SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "battle of Agincourt"/1) | (@(roleclean,performerclean) "battle of Agincourt")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 169 matches on Performance Title, 72 matches on Event Comments, 43 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Mayor of Garratt

Performance Comment: As17910805, but added to Major Sturgeon: O! what a chariing Thing's a Battle-Bannister; to Jerry Sneak What shall we have for Dinner Mrs Bond?-Bannister Jun.; Mob-_.

Song: End: The Wolf-Bannister

Entertainment: Monologue. Before: Occasional Address-Palmer

Event Comment: Mainpiece: In 5 Acts, altered from the Dramatic Romance by David Garrick, Esq. With a new Overture and new additional Musick by Storace [on 2 Jan. 1792 and thereafter, added: Shaw] and other Eminent Masters. Entirely new Scenery by Greenwood, and new Dresses, Decorations and Machinery. To conclude with a Grand Procession of the Hundred Knights of Chivalry, and the Representation of an Ancient Tournament. [These were included in all subsequent performances.] Books of the Songs to be had at the Theatre. Morning Post, 3 Jan. 1792, prints a full description of the Procession of over 100 persons: 1st, Anglo-Saxon Knights and banners; then ancient British knights, Norman knights, Indians, Turks, Scythians, Romans, a dwarf, a giant; at end, "soldiers drawing a superb picture of St. George, knights in chain mail, a cupid leading a knight covered with a silver net, Hymen, piping fauns, bands of cupids drawing an altar--flame burning, cupids hovering over it, and others feeding doves below, a troop of Arcadian shepherds drawing the car of Cymon and Sylvia, characters of the drama, and chorus." "At the conclusion of the procession, a tournament took place of both horse and foot, between several combatants in armour, who fought with lances, swords and battle-axes: three of Hughes' horses [from the Royal Circus] were introduced, and managed with much dexterity; the Prince of Wales' Highlander made one of the procession, and entered the lists as a champion, fighting with an enormous club; against him a small female warrior was opposed, by whom he was subdued. It was by far the grandest spectacle ever seen upon the stage. Many of the characters were taken from Sir Philip Sydney's Arcadia, in which the scene of the piece was laid; and the dresses of the knights, armour, &c. from the drawings and descriptions of the best antiquarians" (Oulton, 1796, II, 215). [This was Edmund Kean's 1st appearance on the stage; he was about four years old. He personated a cupid lying in Cymon and Sylvia's car (Kelly, Reminiscences, II, 21-22).] Account-Book, 13 Jan. 1792: Paid Hughes for his Horses #16 19s. 10d.; 23 Jan.: Paid Gough for his Greyhounds in Cymon #5 19s. 6d. Receipts: #420 6s. (385.0; 35.5; 0.1)

Performances

Mainpiece Title: Cymon

Afterpiece Title: All the World's a Stage

Event Comment: By Permission of the Lord Chamberlain. Benefit for The Literary Fund. [In this performance the male parts were acted chiefly by amateurs; the female parts were acted by professionals. Prologue and Epilogue by Thomas Morris (Morning Herald, 17 Apr.).] The Committee for the Management of the Literary Fund respectfully inform the Public that affecting instabces of Merit in distress exceed their power of relief by the ordinary Subscription; and that they wish to have recourse to every honourable expedient to increase that power. The Admission will be by Tickets, at the Opera Prices. Boxes and Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. No more Company will be admitted than the House will hold with perfect convenience; and when the proper number of Tickets is issued, no means of admission can be obtained. The Doors to be opened at 6:00. To begin at 7:00 precisely. Registers: Thomas Dale, M. D.; Mr Deputy Nichols. Treasurers: Thomas Morris, Esq.; Mr E. Brooke. "In the course of the play we observed several restorations of Shakespeare's text, with some interpolations. The boldest of the latter was the introduction of Richard's son to him in the tent, the night befiredthedbefore the Battle of Bosworth field. This scene was borrowed, as we believe, from Thomas? Hull's Legendary Tale of Richard Plantagenet. It was well written, and produced a considerable degree of effect. The Ghosts were banished, and the start and stagger of Richard, heretofore the theatrical trick of the scene, necessarily omitted" (Diary, 17 Apr.)

