets: 92.15)

Performances

Mainpiece Title: Rosina

Afterpiece Title: Lovers' Quarrels

Afterpiece Title: Comus

Performance Comment: Comus-Farren; Principal Bacchanals-Bannister, Incledon; with Give me Wine rosy Wine (composed by Hook)-Incledon; Bacchanals-Cubitt; Williamson; The Lady-Mrs Wells; Principal Bacchant-Mrs Mountain; Pastoral Nymph-Miss Broadhurst; Sabrina-Miss Williams; Euphrosyne-Mrs Martyr.
Cast
Role: The Lady Actor: Mrs Wells
Related Works
Related Work: Comus Author(s): George Colman, the elder

Song: End I: The Musical Courtship, as17910506; End II 2nd piece: Say Bonny Lass, as17910506; In 3rd piece: Sweet Echo-Mrs Mountain; accompanied on the hautboy-W. Parke; Nor on beds of fading flowers (1st time these 7 years)-Incledon; O! thou wert born to please me (1st time at this theatre)-Incledon, Mrs Mountain

Performance Comment: Parke; Nor on beds of fading flowers (1st time these 7 years)-Incledon; O! thou wert born to please me (1st time at this theatre)-Incledon, Mrs Mountain.
Event Comment: Benefit for Wood, Percey, Cameron, Wilson, George, Woollams. Kemble Mem.: Benefit for the Boxkeepers. A New Edition of the [mainpiece] to be had at the Theatre. "Went to play. Mrs Jordan in 'Rosalind.' I am still of opinion, there is more in her person and natural manners than in her acting. Her merit lies out of her part. The words set down by the author she does not repeat with great propriety of tone, emphasis, or gesture, than others. But she has of these, certain peculiarities, which indicate dispositions, such as take strong hold of the affections, at least of the male part of her audience; and therefore, when the part is of a sort to admit a large portion of these, she produces a great effect. The true acting of the part may, in many instances, not require what she throws into it, but it may admit it; and if the expression so thrown in is of the sort described, the effect of the whole will be improved, though the part is thereby neither better nor worse acted" (Windham Diary, 28 May 1791, 227). Receipts: #363 4s. 6d. (33.5.0; 9.5.6; 2.13.0; tickets: 318.1.0) (charge: #117 1s. 7d.)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: All the World's a Stage

Song: As17901027

Event Comment: Benefit for Miss Broadhurst. 3rd piece [1st time; M. ENT 1, author unknown. Larpent MS 910; not published]: Overture and Music entirely new, composed by Percy, with some airs from Andreozzi and Stevens. Books of the Songs to be had at the Theatre. Public Advertiser, 24 May: Tickets to be had of Miss Broadhust at Mr Percy's, No. 13, Tavistock-street, Bedford-square. Receipts: #202 9s. (52.5.6; 3.17.6; tickets: 146.6.0)

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: Linco's Travels

Afterpiece Title: The Cottage Maid

Dance: In 3rd piece: a Hornpipe, Dance of Sailors-

Song: Masquerade Scene in 1st piece: Green Willow (composed by Percy)-Miss Broadhurst

Event Comment: Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. Places for the Boxes to be had of Rice, at the Theatre. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]

Performances

Mainpiece Title: The Spanish Barber

Related Works
Related Work: The Spanish Barber; or, The Fruitless Precaution Author(s): George Colman, the elder

Afterpiece Title: Katherine and Petruchio

Event Comment: Mainpiece [1st time; MD 3, by the Hon. Francis North. Johnstone was from cg]: The Music partly new by Gyrowetz, and partly compiled [by Miss Monck, or Monckton] from Paisiello, Sacchini, and Guglielmi. With new Dresses, Decorations, &c. Books of the Songs to be had at the Theatre. Oracle, 27 June: The chief excellence of this piece is the preservation of costume. Gazetteer, 27 June: Bensley disgraced a performance otherwise good by concluding his sentences with a rant, and a look at the gallery. Times, 9 July 1791: This day is published The Kentish Barons (1s. 6d.)

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: The Kentish Barons

Performances

Mainpiece Title: Inkle And Yarico

Performance Comment: As17910621 but Inkle (1st time at this theatre)-Johnstone.
Related Works
Related Work: Inkle and Yarico Author(s): George Colman, the younger

Afterpiece Title: The Village Lawyer

Event Comment: The Doors to be opened at 5:30. To begin at 6:30 [see 15 Nov.]. No Money to be returned. Places for the Boxes to be taken of Brandon at the Theatre. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Receipts: #176 9s. 6d. (169.16.0; 6.13.6)

Performances

Mainpiece Title: The Dramatist; Or, Stop Him Who Can

Related Works
Related Work: The Female Dramatist Author(s): George Colman, the younger

Afterpiece Title: The Farmer

Performance Comment: Jemmy Jumps-Munden; Valentine-Johnstone; Rundy-Blanchard; Col. Dormant-Hull; Fairly-Thompson; Farmer Stubble-Powel; Farmer Blackberry-Darley (1st appearance these 2 years); Molly Maybush-Mrs Martyr; Louisa-Mrs Mountain; Landlady-Mrs Platt; Betty Blackberry-Mrs Mattocks.

