SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Young Lady"/1) | (@(roleclean,performerclean) "Young Lady")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 7203 matches on Performance Comments, 2945 matches on Event Comments, 1148 matches on Performance Title, 750 matches on Author, and 464 matches on Roles/Actors.
Event Comment: For the Encouragement of a Young Author. At the Desire of several Ladies of Quality. Receipts: money #11 15s. 6d; tickets #13 16s

Performances

Mainpiece Title: Phaedra And Hippolitus

Event Comment: Benefit Norris and Young Rainton. At the particular Desire of several Ladies of Quality

Performances

Mainpiece Title: The Distrest Mother

Dance: LLe Badinage Champetre-; A new Dance, Le Jeuness-

Event Comment: Written Originally by Shakespear. [By Lewis Theobald.] Theophilus Cibber: [Booth's] Illness...returned soon after his playing King Henry VIII. He was then studying the Part of Julio in the Double Falsehood; he rehearsed it several times,-when the Play begin ready for acting, he was prevented appearing in it, by a Relapse into his former Indisposition.-The Part was supplied a few Nights by Mr Charles Williams (a promising Player, who died young) to whom Mr Booth had given the Part to study, as doubting the Certainty of his being able to appear in it himself: But, at Mr Theobald's Entreaty (backed by many Gentlemen and Ladies) he good-naturedly (but fatally) disregarded his Indisposition, which was then an intermitting Fever, and acted that Part from the fifth to the twelfth Night; which was alas! the last time of his Appearance on tle Stage.-Lives and Characters, pp. 82-83

Performances

Mainpiece Title: Double Falshood Or The Distrest Lovers

Event Comment: Benefit Mrs Younger. By Command of His Royal Highness. Part of the Stage (for the better Accommodation of the Ladies) will be form'd into Boxes. Receipts: money #79 9s. 6d; tickets #112 16s. [Prince of Wales present.

Performances

Mainpiece Title: The Constant Couple

Dance: TTambourine-Miss Rogers; new Comic Dance-Nivelon, Mrs Laguerre, Pelling, Mrs Pelling, Newhouse, Miss LaTour, Delagarde, Mrs Ogden, LeSac, Miss Baston; French Peasant-Poitier, Miss LaTour; Scottish Dance-Glover, Mrs Laguerre, DuPre, Pelling, Delagarde, Mrs Ogden

Event Comment: A New Comedy. [By Mrs E. Cooper. Apparently not printed. The characters named in the bill are: Lord Belamour, Sir Roger Wrangle, Sir Charles Cumberland, Froward, Wary, Young Wrangle, Peinter, Snare, Lady Cumberland, Felicia, Ready. See also a puff by Mrs Cooper in Daily Advertiser, 17 May.]

Performances

Mainpiece Title: The Nobleman Or Family Quarrel

Event Comment: Benefit of Margarina and Mauxalinda [the two Misses Young]. At the Desire of several Ladies of Quality

Performances

Mainpiece Title: The Fair Quaker Of Deal

Afterpiece Title: The Dragon of Wantley

Dance: TTwo Pierrots-Nivelon, Lalauze; Scots Dance-Glover, Mlle Roland

Performances

Mainpiece Title: Dramatic Lecture

Performance Comment: Don Buskin-Socco, Professor of Dramatic Exercises proposes to instruct (upon reasonable Terms, publickly or privately) such young Gentlemen, Ladies, etc., who for amusement, or otherwise, are willing to become Pupils in the Art of Theatrical Speaking and Acting...The Professor also gives Notice, that he intends to go through a Course of fifteen Dramatic Lectures founded on Shakespear's Plays. Each one to consist of three parts, and to be exhibited thrice weekly, as follow: The Heads of the first Lecture are as follow, viz. An Introduction to the Course. An Account of Dramatick Poesy. Aristotle's Definition of Tragedy and Comedy. The Sentiments of the Judicious concerning Shakespear. His Play of Hamlet consider'd, the Fable, Manners, Sentiments, and with Remarks on his Instructions to the Actors.
Event Comment: Benefit for the Widow of the Late Mr Lampe, and Miss Young. Afterpiece: By Particular Desire of several Ladies of Quality. Being Postiively the last time of acting it this season. Tickets deliver'd out for Macbeth will be taken