Performances

Mainpiece Title: Richard Iii

Afterpiece Title: The Citizen

Event Comment: Benefit for Marshall and Mrs Harlowe. Mainpiece: In Act V a Grand Battle between the Britons and Romans. Morning Herald, 17 May: Tickets to be had of Marshall, No. 17, Crown-court, Bow-street, Covent-Garden; of Mrs Harlowe, No. 54, Drury-lane. Receipts: #256 7s. (104.2; 1.10; tickets: 150.15) (charge: #105)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: A Divertisement

Dance: End III: A Divertisement, as17920410; In afterpiece: the Dances-Byrne, Mlle St.Amand

Song: II: Masquerade, in which Hark! the Lark at Heaven's Gate sings-Incledon, Marshall, Gray, Linton, Darley, Mrs Mountain, Mrs Martyr; End II: (for that night only) The Lucky Escape; or, The Ploughboy's return from the Sea (composed by Dibdin)-Mrs Harlowe in Character

Entertainment: MonologueEnd: Jeu D'Esprit, as17920516; Little Pig lays without any Straw, as17920516

Event Comment: Benefit for Wilson. 1st piece [1st time; F 1, author unknown. Larpent MS 944; not published]. 3rd piece: Not acted these 15 years. In Act II a Grand Review of Bayes's Troops, with a Sham Battle of Horse and Foot [for which see dl, 13 Dec. 1777]. 4th piece [1st time; M. INT 1, author unknown. Larpent MS 946; not published]: With a New Overture. Morning Herald, 6 Aug.: Tickets to be had of Wilson, Park-lane, Church-lane, Chelsea

Performances

Mainpiece Title: Hail Fellows Well Met

Afterpiece Title: Ways and Means

Afterpiece Title: The Rehearsal

Afterpiece Title: The Rights of Women

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: The Relief of Williamstadt; or, The Return from Victory

Performance Comment: Vocal Parts-Incledon, Darley, Gray, Linton, Mrs Clendining; SCENE I. A Camp. How stands the glass around-Incledon; Good subjects with jolly full bottle-Incledon, Darley, Gray; Scene II. A View of the Scheldt. Gentle Soldier oft you've told me (composed by Dr Arne)-Incledon, Mrs Clendining; Scene III. The French Troops preparing for the Siege. With a View of the Fort. Scene IV. The Storming of the Fort by Figures in Perspective; and the Repulse of the Enemy. Oh what a charming thing's battle-Incledon (1st time); Scene V. The Temple of Mars, with the Return from Victory. Great Britain still her charter boasts-(composed by Shield).

Afterpiece Title: Hartford Bridge

Dance: In 2nd piece: Byrn, Holland, Mrs Watts, Mme Rossi

Entertainment: Monologue. A new Occasional Address in the character of Goldfinch ,-Lewis

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: The Relief of Williamstadt

Performance Comment: As17930401, but in Scenes I and II How stands the glass around-Marshall; Good subjects with jolly full bottle-_Incledon, Marshall; +Gentle Soldier oft you've told me-_Incledon, Marshall; in Scene IV +Oh what a charming thing's a battle-Cubitt.

Afterpiece Title: Harlequin's Museum

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: The Relief of Williamstadt

Performance Comment: As17930403, but Gentle Soldier oft you've told me-Miss Broadhurst, Marshall; Oh what a charming thing's a battle-Darley in place of Incledon.

Afterpiece Title: The Invasion

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: The Relief of Williamstadt

Performance Comment: As17930401, but Oh what a charming thing's a battle-Darley in Scene IV in place of Incledon; retained: The Temple of Mars. retained: The Temple of Mars.