Dance: End: The Wapping Landlady-King, Blurton, Mrs Watts

Performances

Mainpiece Title: The Count Of Narbonne

Performance Comment: Austin-Harley; Theodore-Bloomfield (from the Theatre Royal, Bath; 1st appearance on this stage); Fabian-Thompson; Officers-Powel, Evatt; Raymond-Farren; Adelaide-Mrs Merry; Jaqueline-Mrs Platt; Countess-Mrs Pope.
Cast
Role: Theodore Actor: Bloomfield

Afterpiece Title: A Divertisement

Performance Comment: [The Speaking Characters-Johnstone, Wilson, Blanchard, Incledon, Darley, Cubitt, Rees, Mrs Martyr, Mrs Arnold. Cast adjusted from Songs (For the Author [1790]): Capt. Frederick-Johnstone; Sir Fidget Fearful-Wilson; Gregory-Blanchard; Squire Thicket-Incledon; Clueline-Darley; Flambeau-Cubitt; Whim-Rees; Peggy-Mrs Martyr; Sophia-Mrs Arnold; Female Indian-Mrs Mountain; [With Dialogue-; [to introduce the following favourite Songs, selected, written, and composed (with new accompaniments) by Dibdin: The Lamplighter[, I'm jolly Dick the Lamplighter-Cubitt; Peggy Perkins[, Let Bards elate-Blanchard; Irish Drinking Song[, Of the Ancients its speaking-Johnstone; The Greenwich Pensioner ['Twas in the good ship Rover], Tom Bowling [Here a shere Hulk lies poor Tom Bowling]-Darley; Comic Song[, How much I love thee-Wilson; Taffy and Griddy[, Abergavenny is fine-Mrs Martyr; Hunting Song[, To Batchelor's Hall-Incledon; Poor Jack[, Go patter to Lubbers-Incledon; The Portrait[, Come, Painter, with thy happiest flight-Incledon; [Conclude Rural Masquerade: Indian Song[, Dear Yanco say, and true he say-Mrs Mountain; Sea Song[, A Sailor's life's a life of woe-Mrs Arnold (1st time); The Masquerade[, Sure an't the World a Masquerade-Johnstone, Chorus.

Performances

Mainpiece Title: He Wou'd Be A Soldier

Performance Comment: Sir Oliver Oldstock-Quick; Colonel Talbot-Aickin; Captain Crevelt-Lewis; Caleb (with a song in character)-Fawcett (from the Theatre Royal, York; 1st appearance on this stage); Mandeville-Farren; Count Pierpoint-Marshall; Wilkins-Cubitt; Johnson-Macready; Amber-Thompson; Harriet-Mrs Wells; Mrs Wilkins-Mrs Rock; Lady Oldstock-Mrs Webb; Nancy-Mrs Cross; Betty-Mrs Davenett; Charlotte-Mrs Pope.

Afterpiece Title: Cymon

Event Comment: The School for Scandal [advertised on playbill of 22 Sept., as was No Song No Supper for 3rd piece], intended for this Evening's Representation, is deferred till Tuesday, the Stage having been so constantly occupied by the Workmen preparing and adapting the various Scenes for this Theatre that the usual course of Rehearsals has been necessarily impeded. The Public are most respectfully informed that every Endeavour is exerting to remove all cause of Complaints respecting the Entrances and Passages to the different Doors of Admission. The large Hall below Stairs will be opened at Five o'Clock, for the accomodation of the Company frequenting the Pit previous to the opening the Office Doors. Receipts: #347 4s. (303.19; 43.2; 0.3)

Performances

Mainpiece Title: Poor Old Drury

Afterpiece Title: The Haunted Tower

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber
Event Comment: [The playbill announces King Henry the Fifth and The Cave of Trophonius, but "The performances at this Theatre were changed last night on account of the indisposition of Kemble. Henry the Fifth gave way to The Siege of Belgrade, and The Cave of Trophonius was also superseded, as it was impossible for the vocal performers to sustain the whole effort of the night" (Morning Post, 18 Oct.). A MS annotation on Kemble playbill gives the name of the substitute afterpiece.] Receipts: #234 8s. (183.1; 49.18; 1.9)

Performances

Mainpiece Title: The Siege Of Belgrade

Afterpiece Title: All the World's a Stage

Performances

Mainpiece Title: Artaxerxes

Performance Comment: Artaxerxes-Dignum; Artabanes-Kelly; Arbaces-Mrs Crouch; Rimenes-Caulfield; Mandane-Mme Mara (1st appearance on this theatre); Semira-Mrs Bland.

