SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "little theatre in the Haymarket"/1) | (@(roleclean,performerclean) "little theatre in the Haymarket")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2898 matches on Event Comments, 582 matches on Performance Comments, 295 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: By Particular Desire. When Face ask'd Drugger if he had any Interest with the Players--Mr G. Answer'd I believe I had once but don't know if I have now or not--It It had a good Effect--his having Just Sold his Share of the Patent (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] On Wed. Night Jan. 18, 1776, Mr Garrick concluded his treaty for the sale of his share of the patent and property of Drury Lane Theatre to 4 gentlemen for #35,000 (Winston MS 11). Receipts: #256 9s. (Treasurer's Book)

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: The Jubilee

Related Works
Related Work: London's Great Jubilee Author(s): Matthew Taubman

Dance: II: The Jealous Harlequin, as17760117

Event Comment: A New Comic Opera of Two Acts written by Mr Bate--Much hissing and Crying out no more no more!--Mr Reddish was desired to give out the Play as soon as Matilda was over--but he with his usual politeness ran up and undress'd himself as fast as he could so that the play was not given out till the End of the Farce as soon as the Blackamoor was given out for the next Night they kept a great Noise and call'd for another Farce to be given out--at length they began to be more appeas'd and went away vowing Vengeance on it the next Night (Hopkins Diary). The Overture and Music of the afterpiece entirely New. Books of the Songs &c. to be had at the Theatre. New Scenes, Dresses, &c. [This is Larpent MS 400. Sir Oliver Oddfish distrusts his servants and is about to replace them with blacks, giving his nephew the chance to introduce Frederick , his daughter Julia 's lover, in disguise as a blackamoor, and to effect an elopement. Act I criticizes Londoners and concludes with the comment, "O that I should ever live to see the day when white Englishmen must give place to foreign blacks." MacMillan's note from Kemble differs slightly.] Paid the late Mr Johnston's bill to his executors #44 18s. 6d. (Treasurer's Book). [Afterpiece reviewed in three columns in the Westminster Magazine for Feb. Reviewer thought it had been produced well in all departments, music, scenery, costume, and acting, but concluded it a theatrical trifle giving not much credit to its author.] Receipts: #166 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Matilda

Afterpiece Title: The Blackamoor Wash'd White

Event Comment: By Command of their Majesties. Tickets to be had and places for the Boxes to be taken of Mr Fosbrooke at the Stage Door of the Theatre, at Half a guinea each. Pit 5s. First Gallery 3s. 6d. Second Gallery 2s. Doors to be opened at Half past Five. To begin at Half past Six. N.B. Those ladies who have had boxes for the Oratorios and who intend continuing them are humbly requested to give notice to Mr Fosbrooke at the Stage Door. Rec'd Stoppages #1 1s. (Treasurer's Book). [The Westminster Magazine, Feb., p. 75, contained an article on the "Origin of Oratorios," followed by one on the Musical Powers of Handel, particularly relating to his Oratorios. The Morning Chronicle for 24 Feb. commented as follows on Miss Linley's performance in Acis and Galatea: "Miss Linley...gave every delight that the ear, the heart, or understanding could receive from Music...Miss Linley's manner of delivering Recitative is peculiarly distinct and sensible; a circumstance of infinite importance in a performance of this nature. Her voice is clear and melodious, and capable of truest expression as was peculiarly evident in the song of 'Must I my Acis still bemoan?'...Their Majesties' presence and apparent satisfaction lead us to hope that the Royal countenance and encouragement will never again be withdrawn to grace the innovations of foreigners on the only musical ground which is left for English genius to take root and flourish"( (Quoted in Hampden, Journal).]

Performances

Mainpiece Title: Acis And Galatea, With Dryden's ode

Music: Concerto on Organ-Stanley

Event Comment: Boxes 7s. 6d. Pit 5s. First Gallery 3s. Second Gallery 2s. Places for Boxes to be taken of Mr Sarjeant (only) at the stage door. Books of the Oratorios to be had at the Theatre. Doors opened at Half past Five. To begin at Half past Six. [This note recurrs on all Oratorio bills this season. It will not be repeated here.

