SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "his Mae Author The Spartan Dame"/1) | (@(roleclean,performerclean) "his Mae Author The Spartan Dame")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1929 matches on Event Comments, 356 matches on Performance Title, 264 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: For the author

Performances

Mainpiece Title: Tancred And Sigismunda

Event Comment: Benefit of the Author, it being the eighth night only of acting, but the night from the first Representation, because of the interruption of Mrs Woffington's Benefit. Tickets to be had of G. Strahan, in Cornhill; J. Davidson in the Poultry; A. Millar in the Strand; R. Dodsley in Pall Mall, and of Mr Hobson at the Theatre, where places may be taken on the stage.-Daily Advertiser

Performances

Mainpiece Title: Tancred And Sigismunda

Event Comment: No Money under full price will be taken [repeated]. Afterpiece: Never acted there before [the actor Benjamin Griffin's farce, not acted since its author's benefit night, April 6, 1716, at lif]

Performances

Mainpiece Title: The Busy Body

Performance Comment: Marplot-L. Hallam; Sir George-Cushing; Sir Jealous-Paget; Sir Francis-Morgan; Charles-Kennedy; Whisper-Blakes; Isabinda-Mrs Phillips; Patch-Mrs Williamson; Scentwell-Mrs Bambridge; Miranda-Mrs Hallam.
Cast
Role: Whisper Actor: Blakes

Afterpiece Title: The Humours of Purgatory

Song: Barlow

Dance: As17451028

Event Comment: Never acted there before. Written by the late Mr Addison, author of Cato

Performances

Mainpiece Title: The Drummer; Or, The Haunted House

Afterpiece Title: The Lying Valet

Song: Barlow

Dance: As17451018

Event Comment: Containing an account of that notorious Pretender in the Reign of Henry VIII. Aith a short account of Lambert Simnel, a Pretender to the Crown, fostered in like manner by Richard Simon, a Priest of Oxfordshire, with many other Historical passages, similar to the present times [and a synoptic account of the play follows]. A reviv'd Historical Play (not acted in the Memory of Man, and written by an anonymous author, in Shakespeare's Style).--Daily Advertiser, 18 Dec. Prices, Boxes 2s. 6d. Pit 2s. First Gallery 1s. 6d. Upper Gallery 1s. [These prices continue.

Performances

Mainpiece Title: Perkin Warbeck

Performance Comment: Henry VII-Furnival; James IV-Cushing; Huntley-Paget; Skelton-Barnard Bourn, for his Diversion; Katherine-Mrs Hallam; Perkin-Shepard.

Afterpiece Title: The Debauchees

Cast
Role: Father Martin Actor: Paget
Event Comment: [G+General Advertiser presents long defense of Italian Opera in a Letter to the Author, signed Linus.

Performances

Mainpiece Title: The Committee

Afterpiece Title: Damon and Phillida

Song: II: My Faith and Truth from Samson-Mrs Clive, Miss Edwards; III: Lowe

Dance: V: Mechel

Event Comment: For the Author (Winstone MS.)

Performances

Mainpiece Title: Henry Vii

Event Comment: To the Author of the General Advertiser, Sir: Nothing but the Necessity of my Affairs could urge me to an address of this nature but having met with several unexpected and unavoidable misfortunes I beg leave to inform the Publick, through your means, that in order to extricate myself from my present difficulties, I have, by the indulgence of the Manager, obtain'd a Benefit before my Usual Time, which is to be the Careless Husband and the Devil to Pay on Saturday the 1st of March. As I have now put my Affairs into such a situation, that I think I shall never give the like trouble again, but at the proper time, I hope this notice will not be thought impertinent, or lessen those favours I have so often experienced, and which I am desirous of taking every opportunity to acknowledge, I am, Sir, &c W. Mills.--From dl Playhouse 8 Feb

Performances

Event Comment: At the New Wells, London Spaw, Clerkenwell. A Concert, etc. [Customary concert notice repeated in all announcements of plays at this house.] A new Pastoral never perform'd before. [Author unknown; not printed.] Benefit Miss Lincoln. Boxes 2s. 6d. Pit or Gallery 1s. 6d. 5 p.m

Performances

Mainpiece Title: Strephon And Delia

Afterpiece Title: As You Like It; or, Harlequin's Whim

Music: HHercules and Omphale-

Event Comment: HHorace Walpole to Montagu, 3 Nov.: I shall be with you at the end of the week, but just now I am under the maidenhead-palpitation of an author; my Epilogue will, I believe, be spoke tomorrow night, and I flatter myself I shall have no faults to answer for but what are in it, for I have kept secret whose it is. It is now gone to be licensed, but as the Lord Chamberlain is mentioned, though rather to his honour it is possible it may be refused, as they are apt to think at the Office, that the Duke of Grafton can't be mentioned but in ridicule.--Horace Walpole's Correspondence with George Montagu, I, 48. Receipts: #119 1s