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Oracle

Dance: GGrand Comic Ballet, as17511216

Event Comment: This day publish'd at 3s. Printed on Five sheets of superfine paper, Five Principal Scenes in Romeo and Juliet, designed, drawn, and engraved by Mr Ant. Walker. Printed and sold by John Tinney, at the Golden Lion in Fleet St. The drawing and Engraving of the three following Plays of Shakespeare are in great forwardness, and the scenes of each play will be sold at a time: 1 Henry IV, 2 Henry IV, Merry Wives. These plates will serve for Mr Pope's edition of Shakespeare in quarto, Sir Thomas Hanmer's edn. 6 Vol. quarto, or for any of the Folio editions. And may be framed and glazed for furniture. There will be a few sets neatly coloured for Gentlemen and Ladies who chuse them so (Public Advertiser). [A set of these prints is available in the Folger Shakespeare Library. The Five Principal Scenes were: The scene in Capulet's Housev where Romeo kisses Juliet 's hand; the Balcony Scenev ; the scene in which Friar Lawrence hurries the young couple off to be married; the Apothecary scenev ; and the death scenev . If, as may be, these scenes were taken from--as they were certainly stimulated by--the Barry-Nossiter production, they may present a good likness of Maria Isabella Nossiter, who so captivated London that season. If, also, they were taken from the theatre production, they give evidence that Barry used a balcony, not only a window.

Performances

Mainpiece Title: Lo Studente A La Moda

Dance: As17540118

Event Comment: MMr Hartry is oblig'd to postpone his Comic Lecture...being engaged in making many alterations therein. The serious part will be consideredly shortened, some other pieces expunged, and many scenes of humour added, which he hopes will be entertaining. He is extremely troubled that anything in his Lecture on Tuesday should have given offence to any one person present, and is no less concerned that those Ladies and Gentlemen who were desirous to hear him perform (that part which appeared exceptionable to others) were disappointed. He is sorry there was any disaffection either way. He is not conscious of having attempted anything with an intention to offend, or that has not already been allowed of inclusion though more unpardonable. The foibles and peculations of private characters have been brought on the stage by others, those only of public men by him. He hopes it will not appear vain or arrogant to say that after such unequaled peals of applause which he met with for some time while uninterrupted, it would be paying an ill compliment to so crowded and brilliant an audience not to flatter himself will possessing some degree of merit: And if he afterwards failed in any or every particular it was altogether owing (notwithstanding the seeming spirit he assumed) to the confusion he was in at the Party Affair which followed. It was his first appearance in public, and in such a situation it is no wonder he was robb'd of his comic powers; but he hopes when his Lecture is alter'd there will be found in it nothing which can give offense, or deprive him of that generous indulgence to a young performer which characterizes a British audience. [No further performance of the Lecture seems to have been given.

Performances

Event Comment: Both pieces by command of Their Majesties. Present: Their Majesties, Prince of Wales, Prince Frederick and Lady Louisa. Gave Yeoman of the Guards #2 2s. Paid Younger for licensing The Good Natured Man #2 2s. (Account Book). Receipts: #228 10s. 6d. (Account Book)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: Orpheus and Eurydice

Event Comment: [This was Vestris Jun.'s 1st appearance in England.] "Young Vestris astonished John Bull more by his agility than his grace, and some have been known to count the number of times he turned round like a tee-totum. This may be called les tours des jambes-not dancing' (Angelo, II, 320). "The theatre was brimful in expectation of Vestris. At the end of the second act he appeared; but with so much grace, agility, and strength, that the whole audience fell into convulsions of applause: the men thundered; the ladies, forgetting their delicacy and weakness, clapped with such vehemence, that seventeen broke their arms, sixty-nine sprained their wrists, and three cried bravo! bravissimo! so rashly, that they have not been able to utter so much as 'no' since, any more than both Houses of Parliament' (Walpole [17 Dec. 1780], XI, 340-41)

