SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "delaGardes Two Sons"/1) | (@(roleclean,performerclean) "delaGardes Two Sons")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1441 matches on Performance Title, 1101 matches on Event Comments, 564 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Account Book: Receipts: #224 10s. 6d. Paid Ridout 1!3 of the surplus above the House Charge of #80 (#48, 3s. 6d.). Paid Mr Finny in full of the New Building pursuant to an agreement, #131 8s. [Two New Renters came in for 1 share each: Mr Lacam and Mrs Lacam.] Paid out #25 14s. to shareholders of 43 new shares for the Oratorios: By Rent of New Shares for the Oratorios at 2 shillings per share @No. Shares No. Nights Interest@9 10 #9@1 9 #0 18s.@4 8 #3 4s.@1 7 #0 14s.@8 6 #4 16s.@1 5 #0 10s.@14 4 #5 12s.@1 3 #0 6s.@3 2 #0 12s.@1 1 #0 2s.@Total 43 58 #25 14s.

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Harlequin Sorcerer

Event Comment: A Free Benefit for Ryan. Mainpiece: Not acted these 4 years. [See 3 April 1756.] Written by the late Mr Hughes. [For Afterpiece, see note.] Receipts: Door, #87 7s. Tickets #121 17s. (boxes 267; pit 286; gallery 122). (Account Book). [Ryan had advertised his benefit on 15 March to be The Siege of Damascus and a new Dramatic Satire called The Anniversary, being a Sequel to Lethe. On 16 March the following letter appeared in the Public Advertiser: "Upon reading Ryan's advertisement of a New Dramatic Satire, I was extremely pleas'd with a Description of the motive that occasioned it. He being last week at dinner with a set of particular friends, they inquired what Play and Farce he had chose this year for his Benefit. He inform'd them the Siege of Damascus and Lethe. Lethe, replied a Gentleman is very pleasing, but your friends have seen it, and you must fall into the fashion of having a new additional Scene; for a little bit of novelty may give assistance to its merit, and prove to your advantage. Why, then, said a facetious Gentleman, who sat very near him, Pray sir, do you write him one; 'twill cost you little trouble, and, you know, you are very capable. No more capable than yourself, Good Sir, answered the other; but to show I am full as willing, if you'll attempt to please his friends with one, upon my word I'll use my best endeavor to do the same, in writing of another. We need not fear Severity, for none will blame a friendly inclination to serve a man, who, I believe everyone wishes well. "Twas agreed, but Ryan judiciously observed, 'twould be a shame that two Gentlemen, each capable of writing to give an audience satisfaction, should condescend to make mere Lacqueys of their pens, and send them forth to hold the tail of Lethe; therefore if they should once begin, let them each write only one Hour longer, and they might raise a Structure of their own. They kindly undertook it, and in a Week sent him the piece he has now advertised."

Performances

Mainpiece Title: The Siege Of Damascus

Afterpiece Title: The Anniversary : Being a Sequel to Lethe

Dance: SSicilian Peasants, as17571217; Fingalian Dance, by Desire, as17571013

Event Comment: Benefit for Holtom, Mrs Stephens, Miss Helm, and Carmichael, Prompter. Tickets deliver'd by Holtom, Carmichael, Chapman, Rawlins, Miss Helm, Miss Stephens, Miss Dawson, Miss Leppie, Mrs Hitchcock, Mrs Gwin will be taken. [The first eight received one-half value. The last two received full value gratis for their tickets.] (Account Book). Receipts: #33 16s. 6d. The benefits: @Tickets Box Pit Gallery Value 1!2 Value@Holtom 56 63 #14 14s. #7 7s.@Carmichael 12 12 12 #6 #3@Chapman 114 214 71 #67 14s. #33 17s.@Rawlins 10 74 47 #18 6s. #9 3s.@Miss Helm 3 14 31 #5 19s. #2 19s. 6d.@Miss Stephens 13 16 35 #9 13s. #4 11s. 6d.@Miss Dawson 126 44 35 #41 12s. #20 16s.@Miss Leppie 4 23 37 #8 3s. #4 1s. 6d.@Mrs Hitchcock 35 67 28 #21 12s. Gratis@Mrs Gwinn 4 39 58 #12 13s. Gratis@Total 321 559 417 #205 7s. #85 15s. 6d.

