SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "his Mae Author The Spartan Dame"/1) | (@(roleclean,performerclean) "his Mae Author The Spartan Dame")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1929 matches on Event Comments, 356 matches on Performance Title, 264 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Tickets deliver'd out by the author of Thomas and Sally will be taken this night. [Bickerstaffe took in #85 6s. in ready money and #12 18s. from tickets (Boxes 12; Pit 18) Total #98 4s.] Paid Dibdin for singing 5 nights in Thomas and Sally and 1 night in Romeo #1 10s. (Account Book). Charges #64 5s. (Account Book)

Performances

Mainpiece Title: King Henry Iv, Part I

Afterpiece Title: Thomasand Sally

Dance: II: As17601014

Event Comment: Mainpiece: By Particular Desire. "Shakespeare, An Epistle to Garrick" by the author of the Actor [Robert Lloyd] publish'd at 2s

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Polly Honeycombe

Related Works
Related Work: Polly Honeycomb Author(s): George Colman, the elder

Performances

Mainpiece Title: The Minor

Performance Comment: As17601124, but characters assigned as follows: Shift, Mrs Cole, Smirk-Foote; Epilogue, Prologue to the Author</i>-Wilkinson; The Minor-Dyer; Richard Wealthy-Sparks; Sir William-Dunstall; Transfer-Bennet; Loader-Davis; Richard-Collins; Lucy-Mrs Burden.

Afterpiece Title: A Duke and no Duke

Entertainment: By Desire, Lady Pentweazle's Scene from the Comedy Taste, Lady Pentweazle-Wilkinson; Carmine-Davis

Dance: LLes Charboniers-Sg Maranesi, Mlle Capdeville

Event Comment: The Enchanter oblig'd to be deferr'd on account of Indisposition of Mrs Vincent. Both Pieces By Desire. Benefit for Sheridan. ["No benefit in the Bills" (Hopkins MS Notes).

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Englishman in Paris

Performance Comment: Buck-Foote; who will also speak the Prologue to the Author</i>-Foote; Lucinda-Miss Pope; in which character she will dance a Minuet-Miss Pope, Noverre.
Event Comment: Benefit for the Author of the Farce

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Polly Honeycombe

Related Works
Related Work: Polly Honeycomb Author(s): George Colman, the elder
Event Comment: [Mainpiece extended to 5 acts from 3 (Winston MS 9). See Murphy letter to Garrick 2 Aug., in Boaden, Private Correspondence, I, 119, re his attempt to get Garrick to accept this play.] Way to Keep Him enlarged from the piece of 3 acts into 5, by the author, received with universal applause. Prologue by Murphy, heavy (Hopkins MS Notes)

Performances

Mainpiece Title: The Way To Keep Him

Event Comment: Benefit for Author. Receipts #137 4s., but no separate account of moneys from Boxes. Paid for a license for Macklin's Play #2 2s. Paid Pattinson, tallow chandler #19 1s. (Account Book). Charges: #63 (Account Book)

Performances

Mainpiece Title: The Married Libertine

Event Comment: Benefit for the Author. Receipts:#215 4s. (Account Book). Charges: #63 (Account Book)

Performances

Mainpiece Title: The Married Libertine

Afterpiece Title: Love a-la-Mode

Cast
Role: Sir Theodore Actor: Dunstall

Dance: As17610202

Event Comment: Benefit for the Author. Receipts: #121 14s. [No indication of proportion that came from boxes.] Charges: #63 (Account Book)

Performances

Mainpiece Title: The Married Libertine

Afterpiece Title: Love a-la-Mode

Cast
Role: Sir Theodore Actor: Dunstall

Dance: As17610202

Event Comment: The Author's Night

Performances

Mainpiece Title: The Jealous Wife

Related Works
Related Work: The Jealous Wife Author(s): George Colman, the elder

Dance: TThe Enchanted Peasant, as17610124

Event Comment: Benefit for Miss Dawson. Tripoline Ambassador [was present] (Winston MS 9). As the Indisposition of a principal performer oblig'd Miss Dawson to change her play, tickets deliver'd for As You Like It will be taken

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Englishman in Paris

Performance Comment: As17601219, but Buck-Palmer; Prologue to the Author-_.