Performances

Mainpiece Title: Ricimero

Dance: End I: The Fortunate Escape, as17801125, but Mme _Simonet, Henry; End II: +Grand Serious Ballet (composed by Simonet)-Sg and Sga Zuchelli, Henry, Sga Crespi, Mlle Baccelli; to conclude with: Grand Chaconne-Vestris? Jun.; End III new ballet, Les Amans Surpris (composed by Simonet)-Sg and Sga Zuchelli, Henry, Mlle Baccelli, Vestris? Jun

Event Comment: Double Drums by Ashbridge. Trombones by Flack, Dressler, Zwingham, Schubert. The Chorusses, which will be far more numerous than on any former occasion, will be supported by the Young Gentlemen of His Majesty's Chapel Royal, and the Choristers of St. Paul's. A Subscription of Two Guineas and a Half will receive Eleven Tickets for the Boxes, transferable either to a Lady or a Gentleman; any number of Tickets may be used nightly at the pleasure of the Subscriber. Books of the performance to be had at the Theatre, price #6d. Boxes 6s. Pit 3s. 6d. Gallery 2s. No Money to be returned. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]

Performances

Mainpiece Title: A Grand Selection 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performances

Mainpiece Title: The Second Part Of King Henry The Fourth

Afterpiece Title: Harlequins Triumph

Performance Comment: Miser-Cibber Jr; Pierot-Roger; Harlequin-Clark; Clown-Harper; Harlequin's Attendant Spirit-Miss Robinson Jr; Miller's Wife and Daughter-Mrs Wetherilt, Miss Tenoe; Rural Lass-Miss Robinson; Country Lads-Young Rainton, Young Sandham; Countrymen-Boval, Haughton, Duplessis; Countrywomen-Mrs Brett, Mrs Walter, Miss Young; Pomona-Mrs Booth; Statues-Thurmond, Roger, Lally, Essex.

Performances

Mainpiece Title: The Amorous Widow

Afterpiece Title: Apollo and Daphne or Harlequins Metamorphoses

Performance Comment: Harlequin-Clark; Pierot-Roger; Pantalon-Cibber Jr; Harlequin's Child-Miss Robinson Jr; Pigmy Dancing Master-Sandham; Scaramouch-Haughton; Pantalon's Daughters-Mrs Young, Mrs Paulet; Adonis-Young Rainton; Venus-Miss Robinson; Apollo-Thurmond; Daphne-Mrs Booth; Night-Miss Lindar; Aurora-Mrs Bowman; Cupid-Young Leigh; Daphne's Followers-Miss Tenoe, Mrs Walter; Sylvan-Essex; Nymph-Mrs Booth; Pan-Roger; Shepherds-Lally, Boval; Shepherdesses-Mrs Tenoe, Miss Lindar; Countrymen-Haughton, Duplessis; Countrywomen-Mrs Walter, Mrs Young.

Performances

Mainpiece Title: King Henry The Ivth Part Ii With The Humours Of Sir John Falstaff And Justice Shallow

Afterpiece Title: Harlequin Happy and Poor Pierrot Married

Performance Comment: Pierrot-Roger; Clombine's Father-Cibber Jr [possibly an error for Weaver; see17281101]; Servants-Hallam Sr, Ray; Harlequin-Cibber Jr; Pierot's Servants-Young Hallam, Young Wetherilt; Cupid-Miss Robinson Jr; Colombine-Mrs Mills; Bridemen-Lally, Essex, Boval, Rainton; Bridemaids-Miss Robinson, Miss Lindar, Mrs Walter, Mrs Roger; Children of Love, representing Two Harlequins-Young Master Lally, Miss Brett.

Performances

Mainpiece Title: The Married Philosopher

Performance Comment: Parts-Quin, Hulet, Milward, Ryan, Walker, Chapman, Mrs Hallam, Mrs Younger, Mrs Stevens; but edition of 1731 lists: Sir Harry Sprightly-Ryan; Odway-Hulett; Old Bellefleur-Quin; Young Bellefleur-Milward; Horatio-Walker; Brush-Chapman; Melissa-Mrs Hallam; Violetta-Mrs Younger; Pinwell-Mrs Stevens; Prologue-Ryan; Epilogue-Mrs Younger.

