25 October 1762

Event Information
Theatre: Drury Lane Theatre
Theatrical Season: 1762-1763
Volume: 4
Comments: [Puff for the afterpiece]: As this Pastoral was not originally designed for the theatre, it is thought proper to give the public some account of it, and by what means it has now found its way to the stage. The Chorusses and Airs were selected from Mr Handel, and several other eminent masters, by a gentleman whose taste and knowledge in music is perhaps his least merit. Having conceived the design of a musical entertainment of this miscellaneous nature he found himself oblig'd...to connect them [the airs] by a Recitative of his own composition: This naturally produced a kind of a little drama, and the ease and elegance of the whole is the more to be admired when it is considered that the words were of necessity composed in perfect subservience to the music. The piece has been several times performed at Salisbury and greatly admired by many of the first Rank. The author, upon Mr Norris being engaged at the theatre, was applied to for leave to bring it on the stage, to which he has most obligingly given his consent. [Cast given] After an agreeable Overture, the curtain rises and discovers a rural scene, and a troop of nymphs and shepherds assembled to celebrate the Spring. Their rejoicings open with a grand cheerful chorus. We cannot say enough of the taste and execution of Mr Vernon and Miss Young in this scene. The united sprightliness and simplicity of the duet was truly admirable. [Song given, followed by a brief description of the parting of the shepherds, the announcement of Peace so they won't have to part, and special commendation for the various songs of Mr Vincent, and Mr Norris.] We will venture to prophesy that it will be more and more admired at every representation; though perhaps it may not fall in with the Taste of the Groundlings, who, like Polonius, are for a Jig or a Tale of Bawdry, or they sleep (Public Advertiser)

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  • Original Data

    Source: London Stage Information Bank

    *p??dl The Constant Couple. Sir Harry Wildair-Obrien; Dicky-Vaughan; Tom-Clough; Col Standard-Holland; Alderman Smuggler-Blakes; Beau Clincher-Yates; Clincher Jun-King; Vizard-Packer; Lady Darling-Mrs Cross; Angelica-Miss Bride; Lady Lurewell-Miss Haughton. *a??dl The Spring. As 22 Oct. *d??dl II: <i>The Irish Lilt</i>, as 23 Oct. *c??dl [PPuff for the afterpiece]: As this Pastoral was not originally designed for the theatre, it is thought proper to give the public some account of it, and by what means it has now found its way to the stage. The Chorusses and Airs were selected from $Mr Handel=, and several other eminent masters, by a gentleman whose taste and knowledge in music is perhaps his least merit. Having conceived the design of a musical entertainment of this miscellaneous nature he found himself oblig'd...to connect them [the airs] by a Recitative of his own composition: This naturally produced a kind of a little drama, and the ease and elegance of the whole is the more to be admired when it is considered that the words were of necessity composed in perfect subservience to the music. The piece has been several times performed at <i>Salisbury</i> and greatly admired by many of the first Rank. The author, upon $Mr Norris= being engaged at the theatre, was applied to for leave to bring it on the stage, to which he has most obligingly given his consent. [Cast given] After an agreeable Overture, the curtain rises and discovers a rural scene, and a troop of nymphs and shepherds assembled to celebrate the Spring. Their rejoicings open with a grand cheerful chorus. We cannot say enough of the taste and execution of $Mr Vernon= and $Miss Young= in this scene. The united sprightliness and simplicity of the duet was truly admirable. [Song given, followed by a brief description of the parting of the shepherds, the announcement of Peace so they won't have to part, and special commendation for the various songs of $Mr Vincent=, and Mr Norris.] We will venture to prophesy that it will be more and more admired at every representation; though perhaps it may not fall in with the Taste of the Groundlings, who, like <i>Polonius</i>r, are for a <i>Jig or a Tale of Bawdry, or they sleep</i> (<i>Public Advertiser</i>).
  • Cleaned Data