Afterpiece Title: The Midnight Wanderers

Entertainment: Monologue. End: a new Occasional Address, as17930323

Performances

Mainpiece Title: At Hay The Recruiting Officer

Performance Comment: Mr Ballance-Packer; Scale-Fawcett; Scruple-Maddocks; Mr Worthy-read byWhitfield; Captain Plume-Wroughton; Captain Brazen-Dodd; Serjeant Kite (1st time; with O! what a charming thing's a battle)-Caulfield; Bullock-Moody; Coster Pearmain-Hollingsworth; Tho. Appletree-Burton; Welch Collier-Suett; Constable-Banks; Sylvia (with a song)-Mrs Jordan; Melinda-Miss Heard (1st appearance in that character); Lucy-Miss Tidswell; Rose-Miss Pope.

Afterpiece Title: The Mariners

Event Comment: Afterpiece: With a Representation of the Indian Manner of Preparation for Battle, and their extraordinary Method of Laying in Ambush. A Representation of an Engagment between an English and French Man of War. And a Shipwreck. To conclude with the original Allegoric Scene from Provocation. A View of the British Fleet at Anchor. Receipts: #221 12s. 6d. (221.3.6; 0.9.0)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Shipwreck

Dance: In afterpiece: a Dance-Byrn, Mlle St.Amand

Song: As17951019

Event Comment: Mainpiece [altered by John Philip Kemble]: With new Scenes, Dresses, Decorations, and Machinery. In Act I, at the opening will be introduced, for the First Time a Battle between the Macedonians and the Persians. In Act IV, the Royal Banquet. [These were included in all subsequent performances.] The Scenes designed and painted by Marinari. The Dresses and Decorations by Johnston and Miss Rein. The Machinery by Cabanel. "[In the last scene] the expiring tone with which [Kemble] pronounces 'Cover me'; his shivering, when wrapt round in the imperial robes; his wan and wasted countenance; the manner of his labouriously drawing his legs together, and their aguish knocking when they meet, surpass all description" (Monthly Mirror, Jan. 1796, p. 180). Receipts: #375 2s. 6d. (306.14.6; 67.3.0; 1.5.0)

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: My Grandmother

Song: In II: Alexander's Triumphal Entry into Babylon-; The Grand Chorus of Priests Youths Virgins-Bannister, Sedgwick, Dignum, Wathen, Welsh, Wentworth, Trueman, Cooke, Danby, Evans, Fisher, Master Welsh, Master DeCamp, Master Gregson, Mrs Bland, Miss Leak, Miss DeCamp, Miss Arne, Miss Mellon, Mrs Bramwell, Mrs Boimaison, Mrs Maddocks, Miss Menage, Miss Jackson, Miss Granger, Miss Chatterley, Miss Wentworth, Mrs Butler

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Merry Sherwood; or, Harlequin Forester

