SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "William vanLennep"/1) | (@(roleclean,performerclean) "William vanLennep")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 10791 matches on Author, 1664 matches on Performance Comments, 530 matches on Event Comments, 51 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 406

Performances

Mainpiece Title: Love And Revenge

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 216. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended. See VanLennep, Nell Gwyn's Playgoing, p. 406

Performances

Mainpiece Title: The Feign'd Innocence; Or, Sir Martin Marall

Event Comment: The Duke's Company. This performance, the premiere, is on the L. C. list, 5@141, p. 216: first Acting. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance; see VanLennep, Nell Gwyn's Playgoing, p406. The title page states: The English Opera; or The Vocal Musick in Psyche, with the Instrumental Therein Intermix'd...By Matthew Lock. Preface: All the Instrumental Musick (which is not mingled with the Vocal) was Composed by that Great Master, Seignior Gio. Baptista Draghi, Master of the Italian Musick to the King. The Dances were made by the most famous Master of France, Monsieur St.Andree. The Scenes were Painted by the Ingenious Artist, Mr Stephenson. In those things that concern the Ornament or Decoration of the Play, the great industry and care of Mr Betterton ought to be remember'd, at whose desire I wrote upon this Subject. Roger North Upon Music: I am sure the musick in the Psyche was composed by Mr M. Lock, of whom wee may say, as the Greeks sayd of Cleomenes, that he was ultimus Heroum. This masque is also in print, and begins 'Great Psyche,' &c. and the book containing the whole musick of that entertainment is not unworthy of a place in a vertuoso's cabanet (ed. John Wilson [1959], pp. 306-7). Preface to Settle's Ibrahim (licensed 4 May 1676): I have often heard the Players cursing at their oversight in laying out so much on so disliked a play [Psyche]; and swearing that they thought they had lost more by making choice of such an Opera: writer than they had gained by all his Comedies; considering how much more they might have expected, had such an Entertainment had that scence in it, that it deserved: and that for the future they expect the Tempest, which cost not one Third of Psyche, will be in request when the other is forgotten. Downes (Roscius Anglicanus, pp. 35-36): In February 1672. The long expected Opera of Psyche, came forth in all her Ornaments; new Scenes, new Machines, new Cloaths, new French Dances: This Opera was Splendidly set out, especially in Scenes; the Charge of which amounted to above 800l. It had a Continuance of Performance about 8 Days together it prov'd very Beneficial to the Company; yet the Tempest got them more Money

Performances

Mainpiece Title: Psyche

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 406

Performances

Mainpiece Title: Psyche

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, 407. This day may well have been the premiere; the play was not licensed until 5 July 1675

Performances

Mainpiece Title: The Woman Turned Bully

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance; see VanLennep, Nell Gwyn's Playgoing, p. 407

Performances

Mainpiece Title: The Libertine

Event Comment: The Duke's Company. Nell Gwyn attended this performance; see VanLennep, Nell Gwyn's Playgoing, p. 407

Performances

Mainpiece Title: The Conquest Of China By The Tartars

Event Comment: The Duke's Company. Nell Gwyn attended this performance; see VanLennep, Nell Gwyn's Playgoing, p. 407

Performances

Mainpiece Title: Herod And Mariamne

Event Comment: The Duke's Company. Nell Gwyn attended this performance; see VanLennep, Nell Gwyn's Playgoing, p. 407

Performances

Mainpiece Title: Psyche

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 407

Performances

Mainpiece Title: Doctor Faustus

Related Works
Related Work: The Life and Death of Doctor Faustus Author(s): William Mountfort
Related Work: The Life and Death of Doctor Faustus, Made into a Farce Author(s): William Mountfort
Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 407

Performances

Mainpiece Title: Psyche

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 407

Performances

Mainpiece Title: Psyche

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 407

Performances

Mainpiece Title: The Mad Lover

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 407

Performances

Mainpiece Title: The Wanton Wife

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 407. The day is not known, but the performance apparently occured in December 1675

Performances

Mainpiece Title: The Valiant Cid

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 407. The date of the performance is uncertain, but it appears to have been in Jan. 1675@6

Performances

Mainpiece Title: Psyche

Event Comment: The Duke's Company. Nell Gwyn attened a performance of this play, probably in February 1676, See VanLennep, Nell Gwyn's Playgoing, p. 407

Performances

Mainpiece Title: She Would If She Could

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81: At the Man of Mode. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 407. It is uncertain whether this is the premiere, but the licensing date of 3 June 1676 suggests that the first production may have occurred at this time. Downes (Roscius Anglicanus, p. 36): This Comedy being well Cloath'd and well Acted, got a great deal of Money. One song, As Amoret with Phyllis sat, the words by Sir Car Scroope and the music by Nicholas Staggins, is in Choice Ayres and Songs, The Second Book, 1679; another, When first Amintas charmed my heart, the music by Staggins, is in the same collection, Fifth Book, 1684. John Dennis: I remember very well that upon the first acting this Comedy, it was generally believed to be an agreeable Representation of the Persons of Condition of both both Sexes, both in Court and Town; and that all the World was charm'd with Dorimont (A Defence of Sir Fopling Flutter, 1722, p. 18). For the full text of Dennis' discussion of this play, see The Critical Works of John Dennis, ed. E. N. Hooker (Baltimore, 1943), II, 241-50

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Event Comment: Nell Gwyn attended a performance on this day, but the play is not known. See VanLennep, Nell Gwyn's Playgoing, p. 407

Performances

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance; see VanLennep, Nell Gwyn's Playgoing, p. 407. Nell Gwyn's attendance again on Friday 9 June suggests that she attended the premiere. On that assumption, this Calendar lists the probable ten performances which Downes (Roscius Anglicanus, p. 36) alludes to: And all the Parts being admirably Acted, it lasted successively 10 Days; it got more Money than any preceding Modern Tragedy

Performances

Mainpiece Title: Don Carlos, Prince Of Spain

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 407

Performances

Mainpiece Title: Don Carlos, Prince Of Spain

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 408. It is not known when the premiere occurred, but this is the earliest known performance. The Prologue, missing in the 1677 edition, is in the 1693 edition. A song, Make haste, my shepherd, come away, with music by Francis Forcer, is in Choice Ayres and Songs, Second Book, 1679

Performances

Mainpiece Title: Abdelazer; Or, The Moor's Revenge

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 408. There is no certainty that this is the premiere, but the reference in the Prologue to the long vacation and the licensing date of 25 Sept. 1676 point to a summer production

Performances

Mainpiece Title: The Wrangling Lovers; Or, The Invisible Mistress

Related Works
Related Work: The Wrangling Lovers Author(s): William Lyon
Related Work: Every Body Mistaken Author(s): William Taverner
Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408

Performances

Mainpiece Title: The Guardian

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408

Performances

Mainpiece Title: The Country Wit