Performances

Mainpiece Title: Judas Maccabaeus

Performance Comment: Parts were: Judas , Israelite Man , Israelite Woman , Chorus , Simon (Brother to Judas ), Messenger , Eupolemus (Jewish Ambassador to Rome ) Principal Vocal parts-Vernon, Champness, Leoni, Mrs Wrighten, Mrs Weichsel.

Music: First Violin-Lamotte; after I: Concerto on German Flute-Florio; Part II: Violin Concerto-Lamotte

Event Comment: Afterpiece: A New Masque [by Capt. Edward Thompson] never perform'd. With New Music, Dresses, Scenery, and Decorations. The Music composed by Fisher. The Scenes painted by Dall and Carver. Books of the songs to be had at the Theatre. [The Westminster Magazine for March also lists Boreas -Reinhold; Carlos -DuBellamy; Traverse -Mahon; Druid -L'Estrange, and tells the story of the play. The reviewer did not approve of the piece, since for him it lacked unbounded fire of fancy, originality of idea, language, and character. He approved of Fisher's music.

Performances

Mainpiece Title: Cato

Afterpiece Title: The Syrens

Performance Comment: The principal characters by: Mattocks, DuBellamy, Reinhold, Lee Lewes, Wilson, Mas. Harrison, Mahon, Wewitzer, L'Estrange, Baker, Quick, Mrs Pitt, Miss Barsanti, Miss Dayes, and Mrs Mattocks. Capt. Grenade-Mattocks; Lieutenant Pendant-Lee Lewes; Gale-Quick; Forecastle-Wilson; Parthenope-Mrs Mattocks; Doris-Miss Barsanti; Margery-Mrs Pitt (Genest, V, 518); Larpent MS 404 confirms these names and adds the following parts: Carlos-; Tom Traverse-; Sam Snivel-; Zephyr-; Libs-; Boreas-(Winds); Flos-(a Fairy); Tadpole-(a Witch); Spirit of a Druid-; Cornelia-.
Cast
Role: Parthenope Actor: Mrs Mattocks
Event Comment: Benefit for Webster. Mr Barry being ill, the tragedly of King Lear oblig'd to be deferr'd. [A comment in Lloyd's Evening Post for 29 Feb. refers to an incident in cg this evening: "A fellow who sat on the sixth row of the Upper Gallery...Threw a Keg (which he had brought full of liquor into the House) over the Gallery front. It fell upon a lady's head, who sat in that part of the Pit which was railed into the Boxes, but the Lady's hair being dress'd in high ton, the artifical mountain luckily prevented the mischief that otherwise might have been occasioned....The fellow who threw the cask was carried to the Public Office, in Bow Street, and from thence committed to Tothill Fields, Bridewell. As the custom of throwing mugs, bottles, apples, &c. from the galleries of the theatres is equally as wanton and wicked and is frequently the cause of great mischief, it is thought the present culprit will made an example of" (Quoted in Hampden, Journal).

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Syrens

Cast
Role: Parthenope Actor: Mrs Mattocks
Event Comment: A few hisses at the End of the Farce (Hopkins Diary). [Public Advertiser: A correspondent, who was at Drury Lane Theatre Thursday evening, remarks that the Ridicule of the Head-Dresses in Mr Garrick's last Epilogue, and in his performance of Sir John Brute, has had its proper Effect; for the Ladies have lowered their Main Top-Gallant Sails from nine inches to twelve; so that they are not present above three quarters of a yard higher than they ought to be.] Paid salary list 4 days #416 4s. 4d.; Tallow chandler #35 9s. 9d.; Mr Parsons on note by order #25; Settre and Co., Mercers #9 6s. 10d. Receipts: #252 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Runaway

Performance Comment: As17760304 but Morely(?)-Wrighten. [The Epilogue finally dispensed with.]The Epilogue finally dispensed with.]