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Contrivances

Dance: IV: By Desire, a Hornpipe-Miss Dawson; IV: Last new Comic Dance-Lucas, Mlle Capdeville, as17580417

Ballet: II: Judgment of Paris. As17580413 but Venus-Miss Hillyard

Event Comment: Benefit for Roberts. Receipts: #33 17s. 6d. Charges: #80. Deficiency covered by income from tickets, #115 9s. Two New Renters came in a 1 share each: Mrs Tabitha Mendez, and Mrs Susan White. [This addition brought the total of New Renters' shares to 50, which equalled the holdings of the Old Renters] (Account Book)

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: Catherine and Petruchio

Dance: III: Country Lass-Miss Vallois; V: Comic Ballet, as17580428

Song: II, IV: Roberts

Event Comment: At Marybone Gardens. Translated into English. The Music by Pergolesi. Admittance 2s. 6d., tea and coffee included. [Daily Advertiser, 15 May, notice: Only 26 Tickets for ball room will be sold each night. Admittance one shilling; Ballroom five shillings to admit one gentleman and two ladies.

Performances

Mainpiece Title: La Serva Padrona; Or, The Servant Mistress

Event Comment: OObrien did Brazen, for his first appearance, & met with great Applause (Cross). [See a two-column comment on The Recruiting Officer and O'Brien's acting in Theatre No II published in The London Chronicle, No. 277, 5-7 Oct., p. 343: "The character of Brazen never existed in human nature, but is merely the child of Farquhar's own licentious invention...and for this reason I imagined it impossible for any actor to appear to advantage in it, without having recourse to that buffoonery and grimace which has always been made use of by the most eminent to support it; but I was agreeably surprised to find myself mistaken: for the young gentleman who has now got it into his possession goes through the whole with a genuine comic spirit; and, by his peculiar method of acting it, in a great measure corrects the unnatural absurdity of the writer." Specific details of his acting as well as comments on other roles are given.] Receipts: #150 (Cross); #174 3s. 6d. (Winston MS 8)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Anatomist

Event Comment: Not performed for two years [see 18 April 1757]. Fleetwood, Bransby, OBrien played their parts for the first time. Receipts: #110 (Cross); #155 8s. 6d. (Winston MS 8)

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Performance Comment: Castalio-Fleetwood; Polydore-Obrien; Acasto-Bransby; Chamont-Holland; Chaplain-Packer; Page-Miss Simson; Serina-Miss Hippisley; Florella-Mrs Bennet; Monimia-Miss Pritchard.
Cast
Role: Castalio Actor: Fleetwood

Afterpiece Title: The Intriguing Chambermaid

Dance: SSpanish Dance, as17581014

Event Comment: TThe London Chronicle 1758 (p. 461): Having already read the play [The London Cuckolds] it was no wonder if my inclinations to attend the exhibition of it were very small; however, being in some measure oblig'd to perform that penance, I paid my money and sat down in the pit, where I underwent three hours entertainment, if I may call it so, only to be rooted in a former opinion, that the author of this comedy deserved to be hanged; and that the only excuse which could be made for suffering it to be acted would be invincible stupidity. This monstruous production of nonsense and obscenity, is the spawn of one Ravenscroft, a writer whose wit was as contemptible as his morals were vitious. He does not seem to have had one sentiment either of a man of Genious of a gentleman, at least if we may judge by the characters he has daubed, which are a pack of reprobates of the lowest kind. Nor are the things which look like incidents in this play the produce of his own invention, but the squeezings from an extravagant novel of Scarron, and two or three ill-chosen fables of LaFontaine; of which ingredients he has contrived to mix up a sort of hog-wash, sweetened with a few luscious expressions and a large portion of the grossest lewdness, to the palates of swine, or what is the same thing, men like them; but which must be odious to, and nauseated by all people of delicate taste, or common modesty. The three gallants in this comedy, Townly, Ramble and Loveit, never make their appearance upon the stage but to talk bawdy, and that in terms very little different from the most vagabond inhabitants of Covent Garden, nor do they make their exit but with a professed intention to commit adultery with one woman or another, who walks off with him very contentedly for that purpose. I must here observe that adultery is committed no less than seven times during the five acts. [The play an insult to the London aldermen and their wives.] There were several men of distinction in the boxes at this play, and I think about eight ladies. What their inward feelings might be I know not; but if one might judge of their thoughts by the gravity of their looks, they were rather mortified than diverted. But of the women of the town, who as we suppose were unwilling to let slip so fair an opportunity of getting a supper and a bed-fellow, there were crowds both in the pit and green boxes...