Dance: II: A New Comic Dance call'd The May Day Morning, or Fingalian Dance , the Lass-Miss Dawson; End: By Particular Desire a Hornpipe-Miss Dawson

Event Comment: Benefit for Austin and Moody. Garrick had obtained a surreptitious copy of Macklin's farce, but Macklin might possibly allow it to be performed for a benefit (Genest, IV, 612). Sir Archy Mac-Sarcasm by Mr Austin after the manner of the Original-went off well-The Author threatens to sue Mr Garrick. Mr Macklin play'd it at cg with the Refusal a few nights ago to less than charges (Hopkins MS Notes)

Performances

Mainpiece Title: Woman's A Riddle

Afterpiece Title: Love a-la-Mode

Performance Comment: Sir Archy McSarcasm-Austin (after the manner of the original); Squire Groom-King; Mordecai-Blakes; Sir Callaghan-Moody (with a song in Character); Sir Theodore-Burton; Miss Charlotte-Mrs Hippisley.
Cast
Role: Sir Theodore Actor: Burton

Entertainment: III: Mr Moody will entertain the public with Teady Wolloughan's Whimsical Roratorical Description of a Man@o' War and Sea Fight-, with Hibernian notes on the whole

Event Comment: First performance in England. A new comic Opera. Music-Bertoni, author of the favourite song Ah se un Cuor Barbaro, in Demetrio. [Libretto by Goldoni (Loewenberg, Annals of Opera, p. 110.)

Performances

Mainpiece Title: La Pescatrici

Event Comment: Benefit for author of the Farce. Full prices. Last time of performing the Farce this season

Performances

Mainpiece Title: Woman's A Riddle

Afterpiece Title: The Register Office

Event Comment: Benefit for the Author [Foote] of both pieces

Performances

Mainpiece Title: The Lyar

Afterpiece Title: The Minor

Performance Comment: As17611110, but reduc'd to two acts; The Minor-Dyer; Richard Wealthy-Lewis.
Cast
Role: The Minor Actor: Dyer

Dance: II: The Pedlar Trick'd, as17620107; End: The French Country Gentleman, as17611210

Event Comment: For the Author

Performances

Mainpiece Title: The School For Lovers

Afterpiece Title: The Englishman in Paris

Song: I: As17620209

Event Comment: For the Author of the Farce

Performances

Mainpiece Title: The Provoked Wife

Afterpiece Title: The Musical Lady

Related Works
Related Work: The Musical Lady Author(s): George Colman, the elder
Event Comment: MMr Foote's Oratorical Lectures will be continued in the New Theatre in the Haymarket this day, between Twelve and One noon. [In six parts]: 1. Oratory in general, 2. Its utility demonstrated from its universality, 3. Distinct species of oratory, 4. The present practice peculiar to the English, 5. Necessity of an Academy, 6. The propriety of appointing the author perpetual professor. The whole to be illustrated in apt instances by a set of pupils long trained to the art, one of which is amazing proof of the force of Genius when properly cultivated (Public Advertiser). [These lectures were given 36 times and referred thereafter this season as The Orators.

Performances

Mainpiece Title: The Orators

Event Comment: [Puff for the afterpiece]: As this Pastoral was not originally designed for the theatre, it is thought proper to give the public some account of it, and by what means it has now found its way to the stage. The Chorusses and Airs were selected from Mr Handel, and several other eminent masters, by a gentleman whose taste and knowledge in music is perhaps his least merit. Having conceived the design of a musical entertainment of this miscellaneous nature he found himself oblig'd...to connect them [the airs] by a Recitative of his own composition: This naturally produced a kind of a little drama, and the ease and elegance of the whole is the more to be admired when it is considered that the words were of necessity composed in perfect subservience to the music. The piece has been several times performed at Salisbury and greatly admired by many of the first Rank. The author, upon Mr Norris being engaged at the theatre, was applied to for leave to bring it on the stage, to which he has most obligingly given his consent. [Cast given] After an agreeable Overture, the curtain rises and discovers a rural scene, and a troop of nymphs and shepherds assembled to celebrate the Spring. Their rejoicings open with a grand cheerful chorus. We cannot say enough of the taste and execution of Mr Vernon and Miss Young in this scene. The united sprightliness and simplicity of the duet was truly admirable. [Song given, followed by a brief description of the parting of the shepherds, the announcement of Peace so they won't have to part, and special commendation for the various songs of Mr Vincent, and Mr Norris.] We will venture to prophesy that it will be more and more admired at every representation; though perhaps it may not fall in with the Taste of the Groundlings, who, like Polonius, are for a Jig or a Tale of Bawdry, or they sleep (Public Advertiser)