Afterpiece Title: The Spleen

Related Works
Related Work: The Spleen; or, Islington Spa Author(s): George Colman, the elder
Event Comment: Books of the Oratorio to be had at the Theatre

Performances

Mainpiece Title: The Messiah

Music: Between parts Oratorio: a Concerto on German Flute, as17760223; Violin Concerto, as17760223

Event Comment: Benefit for Smith. Mr Lacy play'd Cyrus. Spoke too Low and wanted Spirit. Was receiv'd with Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] Tickets delivered for Siege of Damascus, for that night, will be taken. The Bill For establishing a Fund for Decayed Actors of dl Theatre has passed the House of Lords (Winston MS 11). Receipts: #134 19s. Charges: #67 7s. 6d. Profits to Smith: #67 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Cyrus

Afterpiece Title: A Peep behind the Curtain

Performance Comment: Glib-King; Sir Macaroni Virtue-Dodd; Wilson-Palmer; Mervin-Lamash; Sir Toby Fuz-Bransby; Carpenter-Moody; Orpheus-Vernon; Rhodope-Mrs Wrighten; Miss Fuz-Mrs Davies; Lady Fuz-Mrs Hopkins; Others-Packer, Norris, Wright, Cubitt, Legg, Fawcett, Kear, Griffiths, Carpenter, Blanchard, Mrs Love, Mrs Bradshaw.

Entertainment: End: (for the last time) Comic Paraphrase on Shakespeare's Seven Ages-King

Dance: End Entertainment: The Irish Fair, as17751003

Event Comment: Benefit for Reinhold. Tickets delivered for An Opera will be taken. Books of the Entertainment [i.e., afterpiece] to be had at the theatre. Afterpiece: A Musical Entertainment by D. J. Piguenit. 8vo 1774, played this one night only (Biographia Dramatica). [It had been played as a Burletta at Marybone Gardens according to the Westminster Magazine for April, and though some of its music was good, the Burletta writer had taken great liberty with his original.

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Don Quixote

Entertainment: Interlude.End: True Blue, as17760409

Event Comment: [A humorous parody on Alexander's Feast. Music composed by Dr Arne.] Complete Books with the parody on one side and Dryden's Ode on the other, that the allusions may be traced throughout, and the words of the Catches and Glees are to be had at the Theatre. 1s. Dr Arne's last night this season

Performances

Mainpiece Title: Whittington's Feast

Performance Comment: The Ode of Odes new written by a College Wag. The Music interpersed with Grand Chorusses new composed by the Doctor...who humbly hopes the Literati will not be offended by this harmless banter, as nothing can lessen the supreme merit of Dryden's Great Original.

Song: Catches and Glees-; after Part I: New Italian Song-Mrs Barthelemon

Music: After the Parody: Concerto on Violin-Barthelemon

Event Comment: Mainpiece: Acted but once this season. Tickets deliver'd by Branson, Cushing, Thompson, Wewitzer, Jones, will be taken this night. Books of the Masque to be had at the theatre. Doors open half past 5. To begin half past 6 o'clock

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Syrens

Cast
Role: Parthenope Actor: Mrs Mattocks
Event Comment: Benefit for Mrs Abington. Mainpiece: By Particular Desire. Garrick's last time of performing Archer . Pit and Boxes will be laid together. Ladies and Gentlemen most earnestly requested to come early (playbill). Mrs Abington having wrote to Mr Garrick that she intended to quit the Stage at the End of the Season never to return to it again, he very kindly play'd for her Benefit (Hopkins Diary). Tickets deliver'd for Much Ado will be taken. Attempted to get into Drury Lane Theatre to see Mr Garrick in the character of Archer, but the crowd was so great that after suffering thumps, squeezes and almost suffocation for two hours, I was oblig'd to retire without effecting it (Hampden, Journal). Receipts: #129 19s. 6d. Charges: #65 7s. 6d. Profits to Mrs Abington: #64 12s. (Treasurer's Book)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Man of Quality

Dance: IV: The Irish Fair, as17751003

Event Comment: Benefit for DuBellamy. The Constant attendance Mr DuBellamy has, and is still oblig'd to pay to the business of the theatre, he humbly hopes will be admitted as a sufficient excuse for his not making a personal appliaction to his friends. Doors open half past 5. To begin half past 6 o'clock

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Midas

Dance: I: Rural Merriment, as17751220

Song: IV: At the Request of many Friends, Kate of Aberdeen-DuBellamy

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Irish Widow

Performance Comment: As17760427 but Kecksey-Moss (from Theatre Royal Edinburg); Epilogue Song-_.

