SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "William Shakespeare"/1) | (@(roleclean,performerclean) "William Shakespeare")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 11032 matches on Author, 1691 matches on Performance Comments, 646 matches on Event Comments, 85 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: The Deserter

Related Works
Related Work: The Deserter Author(s): William Reeve

Ballet: End: The Scotch Ghost. As17991202, but Saundy-_; Donald-_

Entertainment: In which a Trial of Skill, in the exercise of the Austrian and Highland Broadsword-Nine of the First Swordsmen in this Kingdom

Performances

Mainpiece Title: St Davids Day

Afterpiece Title: Liberal Opinions

Afterpiece Title: Paul and Virginia

Related Works
Related Work: Paul and Virginia Author(s): William Reeve

Dance: In 3rd piece: As18000501

Song: In 3rd piece: As18000501

Performances

Mainpiece Title: Abroad And At Home

Related Works
Related Work: Abroad and at Home Author(s): William Shield

Afterpiece Title: Britains Sons or Success to our Heroes

Performance Comment: New Mariners-Hill, Linton, Townsend; Black Ey'd Susan (for this night only)-Hill; Song-Townsend; Song-Johnstone; Young William was a Seaman true-Incledon; Rule Britannia, as18000430, but Johnstone. Rule Britannia, as18000430, but Johnstone.

Afterpiece Title: The Turnpike Gate

Related Works
Related Work: The Turnpike Gate Author(s): William Reeve

Song: In: Together let us range the Fields-Incledon, Mrs Atkins; The Soldier Tir'd (from Artaxerxes)-Mrs Atkins

Performances

Mainpiece Title: Indiscretion

Afterpiece Title: The Follies of a Day

Related Works
Related Work: The Follies of a Day Author(s): William Shield
Related Work: The Follies of a Day; or, The Marriage of Figaro Author(s): William Shield

Performances

Mainpiece Title: Ramah Droog

Related Works
Related Work: Ramah Droog; or, Wine does Wonders Author(s): William Reeve

Afterpiece Title: The Ghost

Cast
Role: William Actor: Emery

Afterpiece Title: The Poor Soldier

Related Works
Related Work: The Poor Soldier Author(s): William Shield
Related Work: The Shamrock; or, The Anniversary of St. Patrick Author(s): William Shield

Song: In course of Evening: Love thou maddening Power-Mrs Trevor; Old Towler-Incledon

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: Paul and Virginia

Related Works
Related Work: Paul and Virginia Author(s): William Reeve

Dance: As18000503

Song: As18000503

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Love in a Camp or Patrick in Prussia

Related Works
Related Work: Love in a Camp; or, Patrick in Prussia Author(s): William Shield

Song: End I: The Sailor's Journal-Incledon; In course Evening: Young William was a seaman true-Incledon; All get drunk together-Townsend; United Englishmen-Munden; The Anchor Smiths-Townsend

Event Comment: Account-Book: Tickets delivered by John Brandon, Dick, Denman, Hall (carpenter), Hay, Williamson will be admitted. [Miss Lascelles is identified in Morning Post, 4 June.] Receipts: #409 16s. (39.2.6; 6.9.0; tickets: 364.4.6)

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: The Farmer

Related Works
Related Work: The Farmer Author(s): William Shield

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: Paul and Virginia

Related Works
Related Work: Paul and Virginia Author(s): William Reeve

Dance: As18000503

Song: As18000503

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: The Turnpike Gate

Related Works
Related Work: The Turnpike Gate Author(s): William Reeve

Dance: End: New Hornpipe-a Young Lady (1st appearance in public [Miss Rogers]); End I afterpiece: A Scotch Pas Deux-Jackson, Miss Bologna

Song: After 1st dance: The Little Farthing Rushlight-Master Standen

Performances

Mainpiece Title: The Lie Of The Day

Afterpiece Title: Three Weeks after Marriage

Afterpiece Title: Paul and Virginia

Related Works
Related Work: Paul and Virginia Author(s): William Reeve

Song: In Course Evening: The Storm-Incledon

Entertainment: Monologue End II: personal address to the Audience in a Poetical Composition-O'Keeffe (written by Himself for the Occasion); End: Imitations-Rees