Performances

Mainpiece Title: The London Cuckolds

Afterpiece Title: The Double Disappointment

Dance: As17581016

Event Comment: Mainpiece: Not acted these two years. [See 22 March 1757.] Receipts: 180 (Cross); #178 5s. 6d. (Winston MS 8)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Lottery

Dance: SSpanish Dance, as17581014

Event Comment: TThe Provok'd Wife was in the Bills for this Night, but Mr Garrick finding himself ill in ye Morning Fresh bills for Ye Mercht were posted at one o'Clock-two or three hiss'd when the play began, but Mr Havard told 'em ye reason of the Change & all was over (Cross). Receipts: #185 15s. (Winston MS 8)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Fortunatus

Song: IV: Miss Young

Dance: III: The German Hunters, as17580916

Event Comment: This Day Publish'd elegantly printed in one Volume Octavo (Dedicated to the Right Hon. Garret, Lord Mornington) A General View of the Stage, by Mr Wilks, of Dublin. Printed for J. Coote. [Contains 355 pages on the stage and its usefulness in presenting tragedy, comedy, opera, farce and pantomime. Discusses the art of acting, reviews plays and parts. Chapter VI on [Dress and its propriety" suggests the growing interest in historical authenticity in costume: [The judicious propriety in 'dress' adapted with sufficient exactitude to the age, time, and circumstances of [the] character...may be call'd the last colourings and finishings of [the] picture; and in this case very much will depend on knowledge of ancient history and historical paintings." Thirty-two pages praising Garrick the actor, and discussing in some detail all the characters he had performed to that time.

Performances

Mainpiece Title: Judas Maccabaeus

Event Comment: Benefit for Yates. Farce not acted for two years [see 5 May 1757]. Last acting till after Easter Holidays. Receipts: #180 (Cross); charges #63 (Winston MS 8)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Reprisal; or, The Tars of Old England

Dance: IV: A Comic Dance-Giorgi, Sga Lucchi

Event Comment: Benefit for a Widow Gentlewoman and her Children, who have suffered the loss by Two Ships, to the amount of #2000. Urged at the Desire of several Persons of Quality. Tickets to be had at Mr Harper's at the Corner of Avemary Lane; Mount's Coffee-House, Grosvenor St.; Smyrna Coffee-House, Pall Mall; Sam's Coffee-House in Change Alley, Cornhill; and of Sarjant at the Stage Door, where Places for the Boxes may be taken

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The Honest Yorkshireman

Dance: TThe Milkmaid's Holiday, as17590421

Event Comment: This is a farce of Macklin's Writing, it went off very greatly-he play'd Shylock too (Cross). Receipts: #190 (Cross). [Garrick and Lacy had contracted with Macklin for this Farce two weeks before this performance, according to the following document (BM Add. MS 27925): Memorandum of an Agreement relating to Mr Macklin's Farce and his Playing & performing in the said Farce, with such plays as shall be performed on which the said Farce shall be acted as aforesaid as follows: Imprimis: The said Farce to be publicly performed before Christmas, otherwise not this season on account of the Managers other engagements. Item: Mr Macklin to have for his performing in the said plays and Farce a Fifth part of the profits of the first five nights after deducting sixty-three pounds for the charges of each night during the said five nights-and the sixth night to be for the Benefit of Mr Macklin, he paying the usual charges of sixty-three pounds. Item: The Managers to have it in their power to stop the performances of the said Farce at the end of Six nights on account of their other engagements,-and in case the Receipt of any one night of the said nights on which the said Farce shall be performed as aforesaid shall fall short of One Hundred pounds. Then the Managers to have it in their power to stop the performance of said Farce as the Receipt does not amount to One Hundred pounds. Item: The said Six nights for the said Farce & plays in which Mr Macklin shall perform as aforesaid not to be played immediately succeeding one another, but alternately with such plays as the Managers shall think Convenient. Lastly: That if the said Farce shall meet with the disapprobation of the Publick, that then it shall be in the Power of Discretion of the Managers to stop the performance thereof. Dated this 28th day of November, 1759. S@ James Lacy, D. Garrick. Witness: R. Cross, Geo. Garrick.

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: IV: A Dutch Dance-Master Settree, Master Blagdon, Miss Blagdon

Event Comment: Mainpiece: By Henry Jones. Afterpiece: [See note under cg play this night. During this year appeared An Essay Upon the Present State of the Theatre, in France, England, and Italy, a "work absolutely necessary to be read by every lover of Theatrical Exhibitions," printed for J. Pottinger. It contains twenty-two chapters on tragedy, thirteen on comedy, opera, authors, and the art of acting. Pages 147-51 discuss the obligation of English farces to French ones.] Receipts: #180 (Cross)

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: Harlequin's Invasion

Event Comment: Was at Drury Lane to see The Desart Island & the Way to Keep Him two new pieces wrote by Mr Murphy, the latter pleas'd me but the first quite the reverse (Hailey, "Brietzcke Diary," Vol. 197, p. 70)

Performances

Mainpiece Title: The Desert Island

Cast
Role: Henrico Actor: Fleetwood

Afterpiece Title: The Way to Keep Him

Event Comment: Receipts: #155 2s. Miss Mowat's 2nd appearance. Paid Powell for his attendance and adjusting the Accounts for two seasons to the end of May #100