Performances

Mainpiece Title: Tamerlane

Performance Comment: Tamerlane-Ryan; Bajazet-Quin; Moneses-Havard; Axalla-Gibson; Omar-Rosco; Prince of Tanais-Carr; Zama-Anderson; Dervise-Bridgwater; Stratocles-Ridout; Haly-Bencraft; Selima-Mrs Vincent; Arpasia-Mrs Pritchard; With the Usual Prologue-; and a New Epilogue on the suppression of the Rebellion-Mrs Pritchard in the Character of the Comic Muse; The Song To thee Oh Gentle Sleep originally designed for the play-Mrs Lampe.

Afterpiece Title: The Mock Doctor

Event Comment: Benefit Garrick (Charges #60.) as author of the Farce (Account Books, Egerton 2268). Receipts: #194 4s

Performances

Mainpiece Title: The Siege Of Damascus

Afterpiece Title: Miss in Her Teens

Event Comment: To the Author of the General Advertiser, Sir: I have frequently observ'd particular Notice has been taken in your paper of particular Merit, I hope therefore you'll allow room for this short Epistle--I am a great Lover of Public Diversions, especially such as can agreeably amuse, or afford the highest Mirth, without offense to Sense of Decency; Of this kind are the two new dances compos'd by Salomon, and perform'd by him, Mr Cook, Mr Muilment, Madem Violette, Sga Padouana, and the young little Salomon, and others. To say they are excellent in their way is barely doing 'em justice; but in these Dances they may be said to have excell'd themselves. The first, tho' a kind of Serious Pastoral Ballet afforded the Audience great Pleasure; and I believe never did three dancers in a Pas Trois, altogether equal the Execution of Sg Salomon, Madem Violette, and Mr Cook; there was an Elegance peculiar to herself that shone thro' her whole performance. The other Entertainment is the representation of a Fair, to which People of all degrees and nations are suppos'd to resort, it may not improperly be stil'd a very High Piece of Low Humour; and caused as much laughter and applause as the strongest Farce ever produc'd, without offending the Modesty of the Ladies. We have had many performers from abroad, but Sg Salamon and Violette so inimitably express their characters in this entertainment, that I think they excel what we have hitherto seen; and very much deserve the Encouragement of the Town, I am, &c

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Anatomist

Song: III: Lowe

Event Comment: By Desire of Several Persons of Quality (General Advertiser). Benefit Garrick as author of the farce. Charges #60. (Account Books, Egerton 2268). Receipts: #166 7s. 6d

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: Miss in Her Teens

Dance: As17461231

Event Comment: The Characters all New Dress'd. A new Comedy [by Dr Benjamin Hoadly] never before acted. [The previous July Garrick had been entertained by the Rev. Dr John Hoadly at Alresford and carried on a pleasant correspondence with him afterwards. In his letter 19 Aug. 1746 (Folger) he wrote]: I had the pleasure of the Doctor's company [brother Benjamin Hoadly] to supper at my lodgings the night before I set out for this place; we talk'd about Ranger, but whether he will appear next winter or sleep forever in ye scritore, is not yet determined: 'tis pit, faith. [That this friendship was exceedingly profitable to Garrick is indicated by the fact that Benjamin Hoadly seems to have turned over the profits from the three author's nights to Garrick. (1) Garrick by a bargain with John Rich received #80 advance cash and promised to pay nightly charges (3rd, 6th, & 9th nights) of #60, and (2) to divide equally the remaining profits on those nights. The agreement was drawn 27 Dec. 1746. Garrick noted on this document]: N.B. the copy of the play is my own, and the profit arising from the printing of it. [Hoadly seems to have received only the #100 given him by George II for dedicating the printed copy to him.] [Settlement for the three performances was made 6 April. Total receipts for those nights (14, 18, 21 Feb.) was #570 11s. Total expenses were #182 2s. (including #2 2s. for the licensing). The profit of #388 9s. was equally divided and Garrick received his #194 4s. 6d. on that day. He had received the other #80 the day before the play opened, 11 Feb. 1747. See documents in Folger, Holograph Letters of David Garrick, p. 38, seemingly Edmund Malone's copy, of BM Add MSS 21508.] Receipts: #205 9s. 6d

Performances

Mainpiece Title: The Suspicious Husband

Event Comment: Ladies desired to send servants by three o'clock to keep places [a customary note for the run of this play]. Author's Night. Charges #60. (Account Books, Egerton 2268.) [No announcement of a benefit performance in the General Advertiser.] Receipts: #197