Dance: End: The Humours of the New@Market Races, as17760503

Event Comment: Mr Garrick's last time of performing Hamlet . Benefit towards encreasing a Fund, for the relief of those who from their infirmities shall be oblig'd to retire from the stage. Pit and Boxes are laid together, and no admittance into the Pit or Boxes without Tickets. Ladies and Gentlemen urged to come early. Servants must be at the theatre by 5 o'clock to keep places. Doors will be opened at half past Five. Play to begin at half past Six. On Saturday Mr Garrick will perform a principal part in a Comedy. Pit and Boxes put together, most of the tickets were sold for a Guinea a piece, very few under half a Guinea and the whole quantity Sold in about Two hours (Hopkins Diary). [Kemble's note briefer.] Receipts: #85 8s. 6d. Charges: #23 4s. 1d. [See 10 June.] (Treasurer's Book)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Deuce Is in Him

Related Works
Related Work: The Deuce is in Him Author(s): George Colman, the elder

Dance: End: The Grand Garland Dance, as17760410

Event Comment: Prelude [1st time: PREL 1, by George Colman elder; incidental music by Thomas Linley Sen. and Nicola Piccinni. Prologue by David Garrick (Poetical Works, II, 327)]. The Words of the Songs in [the] Prelude will be given at the Theatre. The Doors to be opened at 5:3O. To begin at 6:30 [see 11 Nov.]. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Fosbrook at the Stage Door. No Money to be taken at the Stage Door, nor any Money returned after the Curtain is drawn up. The TR opened this Season under the Management of Messrs Lacy, Sheridan, Ford and Linley. This Summer the Flys has been raised considerably--the Stage widened and heitened--the orchestra enlarged, and Iron ornaments at the Top. New Brooms written by G. Colman Esq. went off with tolerable Applause--is much too long (Hopkins Diary). Public Advertiser, 3 Oct. 1776: This Day at Noon will be published New Brooms! (1s.). [Yates had last acted Malvolio at dl on 6 Jan. 1764 and at cg on 5 May 1772.] Receipts: #269 19s. 6d

Performances

Mainpiece Title: New Brooms

Afterpiece Title: Twelfth Night

Performance Comment: Malvolio-Yates (1st appearance in that character these 1O years); Sir Andrew Ague@Cheek-Dodd; Sir Toby Belch-Palmer; Orsino-Jefferson; Sebastian-Davies; Fabian-Lamash; Antonio-Wrighten; Captain-Wright; Officer-Carpenter; Priest-Griffiths; Valentine-Norris; Curio-Everard; Clown-Vernon; with the original Epilogue song-Vernon; Olivia (with a song)-Mrs Baddeley; Maria-Mrs Hopkins; Viola-Miss Younge.

Afterpiece Title: Miss in her Teens

Event Comment: Benefit for Miss Reynolds. [Afterpiece usually acted as The Man of Quality.

Performances

Mainpiece Title: King Henry Viii; With The Fall Of Cardinal Wolsey

Performance Comment: King Henry-A Gentleman (from the Theatre Royal, Edinburgh [unidentified]); Duke of Buckingham-Stacy; Duke of Norfolk-Comerford; Duke of Suffolk-Kenny; Earl of Surry-Garland; Cranmer (Archbishop of Canterbury)-Lewis; Gardiner (Bishop of Winchester)-Massey; Lord Sands-Ware of Deptford; Lord Chamberlain-Johnson; Cardinal Campeius (the Pope's Legate)-Sparrow; Cromwell (Gentleman Usher)-W. Smith; Doctor Butts (Physician to the King)-Ward; Cardinal Wolsey-Stokes; Queen Katherine-Miss Reynolds; Anne Bullen-Mrs West; Patience (with a song in character)-Mrs Davies; Dame Prattle-Mrs Ross; Lady of the bed chamber [to Queen Katherine-Miss C. Reynolds.