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Fair

Event Comment: Benefit for Beard. Mainpiece: By Particular Desire; Last time of performing it this season. Afterpiece: Not acted these two years. Pit and Boxes laid together at 5s. First Gallery 2s. Upper Gallery 1s. Stage 5s. Those who have places either in the Boxes or the Pit are requested to come thro the Box-Lobby, as at an Oratorio; and to send their servants to keep places by 3 o'clock. Tickets to be had of Mr Beard, at his house next Old Slaughter's, St Martin's Lane; and of Mr Sarjant at the Stage Door where places for the Boxes may be taken. Receipts: #129 1s. plus #246 from tickets (Boxes and Pit 984). Total income #375 1s. Charges #63. [Beard found his own wax candles]

Performances

Afterpiece Title: The Country House

Dance: CCountry Dance-Characters of the Opera; A Hornpipe-Miss Dawson; End II: A New Dance call'd The Shepherdess-Miss Wilford

Event Comment: Benefit for Mrs Yates. Garrick's first appearance in Chamont in 4 years. Mrs Yates in Monimia for first time. Mrs Cibber's illness has oblig'd Mrs Yates to change her Play from Jane Shore to The Orphan. The Afterpiece (for one night only): A Burlesque Opera of two acts

Performances

Mainpiece Title: The Orphan

Cast
Role: Castalio Actor: Fleetwood

Afterpiece Title: Galligantus

Event Comment: The Twenty-Third Day. Daily Advertiser, 18 Aug.: Last Saturday John Sterne was committed to Newgate by Justice Welch, for the Murder of Mr Matthews, an eminent Surgeon in Brook St., Holborn. [Sterne had been an usher in Mathews' Academy, was discharged, but Matthews let Sterne live in Matthews' house for a long time, then expelled him and put his belongings on the stairs. On Friday 15 Aug. Sterne got two pistols and came back to Owen's Coffee House. Here] he waited three Hours for Mr Matthews, who was gone with a Friend to the little Theatre in the Haymarket and afterwards into Company at the Pewter Platter, a publick house in Cross St. [There Sterne shot Matthews.

Performances

Mainpiece Title: The Minor

Event Comment: We are well informed that Mr Shuter intends to entertain the Town, at his Great Tiled Booth on the Bowling Green, Southwark, during the Time of the Fair, which begins on Thursday next, with a New Entertainment of Wit and Humour. Many wagers are depending among the Theatrical Geniuses upon the Merit and Execution of this Piece: and the Odds are it is the best that ever appeared in this Way. The knowing Ones say, those who take the Odds will be fairly taken in: for Mr Shuter will start in fine Order, to win this Plate, in such a handsome manner as shall give entire Satisfaction to all the Spectators. A sufficient number of Theatrical Racers are already entered, and two remarkable Spanish Courcers will enter at the Post, so that excellent Sport may be depended upon (Public Advertiser)

Performances

Mainpiece Title: Advertisement

Event Comment: [The following puff appeared in the Public Advertiser: "Yesterday about twelve the Races began on the Bowling Green, Southwark. There were several started for the Plate called Public Approbation, amongst the Rest was a celebrated Theatrical Horse, and two or Three Racers belonging to the same Stable, and some young Colts and Fillies, lately bred in the Stud of an eminent Sportsman in the Haymarket. The dispute laid principally between the noted Don Quixote and the Little Female Minor. The contest was warm, and several Heats were ran [a number of performances during the day?] before it could be decided; which at length was given by a small Majority of the Subscribers and the Clerk of the Course, in favor of the latter. However, her Antagonists being Bloed, they have challenged her to run again, play or pay, for three Days sucessively; and she will start This Day, tomorrow and Monday next, exactly at Twelve. Bets are laid, the Little Minor against the Field; and Eight to Six that in the end she distances the famous Old Horse, and beats him absolutely hollow."

Performances

Mainpiece Title: The Female Minor

Event Comment: Mainpiece: Not acted these two years [see 16 April 1759]

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Polly Honeycomb

Event Comment: A new serious Opera [a pasticcio]. Music by different Masters. To begin at 6 p.m. on account of the Prologue. [Note: The 1760 Libretto at Library of Congress designates the "Musical Prologue sung by Signora Mattei" on 22 Nov. The prologue consists of recitative and a brief air of two quatrains.

Performances

Mainpiece Title: Arianna E Teseo

Event Comment: The two new dancers who were so long expected from Italy are arrived (Public Advertiser)

Performances

Mainpiece Title: Il Filosofo Di Campagna