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Spring

Dance: II: The Irish Lilt, as17621023

Event Comment: Characters in Mainpiece New Dress'd in the Habits of the Times. [Theatrical Intelligence for 4 Nov. (Theatrical Miscellaneous Cuttings, G 60.23, Boston Public Library) notes: Last night the reformation in dress took place at the theatre in the revival of the second part of King Henry IV. The beauty as well as the propriety of the dresses give great satisfaction. The Old English Habits are indeed admirably suited to the style and manners of the plays of that time, in which a peculiarity prevails very remote from modern dialogue and the present fashion. The effect of this observation of the Costume, as the French call it, is very visible in the representation of Every Man in His Humour, and will, we hope, for the future be strictly observed in dressing every character of the plays of that age." The author then comments on Love's succes as Falstaff, and Garrick's effectiveness as the sick king especially in delivering the long speeches.

Performances

Mainpiece Title: King Henry Iv, Part Ii

Performance Comment: King Henry-Garrick; Prince John-Lee; Gloster-Master Cautherly; Clarence-Master Burton; Prince of Wales-Holland; Achpb of York-Havard; Chief Justice-Bransby; Westmorland-Burton; Hastings-Ackman; Lord Bardolph-Mozeen; Mowbray-Stevens; Gower-Castle; Justice Shallow-Yates; Justice Silence-Blakes; Colville-Fox; Poins-Packer; Bardolph-Clough; Feeble-Vaughan; Mouldy-Moody; Pistol-King; Shadow-Parsons; Bullcalf-Philips; Davy-Marr; Fang-Watkins; Falstaff's page-Miss Rogers; Hostess-Mrs Bradshaw; Doll Tearsheet-Mrs Lee; Falstaff-Love.
Cast
Role: Gloster Actor: Master Cautherly

Afterpiece Title: The Apprentice

Event Comment: Benefit for the Author

Performances

Mainpiece Title: Love In A Village

Performance Comment: As17621208, but Others-_Baker, _Bennet, _Davis, Mrs _Younger, Mrs _White.

Dance: TThe Sicilian Peasants, as17621129

Event Comment: Benefit for the Author

Performances

Mainpiece Title: Love In A Village

Dance: II: The Jealous Woodcutter, as17621023

Event Comment: By Command of their Majesties. [This seems to be the night referred to by The Volunteer Manager in Theatrical Review of 1 January 1763 who condemns Miss Poitier's scandalous costume and indelicate actions: "Would any person suppose she could have the confidence to appear with her bosom so scandalously bare, that to use the expression of a public writer, who took some moderate notice of the circumstance, the breast hung flabbing over a pair of stays cut remarkably low, like a couple of empty bladders in an oil-shop. One thing the author of that letter has omitted, which, if possible is still more gross; and that is, in the course of Miss Poitier's hornpipe, one of her shoes happening to slipt down at the heel, she lifted up her leg, and danced upon the other till she had drawn it up. This had she worn drawers, would have been the more excusable; but unhappily, there was little occasion for standing in the pit to see that she was not provided with so much as a fig-leaf. The Court turned instantly from the stage-The Pit was astonished! and scarcely anything, but a disapproving murmur, was heard, from the most unthinking spectator in the twelvepenny gallery." Miss Poitier subsequently denied any impropriety in action, and sought hearing in the Theatrical Review. In the Volunteer Manager" section of the number for 1 March 1763 the editiors reaffirmed their stand on her indecency and refused to join further in a personal altercation.

Performances

Mainpiece Title: Love In A Village

Dance: II: The Sicilian Peasants, as17621125; Hornpipe-Miss Poitier

Event Comment: Benefit for the Author. A fire in the Strand hurt the house (Cross Diary)

Performances

Mainpiece Title: Elvira

Afterpiece Title: The Old Maid

Event Comment: Nothing under Full Price will be taken. Benefit for the author of the Alterations [in mainpiece]. A Riot to demand admittance at 1!2 price after 3rd act, all times except at the run of New Pantomime, wch. not agreed to, the Mob broke Chandeliers, &c. No Play (Cross Diary). [Fuller account in Victor, History of the Theatres, III, 46 ff., he being the beneficiary that night. Elvira publish'd at 1s. 6d. (Winston MS 9). See account of riot in Gentlemen's Magazine (p. 31). See Comment 5 Feb.

Performances

Mainpiece Title: Two Gentlemen Of Verona

Cast
Role: Protheus Actor: Holland

Entertainment: s 15 Dec. 1762.