Performances

Mainpiece Title: Love For Love

Related Works
Related Work: Love for Love Author(s): William Congreve

Afterpiece Title: The Follies of a Day

Related Works
Related Work: The Follies of a Day Author(s): William Shield
Related Work: The Follies of a Day; or, The Marriage of Figaro Author(s): William Shield

Song: In course evening: The Soldier tir'd of War's alarms-Miss Stephens; End I afterpiece: Crazy Jane-Mrs Bland

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: The Poor Soldier

Related Works
Related Work: The Poor Soldier Author(s): William Shield
Related Work: The Shamrock; or, The Anniversary of St. Patrick Author(s): William Shield

Song: In course evening: Sweet Echo-Mrs Mountain; accompanied on the Hautboy-Forster=; The Soldier Tir'd-Mrs Mountain

Performances

Mainpiece Title: The Review

Afterpiece Title: The Deaf Lover

Related Works
Related Work: The Deaf Lover Author(s): William Shield
Related Work: The Device; or, The Deaf Doctor Author(s): William Shield

Afterpiece Title: Obi

Event Comment: In L. C. 5@139, p. 373, is a list of plays allowed to the Duke's Company: The Poetaster [by Ben Jonson]. Cupids Reuenge [by Francis Beaumont and John Fletcher. See 17 Aug. 1668]. Timon of Athens [by William Shakespeare]. Troyolus and Grisseida [by William Shakespeare]. Three parts of H. ye 6 [by William Shakespeare]. The honest mans fortune [by John Fletcher and others]. Woemen pleas'd [by John Fletcher]. Witt at Seuerall Weapons [by Francis Beaumont and John Fletcher]. The Woemen Hater or The hungry Courtier [by Francis Beaumont]. All fooles [by George Chapman]. Birons Conspiracy [by George Chapman]. Broken heart [by John Ford]. Bird in a Cage [by James Shirley]. Chabot Admirall of ffranse [by James Shirley, with George Chapman]. ffaithful Shepherd [possibly Guarini's Il Pastor Fido]. Herod and Antipater [by Gervase Markham with William Sampson]. Humor out of breath [by John Day]. Jealous Louers [by Thomas Randolph]. Loues Melancholy [Lover's Melancholy, by John Ford]. Muliasses the Turke [by John Mason]. Queene of Arragon [by William Habington]. Revenge of Bussy D'Ambois [by George Chapman]. Revenge for Honor [or The Parricide, by Henry Glapthorne]

Performances

Event Comment: Betterton's Company. The date of the premiere is not known, but Dryden, on 14 Dec. 1699, indicated that the run of the play had been completed by that day. A copy in the Folger Shakespeare Library has a notice of its publication. Downes, Roscius Anglicanus, p. 45: Iphigenia a Tragedy, wrote by Mr Dennis, a good Tragedy and well Acted; but answer'd not the Expences they were at in Cloathing it. [In The Life of Mr John Dennis (London, 1734) the author states that Colonel Codrington prevailed on all his friends to take tickets for the dramatist's third night.] Preface, Edition of 1700: And from the first representations I expected all the success that I could reasonably desire. I never in my life at any Play took notice of a more strict attention, or, a more profound silence. And there was something like what happen'd at the Representation of Pacuvius his Tragedy. For upon Orestes discovering his passion to Iphigenia in the fourth Act, there was a general murmur through the Pit, which is what I had never seen before. But after three or four representations, several people, who during that time had wholly abandon'd themselves to the Impression which Nature had made on them, began to study how to be discontented by Art; and repented heartily at having been pleas'd with what Athens and Rome and Paris had been pleas'd before. A Comparison between the Two Stages (1702), p. 23: Critick: I must needs Complement him [Dennis] with the Success of his laborious Iphigenia: Ay, here's a Tragedy with a witness--show a more tragick Poet if you can--'twas a smart Epilogue. But I marvel a Man of Mr Dennis's Penetration wou'd suffer, nay beg his Friend to Burlesque him at that unreasonable rate: But the Author was conscious the Audience might mistake it for a Comedy, and so he gets Colonel C-(he was sure his Word wou'd be taken) to tell 'em it was not a Comedy but a Tragedy: The hint was good and necessary, for o' my word very few knew what to make of it before, tho' there were many Tremendous things in't. [The dialogue continues to examine Dennis' Preface, and Dennis's assertions there concerning his play.