Performances

Mainpiece Title: The Suspicious Husband

Event Comment: Benefit the Author. Boxes and Pit 3s

Performances

Mainpiece Title: The Battle Of Poictiers

Song: Brett

Dance: As17461124

Event Comment: Tickets deliver'd out by Miss Copin for the Merchant of Venice will be taken to the Conscious Lovers (General Advertiser). This day is publish'd, Price 1s., A Letter of Complaint to the Ingenious author of a Treatise on the Passions, so far as they regard the stage; with a critical Enquiry into the theatrical merit of Mr G-k, Mr Q-n, and Mr B-y, &c. With some further remarks on Mr M-n. And a few hints on our modern Actresses, particularly Mrs C-r and Mrs P-d. Magna est Veritas, & pravalebit. Printed for C. Corbett, over against St. Dunstan's Church, Fleet St. (General Advertiser). [Illuminating discussion of actors' abilities]: The Stage is much indebted to Mr M- for his incessant successful endeavours; he not only grac'd it with his own personal merits, but rais'd up several Branches who tho' they have not yet quite eclips'd Mr Giffard's Nursery from Goodman's Fields, will certainly in time prove stars of the first magnitude.--(p. 28). Touch Messrs. Giffard and Ryan and give them better voices; there is nothing else wanting. Help Mr Delane to a new manner and judgment to display the best pipe that ever was heard. Polish a little the rough Beauties of Mr L. Sparkes, give the sensible Mr Havard a few more spirits; and mend the Humour of Hippisley, Chapman, Barrington, and Blakes if you can. Poor Yates wants nothing but a front of brass, a necessary self-sufficient Manner of pushing himself upon a Publick.--(p. 31). If Mrs Giffard's Manner was equal to her understanding, she wou'd compell everybody to acknowledge her a surprising Performer. In Lady Macbeth she is excellent; and Hermione was very near eclipsing a much more popular actress; in short in every Part she performs, the severest of her enemies cannot but own she is more than decent.--(pp. 32-33). [Gives two pages each to discussion of Mrs Clive, Mrs Woffington, Mrs Cibber, and Mrs Pritchard.

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Dragon of Wantley

Dance: New entertainments-Salomon, Sga Padouana, Salomon's son

Event Comment: Afterpiece: Being the most tragical tragedy that ever was tragedized by a company of tragedians. At the Particular Desire of Several Persons of Quality (General Advertiser). [The following unsigned statement of the financial condition of the theatre on 11 April is in the Harvard Collection of Documents dealing with affairs of Drury Lane, folio MS Thr. 12. This itemizes the outstanding liabilities to the amount of #8,808 14s. including #1,275 of arrears in actors' salaries]: I told Mr- the intended purchaser that the whole would not amount to #12,000. He said if it was more it should rest on me, for that was the utmost shilling he would give. But upon strict enquiry I find it will amount to #12,808 14s. This difference is not altogether owing to an error in calculation, but has been likewise heightened by a falling off of business, nor is it possible to ascertain the debt of a theatre for a day, it is of so fluctuating a nature. Q: whether this loss ought to light upon me, who have endeavored to get a purchaser & increased the value of the Estate to the utmost of my power? Errors excepted. [James Lacy or John Powel are the most likely authors of this statement. Whatever the authority, it is clear that settlement had not yet been made for transfer of ownership. For Powel, see G. W. Stone, Jr., The Authorship of Tit for Tat," Theatre Notebook, X (1955), 22-28.

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Chrononhotonthologos

Dance: Salomon, Sga Padouana

Event Comment: Benefit Cross (Prompter) and Mrs Cross. Mainpiece not acted for 40 years [see 22 Dec. 1710]. Written by the author of The Yeoman of Kent [Thomas Baker]. Tickets deliver'd by Mr Burton will be taken. Tickets to be had of Cross at his lodgings over against the Rose Tavern in Russell St., Covent Garden

Performances

Mainpiece Title: The Fine Lady's Airs; Or, An Equipage Of Lovers

Performance Comment: Sir Harry Sprightly-Giffard; Blenheim-Delane; Nicknack-Yates; Bramble-Macklin; Lady Tossup-Mrs Cross; Lady Rodomont-Mrs Woffington; with an Epilogue called the Universal Prompter-.

Afterpiece Title: The King and the Miller of Mansfield

Song: I: By particular Desire, Arrah my Judy-Barrington

Dance: Salomon, Sga Padouana, Salomon's Son

Event Comment: To the Author of the General Advertiser: Sir: Several Parodies on the favourite Soliloquy in Hamlet having appear'd lately, and all of the serious and grave Kind; the following Attempt in Burlesque, if you think it will be agreeable to the Publick, is at their and your Service: Yours, Rigdum Funnidos. @To drink, or not to Drink? that is the Question--@Whether 'tis easier for a Man, to suffer@The Pangs and Horrors of Outrageous Thirst;@Or boldly venture on a Sea of Liquor.... Receipts: #140 (Cross); #111 19s. 6d. (Powel)