Afterpiece Title: Miss Hoyden; or, The Man of Quality

Performance Comment: Lord Foppington (the man of quality)-Smith; Young Fashion-Sparks; Sir John Friendly-Ward; Lory-Johnson; Coupler-Lewis; Shoemaker-Dancer; Mendlegs (the hosier)-W. Smith; Sir Tunbelly Clumsey-The Gentleman who performs King Henry; Miss Hoyden (with a song)-Miss Reynolds; Nurse-Mrs Ross.

Dance: A Hornpipe-Mrs Marklew

Song: Between Acts: Singing-Mrs Davies

Event Comment: Benefit for Massey. Tickets to be had of Massey, the Bell and Dragon, near Princes stairs

Performances

Mainpiece Title: A Bold Stroke For A Wife; Or, The Quaker's Wedding

Performance Comment: Colonel Feignwell-Comerford; Freeman-Smith; Sackbut-Lewis; Tradelove-Johnson; Obadiah Prim-Massey; Periwinkle-Newton; Simon Pure-Kenny; Quaker Boy-Master Russell; Sir Philip Modelove-Lloyd (from the Theatre Royal, Hay-market); Anne Lovely-Mrs Wilks; Betty-Miss Taylor; Masked Lady-Mrs West; Mrs Prim-Mrs Ross.

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Song: As17760925

Entertainment: Imitations-Master Russell

Performances

Mainpiece Title: King Richard Iii

Performance Comment: King Richard-A Gentleman (1st appearance on any stage [unidentified]); King Henry-Comerford; Duke of Buckingham-Russell; Lord Stanley-Lewis; Oxford-Thomas; Ractliff-Johnson; Catesby-Smith; Tressel-The Gentleman who performed King Lear [at this theatre, 16 Sept. 1776; unidentified]; Lord Mayor-Massey; Prince of Wales-Mrs Wilks; Duke of York-Master Russell; Lieutenant of the Tower-Smith; Tyrell-Dancer; Earl of Richmond-West; Queen-Mrs Massey; Duchess of York-Mrs Ross; Lady Ann-Miss Taylor; Prologue-Morgan (in character of a Jew).

Afterpiece Title: The Honest Yorkshireman

Song: As17760925

Entertainment: Imitations.As17760930

Event Comment: Paid Wardrobe 3 nights #4 0s. 6d. [Ward was from the Birmingham theatre.] Receipts: #302 17s. 6d. (302.10.0; 0.7.6)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Comus

Performance Comment: Comus-Mattocks; Spirit-L'Estrange; Brothers-Whitefield, Robson; Bacchanals-Reinhold, Mahon; The Lady-Mrs Jackson; Pastoral Nymph, Sabrina-Miss Dayes; Bacchants-Miss Ambrose; Euphrosyne-Miss Catley (1st appearance in that character these 2 years).
Cast
Role: Brothers Actor: Whitefield, Robson
Role: The Lady Actor: Mrs Jackson
Related Works
Related Work: Comus Author(s): George Colman, the elder

Dance: I: a Masquerade Scene-incident to the Play; a Minuet-Dumay, Mrs Jackson

Song: End IV: Funeral Procession of Juliet, with the Solemn Dirge-Mattocks, Reinhold, Baker, Fox, Miss Dayes, Miss Valois, Mrs Willems; [The Masquerade, Minuet, and Dirge, as here assigned, are the same in all subsequent performances.] In afterpiece: Sweet Echo-Leoni, Miss Catley. [This was sung, as here assigned, in all subsequent performances.