Performances

Mainpiece Title: Iphigenia

Performance Comment: Edition of 1700: Prologue-Mr Verbruggen as the Genius of England; Epilogue by Coll. Codrington-; Orestes-Betterton; Pilades-Williams; Queen-Mrs Barry; Iphigenia-Mrs Bracegirdle; Euphrosine-Mrs Martin.
Cast
Role: Pilades Actor: Williams
Event Comment: Benefit for Bannister Jun. Mainpiece: As originally written by Shakespeare. [Genest's remark (VI, 133), "Garrick's alteration [which had been performed uninterruptedly at this theatre since Dec. 1772] seems never to have been acted after this night", is correct.] Public Advertiser, 15 Apr.: Tickets to be had of Bannister Jun., No. 8, Air-street, Piccadilly. Receipts: #280 8s. 6d. (124.18.0; 20.0.0; 0.5.6; tickets: 135.5.0) (charge: #105)

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Bannister Jun. (1st appearance in that character); King-Hurst; Horatio-Davies; Polonius-Baddeley; Laertes-Aickin; Ostrick-Lamash; Rosencraus-R. Palmer; Guildenstern-Williams; Player King-Chaplin; Marcellus-Wrighten; Grave@Diggers-Parsons, Burton; Ghost-Henry (1st appearance in that character); Queen-Mrs Hopkins; Ophelia-Mrs Baddeley.
Cast
Role: Guildenstern Actor: Williams
Related Works
Related Work: Hamlet Author(s): William Shakespeare

Afterpiece Title: The Critic

Entertainment: Imitations. End II: contrasted vocal Imitations in the Italian and English stile-Bannister; End V: a variety of Imitations-Bannister Jun

Event Comment: 1st piece: Not acted these 7 years [acted I Apr. 1777]. 2nd piece: As originally written by Shakespeare. No Persons admitted behind the Scenes, nor any Money returned after the Curtain is drawn up. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:30. to begin at 6:30 [see 23 Oct.]. Receipts: #161 12s. (135.0; 26.12; 0.0)

Performances

Mainpiece Title: The Election

Afterpiece Title: Hamlet

Performance Comment: Hamlet-Bannister Jun.; King-Packer; Horatio-Farren; Polonius-Baddeley; Laertes-Aickin; Ostrick-Lamash; Rosencraus-R. Palmer; Guildenstern-Williams; Player King-Chaplin; Marcellus-Wrighten; Lucianus-Waldron; Messenger-Wright; Francisco-Norris; Bernardo-Phillimore; Gravediggers-Persons, Burton; Ghost-Palmer; Queen-Mrs Hopkins; Ophelia-Mrs Baddeley.
Cast
Role: Guildenstern Actor: Williams
Related Works
Related Work: Hamlet Author(s): William Shakespeare

Afterpiece Title: High Life below Stairs

Dance: In II 3rd piece: a Mock@minuet-Palmer, Miss Pope. [This was included, as here assigned, in both subsequent performances.

Event Comment: Mainpiece: As originally written by Shakespeare. Afterpiece: To conclude with a perspective Representation of the Grand Camp at Cox-Heath [see 15 Oct. 1778]. Receipts: #170 8s. (121/10/0; 48/15/6; 0/2/6)

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Smith; King-Packer; Horatio-Farren; Polonius-Baddeley; Laertes-Aickin; Ostrick-Lamash; Rosencraus-R. Palmer; Guildenstern-Williams; Player King-Chaplin; Marcellus-Wrighten; Lucianus-Waldron; Messenger-Wright; Francisco-Norris; Bernardo-Phillimore; Priest-Griffiths; Gravediggers-Parsons, Burton; Ghost-Palmer; Ophelia-Miss Field; Queen-Mrs Hopkins. [Edition of 1782 (Bathurst) adds: Player Queen-Mrs Booth.] hathi. hathi.
Cast
Role: Guildenstern Actor: Williams
Related Works
Related Work: Hamlet Author(s): William Shakespeare