Performances

Mainpiece Title: The Capricious Lovers

Performance Comment: Parts-Vernon, Yates, Baddeley, Packer, Didier, Mrs Clive, Miss Young, Miss Wright, a Young Gentlewoman in her first appearance on any stage. Colin-Vernon; Hobbinol-Yates; Damon-Baddeley; Astolpho-Packer; Fabian-Didier; Phoebe-Miss Slack , 1st appearance on any stage; Lisetta (with a mock Italian song)-Mrs Clive; Emily-Miss Young; Clara-Miss Wright (Genest, V, 63) Emily-$Miss Scott (Winston MS 9).

Dance: Grimaldi, Aldridge, Giorgi, Berardi, Sga Giorgi, Miss Baker

Performances

Mainpiece Title: The Sot

Performance Comment: Fairlove-Young Gentlewoman, first appearance; Clarinda-Young Gentlewoman, first appearance; Pert-Young Gentlewoman, fifth appearance; Sir Thomas-young Gentleman, first appearance.

Song: Catches and Glees-; Diana's Chace-Miss Jameson

Music: After Comic piece: two Ariettas on the Octave Flute in the Polonese taste-a new performer from that country; After Part II Catches and Glees: Concerto on Clarinet with variations on the Wanton God-Mahon

Performances

Mainpiece Title: Hes Much To Blame

Afterpiece Title: Joan of Arc

Performance Comment: As17980214, but The Argument-. [The Ballet (principally taken from Historical facts) commences with a Grand Battle before the Town of Orleans, in which the English being victorious, a wounded French Officer (Alenson) solicits shelter in the Inn where Joan of Arc and her sister Blanche reside; this is granted, and they scarcely retire, before the conquering party rush into the Inn, but are prevented from using outrage by the intervention of a young English General (Talbot) of whom the sisters become enamoured. He prefers Blanche; and Joan, from resentment, in conjunction with Alenson, meditate his ruin, in which they fail, and are forced to fly--Joan grown desperate, invokes supernatural aid, and receives a Banner from Lucifer--distinguishes the French King in the midst of his Courtiers, tho' a Nobleman in his habit had been imposed on her for him--demands a consecrated sword and shield at the tomb of Charlemagne--heads the French troops, and being victorious, takes young Talbot and her sister (whom he had espoused) Prisoners. +Edwin (young Talbot's Page), not allowed to attend on his master, by concealing himself in the spoils of his tent is conveyed to the court-yard of his Prison, thro' the grating of which he gives him a sleeping draught, telling him on drinking it that they will suppose him dead, and the English demand his body. He complies, but the request of the English is refused, and he lowered into the Cell where Blanche is confined--She conceives him dead--despairing, is on the point of destroying herself, when he awakes--the Page from the top of the Cell points out the means of escape, which they are accomplishing, when Joan rushes in, but appalled at the ghost-like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant (as17980214)] . .
Cast
Role: by concealing himself in the spoils of his tent is Actor: yard of his Prison, thro' the grating of which he gives him a sleeping draught, telling him on drinking it that they will suppose him dead, and the English demand his body. He complies, but the request of the English is refused, and he lowered into the Cell where Blanche is confined--She conceives him dead--despairing, is on the point of destroying herself, when he awakes--the Page from the top of the Cell points out the means of escape, which they are accomplishing, when Joan rushes in, but appalled at the ghost-like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: appalled at the ghost Actor: like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: and forces him to combat Actor: disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: her sword and shield break to pieces Actor: she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant
Role: Young Talbot Actor: Bologna Jun.