Afterpiece Title: All the World's a Stage

Cast
Role: The Seraskier Actor: Kelly
Role: Katherine Actor: Mrs Crouch
Event Comment: Mainpiece [1st time; CO 5, by Hannah Cowley. Author of Prologue unknown. Epilogue by the author (see text)]: With Songs, Duetts, and Chorusses composed by Mazzinghi. With new Scenery, Dresses, and Decorations. Books of the Songs, &c. to be had at the Theatre. [Afterpiece in place of The Padlock, advertised on playbill of 2 Dec.] Morning Herald, 23 Feb. 1792: This day is published A Day in Turkey (1s. 6d.). Receipts: #263 16s. (261.15.6; 2.0.6)

Performances

Mainpiece Title: A Day In Turkey; Or, The Russian Slaves

Performance Comment: Principal Characters by Holman, Farren, Munden, Fawcett, Cubitt, Macready, Thompson, Farley, C. Powell, Cross, Incledon, Mrs Esten, Mrs Mattocks, Mrs Martyr, Mrs Pope. [Cast from text (G. G. J. and J. Robinson, 1792): Ibrahim-Holman; Orloff-Farren; Mustapha-Munden; A La Greque-Fawcett; Azim-Cubitt; Muley-Macready; Old Man-Thompson; Ismael-Farley; 2nd Turk-C. Powell [in text: Evatt (see17911230)]; Son-Cross; Selim-Incledon; Paulina-Mrs Esten; Lauretta-Mrs Mattocks; Fatima-Mrs Martyr; Alexina-Mrs Pope; Female Slaves-Mrs Fawcett, Mrs Rock; Prologue-Harley; Epilogue-Mrs Pope. [These were spoken, as here assigned, at the first 9 performances only (see17920120).]These were spoken, as here assigned, at the first 9 performances only (see17920120).]

Afterpiece Title: Hob in the Well

Performance Comment: Hob-Blanchard; Sir ThomasTesty-Thompson; Dick-Farley; Old Hob-Powel; Friendly-Davies; Hob's Mother-Mrs Pitt; Betty-Miss Stuart; Flora-Mrs Martyr.
Cast
Role: Hob's Mother Actor: Mrs Pitt
Event Comment: 3rd piece: Books of the Songs to be had at the Theatre. Receipts: #189 3s. (185.13.6; 3.9.6)

Performances

Mainpiece Title: The Prussian Festival

Afterpiece Title: The Jovial Crew

Dance: In II 3rd piece: the original Crutch Dance-

Event Comment: Mainpiece: In 5 Acts, altered from the Dramatic Romance by David Garrick, Esq. With a new Overture and new additional Musick by Storace [on 2 Jan. 1792 and thereafter, added: Shaw] and other Eminent Masters. Entirely new Scenery by Greenwood, and new Dresses, Decorations and Machinery. To conclude with a Grand Procession of the Hundred Knights of Chivalry, and the Representation of an Ancient Tournament. [These were included in all subsequent performances.] Books of the Songs to be had at the Theatre. Morning Post, 3 Jan. 1792, prints a full description of the Procession of over 100 persons: 1st, Anglo-Saxon Knights and banners; then ancient British knights, Norman knights, Indians, Turks, Scythians, Romans, a dwarf, a giant; at end, "soldiers drawing a superb picture of St. George, knights in chain mail, a cupid leading a knight covered with a silver net, Hymen, piping fauns, bands of cupids drawing an altar--flame burning, cupids hovering over it, and others feeding doves below, a troop of Arcadian shepherds drawing the car of Cymon and Sylvia, characters of the drama, and chorus." "At the conclusion of the procession, a tournament took place of both horse and foot, between several combatants in armour, who fought with lances, swords and battle-axes: three of Hughes' horses [from the Royal Circus] were introduced, and managed with much dexterity; the Prince of Wales' Highlander made one of the procession, and entered the lists as a champion, fighting with an enormous club; against him a small female warrior was opposed, by whom he was subdued. It was by far the grandest spectacle ever seen upon the stage. Many of the characters were taken from Sir Philip Sydney's Arcadia, in which the scene of the piece was laid; and the dresses of the knights, armour, &c. from the drawings and descriptions of the best antiquarians" (Oulton, 1796, II, 215). [This was Edmund Kean's 1st appearance on the stage; he was about four years old. He personated a cupid lying in Cymon and Sylvia's car (Kelly, Reminiscences, II, 21-22).] Account-Book, 13 Jan. 1792: Paid Hughes for his Horses #16 19s. 10d.; 23 Jan.: Paid Gough for his Greyhounds in Cymon #5 19s. 6d. Receipts: #420 6s. (385.0; 35.5; 0.1)