Afterpiece Title: THE CAMP

Performance Comment: Sir Harry Bouquet-Dodd; Gage-Parsons; O'Daub-Moody; Mons. Bluard-Baddeley; William-Du-Bellamy; Serjeant Drill-Bannister; Nancy-Mrs Wells (from the Theatre Royal, Haymarket; 1st appearance on this stage); Nell-Mrs Wrighten. The other Characters by Burton, Wrighten, Wright, Chaplin, Holcroft, Fawcett, Phillimore, Norris, Griffiths, Nash, &c.; Miss Wright, Miss Simson, Miss Collett . Miss Wright, Miss Simson, Miss Collett .
Cast
Role: William Actor: Du-Bellamy
Related Works
Related Work: Love in a Camp; or, Patrick in Prussia Author(s): William Shield
Related Work: Hartford Bridge; or, The Skirts of the Camp Author(s): William Pearce
Event Comment: By Permission of the Lord Chamberlain. Benefit for Waldron, prompter. Mainpiece [1st time; TC 5, by Francis Godolphin Waldron. Larpent MS 1094; not published]: Founded on Shakespeare and Fletcher's Two Noble Kinsmen, by the Continuator of Ben Jonson's Sad Shepherd. With new Music composed by Dr Arnold. Copies of the Songs will be delivered gratis at the Theatre. Afterpiece [1st time; C 3, by Francis Godolphin Waldron, abridged from his The Maid of Kent. Larpent MS 1095; not published]: Written by the Author of Heigho for a Husband. Tickets and Places for the Boxes to be had of Waldron, No. 54, Drury-lane, and of Rice, at the Theatre

Performances

Mainpiece Title: Love And Madness

Afterpiece Title: Tis a Wise Child Knows its Father

Performance Comment: Characters-Davies, Wilkinson, Palmer Jun., Usher, Waldron, Waldron Jun., A Young Lady, Mrs Harlowe. [Larpent MS lists the parts: Lord Sealand, Sir ThomasRichacre, Doctor Goodman, George, Metre, William, Emily, Patty.]Larpent MS lists the parts: Lord Sealand, Sir ThomasRichacre, Doctor Goodman, George, Metre, William, Emily, Patty.]
Event Comment: Downes (Roscius Anglicanus, p. 8) gives a cast for Julius Caesar [by William Shakespeare] which includes Richard Bell, who died in the Drury Lane fire at the end of this month. It is not known when a performance of this play occurred, but a Prologue to Julius Caesar is in Covent Garden Drollery, 1672. Downes lists: Julius Caesar-$Bell; Cassius-$Major Mohun; Brutus-$Hart; Anthony-$Kynaston; Calphurnia-$Mrs Marshal. [Downes adds Portia-$Mrs Corbet, but this probably refers to a later performance.

Performances

Event Comment: The United Company. The date of this production is determined by a letter (see below). For a discussion of the origin and development of this play, see Hotson, Commonwealth and Restoration Stage, pp. 274-76. A song, Why shou'd the world mistake, the music composed by John Eccles and sung by Mrs Hudson, is in Thesaurus Musicus, 1695. An unidentified letter, 22 March 1693@4: We had another new play yesterday, called The Ambitious Slave, or a Generous Revenge. Elkanah Settle is the author of it, and the success is answerable to his reputation. I never saw a piece so wretched, nor worse contrived. He pretends 'tis a Persian story, but not one body in the whole audience could make any thing of it; 'tis a mere babel, and will sink for ever. The poor poet, seeing the house would not act it for him, and give him the benefit of the third day, made a present of it to the women in tie house, who act it, but without profit or incouragement (Edmond Malone, An Historical Account of the Stage in Plays and Poems of William Shakespeare [London, 1821], III, 163-64). Gentleman's Journal, March 1694: 'Tis not altogether strange for a Play to be less kindly receiv'd, immediately after one that has deservedly ingross'd all the Applause which the Town can well bestow in some time on new Dramatic Entertainments. Perhaps Mr Settle may partly impute to this, the want of success of a new Tragedy of his which was lately acted, 'tis called, The Ambitious Slave; or, The Generous Revenge. [This play followed Southerne's The Fatal Marriage.