Performance Comment: Principal Vocal Characters-Incledon, Johnstone, Munden, Fawcett, Bowden, Knight, Townsend, Richardson, Haymes, Gray, Street, Linton, Spofforth, Tett, Mrs Serres, Mrs Mountain, Mrs Clendining, Mrs Martyr; Principal Pantomimic Characters: Robin Hood-Follett; Arthur of Bradley-Farley; Little John-Simmons; Will Scarlet-Cranfield; Will Stukely-Williamson; Locksley-Gray; Midge the Miller-Street; Clerk-Rees; Parson of Barnsdale-Platt; Sheriff of Nottingham-Thompson; Prince of Arragon-Holland; Two Giants-; Price, Stevens; Harlequin-Simpson; Maid Marian-Mlle St.Amand; Part I. Scene I. A View in Sherwood Forest, Robin Hood's Well; Principal Archer (with In Merry Sherwood)-Bowden; Dialogue Ballad-Robin Hood, the Tanner; The Witch of Sherwood-Mrs Martyr; Scene II. A View of the Suburbs of Nottingham; The Bellman's Chaunt-Fawcett; Scene III. A Hall in the Sheriff's House; Scene IV. A View of the Town Hall of Nottingham; Scene V. A Country Alehouse; Tinker's Song-Knight; Scene VI. The Pinfold of Wakefield Town; Scene VII. Robin Hood's Bower; Scene VIII. View in Plumpton Park; Song by Allen o'Dale-Incledon; Scene IX. Pollard Wood; Song by the Damsel-Mrs Clendining; Scene X. Song by the Earl's Daughter-Mrs Serres; The Defeat of the Two Giants. The Princess's Marriage with Will Scarlet. A Grand Dance of Warriors-in the Field of Combat. Part II. Scene I. A View of Fountain Dale; Song by Curtal Fryar-Bowden; Scene II. Fountain Abbey Wall; Scene III. A View of Nottingham Castle; Beggar's Ballad-Townsend; Scene IV. Nottingham Market Place; Robin's rescue of Will Stukely from the Sheriff of Nottingham. Song by Irish Pilgrim-Johnstone; Scene V. View in Barnsdale; Song by Allen o'Dale-Incledon; Scene VI. Barnsdale Church Yard; Song by the Old Knight-Munden; Scene VII, VIII and IX. Scarborough Cliffs; A View at Sea; A Plough Field; Scene X. A Forest View in Yorkshire; Song by Martha-Mrs Mountain; Scene XI. Birksley Monastery; Robin Hood's Death. Epitaph and Revival. Song by the Witch-; The Piece to conclude with a Grand Scene, representing the Triumphs of Archery. Order of the Procession: Banner, "Fabulous Archery." Apollo-Hercules-Diana-Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn; Finale, Chorus-.
Cast
Role: Apollo Actor: Hercules-Diana-Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Hercules Actor: Diana-Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Diana Actor: Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Orion Actor: and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: and Cupid Actor: Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Persians Actor: Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Parthian Actor: Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Scythian Actor: Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Ethiopian Actor: Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Amazonian Actor: Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Grecian Actor: Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Thracian Actor: Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Lycian Actor: Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: representing the Landing of Julius Caesar Actor: Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Saxon Archer Actor: Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Danish Archer Actor: Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Norman Archer Actor: English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: English Archer Actor: Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Event Comment: [2nd piece in place of The Battle of Hexham, advertised on playbill of 26 June.] The Publick is respectfully informed that alterations are now making in The Irish Legacy: it will be in a few days represented for the second time. [But it was not acted again.

Performances

Mainpiece Title: The Mock Doctor

Afterpiece Title: The London Hermit

Afterpiece Title: The Agreeable Surprise

Performances

Mainpiece Title: He's Much To Blame

Afterpiece Title: Joan of Arc

Performance Comment: As17980214, but The Argument-. [The Ballet (principally taken from Historical facts) commences with a Grand Battle before the Town of Orleans, in which the English being victorious, a wounded French Officer (Alenson) solicits shelter in the Inn where Joan of Arc and her sister Blanche reside; this is granted, and they scarcely retire, before the conquering party rush into the Inn, but are prevented from using outrage by the intervention of a young English General (Talbot) of whom the sisters become enamoured. He prefers Blanche; and Joan, from resentment, in conjunction with Alenson, meditate his ruin, in which they fail, and are forced to fly--Joan grown desperate, invokes supernatural aid, and receives a Banner from Lucifer--distinguishes the French King in the midst of his Courtiers, tho' a Nobleman in his habit had been imposed on her for him--demands a consecrated sword and shield at the tomb of Charlemagne--heads the French troops, and being victorious, takes young Talbot and her sister (whom he had espoused) Prisoners. +Edwin (young Talbot's Page), not allowed to attend on his master, by concealing himself in the spoils of his tent is conveyed to the court-yard of his Prison, thro' the grating of which he gives him a sleeping draught, telling him on drinking it that they will suppose him dead, and the English demand his body. He complies, but the request of the English is refused, and he lowered into the Cell where Blanche is confined--She conceives him dead--despairing, is on the point of destroying herself, when he awakes--the Page from the top of the Cell points out the means of escape, which they are accomplishing, when Joan rushes in, but appalled at the ghost-like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant (as17980214)] . .