Performances

Mainpiece Title: The Provoked Husband; Or, A Journey To London

Performance Comment: Townly-Barry; Manly-Delane; Sir Francis-Macklin; Count Basset-Neale; Richard-Blakes; John Moody-Winstone; Poundage-Usher; Lady Grace-Mrs Elmy; Lady Wronghead-Mrs Macklin; Miss Jenny-Mrs Green; Mrs Motherly-Mrs Cross; Myrtilla-Mrs Horsington; Trusty-Mrs Yates; Lady Townly-Mrs Woffington.
Cast
Role: Mrs Motherly Actor: Mrs Cross

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber
Event Comment: CCross: (Pam: publish'd). Play dislik'd. Hiss'd much. [The pamphlet referred to was "Mr Garrick's Conduct as Manager of TRDL considered in a Letter Addressed to him," by E. F. 18 Oct.: As a manager, Sir, it is your business not only to prepare the Evening's Entertainment, but to prepare it in the best manner you are able; and the manager who does otherwise uses his customers ill." The burden of the author's complaints was: (1) the theatre has been operating for a month yet Garrick has appeared in only one character; (2) that he should buy himself off with speaking a prologue only, then sell that to the public at 6d. shows vanity, avarice, and lack of managerial responsibility; (3) that plays such as Albumazar (simple and poorly cast) and Scornful Lady, (with irreligious and atheistical parts) should not have been passed off on the public, whose expectations were raised high at the thought of Garrick's management. Macklin even had to apologize to the audience as he played the part of Sir Roger in the latter play. E. F. closed by urging: "Get up the best of our English Tragedies and Comedies; encourage the rising Wits and be under no apprehesion of the want of success." If you use common sense in casting your actors, as your former managers did (with all their other faults) in casting you, you will not yourself have to play every night. Above all remember your responsibility to the public.] Receipts: #100 (Cross); #127 4s. 6d. (Powel)

Performances

Mainpiece Title: The Scornful Lady

Afterpiece Title: The Double Disappointment

Dance: II: Dance-Cooke

Event Comment: We hear that the play Venice Preserv'd is in Rehearsal at the Theatre Royal in Covent Garden, and is to be perform'd on Friday next; and that the part of Pierre will be attempted by a Gentleman who never appear'd on any stage before (General Advertiser). [This month was published A Letter to a certain Patentee, in which the Conduct of Managers is impartially considered, and a few Periods bestowed on those darlings of the Publick, Mr G k, Mr F te, Mrs P d, &c." Addressed to Rich it is criticism of his personnel policies as manager, with side comments on his morals, and some on his performances: of his Orpheus and Eurydice, the author agrees that three flaming scenes of Hell, now left out, should have been omitted from the beginning. The Serpent, however, generally behaves himself so well, that "I have had more real pleasure in his appearance than if he had been a living one." Dislikes his replacing Ryan with Hallam, dislikes his abuse of Mrs Pritchard, criticizes his casting Hippisley as Polonius, since Polonius requires more than Hippisley can give, the latter being able to act only in the comic way.

Performances

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Miss in Her Teens

Performance Comment: With a new additional Scene-; in which will be introduce'd two new characters; the Part of Fribble to be perform'd by the Author of the scene; after which an Epilogue- in the Character of Fribble.

Dance: To conclude with: Country Dance called The Whim-

Event Comment: Cross: Benefit for ye Author. Receipts: #170 (Cross); house charges #63 (Powel); cash #139 3s. 6d.; tickets #29 5s. (Clay MS)

Performances

Mainpiece Title: The Foundling

Related Works
Related Work: Patie and Peggy; or, The Fair Foundling Author(s): Theophilus Cibber
Event Comment: CCross: Benefit for ye Author. Mr Garrick order'd ye foundling to be given out for Sat: & as you like it for Mon: But ye Pit rose, & insisted ye Foundling shou'd be given out again for Monday, wch was done, tho; ye Lords who oppos'd it were in ye House. [Horace Walpole's account of the affair Foundling to Sir Horace Mann, in a letter of 11 March 1748 (ed. Cunningham, II, 106) runs as follows: "There has been a new comedy call'd The Foundling; far from good, but it took. Lord Hobart and some young men made a party to damn it, merely for the love of damnation. The Templars espoused the play, and went aamed with syringes charg'd with stinking oil, and with sticking plaisters for Bubby's fair hair; but it did not come to action. Garrick was impertinent, and the pretty men gave over their plot the moment they grew to be in the right."] Receipts: #170 (Cross); house charges #63 (Powel); cash #168 10s. 6d.; tickets #18 5s. (Clay MS)

Performances

Mainpiece Title: The Foundling

Related Works
Related Work: Patie and Peggy; or, The Fair Foundling Author(s): Theophilus Cibber