Performances

Mainpiece Title: The Ambitious Slave Or A Generous Revenge

Event Comment: An unidentified letter, 22 March 1693@4. There is hardly anything now to make it acceptable to you, but an account of our winter diversions, and chiefly of the new plays which have been the entertainment of the town. The first that was acted was Mr Congreve's, called The Double Dealer [see October 1693]. It has fared with that play, as it generally does with beauties officiously cried up: the mighty expectation which was raised of it made it sink, even beneath its own merit. The character of The Double Dealer is artfully writt, but the action being but single, and confined within the rules of true comedy, it could not please the generality of our audience, who relish nothing but variety, and think any thing dull and heavy which does not border upon farce.--The criticks were severe upon this play, which gave the author occasion to lash 'em in his Epistle Dedicatory, in so defying or hectoring a style, that it was counted rude even by his best friends; so that 'tis generally thought he has done his business, and lost himself: a thing he owes to Mr Dryden's treacherous friendship, who being jealous of the applause he had gott by his Old Batchelour, deluded him into a foolish imitation of his own way of writing angry prefaces. The 2d play is Mr Dryden's, called Love Triumphant, or Nature will prevail [see 15 January 1694]. It is a tragi-comedy, but in my opinion one of the worst he ever writt, if not the very worst: the comical part descends beneath the style and shew of a Bartholomew-fair droll. It was damn'd by the universal cry of the town, nemine contradicente, but the conceited poet. He says in his prologue, that this is the last the town must expect from him; he had done himself a kindness had he taken his leave before. The 3d is Mr Southern's call'd The Fatal Marriage, or the Innocent Adultery [see February 1693@4]. It is not only the best that author ever writt, but is generally admired for one of the greatest ornaments of the stage, and the most entertaining play has appeared upon it these 7 years. The plot is taken from Mrs Behn's novel, called the Unhappy Vow-Breaker. I never saw Mrs Barry act with so much passion as she does in it; I could not forbear being moved even to tears to see her act. Never was poet better rewarded or incouraged by the town; for besides an extraordinary full house, which brought him about 140 #. 50 noblemen, among whom my Lord Winchelsea, was one, give him guineas apiece, and the printer 36 #. for his copy. This kind usage will encourage desponding minor poets, and vex huffing Dryden and Congreve to madness. [For the fourth play, see 21 March 1693@4; Edmond Malone, Plays and Poems of William Shakespeare (London, 1821), III, 162-64.

Performances

Event Comment: Afterpiece With the Scene of the Drawing. [William Hint in a Letter on Managers (Daily Gazetteer 26 Oct.) laments that Dunstall was cast as Sir William Belfond in the mainpiece and that Hippisley was cast in an inferior part. He thought Hippisley would have done better as Sir William.

Performances

Mainpiece Title: The Squire Of Alsatia

Performance Comment: Squire-Chapman; Belfond Jun.-Hale; Sir Edward Belfond-Bridgwater; Sir William Belfond-Dunstall; Lolpoop-Hippisley; Trueman-Cashell; Attorney-Ridout; Scrapeall-James; Cheatly-Rosco; Shamwell-Gibson; Capt Hackem-Marten; Termagant-Anderson; Teresia-Mrs Hale; Isabella-Mrs Vincent; Lucia-Miss Hippisley; Ruth-Mrs Martin; Mrs Hackem-Stoppelaer; Mrs Termagant-Mrs Pritchard.
Cast
Role: Sir William Belfond Actor: Dunstall

Afterpiece Title: The Lottery

Related Works
Related Work: The Shepherd's Lottery Author(s): William Boyce

Dance: LLe Gondalier-Cooke, Villeneuve, Delagarde, Rector, Destrade, Mrs Delagarde, Mrs Norman, Mrs LeBrun, Mrs Villeneuve; La Provencale-Picq, Mlle Duval

Event Comment: MMiss Williams made her first appearance this Night in Polly. Spoke some of the part tolerably well, wants power in her singing (Hopkins). Polly by Miss Williams. Great Applause (Cross Diary). Miss Williams made her first appearance this night in Polly--a Lady, I think, that has but few requisites for the stage--a very indifferent voice spoke some of the part tolerable,--some few hisses (Hopkins Diary--MacMillan). Receipts: #256 9s. 6d. (MacMillan)

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17630917, but Polly-Miss Williams; Player-Mozeen.
Cast
Role: Polly Actor: Miss Williams

Afterpiece Title: The Genii