    *p1762 10 25 dl The Constant Couple. Sir Harry Wildair-Obrien; Dicky-Vaughan; Tom-Clough; Col Standard-Holland; Alderman Smuggler-Blakes; Beau Clincher-Yates; Clincher Jun-King; Vizard-Packer; Lady Darling-Mrs Cross; Angelica-Miss Bride; Lady Lurewell-Miss Haughton.*a1762 10 25 dl The Spring. ^As17621022^.*d1762 10 25 dl II: <i>The Irish Lilt</i>, ^as17621023^.*c1762 10 25 dl [Puff for the afterpiece]: As this Pastoral was not originally designed for the theatre, it is thought proper to give the public some account of it, and by what means it has now found its way to the stage. The Chorusses and Airs were selected from $Mr Handel=, and several other eminent masters, by a gentleman whose taste and knowledge in music is perhaps his least merit. Having conceived the design of a musical entertainment of this miscellaneous nature he found himself oblig'd...to connect them [the airs] by a Recitative of his own composition: This naturally produced a kind of a little drama, and the ease and elegance of the whole is the more to be admired when it is considered that the words were of necessity composed in perfect subservience to the music. The piece has been several times performed at <i>Salisbury</i> and greatly admired by many of the first Rank. The author, upon $Mr Norris= being engaged at the theatre, was applied to for leave to bring it on the stage, to which he has most obligingly given his consent. [Cast given] After an agreeable Overture, the curtain rises and discovers a rural scene, and a troop of nymphs and shepherds assembled to celebrate the Spring. Their rejoicings open with a grand cheerful chorus. We cannot say enough of the taste and execution of $Mr Vernon= and $Miss Young= in this scene. The united sprightliness and simplicity of the duet was truly admirable. [Song given, followed by a brief description of the parting of the shepherds, the announcement of Peace so they won't have to part, and special commendation for the various songs of $Mr Vincent=, and Mr Norris.] We will venture to prophesy that it will be more and more admired at every representation; though perhaps it may not fall in with the Taste of the Groundlings, who, like <i>Polonius</i>r, are for a <i>Jig or a Tale of Bawdry, or they sleep</i> (<i>Public Advertiser</i>).
  • Parsed Data

    Event: 31384 | 17621025 | dl | [Puff for the afterpiece]: As this Pastoral was not originally designed for the theatre, it is thought proper to give the public some account of it, and by what means it has now found its way to the stage. The Chorusses and Airs were selected from $Mr Handel=, and several other eminent masters, by a gentleman whose taste and knowledge in music is perhaps his least merit. Having conceived the design of a musical entertainment of this miscellaneous nature he found himself oblig'd...to connect them [the airs] by a Recitative of his own composition: This naturally produced a kind of a little drama, and the ease and elegance of the whole is the more to be admired when it is considered that the words were of necessity composed in perfect subservience to the music. The piece has been several times performed at <i>Salisbury</i> and greatly admired by many of the first Rank. The author, upon $Mr Norris= being engaged at the theatre, was applied to for leave to bring it on the stage, to which he has most obligingly given his consent. [Cast given] After an agreeable Overture, the curtain rises and discovers a rural scene, and a troop of nymphs and shepherds assembled to celebrate the Spring. Their rejoicings open with a grand cheerful chorus. We cannot say enough of the taste and execution of $Mr Vernon= and $Miss Young= in this scene. The united sprightliness and simplicity of the duet was truly admirable. [Song given, followed by a brief description of the parting of the shepherds, the announcement of Peace so they won't have to part, and special commendation for the various songs of $Mr Vincent=, and Mr Norris.] We will venture to prophesy that it will be more and more admired at every representation; though perhaps it may not fall in with the Taste of the Groundlings, who, like <i>Polonius</i>, are for a <i>Jig or a Tale of Bawdry, or they sleep</i> (<i>Public Advertiser</i>)
    Performance: 63765 | 31384 | p | The Constant Couple | Sir Harry Wildair-Obrien; Dicky-Vaughan; Tom-Clough; Col Standard-Holland; Alderman Smuggler-Blakes; Beau Clincher-Yates; Clincher Jun-King; Vizard-Packer; Lady Darling-Mrs Cross; Angelica-Miss Bride; Lady Lurewell-Miss Haughton.
    Cast:
    106021 | 63765 | Sir Harry Wildair | Obrien
    106022 | 63765 | Dicky | Vaughan
    106023 | 63765 | Tom | Clough
    106024 | 63765 | Col Standard | Holland
    106025 | 63765 | Alderman Smuggler | Blakes
    106026 | 63765 | Beau Clincher | Yates
    106027 | 63765 | Clincher Jun | King
    106028 | 63765 | Vizard | Packer
    106029 | 63765 | Lady Darling | Mrs Cross
    106030 | 63765 | Angelica | Miss Bride
    106031 | 63765 | Lady Lurewell | Miss Haughton.
    Performance: 63766 | 31384 | a | The Spring | As17621022.
    AsSeeDate: 63766 | dl | a | As | 17621022
    Cast:
    427171 | 63766 | Daphnis | Norris
    427172 | 63766 | Damon | Vernon
    427173 | 63766 | Amaryllis | Mrs Vincent
    427174 | 63766 | Phillis | Miss Young
    427175 | 63766 | The <i>Dances</i> | Vincent, Leppie, Lochery, Miss Baker, Sga Giorgi.
    Performance: 63767 | 31384 | d | II: <i>The Irish Lilt</i>, as17621023
    AsSeeDate: 63767 | dl | d | As | 17621023

Mainpiece

Comments:
Sir Harry Wildair-Obrien; Dicky-Vaughan; Tom-Clough; Col Standard-Holland; Alderman Smuggler-Blakes; Beau Clincher-Yates; Clincher Jun-King; Vizard-Packer; Lady Darling-Mrs Cross; Angelica-Miss Bride; Lady Lurewell-Miss Haughton.
Cast:

Afterpiece

Comments:
As17621022.
Cast:

Dance

Comment: II: The Irish Lilt, as17621023

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