Music: As17980214

Performances

Mainpiece Title: The Capricious Lovers

Performance Comment: Parts-Ryan, Walker, Hippisley, Egleton, Bullock, Spiller, Mrs Younger, Mrs Bullock, Mrs Parker, Mrs Moffet, Mrs Egleton; but edition of 1726 lists: Colonel Mockyouth-Hippisley; Beaumine-Walker; Galliard-Ryan; Squire Pert-Egleton; Sir John Cuddy-Bullock Jr; Trust-Spiller; Roger-Bullock Sr; Flora-Mrs Moffet; Graciana-Mrs Younger; Mrs Mincemode-Mrs Bullock; Mrs Fading-Mrs Parker; Frizle-Mrs Egleton;In which will be perform'd a Pastoral Entertainment of Musick-; Vocal Parts-Leveridge, Leguerre, Salway, Mrs Chambers, and others; the edition of 1726 lists: Strephon-Leveridge; Damon-Legare; Phyllis-Mrs Chambers; Prologue-; Epilogue-Mrs Younger in Boy's Cloaths.

Dance: Proper Dances-DuPre, Salle, Lally, Mrs Bullock, Mrs Wall, Mrs Anderson

Performances

Mainpiece Title: The Female Fortune Teller

Performance Comment: Parts-Ryan, Walker, Quin, Hippisley, Hulett, Hall, Mrs Egleton, Mrs Parker, Mrs Younger, Mrs Moffett, Mrs Vincent, Mrs Morgan; but edition of 1726 lists: Spring-Quin; Ringwood-Rian; Sir Charles Mirmont-Walker; Owen Apwigeon-Hippisley; Mrs Joiner-Mrs Egleton; Frances-Mrs Morgan; Astrea-Mrs Parker; Clarinda-Mrs Mowfet; Scuttle-Mrs Younger; Mrs Apwigeon-Mrs Vincent; Prologue-Ryan; Epilogue-Mrs Younger.

Performances

Mainpiece Title: Sir Courtly Nice

Afterpiece Title: Apollo and Daphne or Harlequins Metamorphoses

Performance Comment: Apollo-Thurmond; Daphne-Mrs Booth; Night-Miss Lindar; Aurora-Mrs Boman; Cupid-Young Leigh; Daphne's Followers-Miss Tenoe, Mrs Brett, Mrs Walter; Pastora-Mrs Robinson; Harlequin-Cibber Jr; Pierrot-Roger; Pantalon-Miller; Cookmaid-Harper; Punch-Boval; Pigmy Dancing Master-Sandham; Scaramouch Singing Master-Haughton; Pantalon's Daughters-Mrs Brett, Mrs Young; Adonis-Young Rainton; Venus-Miss Robinson; Concluding with a Rural Masque: Les Bois d'Amourette-; Nymph-Mrs Booth; Rival Swains-Thurmond, Roger; Shepherds-Boval, Lally, Haughton, Duplessis; Shepherdesses-Miss Tenoe, Mrs Brett, Mrs Walter, Miss Lindar.

Performances

Mainpiece Title: Money The Mistress

Performance Comment: Parts-Diggs, Quin, Ryan, Walker, Boheme, Hippisley, Hall, Mrs Younger, Mrs Bullock, Mrs Moffett; but edition of 1726 lists: Governor of Tangier-Diggs; Warcourt-Quin; Mourville-Ryan; Marsan-Walker; Don Manuel-Boheme; Wingrave-Milward; Davila-Hippisley; Mouluza-Hall; Mariana-Mrs Younger; Harriet-Mrs Bullock; Diana-Mrs Moffet; Teresa-Mrs Martin; Prologue by Welstead-Quin; Epilogue by George Jeffreys-Mrs Younger.

Performances

Mainpiece Title: Loves Last Shift Or The Fool In Fashion

Afterpiece Title: Apollo and Daphne or Harlequins Metamorphoses

Performance Comment: Harlequin-Clark; Pierrot-Roger; Pantalon-Cibber Jr; Harlequin a Child-Miss Robinson Jr; Pigmy Dancing Master-Sandham; Scaramouch-Haughton; Pantalon's Daughters-Mrs Young, Mrs Paulet; Adonis-Rainton; Venus-Miss Robinson; Apollo-Thurmond; Daphne-Mrs Booth; Night-Miss Lyndar; Aurora-Mrs Bowman; Cupid-Young Leigh; Nymph-Mrs Booth; Pan-Roger; Shepherds-Lally, Boval; Shepherdesses-Miss Tenoe, Miss Lindar; Countrymen-Haughton, Duplessis; Countrywomen-Mrs Walter, Mrs Young.