Event Comment: Paid Lampmen #3 18s.; Tailors #11 2s. 10d.; Mantua Makers #3 14s. 6d.; Carpenters #16 15s. 6d.; Printer [of playbills] #19 5s. 6d. The Hypocrite and Christmas Tale in three Acts was advertised for to-morrow. This Morning at Rehearsal Lacy came and told Sheridan that he could not be off from his Agreement with Mr Langford and Captain Thomson. Sheridan told him, if he did agree, that he would withdraw himself from the Management of the Theatre--accordingly at eight this Evening he sent me with a Letter to Lacy confirming what he told him, and ordered me to receive my orders from Mr L and that he withdrew the Christmas Tale, as he had altered, for a Farce, it was his Property. This put us all into confusion--Sent to Mrs Abington to know if she would play in the Hypocrite, as it was advertised--Her answer was, that she had made her Agreement with Sheridan only, and would play under no other Manager. About twelve at night we got Richard the third settled, and sent Bills accordingly (Hopkins Diary). [For further remarks concerning this situation see 15 Oct.] Receipts: #173 6s

Performances

Mainpiece Title: New Brooms

Afterpiece Title: Braganza

Afterpiece Title: The Rival Candidates

Event Comment: [The playbill lists Mattocks in place of Robson, but "Mattocks being really ill, Robson, at short Notice, supplied his Place' (Morning Post, 11 Nov.).] Mainpiece: With New Dresses and other Decorations. Books of the Songs to be had at the Theatre. [Afterpiece in place of The Apprentice, announced on playbill of 8 Nov.] Paid one-half year's Land Tax #61 5s. Receipts: #283 (282.9; 0.11)

Performances

Mainpiece Title: The Duenna; Or, The Double Elopement

Performance Comment: Principal Characters by Robson, Quick, Wilson, Reinhold, Mahon, Wewitzer, Fox, Baker, Leoni, Miss Brown, Mrs Green, Mrs Mattocks. Cast from playbill of 29 Oct. 1777 and Genest, V, 515: Ferdinand-Robson; Isaac-Quick; Don Jerome-Wilson; Antonio-Reinhold; Father Paul-Mahon; Lopez-Wewitzer; Friars-Fox, Baker; Carlos-Leoni; Clara-Miss Brown; The Duenna-Mrs Green; Louisa-Mrs Mattocks.
Cast
Role: Father Paul Actor: Mahon
Role: The Duenna Actor: Mrs Green

Afterpiece Title: The Upholsterer

Dance: End: The Irish Lilt-Aldridge, Miss Valois

Event Comment: The Characters will be dressed in the Habits of the Times. The Musick of Macbeth had a proper Attention paid to it in the getting up by Mr Linley (who composed the Additional Accompaniments) and went off with great Applause. Mrs Melmoth, who came out at Covent Garden [on 26 Feb. 1774], made her first Appearance upon this Stage in Lady Macbeth, was very wild in the Part, met with some Applause. The Play was dressed in the Habits of the Times. [Note added by J. P. Kemble: I have seen some of these Habits, and very paltry and very improper they were] (Hopkins Diary). [Mrs Melmoth was from the Edinburgh theatre.] Receipts: #191 1s. 6d

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Hotel

Dance: IV: a Dance of Furies-. [This was included in all subsequent performances.

Song: original Music by Mattew Locke , with full Chorusses and Additional Accompaniments by ThomasLinley Sen.-Bannister, Legg, Kear, Fawcett, Brown, Follett, Chaplin, Carpenter, Mrs Scott, Miss Abrams, Mrs Greville, Mrs Davies, Miss Jarratt, Miss Collett, Mrs Love, Mrs Booth, Mrs Pitt, Mrs J. Smith, Mrs Wrighten; Account-Book adds: Reynoldson, Webbe, Michan, Gaudry, Danby, J. Danby, Short, Miss Boyd

Event Comment: Afterpiece [1st time; MD 3, by Sir George Collier, based on Zemire et Azor, by Jean Francois Marmontel]: The Music [by Thomas Linley Sen., adapted from Gretry], Scenes, Dresses, and Decorations entirely New. The Scenes, &c., designed by DeLoutherbourg. The Words of the Songs, &c. to be had at the Theatre. The Entertainment is splendidly got up--The Music by Thomas Linley Jun. [sic] was very well received (Hopkins Diary). Public Advertiser, 7 Dec. 1776: This Day is published the Songs in Selima and Azor (6d). [Text 1st published by J. Bell, 1784.] Receipts: #218 7s

Performances

Mainpiece Title: Love For Love

Performance Comment: As17761129, but occasional Prologue-_[and thereafter].and thereafter].

Afterpiece Title: Selima and Azor