Performances

Mainpiece Title: Cymon

Performance Comment: Merlin-Bannister; Cymon (1st time)-Kelly; Dorus-Parsons; Linco (1st time)-Bannister Jun.; Damon-Dignum; Dorilas-Cooke; Cupid-Master Gregson; Daemon of Revenge-Sedgwick; Urganda (1st time)-Mrs Crouch; Sylvia (1st time)-Miss Hagley; Fatima (1st time)-Mrs Jordan; Phebe-Miss DeCamp; Daphne-Mrs Bland; Dorcas (1st time)-Mr Suett; Spirits-Master D'Egville, Miss D'Egville, Miss Gawdry, Miss Edwin; In Tournament: Knights-Duranci (1st appearance), Fairbrother, Bourk, Giani; Queen of the Amazons-Miss Blanchet.

Afterpiece Title: All the World's a Stage

Cast
Role: The Seraskier Actor: Kelly
Role: Katherine Actor: Mrs Crouch
Event Comment: "On 31st Dec. I was with Pleyel in the Pantheon Theatre. They gave La Pastorella Nobile by Guglielmi. Mad. Casentini played the leading role and Lazarini? the primo huomo; the thin Calvesi had l'ultima parte. The opera did not please. Neither did the ballet, even though the great Hilligsburg [sic] danced" (Haydn, 266)

Performances

Mainpiece Title: La Pastorella Nobile

Dance: End I: La Fontaine d'Amour, as17911217; End Opera: La Fete Villageoise-(composed by D'Auberval [with music by Mazzinghi])DeLaChapelle (his 1st appearance). [For other performers see hay, 14 Feb. 1792.

Performance Comment: [For other performers see hay, 14 Feb. 1792.]
Event Comment: The Nobility and Gentry are respectfully acquainted that, on account of the absence from town of many Subscribers, there will be no Opera at the above Theatre until Saturday next, January 7

Performances

Mainpiece Title: None

Event Comment: [In lieu of 1st two pieces the playbill announces Macbeth, but "Holman was disabled by illness; Macbeth was allotted to Harley...who was also indisposed." The Farmer and The Merry Mourners [i.e. Modern Antiques] were acted, but "Quick, in hurrying to the theatre, fell, and materially bruised his knee. Waldron played Quick's character. Mrs Watts...took the part which belongs to Mrs Harlowe" (London Chronicle, 7 Jan.).] Receipts: #132 19s. (132.4; 0.15)

Performances

Mainpiece Title: The Farmer

Afterpiece Title: Modern Antiques

Afterpiece Title: Blue Beard

Related Works
Related Work: Blue-Beard; or, Female Curiosity! Author(s): George Colman, the younger
Event Comment: Particular Care is taken to keep the Theatre well aired. The Doors to be opened at 6:00. To begin at 6:30 precisely. Pit 2s Gallery 1s

Performances

Mainpiece Title: Inkle And Yarico

Related Works
Related Work: Inkle and Yarico Author(s): George Colman, the younger

Afterpiece Title: Miss in her Teens; or, The Medley of Lovers

Event Comment: [In mainpiece the playbill retains Mrs Crouch as Urganda, but Mrs Powell probably acted it (see 26 and 30 Jan.). Mrs Crouch was absent from the theatre from 21 Jan. to 5 Feb.] Receipts: #357 5s. 6d. (296.11.6; 55.4.0; 5.4.0; tickets not come in: 0.6.0)

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Humourist

Related Works
Related Work: The Humourists Author(s): Theophilus Cibber
Event Comment: The Nobility and Gentry are most respectfully informed that, in consequence of the calamity that has befallen the Pantheon [see 14 Jan.], the Italian Operas are necessarily removed for the remainder of the present season to this Theatre, where preparations are now making to accomodate the Subscribers; and of the first Representation notice will be given in a few days [see 14 Feb.]

Performances

Mainpiece Title: None

Event Comment: [Afterpiece in place of The Sultan, advertised on playbill of 31 Jan.] A New Edition of Cymon to be had at the Theatre. Receipts: #340 18s. 6d. (292.14.6; 44.18.0; 3.6.0)

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Virgin Unmask'd