Music: As17980214

Performances

Mainpiece Title: The Duenna

Performance Comment: Isaac-Quick; Don Jerome-Munden; Ferdinand-Johnstone; Antonio-Townsend; Father Paul-Waddy; Lopez-Farley; Carlos (with the Battle Song, composed by Shield, from The Italian Villagers)-Incledon; The Duenna-Mrs Davenport; Louisa-Mrs Martyr; Clara-Mme Mara (1st appearance in that character).

Afterpiece Title: Catherine and Petruchio

Afterpiece Title: Forecastle Fun; or, Saturday Night at Sea

Song: End 1st piece: All I wish in her obtaining-Mme Mara, Incledon; In the course of the Evening: Black Ey'd Susan, Old Towler, Young William, The Storm-Incledon

Performances

Mainpiece Title: The Deserted Daughter

Afterpiece Title: Britons Roused

Performance Comment: ; or, Citizen Soldiers. In which Songs-; Duets-; SCENE I. A View of a Camp. Officers-Incledon, Townsend, Betterton; SCENE II. The Advance of the Army, Slow Time. They form a half moon, and go through the Manual Excercise. SCENE III. A Sham Battle. They divide; when the mode of attack and defence in street-firing, so necessary to be practised and known at this critical period, will be exactly represented. To conclude with God save the King-.

Afterpiece Title: The Follies of a Day

Dance: End 2nd piece: a Minuet-Mr and Miss Betterton

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: The Mouth of the Nile

Performance Comment: Vocal Characters-Incledon, Fawcett, Townsend, Emery, Dibdin Jun., Wilde, Gray, Linton, Street, Thompson, Miss Walcup, Miss Sims. +Characters in the Ballet-Farley, Bologna Jun., Follett, Dyke, Bologna, Blurton, Platt, Mrs Watts, Mrs Bologna, Miss Burnett, Mrs Masters, Mrs Wybrow; [Cast from text (J. Barker, 1798), and playbill of 9 Nov. 1799: Michael (an Egyptian Peasant)-Incledon; William-Fawcett; Jack Junk-Townsend; Old Peasant-Emery [in text: Simmons (see17981029)]; Pat-Dibdin Jun.; French Officer-Wilde; Peasants, Sailors-Gray, Linton, Street, Thompson, Cranfield, Lewiss, Rauner, Powers, Platt; Adela-Miss Walcup; Susan-Miss Sims; [Commencing with a Grand Ballet of Action, expressive of Egyptian Costume, contrasted with the Habits and Manners of the Turks and Arabs; and introducing, thro' the Medium of a Domestic Story, the Effects produced by the Landing of the French Army, and subsequent Arrival of the British Fleet at the Mouth of the Nile. Comic Dialogue and Songs form the Second Part, for the purpose of introducing a correct Scenic Representation of the Battle of the Glorious First of August [1798]. An Occasional Prologue-H. Johnston.
Event Comment: 2nd piece: In one act. 3rd piece: In which a Representation of the Battle of the Glorious First of August [1798]. Receipts: #321 0s. 6d. (315.19.6; 5.1.0)

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: Cross Purposes

Afterpiece Title: The Mouth of the Nile

Event Comment: Afterpiece [1st time; MD 2, by George Colman, ynger]: With new Musick, Scenery, Machinery, Dresses and Decorations. The Musick entirely new, composed by Kelly with an overture by Dussek]. The Scenes designed and executed by Greenwood? Jun, with the assistance of Chalmers and Banks. The Machinery, Decorations and Dresses designed and under the direction of Johnston, and executed by him, Underwood and Gay. The Female Dresses designed and executed by Miss Rein. Books of the Songs to be had at the Theatre. "We have to congratulate the town on the acquisition of three admirable dramatic writers, in the persons of Johnston, Greenwood, and Miss Rein, who have here exhibited a specimen of the Sublime and Beautiful which it will be difficult, indedd, to surpass" (Monthly Mirror, Jan. 1799, p. 47). [This piece is "an exhibition of music and dialogue, pantomime and dancing, painting and machinery, antique dresses and armour, thunder and lightning, fire and water, illumination, processions, banquets, battles, sieges, explosions, and everything that can surprize, enchant or terrify the spectators" (Morning Chronicle, 21 Jan.). Morning Chronicle, 16 Feb. 1799: This Day is published Feudal Times (1s. 6d.). Receipts: #483 15s. 6d. (381.10.6; 100.6.6; 1.18.6)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Feudal Times; or, The Banquet Gallery

Performances

Mainpiece Title: A Grand Selection 0 Of Music, From The Works Of handel, boyce And purcell

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Raimondi's celebrated Piece descriptive of a Battle-; concluding with God save the King-full Chorus; Thou shalt bring them in-Miss Waters (Israel in Egypt); Dulce Domum (by desire of several Wykehamists)-Mme Mara, with a grand Chorus , composed by J. Reading, 1680; Wise men flattering-Miss Capper (Judas Maccabaeus); Tears such as-Bartleman (Deborah); Agitata-Mme Mara; He gave them hailstones-Chorus (Israel in Egypt).

Afterpiece Title: Grand Selection 3

Music: As17990306

Performances

Mainpiece Title: Abroad And At Home

Performance Comment: Harcourt (with the Battle Song, from The Italian Villagers, composed by Shield)-Incledon; Sir Simon Flourish (1st time)-Emery; Captain O'Neill-Johnstone; Old Testy-Munden; Young Flourish-Fawcett; Young Testy-Knight; Bluff-Townsend; Snare-Claremont; Tipstaff-Simmons; Kitty-Mrs Martyr; Lady Flourish-Mrs Litchfield; Miss Hartley-Miss Poole; (for that night only; a New Obligato Song-Miss Poole;, accompanied on the violin-Mountain.

Afterpiece Title: The Prisoner at Large

Afterpiece Title: Fun and Frolic; or, Sailors' Revels

Song: In course Evening: The Storm-Incledon; Black Ey'd Susan-Incledon; Mad Tom of Bedlam (in character)-Incledon; Together let us range (composed by Boyce)-Incledon, Miss Poole

Event Comment: 2nd piece: In one act. 3rd piece: In which a Representation of the Battle of the Glorious First of August [see 25 Oct. 1798]. Receipts: #277 6s. 6d. (267.16.6; 9.10.0)

Performances

Mainpiece Title: Management

Afterpiece Title: The Ghost

Afterpiece Title: The Mouth of the Nile

Event Comment: [Mrs Higginson, who is identified in European Magazine, Nov. 1799, p. 328, had, as Mrs Cussans, acted previously at Richmond and elsewhere.] 2nd piece: In one act [and in place of The Flitch of Bacon, advertised on playbill of 9 Nov.]. 3rd piece: Representation of the Battle, as 9 Nov. Receipts: #293 17s. 6d. (286.17.6; 7.0.0)

Performances

Mainpiece Title: The Mysteries Of The Castle

Afterpiece Title: Cross Purposes

Afterpiece Title: The Mouth of the Nile

Performances

Mainpiece Title: Abroad And At Home

Performance Comment: As18000111, but Bluff-Rees; Kitty-Mrs Chapman; added to Harcourt: with the Battle Song from The Italian Villagers, composed by Shield-Incledon.

Afterpiece Title: Britain's Sons; or, Success to our Heroes

Afterpiece Title: The Turnpike Gate

Song: In: Together let us range the Fields-Incledon, Mrs Atkins; The Soldier Tir'd (from Artaxerxes)-Mrs Atkins